Pitt Rivers Museum - University of Oxford

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Clare Harris, ‘The Buddha Goes Global: Some Thoughts towards a Transnational Art History’, in Art History, Vol. 29, no. 4 (2006), pp. 698–720 (also in Location, edited by Deborah Cherry and Fintan Cullen, Oxford: Blackwell (2007), pp. 166–88). Clare Harris, ‘From Lhasa to London: Gonkar Gyatso’, in Art Asia Pacific, no. 50 (Fall 2006), pp. 110–13. Clare Harris, ‘Encounters in Intercultural Spaces: Gonkar Gyatso and Peter Towse’, in Oh! What a Beautiful Day: Peter Towse and Gonkar Gyatso’s Shared Visions, London, Rossi & Rossi (2006), pp. 10–13. Dan Hicks, ‘The Garden of the World’: An Historical Archaeology of Sugar Landscapes in the Eastern Caribbean (Studies in Contemporary and Historical Archaeology, 3; BAR International Series, 1632), Oxford: Archaeopress (2007). Dan Hicks (edited, with Mary C. Beaudry), The Cambridge Companion to Historical Archaeology, Cambridge: Cambridge University Press (2006). Dan Hicks (with Mary C. Beaudry), ‘Introduction: The Place of Historical Archaeology’, in The Cambridge Companion to Historical Archaeology, edited by Dan Hicks and Mary C. Beaudry, Cambridge: Cambridge University Press (2006), pp. 1–9. Dan Hicks (with Audrey Horning), ‘Historical Archaeology and Buildings’, in The Cambridge Companion to Historical Archaeology, edited by Dan Hicks and Mary C. Beaudry, Cambridge: Cambridge University Press (2006), pp. 273–92. Dan Hicks, ‘From Material Culture to Material Life’, in Journal of Iberian Archaeology, nos 9/10 (2007), pp. 245–55. Dan Hicks, Review of The Politics of Archaeology and Identity in a Global Context, by Susan Kane (Boston, Mass., 2003), in Journal of Historical Geography, Vol. 32, no. 3 (2006), pp. 665–7. Dan Hicks (with Olivia Hicks), ‘Urban Ecologies of Hope’, in ‘Situations Papers: Responses to Heather and Ivan Morison’s I lost her near Fantasy Island. Life has not been the same (2006)’, part of the Situations website of the University of the West of England (2006), at Hélène La Rue, ‘“Hello, Here’s Music, How Did That Get Here?” Presenting Music to the Unsuspecting Museum’, Journal of Museum Ethnography, no. 19 (March 2007), pp. 43–56. [*] Zena McGreevy, ‘Update on the Pitt Rivers Museum’, Museum Ethnographers Group Newsletter (January 2007), [pp. 3–5]. [*] Zena McGreevy (with Adrian Vizor), ‘Exciting Changes!’, The Friends of the Pitt Rivers Museum, Oxford, Newsletter, no. 59 (July 2007), p. 9. [*] 28
Chris Morton, ‘Remembering the House: Memory and Materiality in Northern Botswana’, Journal of Material Culture, Vol. 12, no. 2 (July 2007), pp. 157–79. Julia Nicholson, ‘Treasured Textiles: Cloth and Clothing Around the World’, Journal for Weavers, Spinners and Dyers, no. 219 (September 2006), pp. 20–23. [*] Laura Peers, Playing Ourselves: Interpreting Native Histories at Historical Reconstructions (American Association for State and Local History Book Series), Lanham, MD: Altamira Press, Rowan & Littlefield Publishers (2007). Laura Peers, ‘On Missionaries, Artists, Bears, and “Grandfathers”: Peter Rindisbacher’s Paintings, John White’s Collection, and the Red River Ojibwa’, in Three Centuries of Woodlands Indian Art: A Collection of Essays (European Review of Native American Studies Monographs, 3), edited by J. C. H. King and Christian Feest, Altenstadt: ZKF Publishers (2007), pp. 103–12. Alison Petch, ‘Chance and Certitude: Pitt Rivers and his First Collection’, Journal of the History of Collections, Vol. 18, no. 2 (2006), pp. 257–66. Alison Petch, ‘Notes and Queries and the Pitt Rivers Museum’, Museum Anthropology, Vol. 30, no. 1 (Spring 2007), pp. 21–39. [*] Alison Petch, Review of Cabinets for the Curious: Looking Back at Early English Museums, by Ken Arnold (Aldershot, 2006), Museum Anthropology, Vol. 30, no.1 (Spring 2007), pp. 64–6. Alison Petch, ‘Collections Research and the Web: Reflections on a Successful (Half-)Day’s Work at the Pitt Rivers Museum’, in Museum Anthropology Weblog (2007), online at . [*] Alison Petch, ‘Notes on the Opening of the Pitt Rivers Museum’, Journal of Museum Ethnography, no. 19 (March 2007), pp. 101–12. [*] Alison Petch, ‘Paddy Cahill of Oenpelli’, The Friends of the Pitt Rivers Museum, Oxford, Newsletter, no. 57 (November 2006), p. 8. [*] Alison Petch, ‘Isolation and Anthropology: The Correspondence of Patrick Byrne’, The Friends of the Pitt Rivers Museum, Oxford, Newsletter, no. 58 (March 2007), p. 8. [*] Alison Petch, ‘Upholding the Law—Central Australian Style’, The Friends of the Pitt Rivers Museum, Oxford, Newsletter, no. 59 (July 2007), p. 8. [*] Heather Richardson, ‘One Last Time with Feeling: The Final Move of the Pitt Rivers Museum Conservation Department’, Icon News [The Institute of Conservation], no. 9 (March 2007), p. 3. [*] Heather Richardson, ‘Raven Travelling’, The Friends of the Pitt Rivers Museum, Oxford, Newsletter, no. 57 (November 2006), p. 9. [*] 29
Page 2 and 3: © Pitt Rivers Museum, University o
Page 4 and 5: CONTENTS Director’s Introduction
Page 6 and 7: period of normal running. But I fel
Page 8 and 9: planned for the front of the OUMNH,
Page 10 and 11: goodwill towards the two museums am
Page 12 and 13: Special Exhibitions Treasured Texti
Page 14 and 15: that had been on loan to the Museum
Page 16 and 17: Research Projects Research continue
Page 18 and 19: PADMAC is a multi-disciplinary, geo
Page 20 and 21: Association and the Museums, Librar
Page 22 and 23: ANNEX C STAFF (part-time staff are
Page 24 and 25: ANNEX D STAFF ACTIVITIES (INCLUDING
Page 26 and 27: Haas Ezzet continued to represent t
Page 28 and 29: Media, Culture and Sport’s Human
Page 30 and 31: Galleries Disability Association. I
Page 34 and 35: Heather Richardson, ‘Not So Frien
Page 36 and 37: 9 March 2007: Bruce Bernstein (Smit

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