PUBLIC ART PROGRAM GUIDELINES - OrangeCountyFl.net

More documents

Recommendations

Info

The PARB shall review the condition report and shall, for those works needing attention, recommend that: no action be taken; the Administrator negotiate maintenance and repairs with the department housing the artwork; repairs be made, in whole or in part, suggesting means of accomplishment; or that the work be relocated or removed from the collection. Page 24 of 36
DEACCESSION Alteration, Removal, Relocation or De-accession: Public artworks generally enter the public environment through a careful process informed by the best available professional judgment and advice from affected public interests. They are created by artists, specifically for the public context. In all circumstances, the County should seek to insure the ongoing presence and integrity of the work at the site for which it is created, in accordance with the artist's and OCPAP’s intention. The primary concern should be to assure continuing access to the work by the public. The County shall not move a work of art from its site or alter the site so that the work of art is obscured, altered significantly or jeopardized. Public art has a long historical tradition of controversy. Review of the status of a public artwork should be undertaken cautiously, in order to avoid potential influence of fluctuations in taste and the immediate pressures of public controversy. A work should not be removed from public view simply because it is controversial or unpopular. A decision may implicate basic questions of public trust, freedom of artistic expression, censorship, contractual obligations, copyright, moral rights, and the integrity of the work. Consideration of removal should involve the same degree of careful review as a decision to acquire a work of art; informed by a professional judgment and the interests of the public, and proceed according to carefully developed policies and procedures. When the County considers the possible relocation or removal of a public artwork, it must recognize its multiple responsibilities: to the artist, as represented in the original artist contract; to the community, through its legal mandate and stewardship role; and to our cultural heritage. Decisions about relocation and removal must include a deliberate and explicit review process, assistance from professionals, and thorough on-going documentation of the process. Because the County has the responsibility for conserving the collection, and because the disposal of artworks may have serious implications, the de acquisition of a work of public art should be a deliberate and seldom-used procedure. It is the policy of the County not to dispose of works simply because they are not currently in fashion and not to dispose of works whose worth might not yet be recognized. Objectives: Since the County desires to have a diverse public art collection of the highest quality, the process of acquiring works and disposing of them should reflect that desire. At least once every ten years each artwork in the collection should be evaluated. This evaluation has the following objectives: • To establish an orderly process for evaluating works of art in the County's collection acquired as a result of the OCPAP • To establish procedures for removal or relocation of works of art • To insulate the procedures from fluctuations in public opinion. Procedures for Deacquisition Page 25 of 36
Page 1 and 2: ORANGE COUNTY ARTS & CULTURAL AFFAI
Page 3 and 4: Orange County Public Art Program 20
Page 5 and 6: • Nominating one member to serve
Page 7 and 8: PUBLIC ART ACTION PLAN All CIP proj
Page 9 and 10: .ARTIST SELECTION PROCESS For each
Page 11 and 12: The Administrator will develop a st
Page 13 and 14: CONTRACTING WITH AN ARTIST Pre-Cont
Page 15 and 16: • The artwork shall not be altere
Page 17 and 18: DESIGN, FABRICATION, AND INSTALLATI
Page 19 and 20: Office, the Administrator will, thr
Page 21 and 22: PORTABLE WORKS COLLECTION The curre
Page 23: RECORDKEEPING, CATALOGING, AND MAIN
Page 27 and 28: GIFTS Gifts to the OCPAP are an imp
Page 29 and 30: WORKS ON LOAN The Public Art Review
Page 31 and 32: Artist Selection __________________
Page 33 and 34: APPENDIX B ARTIST FEE AND FEE SCALE
Page 35 and 36: Copyright Mark, if it occurs: Fabri

PUBLIC ART PROGRAM GUIDELINES - OrangeCountyFl.net

Create successful ePaper yourself

Delete template?

Save as template?