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Queens Conservation Area: March 1987 - The Planning Service

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-<strong>Conservation</strong> <strong>Area</strong>


Part A <br />

contents<br />

1. InMdcn<br />

2 Die BomMesafthe ChmemtionA m<br />

3. <strong>The</strong> Necd for Conmattion<br />

a. ~ ~ t i 5 n<br />

Appendices<br />

I, GataIogue of Liwd Buildings within<br />

tht Queen's Congervation<strong>Area</strong><br />

11. Financial Assistance<br />

111. Glossaryof Technical Terms<br />

N.Bibliography


Foreword <br />

JANUARY <strong>1987</strong><br />

Thc rapid physical growthof 19thcentury<br />

&fit kd to rbtemergence of a Victorian<br />

suburb, a short distance south of Bradbury<br />

Place, centred on what was then the Queen's<br />

College rutd later the Queen's University of<br />

Belfast <strong>The</strong> Queen's A m contains many fine<br />

examplesof individualbuildings, terraoes and<br />

landscapedspaces which typify what was best in<br />

the archiremmof this 19th centurg city.<br />

<strong>The</strong> <strong>Area</strong> retains a strong flavour of its original<br />

identity, aaabicnce and character and is certainly<br />

unique in Belfast today. <strong>The</strong> outstanding<br />

examplesof buildings of architecturalmerit and<br />

the historical significance of the <strong>Area</strong> in the<br />

growth of Belfast warrant the action of the<br />

Deparanent of Environment for Northern<br />

Ireland in designating it, under the terms of<br />

Article 37&<strong>The</strong> manniag (N.1,) Order 1972, as<br />

the first <strong>Conservation</strong> <strong>Area</strong> in the City of<br />

Belfast.<br />

<strong>The</strong> aims and guidanceset out in this<br />

publication am for the assistance of3eIfmCity<br />

Council, public bodies, localresidents,<br />

landlords, tenants, intending developers,<br />

amenitygroupsand others interested in the<br />

consrmtion of the Queen's <strong>Area</strong>.<br />

<strong>The</strong> Depment anticipates that local initiative<br />

and discussion will give rise n,proposals which<br />

willboth positivelyenhance the retention of the<br />

physicalcharacter of the <strong>Area</strong> and also promote<br />

the <strong>Area</strong>" importautrole in the academic,<br />

business, socialand recreational activities of<br />

Belfast in particular and the rest of the Province<br />

in emd.


Introduction <br />

<strong>The</strong> PlaMing (NI) Order 1972provides the legislative base for<br />

the protactionof buildings of sped architemmlor historic<br />

intrrmt a d for the designationof whole areas of similar<br />

intcnst, the characterand appearanceof which it is desirableto<br />

prescm and enhance. <strong>The</strong> desiited ams are called<br />

~rvationArcas.<br />

<strong>The</strong> designationof the Queen's Ckme!rvation <strong>Area</strong> (named<br />

after the Queen's University of Belfast, the centrepieceof tbe<br />

<strong>Area</strong>) as the fht such <strong>Area</strong> in Belfast is an important step in<br />

theamervationofthe architecruralheritageof the city. It b<br />

fitting, therefore, that it contains not only one of the highest<br />

co~trationsof good Victoriaa buildings in Ireland, but also,<br />

in.the Palm Housewithin Botanic Gardens Park,a buildingof<br />

European importance.<br />

. C<br />

- -<br />

'mtill,,,<br />

< l,<br />

_<br />

i- lmmmama, mm*<br />

<strong>The</strong> Palm House, Bomiic Gardens<br />

central dome 1852. Architect Charles Lmyon


<strong>The</strong> Bodaries of the <strong>Conservation</strong> <strong>Area</strong> <br />

Listed Building<br />

<strong>The</strong> <strong>Conservation</strong> <strong>Area</strong> is located within j/, mikof Belfast<br />

City Centre and a shortdistancesouth of the major<br />

intersection at Shaftesbury Square. It is 67.95<br />

acres in mm1 extent and includes the major open space<br />

area of Botanic Gardens Park (23.02acres).<br />

<strong>The</strong> <strong>Area</strong> is situated around the Queen's University<br />

campuswhich provides ths centrepiece. <strong>The</strong> northern<br />

boundary comprises the junction of University Road<br />

with Bradbury Place and Lisburn Road and carries<br />

through to Botanic Avenue along the line of the Cenual<br />

Railway.<br />

<strong>The</strong> domesticmhitecture and associated urban spacesat<br />

Mount Charles and at Lower and Upper Crescent are<br />

included within the eastern boundary which follows<br />

Botanic Avenue southward. Beyond University Street<br />

the boundary is d6m to theeast of Botilunic Avenue to<br />

encompass the Union <strong>The</strong>ological College and College<br />

Green.This ensuresthe inclusion withinthe<br />

Consemtio~<strong>Area</strong> of a visually importantarchitectural<br />

block which provides the vista end to the eastern side of<br />

University Square.<br />

<strong>The</strong> southern boundaryis defiid by Methodist Cokge<br />

in the west and by the brad sweep of Botanic Gardensin<br />

the em,<strong>The</strong> boundary linkingthesetwo is drawn north<br />

of the David Keir building to include the triangular<br />

wedge of Victorian terraoed propertics front@ both the '<br />

Maloneand Stranmillis bads just south of their<br />

junction with UniversityRoad.<strong>The</strong> Ulster Museum and<br />

Act Gallery which is of architectural significance,and the<br />

himoridly interesting Friar's Bush Graveyard, are also<br />

incorporated.<br />

<strong>The</strong> western boundary follows the line of Lisburn Road<br />

at Methodist College and College Gardens but excludes<br />

this mrainmad frontage at Elmwood Avenue. North of<br />

Elmwood Avenue the boundary is drawn to the rear of<br />

property frontingUniversity Road so that both fmntages<br />

dthis importantnorWsoutb axis through the<br />

Conserva& <strong>Area</strong> are included.


<strong>The</strong> Need for <strong>Conservation</strong> <br />

Methedist Calkge, Itdian Gothic revid style 1845/68.<br />

Architect William F-.<br />

<strong>The</strong> <strong>Area</strong> is formed from a combinationof small 9nd<br />

w ewale elements ofarchitmtme which are<br />

suctessfdlyiatntgratedby the recutcent theme oftre~<br />

linedopenspaces and.sffeets. <strong>The</strong> Universityaad<br />

Merhodim College are typical ofthehuge srale listed<br />

buildings and daemua;I set piecesinthe southernpast<br />

of the <strong>Area</strong>. <strong>The</strong>ir hdmped grounds, set againsttbe<br />

backdropo f ~ Gardens, ~ carc complemenaedin the<br />

north, by &e tree lined streets aad urbansplroes<br />

associated with the more domestic scale suchitemre h<br />

Mount Charles, the CresEem anea and Lower University<br />

RC&. Each contributesw a distinctive,casmpditan<br />

and for Belfast, a uniquely attracdveurban mwnscape.<br />

<strong>The</strong> arrM- land towmeape @ties of thc Queen"s<br />

<strong>Area</strong> are evident to all who b w it. At the SUJX<br />

businessactivityand heace;pressure cm its physical d<br />

archirecmdcharacteroonuhw to grow.<strong>The</strong> demand<br />

for oftice, flat, rersiland sewice wmrriodationis<br />

ampondkgly at ahigh level. In addition d c<br />

movementsassociatedwith these uses aadwith the<br />

Universityhave kd to seriouscar parking problems<br />

which add to the presslrrres on the visual and general<br />

d qof theh.<br />

<strong>The</strong> &W of amervationare not confined however, te<br />

keep* areasand buildingspleasant to look at, or asP<br />

recordof someapea of history.<strong>The</strong>y must involve<br />

the continuingHe and function of anam and be<br />

receptive to change.Much of the intrinsic gdrydthe<br />

Queen's Consemation <strong>Area</strong> is productof changing<br />

mial and mmosnicsrtirudesspanning a considemble<br />

pexbd of time. To deny the perpetuationof of pproress<br />

by curtailing newdewlopmeetor insisting on rigid<br />

Iimifatim of mditid designs will only serve to d<br />

intoquestionthe future validiy of such ateas for<br />

residentsand commercialinterests a&.


( A I <strong>The</strong> Designation <br />

In desipating the Queenvs Gmmvatio~<br />

<strong>Area</strong> theDepartment has therefore<br />

recognised the apparently divergentdemands<br />

ofprogressand preservationand has sough<br />

to provide aframeworkofpolicies whichseek<br />

(I) to protectand enhance theessendal<br />

character of the Qasemation kea and<br />

fheimportantbuildingsw iW it;<br />

(2) toemblegrowthandchangebaoccurin<br />

appropriatelacations provided it is in<br />

sympathy with the c hemiand<br />

appearanceof the existing<strong>Area</strong>.<br />

Commtim,to be &ectivc, alsorequires<br />

thec dtment of a wide range ofinterests<br />

in the coqmunizy. In this regad tfie pioneer<br />

work ofthe m r Architectura1Heritage<br />

Society in shulathg public interestin<br />

consemdonin general and hthe Queen's<br />

<strong>Area</strong> in mcular, deserves special<br />

acknowledgement.<strong>The</strong>more recenteffortsof<br />

the CrescentAsdadcm in addressmgthe<br />

problems of thatarcs are also worthy of<br />

mentionand are vrrelwmd by the<br />

Repamnt.<br />

Ndce is &reby giom that rhe Departm~ntof<br />

Environment(NI)in pummxe af powers<br />

confed upon it by Article 37 oftbe<br />

BlanniDg (NI)Ordtr 1972has designefzd rhc<br />

area indicated on map (I) asa Comroatbn<br />

<strong>Area</strong>beingan a m of s~alarchi~ot<br />

historic interest, the characrerof which it is<br />

desirable topreserve agd enhaace,<br />

A map af the designated <strong>Area</strong> has bean<br />

depositedat tbe BELfast City Gouucil Offices,<br />

Belfast Divisional Wawing Offux,and<br />

Belfast Developmar at the addm~ses<br />

indicated below:-<br />

Belfast city C b d<br />

aty m<br />

R@ sq-<br />

&East BTI 5GS<br />

Tdephom: Belfast (0232) 220202<br />

BelfastDivisionalPLsnniag Office<br />

1st Roar<br />

BedfordHouse<br />

16-22 Bedford Street<br />

BeWr BT27FD<br />

Telephone: B eht (0232)242486<br />

Belfast Development Ofllce<br />

Claa~clunHouse<br />

9-21 adelaide Sueet<br />

Mast BE2 8DJ<br />

Telephone:Belfast (0232)242486


Queen's Consewaticm <strong>Area</strong> - looking north from<br />

the top of the Ashby Building in Stranmillis Rd.


I B I An Historical Note <br />

Expmhgindustrialtowns commody<br />

developa distinctiveradial strum m<br />

which wedges of industrial dcvelopmnt,<br />

with high-densitym ce housing,<br />

dmmw with more affluent residentid<br />

sectors. <strong>The</strong>re arefew bar<br />

examplesof<br />

tkds rhan the contrast between industrial<br />

West Belfast and the mainlyresidential<br />

muthemsectorofthe city. It is another<br />

commonplace of urban geography that, rrs<br />

the cammedalcorepmat the apnse<br />

of older housing gear the mm,there L a<br />

co~.respandingoutwardshifth location of<br />

the moatdesirable residential areas. <strong>The</strong><br />

resulting migrationof wealthy<br />

townspeople away fmm thecenm cm be<br />

traced in Sod Belfast, from a point of<br />

origin in theeighteen& century Castle<br />

Quarter, through Dmegall Plaw to<br />

Bncgd.l Square and into theplanned<br />

gridironof streets around it -Chichester<br />

Set, Uay Sme~,W Stteet, Joy<br />

Smt, a,thence by WellingtonP kand<br />

Howard Street to College Sqmm and<br />

Fisherwick Plaee; and Wyy,along the<br />

Dublia M ancl Creat Victmia Stteet, to<br />

theearly Victoriansuburb that is now rhe<br />

University<strong>Area</strong>.


<strong>The</strong>old way out of Belfast to che south was<br />

a devious one by Castle Street and Sandy<br />

Row$climb'ingon to the:Malone Ridge at<br />

the foot of thepresent University Road.<br />

<strong>The</strong> Malone Rcmd was thus theold road to<br />

Liaburnand Dublin?followinga route<br />

close to the top of tbe ridge. In rhe<br />

sevenmnthcentury thearea was sealed by<br />

En&h plantens, who created the s d t h g<br />

pdlel mmgemenf oflwg, m mw s~pfarms<br />

which were Ister to be transformed<br />

into the suburban saeers, prks and<br />

amws of tday.<br />

Early Belfastinterestin was<br />

largely restrid to investment. From the<br />

mid-eigbted centuryonwardsmany<br />

leases were beitaken up by merchantsiD<br />

the mm,thwh rhe had contiaued to be<br />

farmedby their undertemts, for<br />

suburbanresidence was thenatnost<br />

unknown. With improving<br />

commrmications in the bgan Valley,<br />

however, the Malone farms suffered<br />

successiveintrusions as F ithe new<br />

fisbum Road (I8191aad then the Ulster<br />

Railway (1839) trespassed throughtheir<br />

lowerfields. About the same timenew<br />

roads out oftown were opened up -the<br />

Dublin Rogd (about 1810)and Great<br />

Vimria S e t (about 1823).Thus, the<br />

guidelines for urban expansion were laid<br />

down and the Malwefarms,their<br />

integrity destroyed, were ripe for<br />

development.<br />

Qmn'a b.<br />

Bmcj date 19W


From E823 onwards, leases in perpetuitybecame<br />

available to potential dewlopers, giving tbem<br />

secure and permanent possession, Elegant<br />

Georgianterraces-all11aw disfiguredor<br />

destroyed -began to spread along the new<br />

Dubh Rosd and GtwVictoria StreetIforming<br />

a tenuous linkIthrongha mxmw zone from<br />

OrmeauAvenue to the CentralRailwaythat<br />

laterbecame industrial,between the town and<br />

rhe new suburb that was aboutto be planfed m<br />

the dge. Finally,about 1840, Belfast fmt set<br />

fwt m Malok, with the building of<br />

Foll~lrainvikTerrace owrIwkhg the steep<br />

slope of the pcrst-gkid shoreline at thefoot of<br />

the ridge.<br />

<strong>The</strong> gracefulwmces of the University<br />

neigfibourhond (1840-1860) representperbp<br />

tbe fdflowering of Georgianazrhife~wand<br />

pkmhgin Belfast. Abave Fo~tainviUearose *<br />

ProspectTern, Botanic View, College View<br />

(nowFitzurilliam Place) and the unique Duach- I<br />

gabled Queea's Elms, while Chremof3tSCamden<br />

and Fimvibm Temes dewrmhpi rhe lines of<br />

future streets. <strong>The</strong> five modest brick houses<br />

once hewnas Cinnolmond's Buildings, rather<br />

incongruousamang the fashionably-smd<br />

terraces ofthe eighteen-forties, brad hbuilt<br />

about 1832 by the owner @fasmall brewery just<br />

blow them on the Lisbwn R d. Two have<br />

now been demolished to make way for a madern<br />

bank, but the uniqueness of the three swivors,<br />

- ..*<br />

with &eir dishctive Mansard raofs merits their - L,<br />

mn~rvazim.<br />

Upper Crmxnz, curved terrace in NW Classid sryle e.IM5.


On the otherside of Universiry Road ohe<br />

appwmrly grand intentions dthe Crescent plan<br />

were never quie mlised, for the & r a d curveof<br />

Upper Crwxnt (1846)is not matched by the<br />

inaptly-named Lower &scent (1852) which is<br />

straight. Nevetche1ess, this is one of the few<br />

examples in Belfast of a Geargianistplesquare1 in<br />

which the housesshare a centralgreen. A variation<br />

oa thism%flgemenzis seen in ianearby Mount<br />

Charles.<strong>The</strong>n camethe begianings of Universiry<br />

Set, openingthe way for later developmentof<br />

thr:long slopesknownasthe Plains, sweepingdown<br />

to the Ormeau Rmd.<br />

<strong>The</strong>opening of Queen's Go@ in 11149completed<br />

the architecturalcentrepieceof the m.Et was<br />

flanked by the grand brick terrsceof University<br />

Square,which musthve been even granderbefore<br />

the Victoriansdesnoyed its harmony with bay<br />

windows and attics which being, randomlyspaced,<br />

vetried in designand discordmrlyugly, are eloquent<br />

of an era far removedin spirirfmm tlw mwbich<br />

University Square properly belongs.<br />

At the end of it, closingthe vista and handsomely<br />

compkmenting the Elizabethan Gothiche had<br />

chosenfor Queen's, was Sir Charles hyon's<br />

classicalcompositionfor the Union <strong>The</strong>ological<br />

CoUege (1853). To the sou& the University<br />

property adjoined the BodeGardenswhichx<br />

estabiishd on their present site in 1829, gave<br />

Queen%a much more spaciouscampus than it<br />

would otherwiseb e had. Later on,even before<br />

the recent expansionof the University,thewhole<br />

area was to cake on the atmosphereofa still wider<br />

campus, with the building of Methodist College<br />

(186-8) Victoria College (1873) md, long after, the<br />

Museumaad An Wery (J929).


<strong>The</strong>inspired resitbig ofthe Museum&. Arr<br />

Gallerg in Emmic Wm,completed in<br />

1929, addedm&et facus of interest to<br />

complementa walk in the prkfor tiLamands<br />

of Belfast people, especially at weekends<br />

when town mingles with gownbringinglife to<br />

the area sevendays ol week. Here are two of<br />

rhemost impressiveachievementsin a district<br />

richinfine archi-. In the celcbmd<br />

Palm Home, wmpleted about 1852afld now<br />

admirably restored, yet anorher designbythe<br />

versatile Charles Lmpn was executedby<br />

Richad Turner, whiletk Museumextension<br />

of 197 1 representsan ingdousblendingof<br />

the new withthe old, to a p&-winoing<br />

desiga by Fmis Pp.<br />

If Methodist colpege was tbeHigh Victoriau<br />

eovnterpan of Queen's, the statelyterracesof<br />

College Gardens (1811-1883) afford an apt<br />

parallel to the elegance of University Square,<br />

while the:four University Road churches-<br />

Elmwood (1862), Methodist (1865),<br />

Moravian (1887)and &scent (1887)-<br />

eloquently representativeof Victorian<br />

eclecticism,have f&r enriched rhe<br />

townscape of this uniqueprecinct.A amber<br />

of old Behsf churches were now being<br />

rebuilt Inthe new residentidaream which<br />

their mg~gationshad migrated. All Souls'<br />

in Elmwood ~knue: (1896) hasastrangely<br />

epim- aspect to be the new meeting<br />

house of the second magregationof<br />

Pmastant dissenters. S&wIs a b pursued<br />

the migrating middleasses fram whichthPy<br />

drew rheir cliektele. Victoria College, for<br />

example, bad moved several times bdore:<br />

settlieg at Lower Crescent, where it was to<br />

remain for roughlya centrug bdo~<br />

its reocnt<br />

mmslation m D ~las~, f&r up rhe<br />

Malone Road, a teminderthat thepmss<br />

still cantinucs.<br />

-G-<br />

Justahve the Ulster Museum on the StranmillisRoad is Friar's<br />

Bush, theearliestdocumented site in Malone, which is almost<br />

certainly synonymous with Freerstone or Frhmtownon an<br />

Elkbedun map of Belfast Lough aad its hintcrlomd, dateable to<br />

about 1570. In Plantationtimes the sire of the friary was mktm by one<br />

of several chapelsofease belonging to the parishchurchof Belf~~t.<br />

Later on, in theeigh~enthcenturystherewas medy a brnrial ground<br />

where op-air mass was celebrated.<strong>The</strong> extension of I829created<br />

the present entrance and gnte-howe,pmjectiqg noticeably into the<br />

rodwayto include the piagut grave withinthe gates. Friar's h h<br />

day, long aeglecred but ~ceptlyimproved, offers quiet dusion in<br />

which to amtemplate thelong history of Malone, butthe visitor<br />

should not take too seriouslythe $tunebearingthe inscription 'Ye<br />

oMe friar's grave, A.D. 483'.<br />

Q C m t Chxlieh=<br />

Tall square beiZ rower<br />

Vimarim Garbic c.lW/.<br />

Q Methodist Church.<br />

Tower of Venetian influence<br />

c1B65.<br />

t<br />

4


Friar's Bush Gate Hwse -arched d w a y<br />

c.i8B StraamillisRoad.


fnsti~tionavEducr l<br />

Residential<br />

~ommercia~ m open Spce<br />

In had use urms the Consemtionh a is chsraeby<br />

law scaleinsrimdODaland educ9tidbuildings, It<br />

includesthe major IeatniDgcameofthe QPecn's<br />

Universityand orher importpntcomplexesof R " O M<br />

impomwe suchas Methodist College, the Ulster<br />

Museumand the Uaion<strong>The</strong>O~CO@.<br />

To&e nor&, the his eomprisdddomestic S&<br />

aerraoesfinshd in smcco and smax ttim. At Mount<br />

Cbdcsand at Upper and Lower Cmcatthe bmei<br />

emheamaaive urbanspaas.At UnmusitpRoad tht<br />

mce fro~lrageis ptaxlmaadd by thrce&a, the<br />

Maravinn, rbc UniPersitg Road Methodist and the<br />

Crescmt Church>which signpst thebegidngoftbe<br />

Conse~opOPAtca viewedfromthe lawerground of<br />

&adburgPlsrwl06%ing~)uthwards.<br />

TbBotYtaic GardensParLwhich is dt largestojm<br />

spaa~withinrhcConsemtion~theapens~<br />

amthxl withthe lsrgcr buildings and thes d r<br />

spmxsat Momt Quuband the tkscmt mgether<br />

represent aaignificrult pazenwgcofthetotalland W.<br />

Thcphavveaabr~rs~ngimpactonthcvisuaJamenity<br />

aadcharocterofthe~tionArreandprovidea<br />

phant settiug formmyof its fine buildiqgs,<br />

TothcnorthofUaiPersiy~uareco~officeand<br />

zcsidtndalflatuses pradombw. <strong>The</strong> Chsaat<strong>Area</strong> is<br />

largelygivm overt0office mdinsdtutiMlPluses and<br />

Mount ~ kto midemiduscs. s<br />

Uaivcrsit;VStreethasamimw:ofuses,dy<br />

rwi~apathcnOrthullsidtof~smtrandat%~~<br />

md resiamriatoccupyingthesou&ernside. University<br />

Radisofamired~rdrl~rnartbof~<br />

CamdcaS~jdonwith~,~ccs,~<br />

~ctsrrndtbF~dr~wfrich drhenoahcrn


At the southernend of the<strong>Area</strong> the western side of<br />

UniversityW is visually dominst#l by the tieredspirt<br />

of Elmwood Hd which is located at the Elmwsod<br />

Avenue juircleion with Uniocrsii Rd.Elmwood<br />

Avenue d College Gardens are comprised of office uses<br />

while the Victoriao amaces fmnting the SrraMPillissnd<br />

Malone Rods sucin a mixmeof residential,officeaad<br />

gemera1commercial uses.<br />

Tbg Queen'sUniversiyintheoeam:oftheArctiandlrhe<br />

Befist City Hospital Complexsituated immediatelyto<br />

the west, are majorwbm land uses. Togetkr, they<br />

generate substantialtransient populPtionsand heact a<br />

demandfor flat ancl similar types of rrsidentM<br />

e~rommodation.<strong>The</strong> Uaiwxsity in particularhas<br />

acquiredland inthe pgst for expansionand for new<br />

development and today m& the majorland owaer in<br />

theGmservationApL<br />

<strong>The</strong>s~ofQueen'sCollcge(latcrtobec0mctht<br />

Queen's University)in this part of SonthW t in 1849<br />

was part of the general movementof urban lend uses<br />

~~~thwardfmm the ciryawne which continuestoday.<br />

<strong>The</strong> officem e WWhas grown up, centredon<br />

University Street eastof Botanic Avenue, extends<br />

through th <strong>Conservation</strong>Aeea to Lisburn Road and<br />

furthersouth to Malme Rosd,It is themesit imporcant<br />

office a n o d e the City Centre. Demand for property<br />

to mvertto &a and s dbusincss use rernaks at a<br />

highlevel and causes competitionbctwtcnthe mditional<br />

educatianaland residentialuses aad thecormnerciel<br />

sector.<br />

Bradbury Place aud LowerBotanic Ave~ueform parr of<br />

thc aedirionalshopping centrefocusedaround<br />

ShafasburpSquarc. Inrecmt yearsthere has bieena<br />

considerable comolidstionand expansionofthis centre<br />

southwr~dsalong the castern side of 3otardc Avenut.<br />

<strong>The</strong> presence ofalarge studeatmdworkingpopulation<br />

intheamaisa&ocvidentintheg;rowthofmail~~Nice <br />

andrtlatadfadli~inrheg~areaofBotanic<br />

Avenue and in sectionsof UniversityRd.


Sub <strong>Area</strong>s <br />

h consideringwhich parrs of the <strong>Area</strong> might<br />

be padculady vulnerable to change and to<br />

presswe in berm of townscapecharacterit is<br />

useful KOsubdivide it on thebitsis of the<br />

natural framework provided by themajor<br />

northisourhroutealong University Road and<br />

the routes along Univetsity S e t<br />

aad E l m d Avenue.<br />

Eased on thisframework andusing the<br />

following criteria, a numberof areas of<br />

pressure areitkdfied.<br />

a. h s of existing commercial mmixed<br />

use: Suchareas are mere prone rhan<br />

ethersto change&mtheir egtenzlll<br />

ap- and hencethe characternf the<br />

area<br />

Stranmillis Road<br />

b. <strong>The</strong>distribution of unlistedbuildings: Junction with University<br />

Buildiags which are not listed likely to<br />

be mare 4 y converted or replaced than<br />

<strong>The</strong> wedge of Victorian brick terrace<br />

listed bddh&swhich have beea rhe <br />

subjectof much stricterdevelopment<br />

propertiesfrondng the Woneand <br />

StmnmiEs<br />

~~for sometinne.<br />

Roads at the southernedge of zhe<br />

<strong>Area</strong> occupiesa prominent location on rising<br />

<strong>The</strong> area of possible change exrends £mm tbe<br />

ground mmd visuatfycontains the space<br />

Sh'anmillidM&lonehad jdmm include formed along University h d between<br />

CoUtge Gardensa d Elmwood Avenue. It<br />

Botanic Gardens and Methodist allege.<br />

followsUniversity Road notthd takingin<br />

In land use terms the frontage is becoming<br />

UniversityStrter, theadjoining &runic<br />

mixed inewer with office, business d<br />

Avenue fmn~agesand the Grem area.<br />

residentialpremises. Already a n&r of<br />

Most of theremaining a m is in either advertisingsigns are p m ~Some .<br />

Queen's University or hstitutiond<br />

extensions, particularly dormers,have been<br />

ownership.While change my occurin t . designed in a manner which detractsfrom the<br />

areastheir impom is suchas m ensure<br />

styleand sde of the originalproperty and<br />

ewsiderabk public debate before props&<br />

diminishes thecharacterof the area in<br />

are acaepted.<br />

jmpman5 V i a d stog.<br />

S- RoadI tCma€e,<br />

effcailely a fourth s!rty.


[23 cdlege Gardem and the Southern Side of<br />

IIhmmd Avenue<br />

AU of CollegeGardens which comprises 3-4 storey stucco and brick<br />

finished Victorianterraces is listed.Propertiesare predominantlyin<br />

long established ofice use. <strong>The</strong> front elevations suffer from<br />

unsuitableflat roofed dormers in some locations. More recently<br />

Dormers and parking bays,<br />

changing the character.<br />

the rhythm of the terrace.<br />

Avenue<br />

ainrains


Road North of Camden Street on its West Side and<br />

W ~ W<br />

h n t ~harleson the Eastern Side<br />

<strong>The</strong> coherenceand unity which theotiginal twaand<br />

threeatmy terracesbrought to theRoadis evidenced<br />

today in the mwrd Botanic View Ternace (Nos. 53-67<br />

U-rsirgr had.) <strong>The</strong> kffe~is prtially lost at present<br />

however ia the bped Terrace blo& (Nos.33-41<br />

Univemity Raad/2 OaIEment Street). <strong>The</strong> corner unit a1<br />

CJaremont Srreet is in bad repair, the adjoiningproperty<br />

has a d i e t 0010ur scheme md the bidsuffers<br />

overallfmmthe disruptiveeffectofwmercialsigns.<br />

Viewed fiam Mount Charles, Prospect Terrace performs<br />

an importantfunction as a visual smp to the vista fomd<br />

by the western elevationsof the Mount Charlesterraces.<br />

Furthernorth, the CmcemJUniversity<br />

Rod Methodistand MomvimChurches<br />

dominate the frontage attbough<br />

advertisingsigns are intndve atthegarage<br />

ent- adjoiningtheMomvian Church<br />

mdat tbepropeq on the church's south<br />

born*.<br />

Viewedfmm Bradbuy Pk,the three<br />

churches above providea distinctivevisual<br />

focus tit the northernentrance m the<br />

&nse;vadon ~rea. <strong>The</strong> juscapositionof<br />

churcheswiththe urban SW nt the<br />

Crescent and fronring the*~omvian<br />

<strong>The</strong> brick and smm%stony CrescentTerrace (Nos.<br />

23-31) .UniversityRoold)now contains a gap site whichis Church uudersoaresthe potwdal and<br />

oppositeto a similarsite on the easternfmtagcof<br />

importanceof rbishcwbn.<br />

Unlwrsiry Road. At gmuad level the is in<br />

mmerci81usage and conunezhlsigbs are prominent.<br />

<strong>The</strong> afiginslfront gardens, now used for p-, adjoin<br />

a wide scrrtch,of pavement.<br />

<strong>The</strong> Mount Charles vista<br />

and the visual stop.<br />

<strong>The</strong> three churches, fmning<br />

the northern boundary.


University Street<br />

<strong>The</strong> frontage is comprisedof twoand three+torey brick terraces<br />

with a mixof office and residentialuseson the southern side. <strong>The</strong><br />

street carries a heavy volume of tdlc and alsosuffers from the<br />

mtrusivtefllecf of parked cars.<br />

Only that part of the northcmblock facing onto Mount Wes<br />

is<br />

listed and anumber of replacementbuildings arc currentlyptoposed<br />

at threel~tionsalongthercmaiuing frontages. <strong>The</strong> origjnalsmall<br />

frontgardensd railings have largeiygone and the adjoining<br />

panments are of unevenappearance. <strong>The</strong> overall impressionlooking<br />

eastward is therefore of a wide uainte~estingspace with nothing to<br />

catchthe eye before the buihiiq elevationsthemselves.<br />

Looking westward the view isdosedby Prospea Term on<br />

University Road thus emphasising the importance of this block.<br />

Existing planningpetmissionsand theconditionof someproperties<br />

suggestthat the street wilS change quite radicallyin tbenext few<br />

years.<br />

Individual aeatmtnts break<br />

the rerraoe rhythm.


<strong>The</strong> Crescent <strong>Area</strong><br />

<strong>The</strong>terns of the Crescent <strong>Area</strong> are now<br />

predominaruly ift office and institudonal uses.<br />

<strong>The</strong>nod and south facing terraces ore listed<br />

as is the CrescentChurch. <strong>The</strong> area focuses<br />

onthe centralopen space, however, a't present<br />

this is dominated by the intrusive mmre of<br />

carparking around its perimeterand at rhe<br />

Queen's University TeacherGentre.<br />

Bo~~ddaries are in poor condirimand have<br />

been b~achedalong the Lower Crescent<br />

cmihg by prked cars.<br />

<strong>The</strong>building elevations sufferfrom the<br />

disruptive effect of individual colour schemes<br />

and decayingelevarid finishes. Security<br />

grills are also an intrusive element.<br />

Recentlythe Department has granted<br />

planningpermissionfor changes of use t~<br />

restaurantand to licensedpremises. Private<br />

investment interestis importgnt ia tbis area<br />

given theconditionof some propettieS.<br />

Erttemal treatment and works can be turned<br />

to pclsitive effect if developerscontinueto<br />

respectthe existing character ofthis<br />

imporrantarea.


Car Parking <br />

It is evident that the general area of SouthBelfast inwhich the<br />

Queen's &mereation <strong>Area</strong> is located is a substantialgenerator<br />

ofboth commu~rand businessWfc. 'Ihe adverse affecrs of<br />

saturationcar parking are noteasily addressedby policies<br />

specificto the <strong>Conservation</strong> <strong>Area</strong>.Amenity considerations<br />

must therefore, in tbeshort-mm, be balanceddirectlyagainst<br />

the needs af residents and af .fe busks community for<br />

vehicular ~ c ~ and e ~ padring. s<br />

<strong>The</strong> apptcachadoptedat Elmwood Apenue involving<br />

physicallydefined @chg bays set agal~fthe line of trees<br />

along theAVIWU~is a pirivt attempt to ~csx~rnmod8te car<br />

parking white minimisingthe impacton amenity. Inother<br />

lomtiom5 the pmvisionof propep parlting bays and associated<br />

landscapingm ybe achieved by bringing underused land to<br />

tht rearof property and ekwhere, into use. <strong>The</strong> recent<br />

development at5347 University Road inmrporadagp m<br />

sod servicing within the rearcurrilageof the property is an<br />

exampleof anorher way f a d involving site ~tio~ation<br />

on developmwt.<br />

Wing bays Md8m planhg brlp ro<br />

larqme the cat hm the eavimmenf.


Positive Action Measures <br />

U 53/Si University Road (Bdc View tutacc).<br />

Cu parking is pm of the overall scheme<br />

for Ehis well designed tenoa block.<br />

<strong>The</strong>re rac a number of ways in which the<br />

architecturalcharacterand townscape of<br />

the Queen's <strong>Area</strong> canbe enhadced and<br />

pratected:-<br />

1. by ensuing that new development<br />

respectsthe scslcand character of the<br />

existing architeehual styles<br />

2. by sensitive restoration and <br />

improvement of existing buildings <br />

3. by identifyingand remedying<br />

problems which threaten the fabric of<br />

the <strong>Conservation</strong> <strong>Area</strong>.<br />

<strong>The</strong> Qepartment will have particular<br />

regardto the management of pedestrian<br />

and vehicular traffic movement in the<br />

interestsof the amenities existing in the<br />

Coasemtion <strong>Area</strong>. Action willalso be<br />

takenwherever possible to ensure that the<br />

pkhgd motor vehicles and the location<br />

of carparks is d e d out in such o manner<br />

as to have the minimum effect on the<br />

characterof the <strong>Area</strong>.<br />

Preservation Ordersmay be made, if<br />

necessary, to prom ares or groups of<br />

mts which form an essential fearure in thc<br />

characterofthe Gnsematioa Arta <strong>The</strong><br />

general appearanceof many of rhese may<br />

be further enhanced by the selective<br />

planting of additkmdand replacement<br />

trees and sowing of grass areas.<br />

<strong>The</strong> Department will welcome schemes to<br />

improve the appearanceof builhgs and<br />

sites within the <strong>Conservation</strong> <strong>Area</strong>. Within<br />

its specific functions and throughthe<br />

operation of community services, Belfast<br />

City Councilbas a leading role mplay in<br />

the initiationof such schemes which can<br />

include the repainting of neglected<br />

buildings, the removal or replacement of<br />

rusted and broken fenCes and the clearing<br />

away ofrubbish.<br />

Criticism of street furniturein our towns<br />

tends to rel%te to the quality of Wvidual<br />

items and to the lack of anoverall coherent<br />

style or visual theme in their design. This<br />

is understandable when it is recognised<br />

that theresponsibility for erecting and<br />

sitingof various items of s e t furniture<br />

lies with a number of bodies each with<br />

different priorities and concerns. In the<br />

Queen's <strong>Area</strong> street furnitureshould be<br />

used sparingly. Emp&sis should be p-


on s.coherent style and on the high quality<br />

ofprodun used. <strong>The</strong> hpamnent will<br />

thedore tncourage appmpriateagencies<br />

m:-<br />

1. Enswethat trafGcsigns are designed and<br />

positioned in a way which makesminimal<br />

impacton the visual meni it^^ of the=a.<br />

2. Repke modemlamp standards with a<br />

designmore in sympathy with thehistoric<br />

characteroftbe m.Incircumsmoeswhere<br />

this might not be possible mideration<br />

should be givento mountinglighting mizs<br />

on thef'dedi of buildings(subjectto<br />

agreement bemen the Depammmt and h<br />

properry owner). <strong>The</strong> use of floodlightingat<br />

night can be parricukrly &ec:tive and<br />

building owners map be preparedto make a<br />

fmcialcontdbutiw in this respect.<br />

3. Underground all telephone and ather service<br />

cables.<br />

4. Locate telephaneancl other junction boxes as<br />

unobm~sivelyas possible and integrate them<br />

into existingfeatures whereverpracticable.<br />

5- Devise a common colour scheme for all <br />

appams, lamp standards,litter bins, <br />

bollards etc. <br />

Exisring advtbents and signs ofd tgpes<br />

displayedin the A m wilIbe thesubject of<br />

special consideratioa It is hoped that with the<br />

co-opemtion of local businesses the number of<br />

advertisernaudisplayedwithin the<br />

Consemuon<strong>Area</strong> can be minimised.<br />

In the Department's view <strong>Conservation</strong> should<br />

involve the whole commdty. <strong>The</strong> p&icipa.tion<br />

of activepoups, similar to the recently f o d<br />

CrescentAssociation, would therefore be<br />

~ c o and~encouraged.Private d<br />

initiatives<br />

datingto al:matrers affectingthe character and<br />

amenity of @dm locations would also be<br />

welcomed.<br />

<strong>The</strong> question of h c e is dealt with more fully<br />

in Appendix Il. <strong>The</strong> Department may consider<br />

certain schemes by mhidividual pmpexq owner<br />

or by professiod consultants as suitabk for<br />

financial support under the ternsof the Urban<br />

Development Grant Scheme.<br />

Reproduction cast iron street furninue.


A Guide to Developers <br />

<strong>Conservation</strong>policies are intendedto protect those areasof<br />

inninsic quality which may be subjected to undesirable<br />

developmentwithin the normal planning process. It is<br />

nonetheless acknowledged that the urban qualityand visual<br />

interest which now exists h been achieved over time,<br />

mainly through unrestricted design qmssion. <strong>The</strong><br />

intention here, therefore, is to provide a framework of<br />

policiesthat will permit the maximum degree of flexibility<br />

in terms of design and choice consistentwith the<br />

maintenance and improvementof the essential characterof<br />

the Consedon h.<br />

Breaking the rhythm


<strong>The</strong> Role of kel-t <br />

Control <br />

Developmentwithia the Qmds Co~~~ervation<br />

<strong>Area</strong> will be cuntroBed with the primary aim of<br />

mutingthe retwtion of all rhat is importantto the<br />

character ofthe Anea. Evq possibleeffort w3l be<br />

made m mnserpe the individual buildings a d<br />

groups on which &t dmactet depends<br />

Zliig controlwill bee!xeK.id asfollows:-<br />

1, Where permissionis sought for developmat<br />

inwolvingthe demalitiw or alteration&a<br />

bddiag which has been 'listed' under rha<br />

Planping (NI) Order 1972asbeing of specid<br />

a d d or historic interestZ(see<br />

Appendix I Gr the current position) it will be<br />

necessary to demonstrate thatsuchworks<br />

would in themselves be an enhancement, or<br />

&at.they are required for overridingaad<br />

exceprionalreasonsrelating to the<br />

development of the <strong>Area</strong>. In tPJsassessment<br />

particular110tharill be taken of thephysical<br />

state and structural quality ofthe subject<br />

property-<br />

2. Under the tern ofh P l d g (General<br />

Development) Order (N.I.) 1973certain<br />

spec51m s ofdevelopmente.g. minas<br />

Jtemtioas to houses, erectionofgatas and<br />

f.nces and painting of property donot require<br />

specifc planning permission. However the<br />

Departmeat has power under Arricle 4 ofthat<br />

Order,m direct that in any pticdar area1 '<br />

these qpes of devtbpment must require the<br />

gmut of plamhq permission. <strong>The</strong><br />

Depamnent wilI give considemrionm the<br />

application of such a didon inthis<br />

Comemtian<strong>Area</strong> with resptt to a limited<br />

numberof types of development.<br />

3. Consentto displayadvertisemtnts geaerally<br />

requiresmapplicationunder thePlaepinb5<br />

(Gon~olof Advertisement) kgthrhm (NI)<br />

1973although art&classes of<br />

advertisementmay be displayedwithout<br />

expresS~nt.<br />

A sign or dv&ment if badly designed m<br />

locatedcanoftenhave as detrimentalMeffect<br />

on the visual amenityof tlae Canmation<br />

A m as Other f m of inappropriate or<br />

insensitivedevebpm~nt.Applications for<br />

consent to display advertisements wiII<br />

mseque~.dybe judged on the positivedecf<br />

they make to the visual character of the<br />

CvnservstioaAtea md should be designed<br />

and located with this in mind.<br />

4. Changes of use requiringplanningpermission<br />

which arelikely tohave anadverse effect on<br />

h d or buildings which conrribu~<br />

sidcantty to the:cbaramrof the<br />

Cotlsemtion<strong>Area</strong> wiU not normallybe<br />

permitfed.<br />

5. <strong>The</strong> Department willnormally expect those<br />

pldg applications in respecf ofsites or<br />

buildings w i h he Comemation <strong>Area</strong> to be<br />

submittedwith sua[identdetail in order to<br />

ensure at the initialplaaningstagethat<br />

developmentis in harmony in all respects<br />

with thedmamr of tbe atio ion<strong>Area</strong>.<br />

Botanic View termcc 53/57 University Road,<br />

- A mntemporsuy rcfufbishmwt of ttie original terrtia black<br />

which maintahsthe saw ~~.


Development Control and <br />

Environmental Objectives <br />

<strong>The</strong>Department in exercisingits planning functions within the<br />

Coaservation <strong>Area</strong> will be guided by the following<br />

objectives:-<br />

1. to safeguard the physical fabric of the <strong>Area</strong> from <br />

neglect and decay and to prevent insensitive <br />

development and redevelopment; <br />

2. to retain, as far as is possible, the existing land use<br />

balance and to ensure that changes of use where they<br />

occur are appropriate and in sympathywith the<br />

purpose for which the buildingwas originally<br />

consmcted;<br />

3. to protect the general amenity of the Coflservation<br />

<strong>Area</strong> by discouraging development that by generating<br />

excessive vehicular activity, noise or other nuisances,<br />

would put at risk the continuing occupation of<br />

neighbouring properties;<br />

4. m enhance the visual ameniy of the <strong>Area</strong> by<br />

encouraging the removal of all unnecessary overhead<br />

wires, whs on building elevationsand street clutter<br />

and by encouraging proper maintenance of all areasof<br />

hard and soft landscaping.<br />

Laadscaping - softening the edges between old md QCW.


New Development <br />

It is not the Depsement's aim to stem rhe<br />

natumlflow of change,bllt to crate an<br />

attnaspherewhsseby grater sensitivityis<br />

givenm the design of new buiIdhgs in the<br />

<strong>Queens</strong>s&flsemtim <strong>Area</strong> <strong>The</strong>refore new<br />

developmentshould improve each existing<br />

situation in term of qWtyand use, and nor<br />

m&& it. <strong>The</strong>re are many solutionsto the<br />

preblemof how the clientsdemandscm be<br />

tcadarediato a pduct that fits comfortably<br />

amongst O&I<br />

bddinges. While no two<br />

solutiwswill be rhe me, the answermay<br />

come fmm'one of the foflowhg approaches.<br />

Reproduction<br />

<strong>The</strong> most obvious way of capturingthe<br />

characterof a place is to reproducethe<br />

buirdiugIc~ at least the fade Phat previously<br />

occupieda site. In terracesof unitled<br />

composition this is often the only alternative,<br />

evenif costly and emhg to achieve.<br />

Atrentionto detailthereforeis a vital<br />

considerationand suacess will depend upon<br />

the we of correct colours, elevatioaalfinishes<br />

and the detailingof exsemaljoinezy. <strong>The</strong> key<br />

to successfuZ reproducticmis that the madern<br />

designermast not imparth% ownpersanal<br />

style on zhe building, &S in a very<br />

unobtrusivefashion.<br />

<strong>The</strong> approachoutlinedabove is similar to<br />

conversion of existingbuildingsmd quires<br />

d dapplication.To udamhe the quality<br />

of an imponantbuilding throughanfdW<br />

restonition,poorly worhd oonversions oran<br />

unsympatheticextensiondevaluesthem1<br />

objectives of conservation.<br />

CC-<br />

2 Mount Charles. Greek revival style v ik 1842.<br />

Faitbhslly ramred €&wing erncnsive k b damage.<br />

Contrast<br />

Traditional<br />

is often seen asofferingthe besr:solution, particuIsrlyh<br />

relationto domesticbuildings.<br />

It is possible to desigeabuilding form<br />

that is u~~srnpmmis'mgly modern, but <br />

which ifmbitecturally sawing may<br />

welladdtothehc~erofanarea.<br />

New dewtopmat, ifit is to slip<br />

unobtrwsivedy into theurban scene<br />

must respectand nothfen the bulk<br />

and desiga of the existing form.<br />

An importantfactorhere is thatthe<br />

appeal ofnew buildings is largely<br />

subjective,dependingu ppersonal<br />

prejudices. It is thereforeextremely<br />

difEdr to defineguidehesfor &is<br />

appr- which dependson the skill<br />

and experriseoftbedesigner.<br />

Thc method involvesstudying ~ urwdg buE1d'ings and noting<br />

their inherent chmweristics. By applyingthese charaaeridcsin a<br />

maditidway, a new brJildinPcm be pmdud which respects<br />

existingform.<strong>The</strong> essentialaim here is to presene the uniqueness<br />

rhat each ;areahas evolved, and not allow it to besubmerged under a<br />

bland archim1m~trment.


Had of terrace development built in red brick eonamporary In style<br />

but following the S is of its tddoeal neighbours.<br />

Whatever the rapprod dopred, the scaleand<br />

proportions ofthepm& building together wirh tht<br />

choice of materials to be used become of paramount<br />

hprmnce.<br />

Scale<br />

Apart from the larger ecclesiasticaland rdemic<br />

instirutimthe mjority of bddhgs with the<br />

Queen's Casemation Ara exhibita S=% that is<br />

dearly domesticincharacter.<br />

New development should seekto replicatethe scaleof<br />

the surroundingarea by emuringthat theeievarional<br />

massofthe building is broken up and modelled into<br />

units of similar size to that ofneighbouringbuildings.<br />

Proportions<br />

MostdemesticVictorianarchitecturehas a mmkd<br />

vertical empbasis nor onlyin thebuddingform but<br />

also in thevarious elements it embodies.Wmdow and<br />

otheropenings are invariably taller than they are wide<br />

and the ratioof solid to void is weighted in famur of<br />

the solid.<br />

<strong>The</strong>designof new buildings shouldiewfpo- this<br />

vertical emphasis. T k use oflsrgeblank sdces a d<br />

uainfermptedhorizontalfeatures should bt avoided.<br />

Materials<br />

With the wide tmge of materialsavailableto dcsigncrs<br />

it is obviouslynot pibk to give preciseguidaue as<br />

ta Wr<br />

acceptabilityor athemis. Suffice m say a tif<br />

anew bddhg is to settled ombly in mhistoric<br />

semhg thenumber of materids used should belimited<br />

and they should be selected with restraintiamind.<br />

sm<br />

W,by the desigmr, in manipulatingtheseimportant<br />

designelements willenswe thatJhaiddirimto<br />

meeting therequirements of his ebt, the resulting<br />

developmentwill, when completed, make a positive<br />

contributionto the Coflsemtion<strong>Area</strong> PSPwhok.


With the exception of a small number of<br />

redevelopment schemes the vast majority<br />

of new works undertaken within the<br />

<strong>Conservation</strong><strong>Area</strong>in the period from 1980<br />

have been spedically related to the<br />

extension, modernisationand conversion<br />

of existing buildings. <strong>The</strong> cumulative<br />

effect of these, often small developments,<br />

if undertakenwithout due regardto the<br />

establishedarchitectural vernacular, can<br />

result.mthe quality rund character of the<br />

area being seriously eroded.<br />

<strong>The</strong> characterofthe <strong>Area</strong> is shaped to a<br />

large extent by the dolnestic scale terrace<br />

blocks which surrormdrhemajor buildings<br />

and their landscaped grounds. <strong>The</strong>yhave a<br />

distinctive visual rhythm and add an<br />

important sense of unity and coherence to<br />

the dtectureof the <strong>Area</strong>.<br />

<strong>The</strong>se&ects are achieved by the<br />

repetition of uniform elevational elements,<br />

particularly windows but also doon and<br />

chimneys, along the teme elevation. <strong>The</strong><br />

basic unit of this dominant panern is the<br />

narrow fronted threestorey property<br />

which is identifiedby its standardised<br />

arrangementof elevatioaal elements (each<br />

with a vertical emphasis on its proporrions)<br />

along vertical axes.<br />

<strong>The</strong>basic horizontal visual emphasis of the<br />

terrace form is therefore counterbdanced<br />

by the strong verticalemphasis of the<br />

individual units repeated along the block.<br />

Univmity Square Tmact is pdmlar1y well prescrpcd<br />

and caa afCord the light relief provided by the lpter<br />

addition of tbe Via& bays &h puncrnate its length.


-


I-<br />

Traditional window frames.<br />

Ieeppmpriate modem frames<br />

Windows<br />

Slidingsash windows with a verticalemphasis<br />

predominatethmughoutthe <strong>Conservation</strong><strong>Area</strong>.<br />

When replacingwindows in existing bddiags it<br />

is of viral importancein tetainia$the unity of<br />

the street frontage to mure that theopenings<br />

arenorenlargedandthetbeorigbdstyleof<br />

window is replicated.<br />

Window openings in extensions should mimr<br />

rhe proportions of those in theexistingbuilding<br />

and have a si& salid to void ratio.<br />

MouEdinpand other decorative pktemrk<br />

around openings shouId always be retained.<br />

Replacemeat sills should be as substmtiaIas in<br />

adjacent buildings, coastnzcrcdin either precast<br />

concreteor stone mdhave a traditionalprofile<br />

esp&Uy in respectof the leading edge.


Doom and Accessories<br />

Ttaditidypanelled orvertically boarded<br />

duos were used extensively in buildingsof rhe<br />

Vicmrianera. <strong>The</strong>se door types&odd be used<br />

when replaewnenr kmnesnecessary, especially<br />

hfrontelevations.<br />

Glass p& m y be substimted for solid ones in<br />

~ddoors howeverlargeexpanses ofglass<br />

are inappropriateaad huld be avoided.<br />

Door acoessorics such 8skrmchrs, letterboxes<br />

aad handits should be made of brass, bmnzc, or<br />

cast hand afperioddesign.<br />

Where propertieshave been oonvd<br />

to flats it<br />

is important to Eimit themmunt of door<br />

accessoriesto the absoluteminimum.<br />

Intercom systems, nowCO-nly uscdin<br />

m~ti~pancy properties, ~quirc areid<br />

attmdonasm de3ignand siting ip orderto<br />

integrates u c ~ g ,<br />

Chimneys<br />

h order to retain the existhg<br />

skylineIchimney stac%s and pots<br />

should be retained evenwhen no<br />

longerd.h ~nttain<br />

Victorian panded doors -<br />

Gen&y .a prticular panem of<br />

door would be comnron to a street.<br />

Ehwd Ave<br />

- Vicrorian corbelled chimney stacks,<br />

provide & gm skylines


<strong>The</strong>se should be designedin sucha<br />

motnaeras to appear, when<br />

completed, as an integrated pm of<br />

the original buibhg or altmatively<br />

as a self-~nraine design statement<br />

mmplementaryto the original.<br />

Toainimise anyri& of the existing<br />

building being dominatedor its<br />

appearance impaired by rhe new<br />

structurecaddconsiderationmast<br />

be paid to the sea% and mass ofthe<br />

new work and the materialsof which<br />

it is to beaomvud.<br />

Roof Design<br />

Except where a gable wall facesonto<br />

a street all roafsbhouldpitch away<br />

from& sweet frontaged be<br />

covered in uaditiod materials.<br />

<strong>The</strong> angle of pitch, eavesand ridge<br />

heightsshouldbe similarto rhose of<br />

existingroofs in the immediate<br />

vicinity.<br />

<strong>The</strong> use ofproaed d n g tiles is<br />

not considered tobe appropriatein<br />

the Gdnmtion <strong>Area</strong> and willnot<br />

nannallybe favourablyconsidered.<br />

-. .<br />

2 storey lean to & 2 storey piwhed 3 storey pitched & 2 storey single storey with prapet<br />

with parapet<br />

pm lean m/part - - pitched lean to only three storey 2 storey and 1 stwcy 2 stmy<br />

REAR &LEVATIOhf<br />

Dormer Windows<br />

& Roof Wghts<br />

Where the intrsdudon of new<br />

dormer windows cannot be avoided<br />

they should be located inrear roof<br />

elevations.If this is impmcticable,<br />

cwsideraticnmay be given to<br />

placingthemin front roof elevations<br />

providing tbey itre of traditid<br />

designandinscalewirhthedthg<br />

build'rog.<br />

Additional dormer windowswill<br />

nodybe acceptablein roofs<br />

which dmdy have such features<br />

provided hey accord withthe<br />

origbah in enns of design, line sad<br />

spaciqg.<br />

Dormerwindows will nor be<br />

permid to exceed the ridgeheight<br />

of thebuildingor to eolkdvdy<br />

occupy moxethan31)$6oftheamof<br />

myparticularroof ehtion.<br />

Rooflightsate normallyacceptablein<br />

existingmfs pmddjngtheyline<br />

through with&$ring windows in the<br />

elevationsand retain a v eW<br />

p, cmpw.<br />

35Qminimammf pitch<br />

SS0 drnum roof pitch


Dormer windam and EL^ lsgbts which relate<br />

to the pmphm of the tertace<br />

and its fmaatiaa.<br />

External Wall<br />

Finishes<br />

Most of theexistingbuiId"isin the<br />

<strong>Conservation</strong><strong>Area</strong> are fished in<br />

stum,exposed brickwork or mmml<br />

sme. Olnsequentlyrhe use of more<br />

modemmareriafssuchas mciaA<br />

stone, or pebbledash is totally<br />

inappropriate and will not be<br />

approved onfuture development.<br />

<strong>The</strong> use of mosaics should also be<br />

avoided.<br />

Reconstituted stone may however be<br />

used for wall copings, entrance steps<br />

and similartypeof work.<br />

Free standing walls should be<br />

fkishedin materidssimilar to those<br />

of thebuildingto which theyrelate.<br />

Elmwood - decorative<br />

Victorian railings.<br />

Additional Design Points<br />

Rainwatera d soil goods:Down pipes in<br />

particular must be of cast ~laetal.Extruded<br />

aluminium can be acceptablebut for gutters<br />

only.<br />

Railings:During World War I1 many of the<br />

railings in the Cmsemtion <strong>Area</strong> were<br />

removedto further the was effort.Where<br />

rrailings&ted previouslyevery efhrt should<br />

be made to provide rephaments.<br />

Fire escapes:Where required these must be<br />

containedwithin theexisting building<br />

envelope, with a sympathetically designed<br />

wension or be a positively designednew<br />

elementthat cm be said to conmiute to the<br />

quality of fhe <strong>Area</strong>.<br />

Where they canbeaccommdated<br />

withinthe designatedAm,they<br />

should mhre to existing or proposed<br />

new buildingsin orderto achieve a<br />

-ed groupiag. Dcsigns should be<br />

carefully chasen to reducetheir scale<br />

andronthimktheeffectsof<br />

Oversized dormer extensions h g e the character<br />

of the roof and building effectively ding


Shop and other Commercial Fronts <br />

Cweersion of three units, originally with b y windows, inta onc shop/mtsu~ant.<br />

Cwvmion of three units iata shop, cmmcrdal and residentid.<br />

A &g&cant number of former dwellings in the Cjonmtion Arta<br />

have becn ooavemdI d&er totally or in partJfor cammtrrialW. On<br />

gmrrnd floors this hasreaula, in some cases, in the loss of<br />

traditionalfenestrationand the insmhtionof insensitivelyd es'i<br />

shopfmm and display windows.<br />

Madcm corned activityoftcnrequires shop owners tobe bold in<br />

promatingtheirvgdc orbusiness, ncvenhelessit is fdt that this can<br />

still be achieved wirhom detract& from the inainsic quality ofthe<br />

area in wfi& the premises are locaped.<br />

As Pguide to potential dcvelopcm thc following pointswill, if<br />

embodiedin proposed works forar a souad basis far acceptarm by<br />

tluDemt.<br />

Design<br />

Large uninterruptedcxpws of glass are alienm the<br />

scale ofbuildingsand will not normally be approved.<br />

One solutionis to subdividewindows in10 more<br />

dtional proportions,carry~e mainelevational<br />

materialsthrough the facade m ground heland use<br />

substantialdmrand window framing.<strong>The</strong> amount of<br />

display space will be mhhdly flecbed and .yetthe<br />

integrityofthe building dbe<br />

remined.


Materials & Finishes<br />

<strong>The</strong>modereudicofma~suchas~<br />

plastic and smidess steel are out of p k in an<br />

historic envirrmnmcntand shouldneverbe used<br />

in shop fronts.<br />

?"mkdmm rmdwindow members should be<br />

paintedandmtsoairredorvamishedandifthe<br />

f ~ i s ~ o f s t z d w d ~ u m ~<br />

shouldbe mlawcoated rather thanMt with a<br />

mtmrlicfinish.<br />

Faschs<br />

. <br />

It is importantthat fasclastake aocountof <br />

srchim deoailiog;suchas string courses and <br />

cornices and never obliterate or obscure them. <br />

Xafcmmtion&played m fascias should be <br />

limiredm &mm of the owner, street numkr <br />

and trade dexriptiw.<strong>The</strong> temptation to include <br />

dvedscments shouldbe resisted. <br />

As an dsemathe m using fascia boards the direct<br />

application of lettering ttcwtothe facadeof the<br />

bdding am be effective and less costly to<br />

mainmin.<br />

Awnings & Shutters<br />

Fora numberofmwm there has been a<br />

mrk~dincaase in the use of these featuresin<br />

mxnr pears. Where th& use is envisaged they<br />

should be designed and sited to be as<br />

uaobrmsive as possible and tofit in withexisting<br />

fuclaitecruraldeeail.<br />

Advertisements; & Shop Signs<br />

Pmposalsfor the displaydadre&ments will be<br />

judged w the possibleeffect thty to thevisual<br />

chacmof the Consemtin ATea andshauldbe<br />

designedrmdd located with &is in mind.<br />

<strong>The</strong> meaimof imRmally illuminated box trnd<br />

promsignsonto thefa& ofb&i&s detract<br />

hmthccha~rofthe<strong>Area</strong>andiafuturethtse~<br />

nm mdybe givenfavourablecomi&rariop,<br />

AItemtiva include signs pahd M y onto the<br />

extdwall f~shor individualWrai f ddirectly<br />

,w the fasch In both cases wash downor spt lighting<br />

,pmbk ,rh,of,&h.<br />

Oa upper flms, m,inbmdly illmted signs or<br />

advertiwnen~will not be permitted.<br />

- , Where here isbusiness aEtiviy above gmmdfhr<br />

level gold Weringapplieddirectly to the window<br />

glass ar rhe we of ghs etching istecoeamcdd.<br />

Certaincategoriesof developmentsuch asb d ,<br />

r e m m &d kmed prepreds have la traditimfor<br />

displaying hanging signsattachedto the faaades.Thiar<br />

qpe of advertisementcm often be U& m god &m<br />

if it is dcd<br />

out with rrrstmhtwing tditiod<br />

materials. Mmtion displayedon such signs should<br />

telatemrhtmdeor~cdoncarriedoutonthe<br />

pranks ratherthanm sped& commed products.<br />

<strong>The</strong> use of spotor wash downlightingin conjmmion<br />

with hangirmg signar mgve a pleasing 'pe.Liod' effe<br />

espeddy atnight whenother premisesmay be closed<br />

aad &play windows not illhmd<br />

Where p~~ are 04or axupiedby buskemployinga<br />

corporateor mtidy ~mpisedlogo it<br />

isexpectedrbe~inq~meitherfaregotheuse<br />

of the signm&apt it asnecessarg in thr intmsts of<br />

pnsmhgthevisdad~s of*<br />

0,memtion ha.


hcoratisn and Cola~<br />

Colour is an impmnt element in an urban<br />

environmentd compowy requiresa<br />

coosiderebkamountof thoughtwhen wed in<br />

theform ofappliedcfecomtimin a<br />

Gmwrvatim <strong>Area</strong>. Bearing in mind thatour<br />

perception of any building is influenced to a<br />

large extent by its surzo~~tdings it foPom that<br />

a colourscheme conceived without reference<br />

to ahe appearanceof the am as a whole is<br />

unlikelyto be suc.cessful.<br />

In termsof Vmarian townscapeswhere the<br />

visd qdty of& archiremrt is derived<br />

fromthe mityof PlevaEiodtreatment, the<br />

use of ornate decomtion and the repetitive<br />

nature of door and widow openings, it is<br />

especidly important to ensure h rthese<br />

elemmrscontinuem be giwnemphasisin<br />

any proposed colour scheme. On dark<br />

background aaaterhh, such as expod<br />

brickwork, this cm be achieved by using<br />

white or similarlyconmstingcatours on<br />

window members, decorative plasterwork,<br />

fascia boards and door frames. On no<br />

account>however, should existing brickwork<br />

be rendered or painted.<br />

Whert buildings are finished in stucco,<br />

experiencehas shownthat they h kbest<br />

painted in pastel shies with wchitecmd<br />

detail suchas quoin stones, string coursesand<br />

porticmsbeing highlighredin white or a<br />

darker shade of the mainclevatiod colour.<br />

White should againbe used on window<br />

members, doorframts and fasciaboards.<br />

Downpipesand waste outlets where they<br />

appear onfrontelwatianscanbe<br />

camouflaged by paintingthem in the same<br />

colouras their background.


<strong>The</strong> sub <strong>Area</strong>s<br />

Malone Rmd/Stranmillis Road<br />

Jlmction with University Bond (SubAru 1)<br />

College Gardem<br />

an8 the Southern Sick of<br />

<strong>The</strong> eventualreplacemat of incongmous<br />

domm dong CMkge Gardens is desirable.<br />

Every effortshouldhbe made to re&<br />

frontgb.<strong>The</strong> boundary delineationwith<br />

thedshouldbe visuallpretaieed,pwsibly<br />

by rrec plantiag where gardenshave been<br />

paved over and used for car parlting.<br />

Essential to retain the gardens and roof line<br />

ifthe street diarscter is to be rnainrained.<br />

Careful anation should be given m new signs<br />

and advertisements. <strong>The</strong>terraces have a<br />

residential appimm and existingc m &<br />

operationsshould remain visuallylow key.<br />

Signs on cornmucialproperty should thedare<br />

bc wn'tten dkctlyoato windows or placed<br />

dkdy ontothe elevations as individualletters.<br />

S dname plates or hanging signs may alsobe<br />

appmpriate.<br />

<strong>The</strong> buildingat the apex of Mdone and<br />

SmamiW R& is visuallyprominent, with<br />

well arthhtedekwtioag.Letters placed<br />

dihy onto the elevationwould be r<br />

<strong>The</strong> Elms<br />

pdcularly appropriatemeans of advenbing. ---1<br />

<strong>The</strong>b~couldBllsobeflaodlitataightm<br />

someeffect.<br />

Considerationshould be given m further me<br />

planiingdmg pavementson Smmdlis Rod<br />

and Mabne Road.<br />

Dhaly applied letwing>raised<br />

kttas or hanging signs, should<br />

bc used.


University RDad North of Camden Street on its West Side and<br />

hhunt Charles on the Eastern Side (Sub <strong>Area</strong> 3)<br />

Problemswhich affectthis area include the<br />

disruptiveinfluenix of d c in tfic street scene<br />

and tbeeffects ofelevadd changeswhich<br />

visuallyb d up whatcould bc a aherentand<br />

d e d tcrmce frontageleadingto the centrepieceof<br />

the <strong>Area</strong>s<strong>The</strong> Qwm Universiq.<br />

<strong>The</strong> caherenwof the Am<br />

should be helped by a<br />

mmprehensiveapproachto thedesignof street<br />

ftxni-3 lighting,&c signs, bollardsand<br />

hdscsping mdthe Department will encourage<br />

the responsibleagenciesto adoptthis approach.<br />

Impmvememofbuilding facades requiresthe<br />

irrPoIvemem of tenants and ownem. Matters<br />

which requireconsiderationincludet<br />

(1) <strong>The</strong>needfor sensitivetedevelapmenrgt<br />

some locati~~s,<br />

(2) <strong>The</strong> need in shop from design to emphasise<br />

the relationship benmmthe shop and the<br />

building of which it is a part, before seeking<br />

a un,ifo&irywiths~~f~&ding buildings.<br />

I <br />

I<br />

I<br />

Ground Door mmwreial frontagesand<br />

=,,&advehmnts my a Prominent University Road gap site.<br />

rmng ho-a h bbCh. T'he ~*s~w roof h, srring<br />

and fenestration are important<br />

Thisbreaks the rhythm9nd vertical<br />

romidmtioas for infi proposals.<br />

emphasis daanaw frontage units which <br />

characterisethe <strong>Conservation</strong>hand <br />

disruptsthe ovedappearanceofthc <br />

resrawfronragcs. <br />

(3) <strong>The</strong> needfor a co-ordhced aad <br />

com~ivepginringschern~tn <br />

emphasise the visual unity and eoatinufty <br />

of, not onlytheUniversitpRaad blacks, but <br />

mhso related m ces, pardmhrlyat Mont <br />

Charles. <br />

Parts ofthcsme2frootegearelilrelyto be<br />

iedeWo~edintbeaearEum.Tbe&ects<br />

ofiptmdudngnewfacadesaadlaad8~~~<br />

pad areascouldbed n f dby<br />

measuresm improve dthgpawmcllts<br />

andmtidyup~stingfroat~.T'he<br />

visnalidrhaftheat~eetewldalsobe<br />

Peddbp me planting andpossibly by<br />

newlightiagmmwrs-the<br />

paVCmcn.1= <br />

Anumbero f ~ o wdormer8 s are<br />

present in dsdng rod&S, It is desirable<br />

drattbtbcrelpWidtimtby~<br />

app~opriabedwigm.<br />

Hard md soft landscaping m the fom of<br />

railings, rree planting a d pavers WO&<br />

greatly enhance rhr: street envirotlment.


<strong>The</strong> Crescent <strong>Area</strong><br />

(Sub <strong>Area</strong> 5)<br />

Tbe potentialofthe neo classicalarrarces<br />

aadthe~tedapspwxintownscape<br />

terns is not fully x&ed at present.<br />

High w ~ l w ecoupled h with<br />

individual colourschemes and facadesin<br />

pwr repair almg the frontage rtre<br />

discordant elements in he visual some.<br />

<strong>The</strong>feasibilityoflimidng car parking to an<br />

areaaround themaalopen spaceJin<br />

properlylaid wt spce~,merits<br />

dderatim. <strong>The</strong> uncluttered terrace<br />

&vations add then be set offm best<br />

advantage by co-ordinafedpaint up<br />

schemes.<br />

Cansiderationshould afso be givento a<br />

laadsmpe andpIancing schemetohelp<br />

inzegtate car parking weas arid the <strong>Queens</strong><br />

Universiy Teachers Centre within the<br />

cenral open $pace.<br />

Q Parhi ara; require scrwning<br />

tomtartrbcvlsualbarrnwty<br />

betwcenurr~mdgreea


Appendix 1<br />

Catalogue of Listed Buildings within the Queen's <strong>Conservation</strong> <strong>Area</strong> <br />

-- -. --_<br />

I-=<br />

BOTANIC AYENUB<br />

Udan 'llml&d<br />

lxrMmC ~WEfWS<br />

PARR m ~ ~ / 3 3<br />

Thc main block, built between 1852and 1855to<br />

designsby Sir (Charles Lan]ranJis S two storey<br />

buildingin a rather unusual stgle with a taller<br />

m7{4 centralportica mmprising four massived e d<br />

Tuscan columns surmomrod wirh a squart aaic<br />

above. <br />

&bind rhe rnain buildingthe south wing was<br />

added in 1869by Young and Mackenzie and thc<br />

north wing and chapelby h p ' s m,John,in<br />

1878.<br />

Builtatrow 1865 this is fhc k t remaintngemp1lc<br />

of three such lodges whichatone h egraced the<br />

~ ~ S n d G J t<br />

cntranoPs to the Park.<br />

r ~<br />

blvh ~~ Er& tohonour WilliamThompson Kclvin the<br />

m w27/la eminent&mer3mathematictanand phy-sidst<br />

barn in Belfast in 1824-<strong>The</strong> brom searue is by<br />

AIbert Bmec-Joyand the phth by Sir Alben<br />

Richardson PRA.<br />

Designedby Charles hyon and cunsrtucted by<br />

thefamous Dublin ironmaster, Richard Turner,<br />

tbtPalm House is onedthc fmt aad earliest<br />

examplesof cusvi-linear glass and cast-iron work<br />

in Europe. ThE wings were badt in 1839 and 1840,<br />

the centraldome beingaddedin 1852.<br />

HEW28/ 19<br />

m<br />

26/28/21<br />

HB 26/3/22<br />

HB26/28/23 <br />

m26,2&/24<br />

HB24/28/25<br />

A tluec-storey stuccomd brick temce in almost<br />

original condition.Built 1877.<br />

Three-storey brick terrace with much stucco trim.<br />

Built 1831.<br />

A three-storey brick &stuccoterrace sidlar h<br />

appearanceto Nos. 19to 22 but with less stucco<br />

detaihg. Built 1882.<br />

A three-storey zeme of 6properties in stuccoand<br />

brick with elaborate detailigto windows. Built<br />

1883. l<br />

Origidy built as a Manse in 1879this threestorey,<br />

2 bay building is finished in stuccowith a<br />

~ e baydwindow m the ground floot.<br />

A l%-storeybuilding in a Victorian Gothic style;<br />

formerlya porters lodge. Built in 1877to designs<br />

by Willism Eogerty.<br />

Decorarive sandstone gate piers md screens set up<br />

to close off the area when CoUege Gardens was a<br />

privateroad. Erected C.1880.<br />

CAMDEN STREET'<br />

Was. 53 i3 99<br />

m waarL3<br />

GmLE~EGmT)ms<br />

EJBs.7ta1101<br />

A rhrce-storey 8bay block finished in stucco with<br />

classicrll detailing. Built between 1849and l852<br />

&is block has recently bumresmred and convened<br />

m provide flat scca-&ation.<br />

A three-storey block offour pro~~)crdes inbrick<br />

with smcm embellishenrs. Built for John <br />

RB W 1 7 Atkinson in 1817 m designsby Wiam Bart. <br />

Builiin l877 toasimiIardeslgnasNos. 7w 14<br />

this block is agaIafraishcd in brick withstucco<br />

Hawm1s aim.<br />

MCmm W- Methodist<br />

college<br />

Methodist College -Main<br />

Building<br />

- r., ,<br />

HB 26/28/26<br />

HsWW27<br />

A Tudor Revival style building, largely of threestoreys,<br />

with aa interior court and ambulatory.<br />

Named after Sir WiEliarn McAnhur, Lord Mayor<br />

of London, 1830, the building was designed by Sir<br />

Thorns N.Deane and Son.Built 188'// 1391.<br />

A grand compsition in red brick with stone aim.<br />

Designed in the Italian Gothic Revival style by the<br />

Dublin architea William Fogerty, the building<br />

follows the example of Queen's University in<br />

having a central tower and winged renuns,Built<br />

1865/1868,<br />

I


BLMWOOB<br />

AVENUE<br />

A two and thffe-stoteytsrrac9 of High Victorian<br />

housesin smxo, brick and stone. Of particular<br />

m~~.2 and 4 Which have elabo~a~1~<br />

h-f<br />

moulded &tails and good Vmtian umpksm the<br />

RB2iWFl/32 entrance doors. Built 186W1878.<br />

~att ~icmtianGOthicRtvivalist(=hmhbuilt of<br />

Scrabo stone with 'Doultingdressings. Its mast<br />

fearuresare the lowtawer over the south<br />

All sds ~~Sub.~tibing transept, the oped den pod and its fine<br />

Prcsbprian Ghud<br />

traceried windows. I)esigaed bp Gmrge Walnr<br />

HsWW4-4 Hmck of hnden and builth1895.<br />

AL&ALONBRchkD<br />

Nos.385<br />

WZ&VW/l4<br />

An imposingterraceof 12three-storey properties.<br />

No. I m I1 were built by lames Conyin 1852 and<br />

designed ina similatfashionto Upper &scat<br />

with CorinrManpilasters and WCOI~~IIIIS. No.<br />

12,a plrrin three-by building with eaves carnice<br />

flm d d web was added to the terracein<br />

1878.<br />

A tall rhree-storey pair ofpropekesflnishcd in<br />

stucco with brick gables and two-storey eanted bay<br />

HBaB/1&rl% windows. Built 1868.<br />

Nm.5~011<br />

LOWER CRES-<br />

Vkmrh.Co~<br />

A p up of three-storeyremad houses with Ionic<br />

columnsto doorways. Designedby James Ewart.<br />

~~~ Built1869.<br />

Two-storey High Victorian polychrome brick<br />

houseat t$eend ofthe terrace. I)esigmd as a<br />

Rectory for Sr. Geoqes Parish by W iBart<br />

m~~~ and built in 1879.<br />

A lare Georgianbrick-built terrace of four threestorey<br />

properticswith stuccoed ground floors.<br />

m3 / ~ 1 4 Built 1848/1852.<br />

A thretlrtorey tern s h i h in designand<br />

outward apparmwi to NW.2 to 8. Built<br />

mWW~SlfW9/1852,<br />

KB26/27/16<br />

hrgethree-storey bui~dinlgof brown scrabo stone<br />

described %S having"a broodhg, sculptural<br />

appearance". Designed by Young and Mactnzie,<br />

the building was constructed between 18'13 ;and<br />

18'14.<br />

MOUNT CHAaW!S<br />

IwnuwxGabts<br />

A pleasanttwo-storey pair of properries in stucco<br />

each with two canred bay wbd~wssurmountedbp<br />

ffflaWt7/4 pieroedbalusrmdieg.Built 1877.<br />

Two sets of decorated cut stone gate pia and<br />

screens located at each end of Mount Charlesto<br />

HBWZ/% enclose the private mad.Erected c.1870.<br />

A pair oftwo-storey, 3 bay stucco viks htlx<br />

Greek Revival stylewi& shaUow sgip pilastersat<br />

the corners a d Dmic porches. Both of these<br />

prapertieswere extensively&mged in an<br />

explosionbut have since been faithfullyrestored.<br />

Built 1842.<br />

A two-storeydewkted property finished in stucco,<br />

again with shallow pilasters atthe corners.<strong>The</strong><br />

original porchover the doorway has howeverbeen<br />

~~~ removed. Built 1842.<br />

A late Georgianthree-smrepbrick-built terrace<br />

witb stuccoedand clantedbays an the groundfloor<br />

between Ionic mlwmaed doomps. It is perhaps<br />

interestingto notethat these properties were<br />

amongst thefirst in Belfast to be fitted with<br />

mm m bahms. Built in I859 to designsby Alexander<br />

McAUster.


Bb. 53 to 57<br />

'"Botrmic View Tertarx"<br />

A three-storey Geargien ternace finished in<br />

stucco. <strong>The</strong>se properrits, together wifb Nos. 59<br />

to 67,have ken emmivdy ref~Irishedand now<br />

IiB WW9 provide flat acmnunodation. Built 1840/1843.<br />

Mm. 61 to 65<br />

A terrace similar in desiga to Nos. 53 to 57 but<br />

s'hrPai~View Term&'<br />

somewhat lower and smaller in sale. Paul<br />

g a , ,. Henry, the artist, was born in No.61.Built<br />

m ab/as/iO 1840/1841.<br />

I%s. 67 ta in&&& A twoatorey Geosgim b id of tbtec houses h<br />

1 F M- Straea dark brick having three bap on thc University<br />

Roed facade and two bays TO Fiawilliam S et.<br />

2WB/11 Built 5852.<br />

Terraceof the two-storeypropties in the<br />

ClarsiealRevival style. A crlasue onthe wall of No.<br />

75 denotesthe bir~6~1aoe bf&e novdst J8me~ 0.<br />

Haenay (GeorgeBirmingham).Bdt 1846/48.<br />

HB %/W12 <br />

BB zw'l<br />

--<br />

A *w~Gacrrgiair m s.'cbnrpM<br />

thffemtffab&wbi&ewhniia<br />

sruacesad tilt3 thitd hW.Built l wfazm<br />

Panof an impsing threc-stomy Georgignterrace<br />

with snuocowalls and classicaldemibg to the<br />

windows and doorways. Nos. 39 md41 oftbis<br />

terrace wax clestmyedin mexplasionin 1973,<br />

however they have now ken rebuiltin the same<br />

EtB WWi style as the remainder of tbe terrace. BuiIt 1848.<br />

Na.43 to 47<br />

A two-starey Georgisn brick temce comprisingof<br />

11 . three propertieseach with recess~ddurmcr<br />

t2mammdd -,.- l- ,<br />

windows in a slated mansardroof. Builrc.1830.<br />

-..<br />

N08.3&t0#fl<br />

A recw$tmctionof tk Cuighd four-by thr~<br />

bIrrd@ 1 .bkUUt d=bWkS . storey, d e d , I@& stgk building which<br />

srd on tbis site until demoIishedin 1978<br />

followingan explosion.<br />

HB 26Ia716<br />

Hta aw2'//'19<br />

A rwo-storeystucco emace dfour houses with<br />

gabled dormers (except for No. 46). Built c.1845.<br />

A fine Vimorb G& Church consttumd in<br />

sandstone rubble with red srwe hsings. <strong>The</strong><br />

mw~PP rower wib its eight &mkt square<br />

tall ~CIJ<br />

oolvmas sunmuted by a neat low square roof<br />

&S a mjar cwaibution m tbe sltJrlinein<br />

part of rhe Cansedon Am. Blesig~cdbp John<br />

Bemie Wilsun of Glasgow rhe Church was builr<br />

~II the period 1885-1881.<br />

Built predo-tly of red brick, the use of<br />

polychrome brick with stoneand the<br />

accornpgclying tallcampmile show a Veaetian<br />

inauenoe. Designedby W. J. Barre and built in<br />

1865.


mm4<br />

A Church to a Victoriancclpcricdesign with<br />

sandstomrubble wah and red gghlarMiags.<br />

<strong>The</strong>easternfacade afthebuilding has aanasl<br />

gable ~ th~WCTs~ppornng octagonalstem<br />

steeple.Built in 1887.<br />

QwtnbUdvemiv -Uria Locatedin the bcarr ofthe Con8e~atiw<br />

B- Queen's University with its apansivegroundsis<br />

argmbly the hest ashi- setpiecein the<br />

BB-/4 m m . BuiIt in rhePe@c* Tudor<br />

Revivalistsyk andcamprisingof&cemd block<br />

and tower with winged returns, irs designer,<br />

Charles Lanyw, was no doubt kpidby<br />

hlogchh Gllege, Wrd. O~igin8llgh amas<br />

pueCnVs0,hge it was opened, before completion,<br />

by Queen Victoria and Prince &ben in1849.<br />

ducm*~<br />

Designed by Dr. bkrr Cochnaae,this-is a Tudor<br />

Bwivalistconglomerateofmand threestoreys En<br />

red brick with sanestone aim. <strong>The</strong> buildingwas<br />

mW27/!S atendcdin1911byW.H.Lynndagainial933<br />

by W. A. Forsyth. OrigiaaIbuilding datesborn<br />

18%.<br />

Budtin 1868 gridextendedin 1912, mdesigns by<br />

W. R. Lynn. This Rus#nian Gothicbddiag is<br />

finishedin rcd brick with stone drwsbga and<br />

polyh- bandin$s.<br />

UrhPsity -South A mo-storey Tudoresqueted brick range with<br />

wing Eztensiaamd spls<br />

four-storey tower. Designtd by W,H.Lynn d<br />

wn/W brrilt intheperl~dI91 1-1912.<br />

mImsI'I"Y<br />

- A three-storeyVictoh terraw of classical<br />

proportions in brick with stucco dressings. Builr<br />

mm/15 LS48 to 1853.<br />

A Ipairof~totcypmperrjes bishedinstucco<br />

~.Iond3 m ad mricated on thcground floor. Built 18.48.<br />

HBaWWI44<br />

Three twwrortyd brick tenwed houscs with a<br />

vatiery of imeresriagdmrcases, same Egyptien in<br />

style,Built I%65/1877.<br />

~~~1~ A threc-stotey property in stucco with mlvmnar<br />

m3RR.A- "-W quoinsmda decorative porch. Designedin a<br />

UFFaC1R33SCm<br />

No. l<br />

HBWZB/lb<br />

HB W27JS<br />

simihstyle to that of Elmwd Hall adjacent.<br />

Built c.1850.<br />

A goad three-storeybviLdingfinished in stucco.<br />

Built ~.l18'/a.<br />

A three-storey seriesdofstl4croedbuildingswith<br />

W3 WZ7827 simple classicaldetahg. Buih 1869/1879.<br />

m<br />

A thtae-storey concavereellccoftenproperticsin<br />

anm-classicaI styk wi* giant wder CarinW<br />

mlumnsat the cenne and both ends. Built by<br />

Cony Brothers, builders,thcterrBC:ewas horn in<br />

1848as "Corrys G&ent". Roben Carrylived in<br />

No. 10.<br />

m<br />

Formerlya High Victorian Churchdesignedin<br />

what has been descn'bed as "an Irish versionof<br />

LamW Gothic". Ufparticular iaterezitis the<br />

polychromefade aad the 8tcadcd cntranoc with<br />

its V Man colurnos. Built inI862 to designsby<br />

JohnCow,the spin was addcd in 1873 ta honour<br />

the memory of Robert Carry? father of the<br />

dtect.


In wnsidtdngscb~mcgforconservation, &c pteatiPl for sclf-&xmhgoprtptions<br />

shouldnor k lightlybred, and rbE fuilesrt comidcrationshouldbt given at anearly<br />

sragc M rheust of voluntary (x~nplidm, gifts, komeErom satg andhses ca:(see<br />

ondu 'other grams' blow).<br />

1. DEPARTMENTOF THE ENVIRONMENT(NI). <strong>The</strong>Dcpmtmmt m ygive<br />

tinancial ~ssistsllotom* tbecosrof otmainfenancreof buildings which bave<br />

beenWiis being of specint dtectbdor historicinrmsr. <strong>The</strong>re is mf drate<br />

of grant andePch casc is considerednnits merits. Grants arcmadew the<br />

rccommcndationsof &c Bisdc BtddiagsCamdfor NorthErn Ireland. Chur&cs<br />

inuse foremkidcalpurposesarc dpibk forp fdd.<br />

I)emtglsv&I onthe ~~af theHistoricBddjqs Counril<br />

dde;forgraat-&-&~ro~incurredinoodonwi~~pm~<br />

or atmucementofa G.snscmtianAm.Suchapcndinuc is w r d y cxpcctcdto be<br />

Further details may kobtained hm <br />

.Dcpmmar of theEmtlmnmcnt(NI) <br />

~atirmSFrpioCs<br />

lGamic MonumtntsB BIliEdisgsBmch<br />

W M ~ C<br />

23 Oastk Placc<br />

BELFASTBTI 1PY<br />

Telephone :BeEwr 230560<br />

2. Thc Dcpamncnt my alsqundtr the SOCMNeods (NI)Order 1986pay Urbm<br />

Devtlopmcnt Grgnt (WDG),adiseetimqgrant aimedat reguwaciog nm d m<br />

inncrde&an weas. Thtgrantis a4abIe w indivjduals, statutory brrdi~and<br />

voluntary pup. It bas to dare been limited rorbcher dtyareasof BelFapt a d<br />

Londonderry. <strong>The</strong> "Inner City <strong>Area</strong>" ofBelfastfor UDG purposes includesprt of<br />

teE Qutcn's Ckinsmationh.<br />

<strong>The</strong> grant may be paid ie a variety dwap. It is, forexample, avWk m mmmcrud<br />

mdprivaw bmsing projects which withouta p t would noth viable -for<br />

example, specdativeinner city housing, r&o@a developments and &c marion of<br />

small businessunits by the private -or. It is alsDadable fof thcrcsmuwbg of<br />

old buildings pddarly wbcn new jobs mayk fftatcdor CX~SM~jobs snf-W.<br />

Inaddidon,gmna can br offcred to certain p ~tns e h htlpimproveamenities<br />

andthe m w t-For example stoncchningofbtiildings,modem shopb o<br />

aod dtm&n ofredutldsntbuildkw,<br />

lkpaimmt ofthc EavirwmntW1<br />

UrbPn AffairsBran& <br />

RaomZ04 <br />

c2amd0~-<br />

9-21 AdcW S e t<br />

BELFASTBT28NR <br />

Tehphm:&!ikt 242486 <br />

3. DEPARTMENTOFEDUCATION.<strong>The</strong>City Councilhas aduty to s#urr fnr their<br />

arras udcouatefdties Tot mmrional,so&% uhsidand culturalactivitiesand the<br />

a p p ~ ofthe ' CXQ ~ ~cuncil for sm~~pirpmts may tx grant-ai~ uucicr <br />

the M o a and You& Sentices(NI) Orh 1973. <br />

Furthtrdctdls may beobrainedfrolsr:<br />

Deparemcnt of Education<br />

kB~lfasrCitpC o d<br />

Rcatatian, Comn~rmirgrmdArts Facilities Branch 1 CEty Hnll<br />

Londonderry Hwse<br />

BELFAST BT15GS<br />

ChichtstctSmnt Telephone:Beifwt 220202<br />

BELFAST BTI 4 RL<br />

Tekphone: Mm 232253<br />

4. NORTHERN IRELAND HOUSING EXECUTIVE.<strong>The</strong> Housing [NI)Order<br />

1981&Is thc Nodem Ireland Housing kecutivc ro pay pntstoftratda the cost<br />

ofimprovement d conversion UP to c&ab rnhum~mounrs-<br />

Gmtmmay &o be paid to hip meet thccastofimprovingb ow by providing for<br />

thcfust timesuch standard ammitiesa a fixedbsth, wash-band basin,waterckt<br />

and hot aad cold warm sappIy at certain fixedph~.<br />

Grants towruds rcpaim may alsok paid. AU gran@ are subjectto certain con^^<br />

which may be ebtaW from my offiaofdc Norkm Ireland Housing Executive.<br />

Such gmts do nor necessarilyd ude Hismric Buildings.<br />

Further details maybe abdncd from:<br />

<strong>The</strong> Nanhcrn LtoIaad Hdng Executive.<br />

<strong>The</strong> Housing Ccnpe <br />

2 bdclaidc sueet <br />

BELFASTBT2IPB <br />

TclepBone:BcIfasr240588<br />

S. CHARITABLETRUSTS, Cbarimbk Tmur arc sometimes willingm help with<br />

amsuw1tianof buildingsin Fbnrieablt orothcr nm-profit ownership,Thc<br />

PilgrimTrustmaybepnparedtoginegranfsofrbissoa.Thc-kT~sris<br />

internedin putchaaing proper& of histolid ar dtcctudintemt which canbe<br />

m n v d intolcnabk?holidayboma. Tbey ~ I y k v o mbuild$lgsof <br />

individualc W r . <br />

Further dctgils canadngrhe above sourcesq be hadfrom: <br />

R iTmr LandmarkTrust <br />

FieideaHouse<br />

SbottCsbmh <br />

Little College Smr<br />

White Wal&am <br />

LONDON SWlP 3SH BERKSHIRE <br />

For demilsofother grat~r-gkbgbodia,refm may be madc to "<strong>The</strong> Directory of<br />

Gmt-1Msbing Trusts" pubUshrd by the National CaunciSof Sodd Scrvbs.


Appendix III Glossary of Technical Terms <br />

A windowcorbcUed outfrom thefaceofa buiidingand<br />

suppod by meam clf pmjadagsmxs or brickw~Ir,<br />

Tbe m~aesofpmdngtlw inthdcquality ofrbuildiog,<br />

Aracoangulat~inthcshspcafnpillnrpmjc~fnrm<br />

pupa of buildin@or specific sms. thcfacc afa blril- but having110spnctrualfundon.<br />

hmi~nnpdedspl~ccforminga dbulc or enrragot-withrhc<br />

Environment (NI)?which&mnsGedtokof p&&<br />

roofsupp~rtcdan atkastoec side bpcolmm.<br />

ddor historicimwrcanceand &us worthy of<br />

cetcmion. 1no~rtoam&tbatt6c~rafs~cbaneos<br />

ReM arrclarimshipin arms of sip adatraagtmcnrof tbc<br />

isaotcmkd Eunucdttnlopmrntp~smenody ~ u s e ~ n ~ i n a ~ c .<br />

expectedto adorn with aseriesof policitsandfonmls<br />

by the Dspsrtmm- A rcrmgmerallyappliedto raisad stoneworkto be fad<br />

at the O O ~ Smdangksof a b3ding.<br />

A pmjmiq moddhg,of- ofornate ds@, dang dK:mp<br />

of abuildingorahwdmta Pnd windows. Tbr s k ofa pltrticulnrbuildii or its aDmpoPtnEs whcn<br />

considered mrelationto irssarmundlngs,or indereuce w<br />

<strong>The</strong> armgiveamthe proass whereby.rbcp1dng<br />

the human bm.<br />

authorityamsssand dcmdms pl;eoningapphtions.<br />

Tbt uppr part of an Ork of Archiocaureabovt a mlurnn<br />

or cold@comprisingthe mcbhve, frieze aod &m.<br />

~tast liarpi-:<br />

Titis refers tothe variousckmmtsto be fod htypical<br />

srreas dourwwm andaties,$=h a$ StraF bp,post<br />

box=, linerbins dkctb signsand public se~ting.<br />

A projectinghochmrdc owor line of mascragsthe<br />

facaded o building.<br />

rum&<br />

A broedWMarbtmdoffmuscdinrtrccontcxtofi$op<br />

fmnm wheretbcmmofthe ahop or its emer i5 m be found.<br />

A low narrow viewr as might be &rained Ina tnr-iind<br />

Tkprocess ddcvdopmcntor~ p m mwhich t nalrcs<br />

meet.<br />

p- within @xi&mgstraetfmmws.<br />

'Ibc desigamdlayout af the spncrs bhvemand about<br />

buildings. This cm rake tbsf m ofeitherwalls, foopab<br />

U.herdha&qhg ortrees, shrubsnnd OpGn spaas, saft<br />

-capins*<br />

A double pitchedmf havinga stepLower shpeand aflatDer<br />

urn-n.


P<br />

HISTORICALNOTE<br />

PIans of the Earl of Donegall's Estates, sumeyed by JamsOaw 1167-1770. <br />

Public RecordOff* of Northern Ireland (P.R.O.N.I.)D.835/1/3. <br />

Mapof Town and environs of Bdfast'by JmesWilliamscm. PX.O.N.1. <br />

D.940/Ml/l.<br />

OTdnance Surveys k-S map, 1stedn., 1832. <br />

Plaa of Belfastby James hedy, 1938;revised 1946. <br />

Engraved 'plan' af Belfast by JamesO'Hagan with elevations of public <br />

buildings.P.R.O.N.1. T.154113. <br />

Map of Bemt; 1853, in Report aPMunicipal ~ ssioners, 1859; revised <br />

1854. <br />

Ordnance $ m y six-inch map, 2nd edn., 1858. <br />

&p of Beffwt, 1863, by WilliamHastings;revised 1&54,1868,18T9. <br />

Bird's Eye View of Belfast, 1883 by Daniel Hmmi revised 1890. <br />

Done@ Estate leases, 1755, etc. P.R.O.N.I. D.509. <br />

Valuation Recards, 1837& 1860,erc, P.R.O.N.I. Vol. 1,1, 12. <br />

Nartin's Belfast Directory,1839,1840-41,184142. <br />

Henderson's Befist D ~ N - ocmsiodissues , Zn the ueriod 1843-1852.<br />

m <br />

Belfast &Provinceof Ulster Direcrory, 1852,1854,1856,1858,1860.<br />

Nen,Rev. Rokfi, <strong>The</strong> Presbyterian College, &Km, f 853- 1953 (Belfast,<br />

1954). <br />

Bm,C. E. B., Builw of Belfast 1100-1914(London, 1967; rev. eh. Belfast, <br />

1985). <br />

Carleton, S. T.,<strong>The</strong> Growth of South Belfast, M.A.thesis, <strong>The</strong> Queen's <br />

University, Belfsist, 1967. <br />

Dem, l.,History of EtmwaodPresbyterian Church (Belfast, 1900). <br />

Evu, E. Estyn, 'Belfast: <strong>The</strong> Site and rhe City', in UlsterJourndof <br />

Archaeology, 3rd ser., Vol. 7 (19441, pp. 5-29. <br />

Hcnderson, J. W, MethodistCallege,Belfast, 1868-1938(Belfast, 1939). <br />

Jones,E., A Sod &ograPhy of Belfast (London, 1960;reprinted 1965). <br />

McCrnrcke~,E,<strong>The</strong> Patsz Hoaae and Br,hc GardensI Belfaa (Ulster <br />

ArchitecmdHeritage Socierg,Eelfast, 1971).<br />

Maaniag,P. I., Robbie, J. A. & Wilmn, H. E., Geology of Belfast and rhe Lagan<br />

VaUey (Belfast, 1970).<br />

Mashall, R., Mexhod'ist Gdlege, &East (Belfast, 1968). <br />

Millan, S. S., Hismry ofthe Second Congregati~nof Protes~aarDissentersin <br />

)BeIfast(Belfast, 1900). <br />

Mrrody T.W. & Bdett J. C., Queen's Belfast lM5-1949,2vols, (London,<br />

1959). <br />

Rowan,A. J. & Brett, C. E.B., <br />

Universitv I'ISlstet Architecrur 75,<br />

b y D -H. &"as, D.). <br />

Rowan, A. J., 'A Perfect Victorian Suburb', in Country Life, 23 June 1983 <br />

(reprinted, Ulster ArcEtecnrtgl Heritage Society]. <br />

GENERAL: <br />

Caldwell, P. & Dixon H. Building <strong>Conservation</strong> in Northern Ireland (Belfast,<br />

1975).<br />

Camblin, G.<strong>The</strong> Town in Uster (Belfast, 1951).<br />

<strong>The</strong> Design of Shop Fmnts within the Historic Centre (Cityof Durham, <br />

<strong>Planning</strong> Department, 1975). <br />

Chxwrvation <strong>Area</strong>s -Preservingthe Architmud and Historic Scene (Civic<br />

T i ? <br />

Pride of Place (Civic Trust, 1972). <br />

Cdim, G. <strong>The</strong> Concise Townscape (London, 1351, rev. edn. 1971). <br />

Gray, N. Lettering on Buildiegs (London, 1960). <br />

New Life for Historic <strong>Area</strong>s (H.M.S.O.,1972). <br />

Tee <strong>Planning</strong> (Northern Ireland) Order 1972(XM.S.O., 1972). <br />

<strong>The</strong> Phnniag(bndment) (Northern Irehnd) Order 1982(KM.S.O.,1982). <br />

Design Briefmg in Towns (PetcyJobtm-Marshall& Associates (Edinburgh, <br />

1978). <br />

Shaffrep P.9he Iri& Town -An apprmch 10 shvd (Dublin, 1975). <br />

<strong>Conservation</strong> Guidelinesfor Shop Fronts and Advertisements (Waverley <br />

D~strictCouncd P-g Department, 1976).<br />

,


<strong>The</strong>se should be designedin sucha<br />

motnaeras to appear, when<br />

completed, as an integrated pm of<br />

the original buibhg or altmatively<br />

as a self-~nraine design statement<br />

mmplementaryto the original.<br />

Toainimise anyri& of the existing<br />

building being dominatedor its<br />

appearance impaired by rhe new<br />

structurecaddconsiderationmast<br />

be paid to the sea% and mass ofthe<br />

new work and the materialsof which<br />

it is to beaomvud.<br />

Roof Design<br />

Except where a gable wall facesonto<br />

a street all roafsbhouldpitch away<br />

from& sweet frontaged be<br />

covered in uaditiod materials.<br />

<strong>The</strong> angle of pitch, eavesand ridge<br />

heightsshouldbe similarto rhose of<br />

existingroofs in the immediate<br />

vicinity.<br />

<strong>The</strong> use ofproaed d n g tiles is<br />

not considered tobe appropriatein<br />

the Gdnmtion <strong>Area</strong> and willnot<br />

nannallybe favourablyconsidered.<br />

-. .<br />

2 storey lean to & 2 storey piwhed 3 storey pitched & 2 storey single storey with prapet<br />

with parapet<br />

pm lean m/part - - pitched lean to only three storey 2 storey and 1 stwcy 2 stmy<br />

REAR &LEVATIOhf<br />

Dormer Windows<br />

& Roof Wghts<br />

Where the intrsdudon of new<br />

dormer windows cannot be avoided<br />

they should be located inrear roof<br />

elevations.If this is impmcticable,<br />

cwsideraticnmay be given to<br />

placingthemin front roof elevations<br />

providing tbey itre of traditid<br />

designandinscalewirhthedthg<br />

build'rog.<br />

Additional dormer windowswill<br />

nodybe acceptablein roofs<br />

which dmdy have such features<br />

provided hey accord withthe<br />

origbah henns of design, line sad<br />

spaciqg.<br />

Dormerwindows will nor be<br />

permid to exceed the ridgeheight<br />

of thebuildingor to eolkdvdy<br />

occupy moxethan31)$6oftheamof<br />

myparticularroof ehtion.<br />

Rooflightsate normallyacceptablein<br />

existingmfs pmddjngtheyline<br />

through with&$ring windows in the<br />

elevationsand retain a v eW<br />

p, cmpw.<br />

35Qminimammf pitch<br />

SS0 drnum roof pitch

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