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S P O T L I G H T D E P A R T M E N T S - The Taft School

S P O T L I G H T D E P A R T M E N T S - The Taft School

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S P O T L I G H T<br />

<strong>The</strong> white wood duck is a mutation, not an<br />

albino, of the Carolina wood duck found<br />

along the eastern seacoast. <strong>The</strong> mutation<br />

happens once in 100,000 birds. <strong>The</strong> bird on<br />

the right is an old squaw, which is found<br />

along the Atlantic seacoast.<br />

Julia and Kem Appell ’55 in their backyard aviary.<br />

education. As Julia explains, “We can’t be<br />

all things to all people. We make the choice<br />

not to breed the birds.” Instead, they are<br />

bred and hatched in Litchfield and then<br />

brought to the Sanctuary. In fact, Kem is<br />

quick to invoke his “mentor” Mike Bean,<br />

and to credit his help with creating and<br />

maintaining the Sanctuary. Mike is some<br />

thirty years younger than Kem, and is the<br />

superintendent and curator of the<br />

Livingston-Ripley Waterfowl Trust in<br />

Litchfield, begun by Dillon Ripley, an ornithologist<br />

and former secretary of the<br />

Smithsonian. It is Mike Bean who first<br />

showed Kem, clad in his Cole-Haan shoes<br />

and his Sunday finest, as they tramped together<br />

through the muddy grounds of the<br />

Waterfowl Trust, what is possible to create<br />

for these birds. Kem’s reaction, he says, was<br />

“typical: I want it all, and I want it now.”<br />

Unfortunately, he had to wait for the<br />

eggs to hatch and for the hatchlings to<br />

fledge (to feather), so he read, and he<br />

learned “the hard way.” I sense the determination<br />

of this man—and the vision,<br />

and the patience it took to execute his<br />

dream. <strong>The</strong>re was much to add and to<br />

alter in terms of his property. <strong>The</strong> pond<br />

originally held trout; the neighbors had<br />

to learn to accept the deliveries of propane<br />

to heat the buildings, and to get<br />

used to the school buses. Kem gave up<br />

golf, skiing, the country club, and trips to<br />

the Caribbean. He and Julia are fairly tethered<br />

to their backyard oasis, in fact, and<br />

they get only part-time help in running<br />

and maintaining the Sanctuary. Yet both<br />

are quick to affirm its centrality in their<br />

lives and its many rewards. Put most simply,<br />

it is something to share with others,<br />

from second graders to college students,<br />

from grandchildren to hip-wader wearing<br />

Audubon Society members.<br />

<strong>The</strong> Appells’ creation of the Sanctuary<br />

has led to professional memberships<br />

and an ardent side interest. Kem is on the<br />

board of the American Pheasant and Waterfowl<br />

Society. He has also developed a<br />

passion for wood carvings of birds and has<br />

been asked to judge carvings from all over<br />

the world. “Wildfowl Art,” as it is called,<br />

is a beautiful and delicate form of representation.<br />

Like the second graders, wood<br />

carvers also make use of the Sanctuary.<br />

<strong>The</strong>y come to observe and study the eider<br />

and other waterfowl living on the pond.<br />

Kem and Julia show me some of these incredible<br />

carvings, and I am struck by the<br />

detail of each. Life-size and life-like in every<br />

way, the carvings are warm and vivid<br />

renderings of the very creatures I had seen<br />

swimming, splashing and feeding on the<br />

pond. Thanks to the Appells, I am far away<br />

from Friday afternoon traffic and the cares<br />

of a restless world.<br />

Sara Beasley is a member of the English<br />

Department. She came to <strong>Taft</strong> two years<br />

ago after teaching at Davidson College.<br />

20 Winter 1999

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