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INSIDE: DETAILED DELMARK BLUES ... - Delmark Records

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ITALIAN IMPORT LPs FROM MONK RECORDS.<br />

For vintage blues, you can’t go wrong with these beautiful 180g vinyl issues.<br />

CHARLEY PATTON,<br />

You're Gonna Need<br />

Somebody When You’re<br />

Dead (MONK 300)<br />

4LPs $119.99<br />

Featuring Patton’s<br />

recordings from 1929 to<br />

1934 all in one set.<br />

Includes 6 postcards, a poster and a booklet.<br />

Contains the 3 different volumes of the Electrically<br />

Recorded trilogy (Prayer Of Death, High Water<br />

Everywhere and Jesus Is A Dying-Bed Maker) plus a<br />

forth LP available only in this box.<br />

CHARLEY PATTON, Electrically Recorded:<br />

Prayer of Death (MONK 304) LP $23.99<br />

It was not only Patton’s mastery of the guitar and<br />

incredible vocal style that gained him popularity. His<br />

rock star-style showmanship and stage antics, made<br />

him the idol of music fans everywhere he played.<br />

CHARLEY PATTON, Electrically Recorded:<br />

Jesus is A Dying Bed Maker (MONK 308) LP $23.99<br />

12 more tunes from Patton’s 1929 recording sessions.<br />

Here he performs some of his finest spiritual<br />

blues, like the title track. One the most seminal<br />

blues artists of all time, this collection helps keep<br />

the legend alive.<br />

CHARLEY PATTON, Electrically Recorded:<br />

High Water Everywhere LP<br />

This compilation features the two-part “High Water<br />

Everywhere,” and “Devil Sent The Rain Blues,” making<br />

this second episode of Monk’s retrospective on<br />

Patton another must have.<br />

CHARLEY PATTON, Electrically Recorded:<br />

Moon Going Down $23.99 (MONK 311)<br />

The tracks found here feature another giant of the<br />

Delta blues: Willie Brown. Although Brown was an<br />

accomplished vocalist and his guitar player was second<br />

to none, he was perhaps known as a sideman,<br />

accompanying Robert Johnson, Son House and, as<br />

heard here, Charley Patton.<br />

BLIND WILLIE MCTELL,<br />

Scarey Day Blues<br />

(MONK 309) 2LP $32.99<br />

Despite his blindness,<br />

McTell was a talented<br />

musician since early<br />

childhood. He is credited<br />

with having created an<br />

entire blues sub genre by mixing the hard roots of the<br />

Delta style with the more refined East Coast style<br />

(Piedmont Blues).<br />

BLIND WILLIE MCTELL, Searching The Desert<br />

for the Blues (MONK 335) 2LP $32.99<br />

This 32-track collection of rare sides-originally<br />

released on Okeh (as Georgia Bill), Victor (as Hot<br />

Shot Willie) and Vocalion (as Blind Willie) finds McTell<br />

playing alongside another amazing Georgia blues guitarist,<br />

Curley Weaver, and backing two fine Atlanta<br />

blues singers Ruth (Mary) Willis and Ruby Glaze.<br />

BLIND LEMON<br />

JEFFERSON, IWantTo<br />

Be Like Jesus In My<br />

Heart (MONK 312)<br />

LP $23.99<br />

The epitome of a sort of<br />

“dark” blues, Henry “Blind<br />

Lemon” Jefferson lived a<br />

mere 35 years, during which time he became the<br />

quintessential bluesman, conjuring a personal mix of<br />

rural and urban blues, decrying the conditions of the<br />

sharecroppers and city slum dwellers alike. He actually<br />

got his start playing in brothels and barber<br />

shops, where he developed his theatrical vocal<br />

lament. Unfortunately this early genius of the blues<br />

allegedly met his premature demise by freezing to<br />

death in 1929 in Chicago.<br />

FURRY LEWIS, I Will<br />

Make Your Money Green<br />

(MONK 321) 2LP $32.99<br />

Furry Lewis began his<br />

recording career in<br />

1927 (his first session<br />

is found here) and his<br />

prowess on his instrument,<br />

along with his natural flair for storytelling,<br />

immediately set him apart from so many other<br />

struggling young bluesmen. These sides represent<br />

his best material, recorded at the end of the<br />

roaring twenties, when Lewis was a young man<br />

at the heighth of his abilities.<br />

BLIND BLAKE, That WIll Happen No More<br />

(MONK 331) LP $21.99<br />

After their success with Blind Lemon Jefferson,<br />

Chicago's Paramount was scouting for more male<br />

blues talent, and they found it in 1926 in a man<br />

called Blind Blake (1893-1933), a sophisticated<br />

guitar player who was the antithesis of Delta blues.<br />

No one had fingers as fast as Blind Blake. These<br />

recordings taken from 1927-28 are a collection of<br />

Blind Blake’s early material, showcasing the man<br />

at his musical peak.<br />

BLIND BLAKE, Back Biting Bee Blues<br />

(MONK 313) LP $23.99<br />

Blind Blake may have lived a short time, but his<br />

contributions were monumental. His astonishingly<br />

odd style made his riffs sound like a ragtime piano<br />

and his particular finger picking inspired many<br />

modern blues artists.<br />

TOMMY JOHNSON, Cool Drink of Water Blues<br />

(MONK 320) 2LP $32.99<br />

Tommy Johnson was one of the great early talents<br />

of the Delta Blues style. Recorded in Memphis and<br />

Wisconsin in 1928 and 1929, these 17 tracks represent<br />

Johnson's complete recorded works from<br />

those two years, and capture Johnson in his prime.<br />

There is also some lesser known material included<br />

here like, "Ridin Horse" and "Alcohol and Jake<br />

Blues", taken from what is believed to be the only<br />

remaining copy of the original 78!<br />

SON HOUSE AND OTHER GREAT DELTA <strong>BLUES</strong><br />

SINGERS (MONK 328) 2LP $32.99<br />

This 24-track collection of historic Delta blues<br />

recordings kick off with Son House’s earliest recorded<br />

material. They include the original rare versions<br />

of “Walkin’ Blues” (later made famous by Robert<br />

Johnson) and “Death Letter Blues” (here called<br />

“My Black Mama Part II”). The remaining 17 tracks<br />

on this album are a chance for listeners to hear<br />

some lesser known Delta bluesmen, all contemporaries<br />

of Son House.<br />

MISSISSIPPI SHEIKS,<br />

Sitting on Top of the<br />

World (MONK 315)<br />

LP $23.99<br />

Formed in 1930 as a<br />

trio of guitar and fiddle<br />

music, the original lineup<br />

was composed of<br />

Lonnie, Sam and Armenter Chatmon, the latter best<br />

known as Bo Carter, who was also a solo star of<br />

the period. Their first single, “Sittin’ On Top of The<br />

World,” was their biggest success. It went on to<br />

become a standard country blues song covered<br />

by many artists of the caliber of Harry Belafonte,<br />

Bob Dylan and Cream.<br />

FRANK STOKES, Downtown Blues<br />

(MONK 316) LP $23.99<br />

This African American singer and guitar player got<br />

his start playing on the streets of Memphis around<br />

the turn of the century. His enormous repertoire<br />

of early folk, blues, old time country and popular<br />

music, along with his influence on local musicians<br />

has made many point to him as the true father<br />

of Memphis blues. Stokes recorded a number of<br />

sides for Paramount and Victor until his old time<br />

style began to lose popularity with the recordbuying<br />

public.<br />

BESSIE SMITH<br />

Them’s Graveyard<br />

Words (MONK 333)<br />

LP $21.99<br />

Bessie Smith was the<br />

greatest of all prewar<br />

blues singers, and perhaps<br />

the greatest female<br />

blues singer of all time, as these meticulously<br />

restored sides from the very apex of her career in<br />

1927 so divinely prove. In her short lifetime (she<br />

died in a car accident at age 42), she made close<br />

to 200 recordings, teaming up with just about every<br />

talented black musician of her day, including<br />

Clarence Williams, Charlie Green, Joe Smith, James<br />

P. Johnson, Louis Armstrong and Fletcher Henderson,<br />

to name just a few. The "Empress of the Blues"<br />

fought her way to the top of the recording industry<br />

to become the biggest selling and highest paid<br />

black recording artist of the roaring twenties. These<br />

recordings all made in New York City in 1927<br />

include her best known sides, including "Back Water<br />

Blues", "Nobody Knows You When You're Down<br />

And Out,” and "After You’ve Gone".

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