Pitt Rivers Museum - University of Oxford
Pitt Rivers Museum - University of Oxford
Pitt Rivers Museum - University of Oxford
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Other grant-funded work continued or was completed during the course <strong>of</strong> the year.<br />
Three major research projects—those on the <strong>Museum</strong>’s Tibetan and Southern Sudanese<br />
collections (both funded by the AHRC) and the ESRC-funded ‘Relational <strong>Museum</strong>’<br />
project—successfully concluded during the year. However, ‘concluded’ is in fact quite the<br />
wrong word, since each project has created a major innovative website, each <strong>of</strong> which<br />
continues to attract tens <strong>of</strong> thousands <strong>of</strong> ‘hits’ from unique virtual visitors. The number <strong>of</strong><br />
visitors to the <strong>Museum</strong>’s main website was also massively up again, this time by 55% to<br />
819,000. This is a real tribute to the work done by David Harris on the research-project<br />
websites and by the <strong>Museum</strong>’s ICT Officer Haas Ezzet, who also took on the major task <strong>of</strong><br />
ensuring that the electronic components <strong>of</strong> the new extension’s IT, telephone, and security<br />
systems all talk to each other. The <strong>Museum</strong>’s other two major grant-funded projects—<br />
‘Cutting Edge’ and ‘The Other Within’, on the <strong>Museum</strong>’s weaponry displays and English<br />
collections respectively—continued to make progress over the course <strong>of</strong> the year with the aid<br />
<strong>of</strong> the committed staff who work on and oversee them.<br />
I noted at the outset this had also been a year <strong>of</strong> great sadness. Tragically, and<br />
unexpectedly, our colleague Hélène La Rue, curator <strong>of</strong> the <strong>Museum</strong>’s music collections, died<br />
in July 2007. Hélène had been a member <strong>of</strong> staff <strong>of</strong> the <strong>Museum</strong> since 1980 and a pioneer <strong>of</strong><br />
the <strong>Museum</strong>’s efforts to reach out to families and communities—something that is now<br />
recognized as a core part <strong>of</strong> the <strong>Museum</strong>’s activities but was distinctly unusual for a<br />
university museum at the time she originally proposed it. Hélène’s warm, calm, and<br />
sympathetic personality hid both a mischievous sense <strong>of</strong> humour and an uncomplaining<br />
approach to the demands <strong>of</strong> her ‘portfolio’ post: she was also curator <strong>of</strong> the Bate Collection<br />
<strong>of</strong> Music, and a lecturer in the two <strong>University</strong> schools <strong>of</strong> Music and Anthropology, as well as<br />
being a Fellow <strong>of</strong> St Cross College. The fact that her death occurred in the midst <strong>of</strong> the<br />
packing <strong>of</strong> the music collections, for which she was responsible, ready for their move to a<br />
new repository, only added to the sense <strong>of</strong> untimely loss felt by all her colleagues. Obituaries<br />
appeared in the Independent newspaper and in the <strong>Oxford</strong> Times, while others are in<br />
preparation, and we are now seeking an appropriate way to remember her within the<br />
<strong>Museum</strong>. We were no less saddened by the death <strong>of</strong> Norman Weller—recently caretaker at<br />
the <strong>Museum</strong>’s research centre at 64 Banbury Road—so cruelly shortly after his retirement in<br />
October 2006.<br />
More cheerfully, and finally, I would like to welcome all new staff, not least Dr Dan<br />
Hicks who joined the <strong>Museum</strong> right at the close <strong>of</strong> the year as lecturer-curator in archaeology<br />
in succession to Pr<strong>of</strong>essor Chris Gosden.<br />
ACCESS<br />
Once again, the <strong>Museum</strong>’s access team worked at high pressure this year. As mentioned<br />
above, Kate White played a lead role in the preparation <strong>of</strong> the <strong>Museum</strong>’s successful bid to the<br />
HLF. She also worked extensively in collaboration with the education team to create a<br />
‘Lifelong Learning and Audience Development Policy, 2006–9’, including action plans for<br />
the next three years, which was submitted as part <strong>of</strong> the HLF grant application.<br />
Another sizeable project for the access team was the improvement <strong>of</strong> the <strong>Museum</strong>’s<br />
orientation and signage, supported by an award (reported last year) from the DCMS/Wolfson<br />
<strong>Museum</strong>s and Galleries Improvement Fund, whose generosity has enabled many capital<br />
improvements to the <strong>Museum</strong> in recent years. Holmes Wood Consultancy were selected to<br />
design a signage system embracing both the <strong>Pitt</strong> <strong>Rivers</strong> and <strong>Oxford</strong> <strong>University</strong> <strong>Museum</strong> <strong>of</strong><br />
Natural History (OUMNH). News <strong>of</strong> the HLF award, along with other significant work now<br />
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