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Mari Freeman<br />
Then all got quiet for a moment.<br />
She looked up. The shadow was still moving around her and she held her breath,<br />
unable to fight it in any other way. How do you stop a shadow? She resigned herself to<br />
waiting for an actual attack. She was weakened by such a large surge of magic. She<br />
wasn’t able to call on her telekinesis as much as she liked, and after the emotional night<br />
and a panicked burst of energy that big, she was toast.<br />
Her breathing calmed. She held the gun pointed at the far wall as the shadow began<br />
to take on a more physical presence. It wasn’t a shadow after all. It was a bunch of life<br />
forces, flying, flitting and finally starting to settle around the room.<br />
Shaking her head as she turned on the light, Nell realized she had fired a gun—and<br />
then sent a huge blast of her power—at a bunch of moths. Many of them were still<br />
flitting, a few toward the blaring light fixture, others haphazardly in reaction to her<br />
movements, but the majority of them were alighting to a particular place. Past the<br />
overturned table, close to the far wall, was a box on its side, spilled open, papers and<br />
stones strewn across the floor. It was a box of research papers. She recognized the<br />
writing on one of the scattered documents. The moths were all heading toward the<br />
contents of the box.<br />
The creatures stirred again as she moved through them. The design on the moths<br />
seemed familiar, as if she should recognize the significance of the blue and silver<br />
markings on their wings. But then, everything meant something. Surely a basement full<br />
of six-inch black moths was a harbinger. As if she needed this day to get any more<br />
stressful.<br />
The winged insects were clamoring over the box, hundreds of the black, blue and<br />
silver beasts clung to the cardboard, the pages and the stones. Nell glanced at the lone<br />
window. Broken. She turned back to the stairs, still pointing the gun, ready to fire, and<br />
allowed her body to gently shift back to her human form. The golden, glowing shadow<br />
of the Dragon under her skin melted back to soft, tanned human flesh. She felt more<br />
comfortable in this body, even if it was far more vulnerable<br />
A trail of blood led up the stairs. She’d hit someone or something. She followed the<br />
trail through the kitchen and out onto the deck. Whatever she’d shot, it was gone now.<br />
She locked the door as she went back in.<br />
Back in the basement she settled her attention on the scattered papers. Her father’s<br />
shakily printed words covered the pages. His notes from Scotland. His last excursion.<br />
The shipping labels and stickers had kept Nell away from these particular boxes.<br />
She wasn’t ready to go through the last of his work.<br />
Personal effects—Gregor Ambercroft.<br />
Isle of Skye. Scotland.<br />
Handle with care.<br />
One of the moths fluttered to her, landing on her arm. Tiny legs gripping the faint<br />
hair made her shiver. She scanned the depths of the shelves in the basement one more<br />
time. She was alone. Alone with a thousand moths and a mystery.<br />
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