31.05.2014 Views

Pitt Rivers Museum - University of Oxford

Pitt Rivers Museum - University of Oxford

Pitt Rivers Museum - University of Oxford

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

9 March 2007: Bruce Bernstein (Smithsonian Institution, Washington, DC), ‘Un-Tie the<br />

Moorings, Re-Inventing and Re-Vitalizing the <strong>Museum</strong> Object’.<br />

27 April 2007: Chris Wingfield (PRM) and Alison Petch (PRM), ‘The Other Within: An<br />

Anthropology <strong>of</strong> Englishness’.<br />

4 May 2007: Frank Korom (Boston <strong>University</strong>), ‘Bengali Scroll Painters and the Challenge <strong>of</strong><br />

Modernity’.<br />

11 May 2007: Dean Sully (<strong>University</strong> College London), ‘Decolonizing Conservation,<br />

Decolonizing Hinemihi, the Maori Meeting House at Clandon Park, UK’.<br />

18 May 2007: Gilbert Oteyo (<strong>Oxford</strong>) and Chris Morton (PRM), ‘Exhibiting Photographic<br />

Histories in Western Kenya’.<br />

ANNEX G<br />

JAMES A. SWAN FUND<br />

The <strong>Pitt</strong> <strong>Rivers</strong> <strong>Museum</strong> sponsors archaeological and anthropological fieldwork within areas<br />

<strong>of</strong> interest to the late James A. Swan, including the Later Stone Age prehistory <strong>of</strong> southern<br />

Africa and the study <strong>of</strong> the contemporary Bushman and Pygmy peoples <strong>of</strong> Africa. Research<br />

on museum collections relating to these fields may also be supported, as may the costs <strong>of</strong><br />

publishing the results <strong>of</strong> work that has been aided by the Fund. The Fund was not open for<br />

applications during the reporting year.<br />

ANNEX H<br />

FRIENDS OF THE PITT RIVERS MUSEUM<br />

REPORT BY MARGARET DYKE (SECRETARY)<br />

After the exuberance <strong>of</strong> the past two reports this one starts rather quietly. Despite the<br />

limitations <strong>of</strong> the Narnia-style ‘wardrobe’ link between the old and the new, on 9 December<br />

the Friends were able to use the new entrance in Robinson Close to gain access, via the food<br />

and drinks tables, to the familiar, dimly lit <strong>Museum</strong>. This year the emphasis was on family<br />

members, with an earlier starting time and entertainment provided by magician Uncle Wiggy,<br />

who enthralled his young, and not so young, audience with his virtuosity. The highlight <strong>of</strong> the<br />

Christmas raffle was the Giant Lizard Lamp <strong>of</strong> which Ander Parker is now the proud owner.<br />

The evening was a happy, well-attended occasion—and someone was heard to say, ‘the<br />

Friends do a good party’.<br />

Barbara Isaac, the Programme and Events Secretary, organized a varied selection <strong>of</strong><br />

talks throughout the year. This began in September with a gallery talk by Julia Nicholson<br />

who spoke to a group <strong>of</strong> Friends about the exhibition Treasured Textiles: Cloth and Clothing<br />

Around the World. The first Wednesday talk was then, appropriately, ‘Textiles, Dress and<br />

Identity in Kachchh District, Gujarat, India’, by Eiluned Edwards <strong>of</strong> the Victoria and Albert<br />

32

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!