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explains Allen Hori o is partnership with Richar<br />
Bates. "We end up arguing for the same point:, That<br />
wow said, the principals of Bates Hori, a New York<br />
studio, sitting across from each other at a restaurant<br />
cW table, lay down their menus and, to their amusement,<br />
proceed to place identical lunch orders of seafood<br />
rolls and mixed greens.<br />
By recognizing and reconciling their differences<br />
and understanding the strength of their divergent<br />
temperaments, this couple has established a resilient<br />
bond on professional and personal planes. Their var-<br />
ied approaches to creative problem-solving emerged<br />
when discussing the Double-Blind concept for this<br />
issue of U&lc. While Bates probed the metaphor,<br />
its scientific origin and its degree of deception, Hori<br />
took it all in with a shrug. "He's the questioning one;<br />
the pessimistic one:' says Hori. "I'm the nonquestio<br />
ing one:' Bates responds that his querying nature is<br />
a function of his job as VP/creative services and cre-<br />
'- f ative director of Atlantic Records, where he heads<br />
a department of i9. "A big part of my job is ask: lot<br />
of questions, so I don't waste a lot of time' he says: ' 'I<br />
Left: Bates Hon: Holiday card for LifeBeat<br />
Lenten Allen Hon: Double-Blind photographic arc<br />
Right: Richard Bates: Double-Blind 11-liair Show'