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RKT News February 2013 - University of Portsmouth

RKT News February 2013 - University of Portsmouth

RKT News February 2013 - University of Portsmouth

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Focus on a researcher<br />

Brad Beaven<br />

Principal Lecturer in the School <strong>of</strong> Social,<br />

Historical and Literary Studies (SSHLS)<br />

Current project titles:<br />

I am a social and cultural historian who focuses on British<br />

society in the nineteenth and the early twentieth centuries. I lead<br />

one <strong>of</strong> the Faculty’s strategic research projects; ‘Port Towns and<br />

Urban Cultures’ exploring the social and cultural impact <strong>of</strong> ports<br />

on the urban hinterland from the eighteenth century to the<br />

modern period. We have developed this project in collaboration<br />

with the National Museum <strong>of</strong> the Royal Navy (NMRN). My own<br />

research focuses on the social and cultural context to<br />

‘sailortowns’ between 1800 to 1939 and I have begun<br />

examining over 200 sailor diaries <strong>of</strong> all ranks.<br />

Why did you become a researcher?<br />

History is not a static subject but one that is constantly reinterpreting<br />

and challenging orthodox viewpoints. You can go<br />

for days without finding relevant material and then stumble upon<br />

a fantastic set <strong>of</strong> archives that alters your whole perception <strong>of</strong><br />

an event. It is that piecing together <strong>of</strong> fragments from the past<br />

and shedding new light on a long-standing historical<br />

controversy that makes research an enjoyable experience.<br />

Describe a typical day at work:<br />

I am currently organising an international conference titled ‘Port<br />

Towns and Urban Cultures’ with our partners at the NMRN for<br />

July <strong>2013</strong>. I am also writing a paper for a social and cultural<br />

workshop on maritime history in Aland Islands, Finland. The<br />

diaries that I have been researching will hopefully provide a nice<br />

contrast as they reveal the sailor’s actual experience <strong>of</strong> sailor<br />

town life. With this project, the advantage is that there are a<br />

huge number <strong>of</strong> sailor diaries on my doorstep.<br />

Who has influenced you most in life and why?<br />

My parents brought me and my brother up in a very happy<br />

household in Coventry between the late 1960s and 1980s, a<br />

period which saw great changes in the city’s industrial<br />

landscape. My whole family – grandparents, Dad and brother<br />

worked in the declining car industry. My grandfather used to<br />

take me to play snooker at some <strong>of</strong> the large, elaborate social<br />

clubs complete with ball rooms, bars and snooker tables. These<br />

have long since been demolished but I think it inspired me to try<br />

to capture ‘club life’ in my research on working-class leisure.<br />

More recently it has been my wife Becky, and our sons George<br />

(eight) and Sam (two) who can always be relied upon to help me<br />

keep work in perspective.<br />

What are your interests outside <strong>of</strong> work?<br />

At every opportunity I will try to watch a Coventry City game.<br />

Despite their slow decline to the lower reaches <strong>of</strong> League 1 and<br />

being under the constant threat <strong>of</strong> liquidation, I still can’t help<br />

myself from becoming wildly optimistic after they win a couple<br />

<strong>of</strong> games. I have also started learning the ukulele and have<br />

mastered four chords, which according to some musicians,<br />

allow you to play a whole range <strong>of</strong> songs. This theory is<br />

somewhat disputed by my wife and children.<br />

If you could invite any three people to dinner (past or present)<br />

who would it be?<br />

It would have to be Champagne Charlie, the music hall star <strong>of</strong><br />

the 1870s who used to drink pints <strong>of</strong> champagne on stage – if<br />

anyone could start a party I’m sure he could. I’d also invite a<br />

working-class man and women who lived in the 1870s and just<br />

simply ask them; ‘did I get it right?’<br />

Pick five words that you associate the most with research:<br />

Port towns, social and cultural history, leisure, social class.<br />

One <strong>of</strong> the increasingly important aspects to research now is<br />

‘impact’ and my diary is beginning to be filled with meetings<br />

with museum curators and arranging collaborative projects with<br />

the heritage sector.<br />

What do you perceive to have been the biggest challenge you<br />

have ever undertaken?<br />

It would have to be my last book, Visions <strong>of</strong> Empire: Patriotism,<br />

Popular Culture and the City, 1870- 1939 (Manchester<br />

<strong>University</strong> Press, 2012). This book took six years to research<br />

and write as I covered a fairly long chronology and investigated<br />

three cities representing the south, midlands and the north <strong>of</strong><br />

England. That, and trying to keep my two year-old son in one<br />

place for more than 30 seconds.<br />

What is your greatest achievement?<br />

For a historian I’m perhaps surprisingly reluctant to dwell on<br />

past activities and prefer to look forward to the next big task. I<br />

would like to develop and strengthen our relationship with<br />

external partners such as the NMRN, the Imperial War Museum<br />

and the <strong>Portsmouth</strong> City Museum. In this era <strong>of</strong> ‘impact’, it<br />

would be great to have <strong>Portsmouth</strong> historians routinely fostering<br />

community contacts and getting recognition for their research<br />

beyond the narrow confines <strong>of</strong> academia.<br />

Research and Knowledge Transfer newsletter • <strong>February</strong> <strong>2013</strong><br />

14<br />

www.port.ac.uk/research

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