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of the omnipotent good spirit over the evil. While Durga Kainthola’s ‘Garden of Spiritualism’ goads<br />

us to look for the lord within, the golden in Sheela Chamaira’s work symbolizes Sai’s energy and<br />

philosophy of ‘Sabka malik ek’. And perception and faith are more important than form or appearance<br />

seems to be the message behind Ankit Patels’s deformed or reformed sculpture titled ‘Form’ as is the<br />

case with Dharmendra Rathore’s painting that revokes the idea of Saisattva- Sab ka maalik ek or Sab<br />

mei maalik ek... His ideals for peace and harmony are also featured in differently delineated work<br />

by S Gopal and Sujata Miri.<br />

Within and Without<br />

‘With meditation, the difference between subject and object is lost and mind dissolves in unity’…<br />

Sai’s love for nature that nurtures humanity is central to the painterly landscapes by artists Ananya<br />

Banerjee, Kota Neelima, Aruna Vasudev and Rita Jhunjhunwala that appear submerged in a Heavenly<br />

grace. Featuring lotus as a symbol of victory of good over the evil that flowers gloriously amidst<br />

the slush where it is born and the water which sustains it, they evoke a sense of enlightenment.<br />

Devangi’s work on the other hand uses tree as a symbol of awakening and life, a God’s gift to the<br />

mankind like the Sai himself who propagated tranquility for our troubled world. The winged creature<br />

by Shuvaprasanna is seen to appear on the horizon with his message of peace while Tejinder Kanda’s<br />

imagery recreates an ambience of celebration as devotees throng at Shirdi for pilgrimage. Like the<br />

light that dispels darkness; Sai inspires us to look within and transcend the difficult to lead a life of<br />

harmony and peace.<br />

Summary<br />

The artists in the exhibition focus not just on the form but also the spirit and soul of what Sai<br />

Baba stands for. Ranging from figuration to abstraction to impressionistic to tantric, as two or three<br />

dimensional art and in variable combinations, most of the artistic creations are driven by a strong<br />

religious fervor. But life is not just black and white. There are also numerous shades of grey inbetween<br />

and the art works also explore the complexity of the world we inhabit with its mix of pretty<br />

polished clean as well as the impure rough and jarring elevations and aberrations. Some set one’s<br />

thought process in motion around questions of faith and myth whilst a few use it to reflect their<br />

socio-political anxieties. Some appear in the guise of edificatory, others opt to use it as a forum in<br />

search of communal harmony. There are works that provide visual delight and others that question or<br />

arouse a soul enhancing/spiritual experience. Essentially the art works in the collection are symbolic<br />

of a real life story that has taken many interesting turns and twists to reach a zenith, uplifting the<br />

protagonist to a Godly status.<br />

The artists and the <strong>Art</strong> <strong>Positive</strong> gallery through their creative expressions not only offer the viewer<br />

a multifarious show, but also contribute a proportion of the sale proceeds from the art works in the<br />

exhibition to support the charities associated with Shirdi Shri Sai Baba Sansthan Trust- through this<br />

commendable initiative.<br />

Sushma K Bahl, MBE, Independant Curator, Writer & Consultant of Cultural Projects<br />

97

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