Super 16mm Camera Film Portfolio Changes - Kodak
Super 16mm Camera Film Portfolio Changes - Kodak
Super 16mm Camera Film Portfolio Changes - Kodak
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
E N T E R T A I N M E N T I M A G I N G<br />
© Eastman <strong>Kodak</strong> Company, 2003<br />
• Prices<br />
• Products<br />
• Processes<br />
• Marketing<br />
• Customer Support<br />
<strong>Super</strong> <strong>16mm</strong> <strong>Camera</strong> <strong>Film</strong> <strong>Portfolio</strong> <strong>Changes</strong><br />
Today, a renaissance in the use of <strong>Super</strong> 16 is being driven in part by the advances in film, lens and camera<br />
technologies. Furthermore, recent developments in digital film mastering technology provide filmmakers who<br />
choose to work in the <strong>Super</strong> 16 format with an affordable and practical ways to produce their products for<br />
distribution.<br />
The introduction of the “new generation” <strong>Kodak</strong> VISION2 film 7218 promises to boost the trend toward <strong>Super</strong> 16<br />
format productions. The 500-speed film offers a noticeably finer-grain structure than other high-speed stocks.<br />
Independent features are just part of a larger shift. Increasing numbers of narrative television shows and<br />
documentaries are being produced in <strong>Super</strong> 16 mm format as an alternative to digital video.<br />
<strong>Kodak</strong> is committed to providing the tools that filmmakers need to be just that: filmmakers. And we’re committed<br />
to listening to our customers. Several programs have been developed to support <strong>Super</strong> 16 including:<br />
• Events—<strong>Kodak</strong>-hosted events around the country to discuss <strong>Super</strong> 16 productions with filmmakers<br />
working in the field.<br />
• “Reel Talk” Online Chats—Log on to ask questions and get answers from venerable filmmakers about<br />
their experiences shooting on film.<br />
• Website Resource—A <strong>Kodak</strong> website dedicated to <strong>Super</strong> 16 mm production that includes information on<br />
products, articles about users, frequently asked questions, and archived “Reel Talk” chat transcripts.<br />
• Demonstrations—See a <strong>Super</strong> 16 mm demo with side-by-side comparisons to electronic capture.<br />
• DVD—Hear television producers and cinematographers from around the world talk about film—both<br />
<strong>Super</strong> 16 mm and 35 mm—and why it works for them.<br />
• Articles—Look for great articles in In <strong>Camera</strong> highlighting who is using <strong>Super</strong> 16, their experiences and<br />
reasons for their decisions.<br />
Call your local sales rep for more information or to learn more about <strong>Kodak</strong>’s outreach programs outlined above.<br />
In addition to these programs, <strong>Kodak</strong> is announcing, effective July 1, 2003, that the majority of 16 mm<br />
camera films (acetate base) will only be stocked as single perforation products. This conversion of the<br />
<strong>Kodak</strong> product portfolio is being done in full support of the <strong>Super</strong> <strong>16mm</strong> renaissance described above.<br />
For most product codes and film lengths, the catalog number for the double perforation film will be<br />
discontinued and a single perforation catalog number made available to satisfy customer demand.<br />
Exceptions to this policy include all high-speed camera needs and specialized customer requirements<br />
including pin-registered animation. Any remaining inventory for the discontinued 16 mm double<br />
perforation camera films will be available for sales until the inventory is depleted (expected 4Q 2003).<br />
For detailed information about <strong>Kodak</strong> Motion Picture Products visit our site on the Internet at<br />
www.kodak.com/go/motion.<br />
July 2003<br />
(over)
Discontinuance of Selected Double Perforation <strong>Camera</strong> <strong>Film</strong>s<br />
Effective July 1, 2003, the following catalog numbers will be discontinued:<br />
Page Description Cat No.<br />
11 EASTMAN EXR 50D Color Negative <strong>Film</strong> / 7245<br />
EXS449 <strong>16mm</strong> x 100 ft, 2R-2994.............................................................. 844 6791<br />
EXS451 <strong>16mm</strong> x 400 ft, 2R-2994.............................................................. 827 7121<br />
EXS452 <strong>16mm</strong> x 1200 ft, 2R-2994 ............................................................ 839 9883<br />
14 EASTMAN EXR 200T Color Negative <strong>Film</strong> / 7293<br />
EXT449 <strong>16mm</strong> x 100 ft, 2R-2994 .............................................................. 159 1601<br />
EXT451 <strong>16mm</strong> x 400 ft, 2R-2994 .............................................................. 832 7116<br />
17 KODAK VISION 200T Color Negative <strong>Film</strong> / 7274<br />
VXM449 <strong>16mm</strong> x 100 ft, 2R-2994 ............................................................. 877 4655<br />
VXM451 <strong>16mm</strong> x 400 ft, 2R-2994 ............................................................. 857 0400<br />
VXM578 <strong>16mm</strong> x 400 ft, 2R-2994 ............................................................. 873 9724<br />
19 KODAK VISION 250D Color Negative <strong>Film</strong> / 7246<br />
VMD449 <strong>16mm</strong> x 100 ft, 2R-2994............................................................. 899 6803<br />
VMD451 <strong>16mm</strong> x 400 ft, 2R-2994............................................................. 867 9599<br />
VMD578 <strong>16mm</strong> x 400 ft, 2R-2994............................................................. 890 9954<br />
21 KODAK VISION 320T Color Negative <strong>Film</strong> / 7277<br />
VXL449 <strong>16mm</strong> x 100 ft, 2R-2994 .............................................................. 885 6114<br />
VXL451 <strong>16mm</strong> x 400 ft, 2R-2994 .............................................................. 821 7523<br />
23 KODAK VISION 200T Color Negative <strong>Film</strong> / 7279<br />
VXF449 <strong>16mm</strong> x 100 ft, 2R-2994 .............................................................. 141 9316<br />
VXF451 <strong>16mm</strong> x 400 ft, 2R-2994 .............................................................. 176 0529<br />
VXF578 <strong>16mm</strong> x 400 ft, 2R-2994 .............................................................. 184 9702<br />
- SP449 <strong>16mm</strong> x 100 ft, 2R-2994................................................................ 522 6691*<br />
- SP451 <strong>16mm</strong> x 400 ft, 2R-2994................................................................ 522 6675*<br />
24 KODAK VISION Expression 500T Color Negative <strong>Film</strong> / 7284<br />
SP449 <strong>16mm</strong> x 100 ft, 2R-2994................................................................ 158 9712<br />
SP451 <strong>16mm</strong> x 400 ft, 2R-2994................................................................ 114 8824<br />
26 KODAK VISION 800T Color Negative <strong>Film</strong> / 7289<br />
VCN449 <strong>16mm</strong> x 100 ft, 2R-2994 ............................................................. 886 3615<br />
VCN451 <strong>16mm</strong> x 400 ft, 2R-2994 ............................................................. 887 5254<br />
28 EASTMAN EKTACHROME <strong>Film</strong> / 7239<br />
VND451 <strong>16mm</strong> x 400 ft, 2R-2994 ............................................................. 121 8361<br />
29 EASTMAN EKTACHROME <strong>Film</strong> / 7240<br />
VNF451 <strong>16mm</strong> x 400 ft, 2R-2994.............................................................. 162 7009<br />
30 EASTMAN EKTACHROME High Speed <strong>Film</strong> (Tungsten) / 7250<br />
VNX449 <strong>16mm</strong> x 100 ft, 2R-2994.............................................................. 121 8700<br />
VNX451 <strong>16mm</strong> x 400 ft, 2R-2994.............................................................. 121 8866<br />
VNX578 <strong>16mm</strong> x 400 ft, 2R-2994.............................................................. 121 8908<br />
VNX435 <strong>16mm</strong> x 1200 ft, 2R-3000............................................................ 161 8404<br />
32 EASTMAN EKTACHROME High-Speed Daylight <strong>Film</strong> / 7251<br />
VNX449 <strong>16mm</strong> x 100 ft, 2R-2994.............................................................. 197 2397<br />
VNX451 <strong>16mm</strong> x 400 ft, 2R-2994.............................................................. 197 2579<br />
VNX578 <strong>16mm</strong> x 400 ft, 2R-2994.............................................................. 197 2835<br />
34 KODACHROME 40 Movie <strong>Film</strong> / 7270<br />
KMA449 <strong>16mm</strong> x 100 ft, 2R-2994 ............................................................. 182 1040<br />
35 EASTMAN PLUS-X Negative <strong>Film</strong> / 7231<br />
PXN449 <strong>16mm</strong> x 100 ft, 2R-2994.............................................................. 191 3490<br />
36 EASTMAN DOUBLE-X Negative <strong>Film</strong> / 7222<br />
DXN449 <strong>16mm</strong> x 100 ft, 2R-2994 ............................................................. 197 1654<br />
DXN451 <strong>16mm</strong> x 400 ft, 2R-2994 ............................................................. 173 7527<br />
* Non-catalog listed.<br />
<strong>Kodak</strong>, Vision, Eastman, EXR, 7245, 7293, 7274, 7246, 7277, 7279, 7284, 7289, Ektachrome, 7239, 7240, 7250, 7251, Kodachrome, 7270,<br />
Plus-X, 7231, Double-X and 7222 are trademarks.<br />
© Eastman <strong>Kodak</strong> Company, 2003