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hor BY JOYCE RUTTER *AVE
=") Edirectly opposite endi:' t=7) C.D CIZ cu s=- c- C7:5 c..) ° EL explains Allen Hori o is partnership with Richar Bates. "We end up arguing for the same point:, That wow said, the principals of Bates Hori, a New York studio, sitting across from each other at a restaurant cW table, lay down their menus and, to their amusement, proceed to place identical lunch orders of seafood rolls and mixed greens. By recognizing and reconciling their differences and understanding the strength of their divergent temperaments, this couple has established a resilient bond on professional and personal planes. Their var- ied approaches to creative problem-solving emerged when discussing the Double-Blind concept for this issue of U&lc. While Bates probed the metaphor, its scientific origin and its degree of deception, Hori took it all in with a shrug. "He's the questioning one; the pessimistic one:' says Hori. "I'm the nonquestio ing one:' Bates responds that his querying nature is a function of his job as VP/creative services and cre- '- f ative director of Atlantic Records, where he heads a department of i9. "A big part of my job is ask: lot of questions, so I don't waste a lot of time' he says: ' 'I Left: Bates Hon: Holiday card for LifeBeat Lenten Allen Hon: Double-Blind photographic arc Right: Richard Bates: Double-Blind 11-liair Show'
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