Examiners' reports - June (PDF, 385KB) - OCR
Examiners' reports - June (PDF, 385KB) - OCR
Examiners' reports - June (PDF, 385KB) - OCR
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<strong>OCR</strong> Report to Centres – <strong>June</strong> 2013<br />
perspective and voice in novels, as well as construction through chapters, paragraphs and<br />
sentences. While there were many candidates who discussed poetry in ways which showed<br />
excellent understanding of language, imagery and form, there were also many examples of<br />
candidates offering comment on decontextualised words and images, so that their contribution to<br />
the meaning of the overall poem was absent. Even in the discussion of poetry, where features of<br />
structure and form are often the most obvious, they were often ignored by candidates, most<br />
clearly exemplified when quotations were rendered as prose. As poetry and prose are the<br />
compulsory genres for this unit, it would be sensible for Centres to focus on teaching ways of<br />
incorporating analysis of each, including structure and form, into arguments.<br />
Marking and Annotation<br />
Most Centres carry out their marking and internal moderation with assiduous care, making<br />
careful and judicious assessments which are clearly explained in the summative comments and<br />
moderation notes. Marginal comments are most successful when they are evaluative and the<br />
best summative comments clearly balance the strengths and weaknesses of the responses in<br />
arriving at a judgement. These tend to make it much easier for the Moderator to support the<br />
Centre’s judgment. While commentary at the end of an essay is useful in showing the markers’<br />
debate in deciding upon a particular mark, the cover sheet must be used to summarise the<br />
rationale for the final mark. Markers should remember that the top mark in each band is only to<br />
be awarded to work that fully meets all the criteria for that Band – this allows for greater<br />
discrimination within the band to arrive at a ‘best-fit’ mark.<br />
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