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2002 Annual Report - New York Public Library

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Exhibitions<br />

EXHIBITIONS AT THE NEW YORK PUBLIC LIBRARY ARE INTENDED<br />

TO GIVE THE GENERAL PUBLIC ACCESS TO THE LIBRARY’S RICH<br />

AND VARIED COLLECTIONS. THIS YEAR, MAJOR EXHIBITIONS WERE<br />

MOUNTED AT THE HUMANITIES AND SOCIAL SCIENCES LIBRARY,<br />

THE NEW YORK PUBLIC LIBRARY FOR THE PERFORMING ARTS, THE<br />

SCHOMBURG CENTER FOR RESEARCH IN BLACK CULTURE, AND THE<br />

SCIENCE, INDUSTRY AND BUSINESS LIBRARY. IN ADDITION TO THE<br />

EXHIBITIONS LISTED HERE, SMALLER DISPLAYS WERE ALSO ON<br />

VIEW THROUGHOUT THE YEAR IN RESEARCH LIBRARIES’ READING<br />

ROOMS AND IN THE BRANCH LIBRARIES.<br />

Humanities and<br />

Social Sciences<br />

<strong>Library</strong><br />

Support for the Exhibitions<br />

Program at The <strong>New</strong> <strong>York</strong><br />

<strong>Public</strong> <strong>Library</strong>’s Humanities<br />

and Social Sciences <strong>Library</strong><br />

has been provided by Mr.<br />

and Mrs. Saul Steinberg,<br />

Pinewood Foundation, Sue<br />

and Edgar Wachenheim III,<br />

and the Bertha and Isaac<br />

Liberman Foundation, Inc.<br />

in memory of Ruth and<br />

Seymour Klein.<br />

The <strong>New</strong> <strong>York</strong> <strong>Public</strong><br />

<strong>Library</strong> would also like<br />

to thank Sue and Edgar<br />

Wachenheim III for their<br />

generous gift to establish<br />

an endowment in<br />

support of exhibition<br />

publications.<br />

D. Samuel and Jeane H.<br />

Gottesman Exhibition Hall<br />

American Originals:Treasures<br />

from the National Archives<br />

October 5, 2001–<br />

January 5, <strong>2002</strong><br />

This exhibition was created<br />

by the National Archives<br />

and Records Administration,<br />

Washington, D.C.,<br />

and The Foundation for<br />

the National Archives.<br />

Support for this exhibition<br />

at The <strong>New</strong> <strong>York</strong> <strong>Public</strong><br />

<strong>Library</strong> was provided by<br />

The Gilder Lehrman Institute<br />

of American History.<br />

Corporate support in <strong>New</strong><br />

<strong>York</strong> was provided by Bank<br />

of America.<br />

The brochure produced<br />

for American Originals was<br />

made possible by Sue and<br />

Edgar Wachenheim III and<br />

by the Bertha and Isaac<br />

Liberman Foundation, Inc.<br />

in memory of Ruth and<br />

Seymour Klein.<br />

Victorians, Moderns, and<br />

Beats: <strong>New</strong> in the Berg<br />

Collection, 1994–2001<br />

April 26–July 27, <strong>2002</strong><br />

Funding for this exhibition<br />

was provided in part by the<br />

Henry W. and Albert A.<br />

Berg Collection of English<br />

and American Literature.<br />

The brochure produced<br />

for Victorians, Moderns,<br />

and Beats was made possible<br />

by Sue and Edgar<br />

Wachenheim III and by<br />

the Bertha and Isaac<br />

Liberman Foundation,<br />

Inc. in memory of Ruth<br />

and Seymour Klein.<br />

The Sue and Edgar<br />

Wachenheim III Gallery<br />

The Emancipation<br />

Proclamation<br />

November 16–19, 2001<br />

This exhibition was created<br />

by the National Archives<br />

and Records Administration,<br />

Washington, D.C.,<br />

and The Foundation for<br />

the National Archives.<br />

Support for this exhibition<br />

at The <strong>New</strong> <strong>York</strong> <strong>Public</strong><br />

<strong>Library</strong> was provided by<br />

The Gilder Lehrman Institute<br />

of American History.<br />

Corporate support in <strong>New</strong><br />

<strong>York</strong> was provided by Bank<br />

of America.<br />

Charles Dickens’s A Christmas<br />

Carol and Holiday<br />

Greetings from the George<br />

Arents Collection<br />

November 23, 2001–<br />

January 5, <strong>2002</strong><br />

Immortal Treasures:<br />

Japanese Handscrolls from<br />

the Spencer Collection<br />

January 18–March 2, <strong>2002</strong><br />

Liturgical Manuscripts<br />

March 8–April 6, <strong>2002</strong><br />

The Declaration of<br />

Independence<br />

June 28–July 13, <strong>2002</strong><br />

Edna Barnes Salomon Room<br />

The <strong>Public</strong>’s Treasures:<br />

Americana from The<br />

<strong>New</strong> <strong>York</strong> <strong>Public</strong> <strong>Library</strong><br />

September 7, 2001–<br />

April 27, <strong>2002</strong><br />

The <strong>Public</strong>’s Treasures: A<br />

Cabinet of Curiosities from<br />

The <strong>New</strong> <strong>York</strong> <strong>Public</strong> <strong>Library</strong><br />

June 7–August 24, <strong>2002</strong><br />

The brochure produced for<br />

A Cabinet of Curiosities was<br />

made possible by Sue and<br />

Edgar Wachenheim III and<br />

by the Bertha and Isaac<br />

Liberman Foundation, Inc.<br />

in memory of Ruth and<br />

Seymour Klein.<br />

The Print and Stokes<br />

Galleries<br />

Souvenirs of a Veteran<br />

Collector: The Samuel<br />

Putman Avery Collection at<br />

The <strong>New</strong> <strong>York</strong> <strong>Public</strong> <strong>Library</strong><br />

April 5–June 29, <strong>2002</strong><br />

This exhibition was made<br />

possible by the continuing<br />

generosity of Miriam and<br />

Ira D. Wallach.<br />

Charles Addams Gallery<br />

Drawings by Charles<br />

Addams were donated to<br />

the <strong>Library</strong> by The Lady<br />

Colyton and Marilyn<br />

Addams. Exhibitions of<br />

these drawings are supported<br />

by an endowment established<br />

by The Lady Colyton.<br />

Cultural Differences<br />

September 14, 2001–<br />

January 26, <strong>2002</strong><br />

Unreal Estate<br />

February 1–June 29, <strong>2002</strong><br />

E X H I B I T I O N S , P R O G R A M S , P U B L I C A T I O N S<br />

Jill Kupin Rose Gallery<br />

An ongoing installation<br />

on the history and services<br />

of The <strong>New</strong> <strong>York</strong> <strong>Public</strong><br />

<strong>Library</strong>. This gallery was<br />

made possible through the<br />

generosity of Marshall Rose.<br />

DeWitt Wallace<br />

Periodical Room<br />

<strong>New</strong> American<br />

Literary Magazines<br />

June 21–August 17, <strong>2002</strong><br />

The <strong>New</strong> <strong>York</strong><br />

<strong>Public</strong> <strong>Library</strong> for the<br />

Performing Arts<br />

The <strong>New</strong> <strong>York</strong> <strong>Public</strong> <strong>Library</strong><br />

for the Performing Arts<br />

gratefully acknowledges<br />

the leadership support of<br />

Dorothy and Lewis B.<br />

Cullman. Additional support<br />

for exhibitions has<br />

been provided by Judy R.<br />

and Alfred A. Rosenberg<br />

and the Miriam and Harold<br />

Steinberg Foundation.<br />

Donald and Mary<br />

Oenslager Gallery and<br />

Vincent Astor Gallery<br />

Transformations<br />

October 29, 2001–<br />

January 5, <strong>2002</strong><br />

Support for this exhibition<br />

was provided by Elizabeth<br />

Rivers Lewine.<br />

Donald and Mary<br />

Oenslager Gallery<br />

Kurt Weill: Making<br />

Music Theater<br />

February 8–May 4, <strong>2002</strong><br />

A collaboration with<br />

The Kurt Weill Foundation<br />

for Music.<br />

Children’s Books<br />

in Performance<br />

June 28–October 31, <strong>2002</strong><br />

27

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