29.04.2014 Views

Download the National Library Magazine - National Library of ...

Download the National Library Magazine - National Library of ...

Download the National Library Magazine - National Library of ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

elow left<br />

James Cook (1728–1779,<br />

surveyor) and Isaac Smith<br />

(1752–1831, chartmaker)<br />

A Plan <strong>of</strong> King George’s Island or<br />

Otaheite 1769<br />

ink and wash; 63.3 x 89.4 cm<br />

British <strong>Library</strong>, London<br />

© The British <strong>Library</strong> Board<br />

(Additional 21593 B)<br />

below right<br />

Mat<strong>the</strong>w Flinders (1774–1814)<br />

General Chart <strong>of</strong> Terra Australis<br />

or Australia 1814<br />

copperplate engraving<br />

63.1 x 91.7 cm<br />

Maps Collection<br />

nla.map-t570<br />

The fourth section, The Dutch Golden<br />

Age, begins in <strong>the</strong> late sixteenth century,<br />

when Amsterdam became <strong>the</strong> great trading<br />

powerhouse <strong>of</strong> Europe. The rise <strong>of</strong> <strong>the</strong><br />

Vereenigde Oostindische Compagnie (United East<br />

India Company, or VOC) is seen through<br />

<strong>the</strong> charts used by its ‘East Indiamen’, and in<br />

sumptuous wall maps, atlases and a globe. The<br />

Duyfken’s 1606 landing in Western Australia<br />

is represented in <strong>the</strong> secret mapping <strong>of</strong> Hessel<br />

Gerritsz, particularly <strong>the</strong> splendid 1622 map<br />

<strong>of</strong> <strong>the</strong> Pacific Ocean from <strong>the</strong> Bibliothèque<br />

nationale de France, a brilliant fusion <strong>of</strong> art<br />

and cartography. Haunting objects from <strong>the</strong><br />

ship Batavia underscore <strong>the</strong> risks and rewards<br />

<strong>of</strong> <strong>the</strong> lucrative East Indies trade. The De<br />

Vlamingh Plate from <strong>the</strong> Western Australian<br />

Museum is a remarkable relic <strong>of</strong> <strong>the</strong> 1616<br />

and 1696–1697 voyages <strong>of</strong> Dirk Hartog and<br />

Willem de Vlamingh, while <strong>the</strong> surviving<br />

Dutch nautical charts from <strong>the</strong> <strong>National</strong><br />

<strong>Library</strong> <strong>of</strong> Australia’s collection show <strong>the</strong> skill<br />

involved in mapping <strong>the</strong> Australian coast.<br />

The exhibition’s final section, Europe<br />

and <strong>the</strong> South Pacific, reveals how rivalry<br />

in <strong>the</strong> South Pacific between <strong>the</strong> two<br />

major European powers, Great Britain and<br />

France, resulted in epic voyages and <strong>the</strong><br />

finest cartography and major advances in<br />

navigational technology. Highlights in this<br />

section include early chronometers, six <strong>of</strong><br />

Captain James Cook’s Endeavour voyage<br />

(1768–1771) charts from <strong>the</strong> British <strong>Library</strong>,<br />

and five Mat<strong>the</strong>w Flinders charts from The<br />

<strong>National</strong> Archives <strong>of</strong> <strong>the</strong> United Kingdom.<br />

Also on display are landmark French atlases,<br />

and a manuscript map, one <strong>of</strong> two copies<br />

drawn at <strong>the</strong> request <strong>of</strong> Louis XVI for <strong>the</strong> illfated<br />

voyage <strong>of</strong> French explorer La Pérouse.<br />

(La Pérouse took one copy; this version stayed<br />

behind in <strong>the</strong> archives.) Cook’s mapping is<br />

represented by his stunning plan <strong>of</strong> Tahiti;<br />

<strong>the</strong> iconic map <strong>of</strong> Tupaia <strong>the</strong> Polynesian priest<br />

who provided life-saving assistance to <strong>the</strong><br />

Endeavour in <strong>the</strong> South Pacific; a port chart <strong>of</strong><br />

Botany Bay; and two charts <strong>of</strong> <strong>the</strong> east coast<br />

<strong>of</strong> Australia from 1770. Flinders’ charts, two<br />

<strong>of</strong> which were made during his six-and-a-half<br />

year imprisonment on Mauritius, are highly<br />

detailed and brilliantly drawn. The exhibition<br />

ends with his completed coastal map which<br />

named Australia, published in 1814, and its<br />

updated version <strong>of</strong> 1822.<br />

In this journey from Terra incognita to<br />

Australia, it is tempting to think about <strong>the</strong><br />

‘what ifs’. What if <strong>the</strong> Dutch had completed<br />

<strong>the</strong> job <strong>of</strong> mapping Australia? What if French<br />

settlement had followed <strong>the</strong>ir mapping <strong>of</strong><br />

<strong>the</strong> continent? For many Australians, <strong>the</strong><br />

south land legend is <strong>the</strong> great enduring<br />

myth, or truth, depending on your point <strong>of</strong><br />

view. How <strong>the</strong> notion <strong>of</strong> a great south land<br />

emerged on European maps, to be reshaped<br />

by feats <strong>of</strong> exploration and discovery and to<br />

eventually come face-to-face with its real<br />

counterpart, Australia, and <strong>the</strong>reby vanish,<br />

is among <strong>the</strong> most compelling <strong>of</strong> stories,<br />

and one which needs to be told. We invite<br />

you to program your GPS for <strong>the</strong> <strong>National</strong><br />

<strong>Library</strong> and see how Australia materialised<br />

on European maps.<br />

DR MARTIN WOODS, Curator <strong>of</strong> Maps,<br />

DR SUSANNAH HELMAN, Assistant Curator<br />

<strong>of</strong> Exhibitions, and NAT WILLIAMS, now James<br />

and Bettison Treasures Curator, are <strong>the</strong> curators<br />

<strong>of</strong> this exhibition<br />

6::

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!