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Literary Lexicon

Literary Lexicon

Literary Lexicon

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PLOT<br />

The sequence of events or<br />

actions in a short story,<br />

novel, play, or narrative<br />

poem<br />

Exposition<br />

The author lays the groundwork for<br />

the story by revealing the<br />

Setting<br />

Relationships between the<br />

characters<br />

Situation as it exists before<br />

conflict begins<br />

Rising Action<br />

The action and events that take<br />

place in the story and build up to the<br />

critical moment when the main<br />

conflict is confronted<br />

Falling Action<br />

Events that occur after the climax<br />

and lead up to the closure and<br />

conclusion of the story<br />

Inciting<br />

Incident/Conflict<br />

Interrupts the peace and balance of<br />

the situation and one or more of the<br />

characters comes into conflict with<br />

an outside force, himself, or another<br />

character<br />

Climax<br />

The most critical moment in the<br />

story; the point at which the main<br />

conflict is at its highest point<br />

Resolution<br />

The problem set up in the inciting<br />

incident is unraveled; there is a<br />

revelation of meaning<br />

Adjusted from Davis/Lucas - 8 th Reading for Blancas-7 th Grade Reading<br />

Revised 5/20/2013


Allusion<br />

Irony<br />

Symbol<br />

A reference to a literary,<br />

mythological, or historical<br />

person, place, or thing<br />

A contrast between appearances and<br />

reality – usually one in which reality is the<br />

opposite from what it seems; when one<br />

thing is expected to happen or be, and the<br />

exact opposite happens<br />

The use of any object, person, place,<br />

or action that both has a meaning in<br />

itself and that stands for something<br />

larger than itself, such as a quality,<br />

attitude, belief, or value<br />

Foreshadowing<br />

Anecdote<br />

Setting<br />

The use in a literary work of<br />

clues that suggest events that<br />

have yet to occur<br />

A short account of a particular incident<br />

or event especially of an interesting or<br />

amusing nature<br />

The background against which action<br />

takes place<br />

The geographical location<br />

The occupations and daily manner of living<br />

of the characters<br />

The time or period in which the action takes<br />

place<br />

<br />

The general environment of the characters,<br />

i.e. social, moral, emotional<br />

Suspense<br />

Stereotype<br />

Archetype<br />

The quality of a literary work<br />

that makes the reader uncertain<br />

or tense about the outcome or<br />

situation<br />

The act of putting people into groups<br />

based on race, religion, physical<br />

appearance, social class or some other<br />

easily identifiable characteristic<br />

A typed of character, action, or<br />

situation that occurs over and over in<br />

literature; a pattern or example that<br />

occurs in literature and life<br />

Tone<br />

Theme<br />

Point of View<br />

The writer’s attitude or feeling<br />

toward a person, a thing, a place,<br />

an event or situation<br />

A central message or insight into life<br />

revealed through the literary work; a<br />

lesson about life or people<br />

The perspective from which a story is<br />

told.<br />

Mood<br />

Sensory Language (Imagery)<br />

Detail<br />

The feeling created in<br />

the reader by a literary<br />

work or passage<br />

The words or phrases a writer uses to represent persons, objects,<br />

actions, feelings, and ideas descriptively by appealing to the five<br />

senses (sight, sound, smell, taste, and touch)<br />

Facts revealed by the<br />

author or speaker that<br />

support the attitude or<br />

tone in the work<br />

Emphasis<br />

Emphasis is created by the use of:<br />

When important aspects of a<br />

story are given important<br />

positions and in-depth<br />

development<br />

<br />

<br />

<br />

<br />

Repetition – reiteration of a word, sound, phrase, or idea<br />

Parallelism – the arrangement and repetition of words, phrases, or sentence<br />

structures. Parallelism adds rhythm and emotional impact to writing.<br />

Extensive Detail/Description<br />

Mechanical Devices such as capitalization, italics, symbols, and/or different<br />

colors of ink<br />

Adjusted from Davis/Lucas - 8 th Reading for Blancas-7 th Grade Reading<br />

Revised 5/20/2013


CHARACTERIZATION<br />

Motivation<br />

Dynamic Character<br />

The method used by an author to<br />

create a character, including<br />

The character’s physical<br />

appearance<br />

The character’s own speech,<br />

thoughts, actions, and/or feelings<br />

OTHER characters’ speech,<br />

thoughts, actions, and/or feelings<br />

about the character<br />

Direct comments by the author<br />

about the character<br />

A reason that explains a character’s<br />

thoughts, feelings, actions, or<br />

behavior<br />

Protagonist<br />

The central character and focus of<br />

interest who is trying to accomplish<br />

or overcome an adversity and has the<br />

ability to adapt to new circumstances<br />

A character that undergoes a change<br />

in actions or beliefs during the<br />

course of a story<br />

Static Character<br />

A character that does not grow or<br />

change throughout the story, that<br />

ends as he/she began<br />

Antagonist<br />

The character opposing the<br />

protagonist; can be a person, idea, or<br />

force<br />

DICTION<br />

Denotation<br />

Word choice.<br />

An author often chooses a word, because it suggests a<br />

connotative meaning that comes from its use in various<br />

social contexts.<br />

The specific dictionary definition of a word<br />

Connotation<br />

The emotions or associations a word normally arouses in<br />

people using, hearing, or reading the novel<br />

A word may have a POSITIVE connotation, a<br />

NEGATIVE connotation, or a NEUTRAL<br />

connotation<br />

Point of View<br />

First Person<br />

Third Person Objective<br />

Perspective or position from which a<br />

story is told<br />

<br />

<br />

<br />

<br />

The narrator uses “I”<br />

throughout the story<br />

The narrator is one of the<br />

characters in the story<br />

The narrator’s vantage point<br />

is “inside” the story<br />

The narrator can reveal his<br />

or her feelings and thoughts<br />

<br />

<br />

<br />

The narrator does not reveal<br />

any of the thoughts of any of<br />

the characters<br />

The narrator does not make<br />

any observations<br />

The story is told in a matterof-fact<br />

manner, with no<br />

emotion involved<br />

Third Person Limited<br />

Third Person Omniscient<br />

<br />

<br />

The narrator tells the story<br />

through the eyes, mind, and<br />

emotions of only ONE<br />

character<br />

The observations are told in<br />

third person: “he”, “she”, “they”<br />

<br />

<br />

<br />

The narrator peers into the<br />

hearts and minds of several<br />

characters<br />

The narrator comments on<br />

the behavior, thoughts, and<br />

motivations of many<br />

characters<br />

The narrator tells the story,<br />

but from the perspective of a<br />

third-person who knows all<br />

Adjusted from Davis/Lucas - 8 th Reading for Blancas-7 th Grade Reading<br />

Revised 5/20/2013


FIGURES OF SPEECH<br />

Simile<br />

Personification<br />

Words or phrases that describe<br />

one thing in terms of something<br />

else; always involve some sort of<br />

imaginary comparison between<br />

seemingly unlike things; not<br />

meant to be taken literally.<br />

A comparison of two different things or ideas<br />

through the use of the words LIKE or AS<br />

Metaphor<br />

Writing that gives animals,<br />

inanimate objects, or<br />

abstract ideas human<br />

characteristics.<br />

A comparison of two unlike things not using like or as<br />

Pun<br />

A play on words that are<br />

identical or similar in sound but<br />

have sharply different meanings.<br />

Puns can have serious as well as<br />

humorous uses.<br />

Idiom<br />

An accepted phrase or expression having a meaning<br />

different from the literal<br />

Analogy<br />

Comparison between two similar things<br />

Hyperbole<br />

A deliberate,<br />

extravagant, and often<br />

outrageous exaggeration;<br />

may be used for either<br />

serious or comic effect<br />

Proverb<br />

An often used short<br />

saying that expresses a<br />

general truth or rule<br />

CONFLICT<br />

A struggle between two opposing<br />

forces<br />

Character vs. Self<br />

(Internal)<br />

When a character must make a<br />

decision about a problem or struggle<br />

he is having within himself<br />

Character vs. Nature<br />

(External)<br />

When a character has a problem with<br />

a force of nature such as cold,<br />

storms, earthquakes, etc.<br />

Character vs. Character<br />

(External)<br />

When a character has a problem with<br />

another character<br />

Character vs. Society<br />

(External)<br />

When a character has a problem with<br />

a tradition or rule of society<br />

Character vs. Fate<br />

(External)<br />

When a character has a problem with<br />

something he can’t do anything about,<br />

such as God, luck, death, etc.<br />

Comparison<br />

Showing the similarities between two<br />

of more things<br />

Contrast<br />

Showing the differences between<br />

two or more things<br />

Venn Diagram<br />

Type of graphic organizer used to<br />

show how things are alike and how<br />

they are different<br />

Adjusted from Davis/Lucas - 8 th Reading for Blancas-7 th Grade Reading<br />

Revised 5/20/2013


Genre<br />

Types of writing<br />

Expository Writing<br />

Informs or explains about a topic<br />

Narrative<br />

Type of writing that tells a story<br />

Periodical<br />

Any newspaper or magazine<br />

published regularly<br />

Folktale<br />

Story passed down from one<br />

generation to the next<br />

Fable<br />

Brief tale, usually about an animal, that<br />

teaches a moral or a lesson<br />

Legend<br />

Story from the past, often about a<br />

famous person or event, based at least<br />

somewhat on historical fact<br />

Myth<br />

Story that attempts to explain something<br />

about the world<br />

<br />

Biography<br />

Writing of or about another<br />

person’s life<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Autobiography<br />

Writing about one’s own life<br />

Structure-Short book or<br />

chapters<br />

Content-Real people,<br />

places, events<br />

Purpose-tell thoughts,<br />

feelings, observations to<br />

others; inform, explain,<br />

entertain<br />

Diary<br />

Structure-Dated entries in<br />

order of time<br />

Content-Real people,<br />

places, events<br />

Purpose-To record<br />

thoughts, feelings,<br />

observations for self<br />

Persuasive<br />

Intended to change or influence opinion<br />

Rhetorical Fallacies<br />

An argument that seems convincing but is<br />

based on bad logic, emotional<br />

manipulation or both.<br />

Argument<br />

A case built for or against something<br />

Factual Claim<br />

Can be proven with data, observations,<br />

and reliable sources<br />

Common Knowledge<br />

Information that is known by many<br />

people or that can be found in a<br />

number of different sources<br />

Commonplace Assertion<br />

Statement that many people assume<br />

to be true but which may or may not<br />

be so<br />

Exaggeration<br />

An overstatement of a fact or an<br />

idea; often meant to frighten<br />

Categorical Claim<br />

A claim based on an incorrect<br />

comparison between two things<br />

Generalizations<br />

Broad statement based on<br />

examples or instances<br />

Ad Hominem<br />

An attack on a person or people<br />

making a claim instead of<br />

addressing the claim itself<br />

Poetry<br />

Type of literature, usually written in lines<br />

and stanzas, that combines words, sounds,<br />

imagery, and rhythm to create meaning<br />

Rhyme<br />

Repetition of sounds at the ends of words,<br />

as in spot and dot<br />

Rhythm<br />

Arrangement of stressed and unstressed<br />

beats<br />

Lyric<br />

Expresses the thoughts and feelings of a<br />

single speaker, often in highly musical verse<br />

Narrative Poetry<br />

Poetry tells a story in verse.<br />

Narrative poems often have<br />

elements similar to those in short<br />

stories, such as plot and<br />

characters<br />

Haiku<br />

A three-line Japanese verse form.<br />

The first and third lines each<br />

have five syllables and the second<br />

line has seven<br />

Free Verse<br />

Is defined by its lack of strict<br />

structure. It has no regular<br />

meter, rhyme, fixed line length, or<br />

specific stanza pattern<br />

Ballads<br />

Songlike poems that tell stories. They<br />

often deal with adventure and romance<br />

Concrete<br />

Poems that are shaped to look like<br />

their subjects. The poet arranges the<br />

lines to create a picture on the page<br />

Limericks<br />

Humorous, rhyming, five-line poems<br />

with a specific rhythm pattern and<br />

rhyme scheme<br />

Rhyming Couplets<br />

Pairs of rhyming lines, usually of the<br />

same meter and length<br />

Adjusted from Davis/Lucas - 8 th Reading for Blancas-7 th Grade Reading<br />

Revised 5/20/2013


T Title<br />

P Paraphrase<br />

C Connotation<br />

A Attitude<br />

S Shift<br />

T Title<br />

T Theme<br />

Before you even think about reading the poetry or trying to analyze it, speculate on what you think the poem might<br />

be about based upon the title. Jot down what you think this poem will be about.<br />

When you paraphrase a poem, write in your own words exactly what happens in the poem. Look at the number of<br />

sentences in the poem—your paraphrase should have exactly the same number.<br />

Although this term usually refers solely to the emotional overtones of word choice, for this approach the term refers<br />

to any and all poetic devices, focusing on how such devices contribute to the meaning, the effect, or both of a<br />

poem. You may consider imagery, figures of speech (simile, metaphor, personification, symbolism, etc), diction,<br />

point of view, and sound devices (alliteration, onomatopoeia, rhythm, and rhyme). It is not necessary that you<br />

identify all the poetic devices within the poem. The ones you do identify should be seen as a way of supporting the<br />

conclusions you are going to draw about the poem.<br />

Examination of diction, images, and details suggests the speaker's attitude and contributes to understanding. You<br />

may refer to the list of words on Tone that will help you. Remember that usually the tone or attitude cannot be<br />

named with a single word think complexity.<br />

Rarely does a poem begin and end the poetic experience in the same place. As is true of most us, the poet's<br />

understanding of an experience is a gradual realization, and the poem is a reflection of that understanding or<br />

insight. Watch for the following keys to shifts:<br />

• key words, (but, yet, however, although)<br />

• punctuation (dashes, periods, colons, ellipsis)<br />

• stanza divisions<br />

• changes in line or stanza length or both<br />

• irony<br />

• changes in sound that may indicate changes in meaning<br />

• changes in diction<br />

Now look at the title again, but this time on an interpretive level. What new insight does the title provide in<br />

understanding the poem?<br />

What is the poem saying about the human experience, motivation, or condition? What subject or subjects does the<br />

poem address? What do you learn about those subjects? What idea does the poet want you take away with you<br />

concerning these subjects? Remember that the theme of any work of literature is stated in a complete sentence.<br />

Playwright<br />

the author of a play<br />

Actors<br />

people who perform<br />

the drama<br />

Acts<br />

units of action<br />

Scenes<br />

acts are divided into<br />

these parts<br />

Stage<br />

Directions<br />

information about<br />

where the action<br />

takes place or how it<br />

is done<br />

Theater<br />

place where plays are<br />

performed<br />

Characterization<br />

playwright’s method for<br />

creating believable<br />

characters<br />

Dialogue<br />

a conversation between or<br />

among characters<br />

Monologue<br />

a long speech by a single<br />

character that reveals his<br />

or her thoughts and<br />

feelings<br />

Set<br />

everything on stage that<br />

suggests the time and<br />

place<br />

Props<br />

small items that the actors<br />

use or carry to make their<br />

actions seem real<br />

Comedy<br />

a drama with a happy ending. Comedies are written to entertain and make people<br />

laugh. Comedies often point out faults in people or society.<br />

Tragedy<br />

an unhappy drama that ends with the downfall of the main character. The main<br />

character can be an average person or a person of great importance. Often, the<br />

main character is a heroic figure<br />

Drama<br />

is written about serious subjects such as events that happen in everyday life.<br />

Dramas may not have a comedic or a tragic tone. Drama often takes place on a<br />

stage in a theater. Stage plays require actors, costumes, lights, and sets. Other types<br />

of drama are not performed on stage.<br />

Screenplays<br />

are scripts for films. Screenplays include directions not only for actors but also for<br />

camera operators. They usually have more scene changes than a stage play<br />

Teleplays<br />

are scripts for television. They also include directions for camera operators and<br />

have more scene changes than a stage play<br />

Radio Plays<br />

are scripts for radio broadcasts. They include sound effects. Radio plays do not<br />

require sets, costumes, or directions for actors or camera operators about<br />

movement<br />

Adjusted from Davis/Lucas - 8 th Reading for Blancas-7 th Grade Reading<br />

Revised 5/20/2013

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