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Hollywood Bollywood Lifestyle<br />

Wheels<br />

“I think it’s a part of me which craves versatility. I believe every film has<br />

its own journey, like a unique marriage one could say”<br />

Parenting<br />

Pg07<br />

QATAR TRIBUNE<br />

Publication<br />

<strong>Monday</strong><br />

April 1,<br />

2013<br />

Dance by<br />

chance<br />

COVER STORY<br />

PG 02


<strong>Monday</strong>, April 1, 2013<br />

Dance is the hidden<br />

language of the soul<br />

Students train at one of Pierre Brakhia’s dance classes.<br />

Pierre Brakhia<br />

LEZIMA GOMES<br />

DOHAPIERRE Brakhia’s affair with<br />

dance began years ago when<br />

as a young child he watched<br />

his parents dance to the<br />

beats of the waltz. In fact,<br />

dancing was a family activity. “My entire<br />

family was very fond of dancing. Every<br />

month we would have a get-together<br />

with just the family and a few friends.<br />

That however, would number up to a<br />

good crowd of a hundred or so and we<br />

would dance various dances from Latin<br />

to Ballroom.”<br />

Not surprising then, that his initiation<br />

began early, around the time he<br />

was ten. “When I was still young, my<br />

dad started teaching me the first steps of<br />

Tango, Rumba, Argentinian Waltz and<br />

Cha Cha,” he says.<br />

Not surprising again, that he teaches<br />

dance. Born in Lebanon, a country that<br />

had been a melting pot of Western and<br />

Middle Eastern sensibilities, he came to<br />

<strong>Qatar</strong> after the 2006 Lebanon war began<br />

and has been here since.<br />

Though he took the baby steps in<br />

dancing with the help of his father, the<br />

latter did not want his son to take up<br />

dancing as a profession. It was in 1992,<br />

that the civil war in his country had<br />

ended, and young Pierre who had just<br />

finished schooling took dance courses at<br />

a time when there were just a handful of<br />

dance schools in Lebanon.<br />

Pierre recollects, “My father was<br />

adamant that I should not take up dancing<br />

as a profession and that I should<br />

complete my university degree. In 1994,<br />

my father expired, and I almost gave up<br />

dancing and concentrated on getting my<br />

degree in Business Management.”<br />

But clearly his fate lay elsewhere.<br />

“Once I started working, I took up dancing<br />

again. I would practice for a good<br />

eight to ten hours everyday. After a few<br />

months I began teaching.”<br />

A Class A dancer, the highest level in<br />

the field, Pierre joined hands with others<br />

to form Dancesport Federation in Lebanon.<br />

Dancesport, which denotes competitive<br />

ballroom dancing, as against social<br />

or exhibition dancing, incorporates<br />

dances that are performed at amateur<br />

and professional levels throughout the<br />

world. Ten international style ballroom<br />

dances include five Standard and five<br />

Latin – as defined by the World Dance<br />

Council (WDC), which has world wide<br />

membership of all countries taking part<br />

in ballroom competitions.<br />

Licenced dancer by the Lebanese<br />

Dance Federation, Pierre says “ I am<br />

a trained professional dancer in ten<br />

dances, five Latin dances which include<br />

Samba, Cha Cha, Rumba, Paso Doble<br />

and Jive and five ballroom dances that<br />

include Viennese Waltz, Quick Step,<br />

English Waltz, Tango and Slow Foxtrot.”<br />

“Dancesport has the highest techniques<br />

and criteria. It has a very high<br />

standard in dance and since the difficulty<br />

level is high people stay away from it.<br />

But I have been able to train ten of the<br />

best dance instructors in Lebanon.”<br />

Pointing out that being a licensed


<strong>Monday</strong>, April 1, 2013<br />

My father would keep<br />

a book on my head<br />

and make me walk<br />

for an hour to keep<br />

my posture straight<br />

and this is what I did<br />

with my students who<br />

went onto become<br />

champions of Lebanon,<br />

says Pierre Brakhia<br />

who has been<br />

teaching dance in<br />

<strong>Qatar</strong> since 2006<br />

Pierre with a student.<br />

teacher does not involve just practical<br />

dancing, but also written exams, he<br />

stresses that it is important to have a<br />

license in order to teach dance. “One<br />

cannot just teach others out of love for<br />

dancing or as a hobby but one needs<br />

to be qualified to conduct such dance<br />

classes. It is big responsibility. If you are<br />

not qualified, you can end up seriously<br />

damaging the students’ body, their<br />

back or their knee. You need to<br />

be able to teach people how to<br />

enjoy and, at the same time, protect<br />

themselves.”<br />

Dancing involves various techniques<br />

such as lead and follow, synchronization<br />

with movement, timing and<br />

rhythm and style and posture<br />

among others. Pierre tries to<br />

incorporate these techniques<br />

while teaching<br />

his students.<br />

“My father<br />

would keep<br />

a book on<br />

my head and<br />

make me walk for an hour to<br />

keep my posture straight and this is what<br />

I did with my students who went onto<br />

become champions of Lebanon. They are<br />

the best,” he says.<br />

Interestingly, he says he was never<br />

really interested in taking up dancing as<br />

a profession but his teachers and various<br />

other events in life, prodded him to take<br />

it up more seriously. “I started seriously<br />

teaching only in the year 2000,” he says.<br />

Today apart from his day job, he<br />

devotedly contributes his evenings to<br />

dance, practising as well as teaching.<br />

Pierre is proud of what he does. “People<br />

who join my class can dance like professionals<br />

in three months. One will learn<br />

at least 25 steps, but you need to practice<br />

in order to master the art of dancing.” he<br />

further adds.<br />

When asked what is the biggest challenge<br />

he faces while teaching he says<br />

“When people come to the class they<br />

come with the mindset that they will be<br />

able to dance but it sometimes becomes<br />

difficult to do a certain move, and they<br />

give up. Lifting their spirit and convincing<br />

them that it is possible to do the<br />

movement or to be able to dance, that is<br />

the challenge,” he says.<br />

Pierre has been organising the International<br />

Tango Latino festival in <strong>Qatar</strong><br />

for the last couple of years. This year<br />

was the first time when he organised the<br />

International Salsa Latino festival. He<br />

says “I am so passionate about my dancing<br />

that the money that I spend is irrelevant.<br />

All I want is that my students and<br />

those as passionate as me about dancing<br />

should learn and enjoy.”<br />

For those who consider themselves<br />

as having two left feet he holds out hope<br />

saying, “One needs to try. Unless you try<br />

you will not be able to dance. You have<br />

to take it up as a challenge and do it. One<br />

has to keep trying in order to be able to<br />

dance.”<br />

Pierre conducts regular classes at:<br />

Sheraton on, Saturday 7 pm-8.30<br />

pm, Sunday and Tuesday 8.30 pm-10<br />

pm, Wednesday 7 pm-10 pm, Thursday<br />

5 pm-7.30 pm.<br />

Doha Rugby Club on <strong>Monday</strong> from<br />

7 pm-12 pm<br />

Doha Golf Club on Friday from<br />

4.30 pm-6 pm.)


<strong>Monday</strong>, April 1, 2013<br />

Jeremy Piven moves from<br />

Ari to Harry in PBS series<br />

APJEREMY Piven’s new TV series is<br />

set in decorous England, not the<br />

hedonistic Hollywood of Entourage.<br />

The time is the early 1900s,<br />

when booming London would have<br />

struck the very 21st-century Ari Gold as a<br />

mind-numbing bust.<br />

And, most notably, Mr Selfridge, starring<br />

Piven as the real-life American entrepreneur<br />

whose mission was to transform<br />

and conquer British retailing, is airing not<br />

on the frisky, few-holds-barred HBO home<br />

of Entourage, but on restrained PBS.<br />

Don’t get the wrong idea, cautions Piven,<br />

who earned three Emmys for his portrayal<br />

of power player Ari. The eight-part series<br />

debuting with a two-hour episode Sunday<br />

has its hero’s brash, lusty passion - for business<br />

- at its core.<br />

“Yes, it’s a period piece. But the term<br />

`period’ has to be used loosely, because it’s<br />

also funny and it has energy and it moves,”<br />

Piven said. Lovers of standard British<br />

costume dramas (Downton Abbey fans, you<br />

know who you are) shouldn’t be put off, he<br />

added.<br />

“This will, I think, satisfy those people<br />

who want to see the way it was at the turn of<br />

the century ... but then you also get all the<br />

energy and the sexiness and the humour,”<br />

he said.<br />

Mr Selfridge, based on the nonfiction<br />

book Shopping, Seduction & Mr Selfridge<br />

by Lindy Woodhead, details Harry Gordon<br />

Selfridge’s quest to bring brassy American<br />

salesmanship to the hidebound world of<br />

British shops with his enduring Selfridges<br />

& Co.<br />

The series co-stars Zoe Tapper as Ellen<br />

Love, a fictional character drafted as an<br />

amalgam of Selfridge’s assorted extramarital<br />

romances, and Frances O’Connor as his<br />

loyal but tested wife, Rose.<br />

Selfridge, who had honed his retailing<br />

strategies and marketing skills at Chicago’s<br />

famed Marshall Field, built an Oxford<br />

Street shopping palace that introduced<br />

such concepts as elaborate window displays<br />

and cosmetics counters, and services ranging<br />

from restaurants to beauty salons to a<br />

concierge.<br />

His bravura and extravagance in creating<br />

Selfridges was boundless, as was his optimism.<br />

Some in the British press sneered:<br />

“A crusade has been started to force on<br />

London superfluous luxuries such as those<br />

overstocked across the Atlantic,” warned the<br />

British Weekly, according to Woodhead’s<br />

history.<br />

The contrast between the US and the UK<br />

was part of the project’s draw for him, Piven<br />

said.<br />

“Our culture and the American dream<br />

is butting heads directly with the British<br />

culture and the realistic take they have on<br />

life,” he said. “They believe it’s tough out<br />

there - very few make it and you probably<br />

won’t. We’re all, `You can do it! You can do<br />

anything!’”<br />

Piven found himself fascinated by<br />

Selfridge’s history, and added some personal<br />

memories. Raised in a Chicago suburb,<br />

he was exposed to the retail magic Selfridge<br />

first developed there.<br />

The “amazing” display windows at<br />

Marshall Field were something that “I grew<br />

up taking for granted. ... My mom would<br />

tell me how she would go there as a child<br />

and she was taken care of and made to feel<br />

special,” a hallmark of Selfridge’s approach,<br />

he said.<br />

While the words “Ari” and “shark” seem<br />

made for each other, Selfridge is portrayed<br />

as compulsively charming.<br />

“I don’t think he can help himself. He<br />

loved life and he devoured it, and valued<br />

people and relationships ... and he treated<br />

everyone equally, from the guy that worked<br />

in shipping to his right-hand man,” Piven<br />

said. “Ari was the antithesis, and ruled with<br />

an iron fist and was incredibly reactive.”<br />

“And, my God, they’re both so fun to<br />

play. For very different reasons but equally<br />

satisfying,” said Piven, who won three<br />

Emmy Awards for his Entourage character<br />

said to be inspired by talent agency executive<br />

Ari Emanuel, brother of Chicago Mayor<br />

Rahm Emanuel.<br />

One of the pleasures of switching from<br />

Ari to Harry was leaving modernity behind,<br />

Piven said.<br />

“I just came off eight years of playing a<br />

character that was continuously distracted<br />

by his phone and email and everything<br />

else,” the actor said. “The great thing of<br />

going back in time is that you had none of<br />

that to hide behind. You’re face to face, and<br />

actually speak to people.”<br />

He may end up juggling the two different<br />

worlds. A film based on the HBO series was<br />

green-lighted earlier this year by Warner<br />

Bros, while Mr Selfridge, based on healthy<br />

ratings and good reviews during its justconcluded<br />

run on Britain’s ITV network, has<br />

gotten a second-season order for 2014.<br />

Piven, age 47, is eager to continue his<br />

English adventure as the retailing legend,<br />

but has a confession to make: He’s no shopaholic.<br />

“I personally don’t have a great deal of<br />

endurance for shopping. I think women<br />

have that endurance gene: They can go and<br />

go and go,” he said. “I love to box and can go<br />

12 rounds with very little time in between. ...<br />

I may have 25 minutes in me for shopping<br />

before I hit the wall.”<br />

Jeremy<br />

Piven<br />

“I just came off<br />

eight years of playing<br />

a character that<br />

was continuously<br />

distracted by his<br />

phone and email<br />

and everything else.<br />

The great thing of<br />

going back in time<br />

is that you had<br />

none of that to<br />

hide behind”


HOLLYWOOD <strong>Monday</strong>, April 1, 2013<br />

Blood and Honey not based on<br />

plagiarised story, says Judge<br />

Uh, no, I’m not dating Rihanna: Brown<br />

AP<br />

A<br />

FEDERAL judge says actress<br />

Angelina Jolie didn’t<br />

steal the story for her<br />

movie In the Land of Blood and<br />

Honey from a Croatian author.<br />

City News Service reports<br />

on Friday’s tentative ruling in<br />

Los Angeles will throw out the<br />

suit accusing Jolie of copyright<br />

infringement.<br />

In 2011, author James<br />

Braddock sued Jolie and the<br />

film company that made the<br />

film, saying it was partly<br />

based on his book The Soul<br />

Shattering.<br />

US District Judge Dolly<br />

M Gee wrote in a tentative<br />

ruling that the plots,<br />

characters and themes in<br />

the two works were not<br />

“substantially” similar,<br />

though both centred on<br />

war romances.<br />

Jolie wrote, directed<br />

and co-produced the<br />

film.<br />

Braddock has been<br />

ordered to tell the court<br />

why his complaint<br />

should not be dismissed<br />

with prejudice.<br />

Rihanna (right) with Chris Brown.<br />

IANS<br />

RAPPER Chris Brown has reportedly<br />

denied dating Rihanna on<br />

a radio interview due to air on<br />

<strong>Monday</strong>. Asked if he is dating the singer,<br />

he said: “No”.<br />

The revelation came on Twitter<br />

when it was reported the rapper, who<br />

recently reunited with the singer despite<br />

still being on probation for beating her<br />

in 2009, said he is not still with her,<br />

reports contactmusic.com.<br />

The Don’t Wake Me Up hitmaker<br />

was interviewed on Saturday by radio<br />

station Power 106 who posted a sneak<br />

peak of their chat on the social networking<br />

site.<br />

“Are you still with Rihanna?<br />

ChrisBrown: “Uh, no-that’s the short<br />

answer”, they posted.<br />

The conversation won’t air until<br />

<strong>Monday</strong> but the confusing statement<br />

comes after he admitted the two are like<br />

kids to keep the romance alive.<br />

“It’s still like we’re kids. I try not to<br />

be too grown up and be like, ‘Let’s have<br />

candlelight dinner every night’. I try to<br />

make sure everything is fun. It has to<br />

be fun and it has to be genuine,” said<br />

Brown.<br />

Chris also recently revealed he wrote<br />

a song about Rihanna for his upcoming<br />

album X.<br />

“I wrote a song for her called Put It<br />

Up that we did together. It’s still in the<br />

pot of songs we have to pick from. It<br />

may or may not make it, but you know,<br />

because she’s already on it, it’s a strong<br />

possibility,” he added.<br />

SCENE UNSEEN<br />

Jessica asked to keep an eye on Ashlee<br />

ACTRESS Jessica Simpson<br />

has been told by her<br />

mother Tina to keep a<br />

check on her younger sister<br />

Ashlee’s party habits.<br />

Jessica is expecting<br />

her second child with<br />

fiance Eric Johnson and<br />

has soothing effect of<br />

Ashlee.<br />

“Tina’s asked Jessica Ashlee (left) and Jessica<br />

to look out for Ashlee and<br />

make sure she doesn’t start partying too hard once again.<br />

With Jessica focusing on her second pregnancy, she’s a<br />

calming influence on Ashlee because she doesn’t want to<br />

go out on the town,” radaronline.com quoted a source as<br />

saying. “Instead, she prefers family nights in relaxing and<br />

has encouraged Ashlee to join them when they are all<br />

together, which she has been doing,” the source added.<br />

Ashlee was known to be a hard party person but<br />

has mend her ways recently. “Ashlee’s been looking a lot<br />

more like her old self, lately appears a lot healthier,” the<br />

source said.<br />

Lawrence hits the sack by 11 pm, latest<br />

HOLLYWOOD actress Jennifer Lawrence is said to have joked<br />

that she is like an old woman because she prefers to have an<br />

early night rather than go to parties.<br />

The Silver Linings Playbook star may have<br />

seen a huge amount of success for her role as<br />

Tiffany Maxwell in the rom-com drama, but<br />

she has claimed she’s more comfortable at<br />

home.<br />

“I act like an old woman; I’m in bed by<br />

11 pm at the latest. I prefer that to hanging<br />

around Hollywood parties at night,”<br />

femalefirst.co.uk quoted Lawrence as<br />

saying. Lawrence, whose performance<br />

in the film earned her the Best Actress<br />

award at the Oscars last month, is keen<br />

to stay grounded and refuses to flaunt<br />

her wealth.<br />

“I still live in the same three-bedroom<br />

apartment I had when I moved<br />

to Los Angeles six years ago. I still look<br />

for bargains in the supermarket. When<br />

I go somewhere these days I let a valet<br />

park my car. That costs $6,” she added.<br />

Jennifer Lawrence<br />

Lohan in bracelet trouble again<br />

Lindsay<br />

Lohan<br />

TROUBLED actress Lindsay<br />

Lohan has got into another<br />

problem - she has reportedly<br />

stolen a bracelet from the<br />

sets of Anger Management<br />

show.<br />

The 26-year-old shot for<br />

actor Charlie Sheen’s sitcom<br />

Anger Management before<br />

leaving for South Africa on<br />

a vacation. She was seen<br />

wearing a coloured band<br />

on her wrist, which the producers<br />

said she could wear it out after filming, reports<br />

mirror.co.uk.<br />

But the 26-year-old flame-haired actress actually<br />

hung on to it and was still wearing it when she<br />

landed in Brazil days later.<br />

In 2011, she was accused of stealing a $2,500<br />

necklace from Kamofie & Co in California, although<br />

Lindsay threatened to sue the company as she<br />

said they had lent it to her and then changed their<br />

story for publicity.


<strong>Monday</strong>, April 1, 2013<br />

BOLLYWOOD<br />

Himmatwala<br />

Clueless remake makes original<br />

seem much better<br />

The new-age Sridevi<br />

is a squeal. She<br />

quickly changes from<br />

her audacious mini<br />

skirts and high heels<br />

with whips as accessories,<br />

to being<br />

a simpering salwarkameez-clad<br />

doormat<br />

who is willing to walk<br />

that extra mile for the<br />

man in her life<br />

IANS<br />

SRIDEVI famously said recently<br />

that her 1983 career-making<br />

potboiler Himmatwala was<br />

no Mughal-e-Azam. She was<br />

right to a point.... Until now,<br />

when Sajid Khan’s remake of the 1983 K<br />

Raghvendra Rao film has come along to<br />

provide a comparative viewpoint.<br />

And suddenly the old Himmatwala<br />

does appear to be a classic. It gave us<br />

the timeless Sridevi as an arrogant spoilt<br />

rich bitch who mouthed insanely capitalistic<br />

dialogues like “I hate the poor”.<br />

Thirty years later, Tamannaah Bhatia<br />

does a Sridevi. She gets into Sridevi’s<br />

leather pants, with a whip to match and<br />

tortures the peasants in a village lorded<br />

over by a fatuous feudal dad who is not<br />

really evil. He is just mad. Somehow<br />

Tamannaah misses the bus and the bullock-cart<br />

by a wide margin. Not her fault,<br />

really. It’s the mood and milieu that this<br />

oddball of a remake generates.<br />

We hear the larger-than-life hero<br />

Ravi (Ajay) mouth words of old-fashioned<br />

heroism with a straight face. But<br />

somehow we aren’t convinced if he<br />

means business. Indeed, there was more<br />

than a dash of Shakespeare’s Taming Of<br />

The Shrew in the way the original Himmatwala<br />

Jeetendra brought Sridevi to<br />

heel.<br />

A still from the film Himmatwala.<br />

The new-age Sridevi is a squeal. She<br />

quickly changes from her audacious<br />

mini skirts and high heels with whips as<br />

accessories, to being a simpering salwarkameez-clad<br />

doormat who is willing to<br />

walk that extra mile for the man in her<br />

life.<br />

There are only two other female<br />

characters in the entire plot. The hero’s<br />

long-suffering mother (played with commendable<br />

dignity by Zarina Wahab) and<br />

a sister (Leena Jumani). Vanquished by<br />

the villains, the mother and daughter live<br />

in the village forests.<br />

Curiously the daughter appears to<br />

have walked straight out of a gym. Like<br />

all good sisters from the past history<br />

of commercial cinema, this one too<br />

nearly gets gang-raped. This one happens<br />

in a sealed van (Delhi’s grisly rape<br />

reconstructed?) until the hero appears<br />

to literally crush the wannabe-rapists’<br />

balls. Ouch. Devgn ends his ballsy crusade<br />

with one of the film’s many bravura-tinged<br />

exclamation lines: “As long<br />

as women are attacked, Himmatwalas<br />

would be born.”<br />

Chalk up a long-hurrah for this dimestore<br />

braveheart. We can look at Ajay<br />

Devgn in Himmatwala as the man who<br />

came in from the cold and warmed up<br />

the bucolic baddies’ backsides with what<br />

he calls a bum pe laat. That, we can say<br />

is the other side of the jadoo ki jhappi<br />

Film: Himmatwala<br />

Rating:<br />

Director: Sajid Khan<br />

Starring: Ajay Devgan,<br />

Tamannaah Bhatia, Ritesh Deshmukh,<br />

Paresh Rawal, Mahesh Manjrekar,<br />

Adhyayan Suman and Zarina Wahab<br />

NOW PLAYING IN DOHA THEATRES<br />

which Sanjay Dutt used to heal the world<br />

not so long ago. I guess Sanjay’s jadoo ki<br />

jhappi got a bum pe laat .<br />

Cute? That’s how Ajay plays his shehar<br />

ka hero gaon ka super-hero part. He<br />

wants us to believe he is having fun with<br />

the trite part. But the boredom underneath<br />

the facade of fun shows up often<br />

enough to make us cringe.<br />

The fractured world of Sajid Khan’s<br />

Himmatwala is not looking for healing.<br />

It is happy being unfinished, wonky<br />

and out of shape. A wheezing grunting<br />

snoring world of demented feudalism<br />

where the Zamindar, as played by the<br />

gifted Mahesh Manjrekar is part-fiend,<br />

part-clown. Meals are not cooked in this<br />

tottering tyrant’s kitchen. Instead he<br />

orders the villagers to get him khaana<br />

(food) from their homes which he eats<br />

on a table long enough to serve as the<br />

passenger’s cabin in a domestic airline.<br />

And when his daughter announces she<br />

is pregnant, the father throws a fit in the<br />

style of an eight-year-old who has just<br />

been told his favourite GI Joe has gotten<br />

flushed down the toilet.<br />

The narrative serves up enough ‘feud’<br />

for thought to make our heads go dizzy<br />

with thoughts of ruptured continuity.<br />

But gosh, are we really seeking logical<br />

explanation for what the characters do,<br />

say and convey in this film where a tiger<br />

appears from nowhere to help the hero<br />

fight the goons in the climax? Is this a<br />

film to be taken seriously? Presuming for<br />

a minute that we are expected to abandon<br />

all rationale and ...well go with flow,<br />

how do we set aside the uneasy feeling<br />

that the narrative is laughing not with<br />

us, but at us?<br />

The second movement of the pesky<br />

potboiler is taken over by the Mahesh<br />

Manjrekar-Paresh Rawal duo doing the<br />

Amjad Khan-Kader Khan banter from<br />

the original Himmatwala with a dash<br />

of humour thrown in when the duo are<br />

forced to share a bed in a cowshed. This<br />

is where the mystery of the shapeless<br />

potboiler deepens.<br />

The dialogue that follows between<br />

the two bedded buffoons has to be<br />

heard to be believed. To their credit,<br />

Manjrekar and Rawal, seasoned troupers<br />

both, try their utmost to have fun with<br />

their parts. Their vain efforts to infuse<br />

a joie de vivre in the clogged veins of<br />

this perverse potboiler only reminds<br />

us that stereotypical characters from<br />

conventional mainstream cinema died<br />

long before Joy Mukherjee.<br />

Any attempt to revive the oldfashioned<br />

masala potboiler would<br />

require oodles of inbuilt humour<br />

and a developed sense of spoofiness.<br />

Himmatwala lacks both. It is neither<br />

fish nor fowl. How does one describe the<br />

film in a nutshell? For that we can go<br />

back to one of the songs recreated from<br />

the original Himmatwala.<br />

Ho tacky ho tacky ho tacky tacky<br />

tacky re.....


<strong>Monday</strong>, April 1, 2013<br />

Indian cinema back to adapting classic writings: Abhishek Kapoor<br />

IANS<br />

INDIAN cinema had always enjoyed<br />

linkages with literature, says<br />

Abhishek Kapoor, citing the Apu<br />

Trilogy and Guide. The “glorification<br />

of mediocrity” impeded this creativity,<br />

but the trend is back, says the actorturned-director,<br />

who has adapted The 3<br />

Mistakes of My Life into the hit movie<br />

Kai Po Che.<br />

“The grand masters like Satyajit Ray<br />

(Apu Trilogy), Bimal Roy (‘Bandini’)and<br />

Vijay Anand (Guide), among others,<br />

married the two mediums with remarkable<br />

soul and pride,” Kapoor said in an<br />

email interview.<br />

Leaning towards god-like figures,<br />

who induce hero-worship, “spawned a<br />

subsequent culture of heroics on cinema”,<br />

said Kapoor, who directed Rock<br />

On!!.<br />

Q: Out of the three films that you<br />

have directed so far, Kai Po Che!<br />

was the first one based upon a<br />

book. Was it challenging?<br />

A: Cinema speaks a different language<br />

than literature. That’s why adaptation<br />

is a skill - blending the art and<br />

the science of writing the narrative. The<br />

visual imagery is the easier part. Exercising<br />

economy of characters and situations<br />

while retaining the essence, and<br />

then adding further flourishes in terms<br />

of layers to embellish the flow, was the<br />

SCENE UNSEEN<br />

Abhishek<br />

Kapoor<br />

tough part. No pain, no gain. All credit<br />

to the writing team for retaining their<br />

tenacity and good humour during the<br />

process.<br />

Most of the Oscar nominated films<br />

are inspired by literary work.<br />

India is rich in literature, but very<br />

few filmmakers take the initiative.<br />

Why’s this so?<br />

Indian cinema has always enjoyed<br />

linkages with our literature. The grand<br />

masters like Satyajit Ray (Apu Trilogy),<br />

Bimal Roy (Bandini), Vijay Anand<br />

(Guide), among others, married the<br />

two mediums with remarkable soul and<br />

pride. But our popular leaning towards<br />

god-like figures, who induce hero-worship,<br />

spawned a subsequent culture of<br />

heroics on cinema that transcended<br />

reality and became life-forms of their<br />

own. Compounded to that, the herd<br />

mentality attitude and the glorification<br />

of mediocrity left no room for the<br />

hard work and creative craftsmanship<br />

required to adapt the classic writing to<br />

screen. Recent years have seen a revival<br />

however, and I’m glad to walk this talk.<br />

When you made Rock On!!, the<br />

film got attention because successful<br />

director Farhan Akhtar<br />

was making his acting debut in it,<br />

and Kai Po Che! was promoted as<br />

an adaptation of Chetan Bhagat’s<br />

book’s adaptation. Do you feel any<br />

identity crisis?<br />

None at all. This is the kind of stuff<br />

non-spiritual beings may feel like, but I<br />

crossed that bridge a long time ago having<br />

risen from my early failures. People<br />

can take away your credit, but they can’t<br />

take away your talent. A director’s work<br />

is a director’s work after all in all its<br />

uniqueness. There’s more to me than<br />

meets the “I”, and I would like to keep<br />

it that way. All the world needs to know<br />

about me is best expressed through the<br />

work I do.<br />

You have directed three films, but<br />

not repeated any actor. Why?<br />

I think it’s a part of me which craves<br />

versatility. I believe every film has its<br />

own journey, like a unique marriage one<br />

could say. I’m the common link between<br />

all three of my films. I have ventured<br />

into each one, guided solely by my<br />

creative instinct, which has been driven<br />

specially by the merit of the script and<br />

project in contrast to following any<br />

trend.<br />

What does it take to woo the box<br />

office?<br />

The box office is brutally honest and<br />

truly follows no formula. It is the content<br />

which matters and the accuracy of<br />

its timing. There’s a market for all types<br />

of audiences, make sure you identify<br />

your segment and access it honestly<br />

with a straight-forward approach. Crack<br />

the right combination of these two factors<br />

and in the long-term you forge an<br />

understanding of sorts.<br />

What is next? Are you going to<br />

make Rock On!!2?<br />

For Rock On!!2, talks have been<br />

way under and the scripting process<br />

has been initiated. We’re all waiting to<br />

see when and how to proceed, once the<br />

respective commitments of everyone<br />

involved have been looked after.<br />

Hope to share screen space with<br />

SRK one more time: Hrishitaa<br />

HRISHITAA Bhatt, who<br />

did a small role opposite<br />

superstar Shah<br />

Rukh Khan in Asoka,<br />

wants to share screen<br />

space with him one<br />

more time.<br />

“I really hope so,<br />

because Shah Rukh<br />

has been one of my<br />

favourite actors,<br />

co-stars, a wonderful<br />

human being. I think<br />

Hrishitaa Bhatt<br />

he will always be my<br />

favourite and I would surely want to share screen<br />

space one more time with him,” the 31-year-old<br />

said on Friday at the fashion show Shahnaai.<br />

Meanwhile, the actress confesses she has<br />

always dreamt of becoming a pilot and hopes to<br />

learn flying soon.<br />

“Being a pilot is still on my mind and I have a<br />

lot of time and age on my side. With the grace of<br />

God I should surely learn to fly,” said Hrishitaa.<br />

Hrishitaa has featured in films like Dil Vil Pyar<br />

Vyar, Shararat, Out of Control, Haasil, and Charas: A<br />

Joint Operation.<br />

Soha never fought with brother Saif Ali Khan<br />

ACTRESS Soha Ali<br />

Khan says she has<br />

never had even a<br />

childhood fight with<br />

elder brother and actor<br />

Saif Ali Khan.<br />

“The age difference<br />

between bhai<br />

(Saif Ali Khan) and<br />

me is nine years and<br />

I used to respect him<br />

a lot so I never got a<br />

chance to fight with<br />

him. We only have<br />

some verbal arguments,”<br />

the 34-yearold<br />

said on Friday at a<br />

press conference for<br />

her film War Chod Na<br />

Yaar.<br />

War Chod Na Yaar Soha Ali Khan (left) with brother Saif Ali Khan.<br />

also stars Sharman<br />

Joshi, Mukul Dev and Javed Jaffrey.<br />

Soha, however, says the fighting was mostly with sister Saba.<br />

“I used to fight with my sister (Saba Ali Khan); the age difference<br />

between us is only two years,” Soha said.<br />

Saba, the older sister, is a jewellery designer.<br />

Bobby Deol seeks hair stylist<br />

ACTOR Bobby Deol, who<br />

was in the capital city on<br />

Friday afternoon, looked distracted<br />

and proclaimed that<br />

he needed a stylist to give<br />

him an interesting hairdo.<br />

He said he was bored of his<br />

hair style.<br />

“I’m kind of bored of my<br />

hair. I don’t like curly hair.<br />

I want straight hair. I keep<br />

looking at them all the time.<br />

But I have lost all hope now,”<br />

Bobby said, adding: “But my<br />

mom likes it.”<br />

The 46-year-old also<br />

Bobby Deol<br />

insisted that he likes staying fit. “I am happy with my<br />

physique. I like staying fit and fine. I take a healthy diet<br />

and work out daily,” he said.<br />

Bobby asserted that he would not take part in reality<br />

TV shows, ever.<br />

“I think I am a shy person. I am not fit for reality TV<br />

shows. Appearing on a TV show as a judge is also out<br />

of the question as I am still learning, so I can’t judge<br />

others. But you never know, I might take part. It’s like<br />

we start liking things later, which we don’t like doing<br />

at first,” he said.


<strong>Monday</strong>, April 1, 2013<br />

LIFESTYLE<br />

Is your kitchen a<br />

health hazard?<br />

NYT SYNDICATE<br />

gas stove upstairs and into its own small entertainment-eating zone, too. So I’m<br />

kitchen at the back of the house.<br />

expanding my new kitchen complex into<br />

OUR kitchens may be killing Similarly, the kitchen of my childhood<br />

home in Metuchen, New Jersey, want. I didn’t order some of the now-<br />

my garden – with all the gizmos I could<br />

us – slowly. Not so much<br />

with radon or gas leaks, but was its own single-purpose dedicated common kitchen options: second refrigerators,<br />

separate free-standing freezers,<br />

with kindness and proximity.<br />

evening meal was over (in our case, usu-<br />

pasta faucets, bread makers, warming<br />

room. Back then, when my family’s<br />

When my 1840 Philadelphia row<br />

house was built for its seafaring owners,<br />

the kitchen was in the basement – like<br />

every other home on the block. If the<br />

family wanted a hot meal, someone had<br />

to tramp downstairs and stoke up the<br />

fire.<br />

Fire and smoke inhalation were chief<br />

among the many health hazards the<br />

19th-century kitchen presented. In an<br />

era without refrigeration, food poisoning<br />

was a constant danger. Home-preserved<br />

foods filled in dietary gaps, but if stored<br />

improperly botulism became a real – and<br />

deadly – risk.<br />

The widespread introduction of the<br />

icebox, around the time my house was<br />

built, led to big changes. Insulated iceboxes<br />

– some of them fashionable furniture<br />

– greatly extended the shelf lives<br />

of fresh foods. The electric refrigerator,<br />

with small but handy freezers, appeared<br />

in houses in the first decades of the 20th<br />

century. Ice block delivery by horsedrawn<br />

cart was no longer needed.<br />

When safer natural gas and electricity<br />

entered our lives, kitchens moved<br />

from basement exile into the main area<br />

of homes. As part of an ambitious 1934<br />

modernisation, the previous owner of<br />

my Philadelphia house moved the huge<br />

ally after 20 minutes of near-silent eating),<br />

our kitchen was declared “closed,”<br />

its function complete.<br />

But now our kitchens, like our girths,<br />

have grown substantially, in terms of size<br />

and of function. They’ve become part<br />

of expansive entertainment complexes<br />

in our homes. A recent survey by the<br />

National Association of Home Builders<br />

reports that three out of four new-home<br />

buyers want their kitchen and family<br />

room to be a combined space.<br />

That makes sense. People like to<br />

hang out and socialise in their kitchens.<br />

Now great spaces are full of wonderful,<br />

convenient devices – with super-size<br />

refrigerators, stoves that could service<br />

a restaurant and large enough cabinets<br />

to store provisions for a small army.<br />

Even our dinner plates are bigger than<br />

they used to be. Comfy chairs, computer<br />

stations and a large-screen TV – virtual<br />

necessities – round out the picture.<br />

Sure, not everyone can afford these<br />

gastronomic wonderlands – but a glance<br />

at shows like House Hunters and My<br />

First Place on HGTV give you a pretty<br />

good idea of what the ruling cultural<br />

ideal looks like.<br />

Almost 80 years after its last major<br />

upgrade, my old home deserves its own<br />

drawers, cappuccino bars, home pizza<br />

ovens or a built-in deep fryer and tap. So<br />

I guess, by some standards, I’m roughing<br />

it.<br />

Soon I’ll be able to amble (or, more<br />

likely, roll) a mere five feet from my<br />

kitchen counter stool to my couch to<br />

watch Chopped, Top Chef or Diners,<br />

Drive-Ins and Dives. The refrigerator,<br />

pantry and containers of food will remain<br />

alluringly in sight (and all beautifully<br />

lighted, I might add). I won’t even<br />

have to leave the room during a commercial.<br />

And why would I leave at all? The<br />

kitchen has Wi-Fi.<br />

Many of the safety issues of yesterday’s<br />

kitchens are gone. No one in my<br />

family is likely to tumble into an open<br />

hearth. But new kitchens pose a more<br />

subtle danger to our health by doubling<br />

as a comfortable social, entertainment<br />

and eating hub. Retail marketers have<br />

long known that when tempting food is<br />

within close range of our eyes or nose,<br />

we tend to eat more of it. In our new<br />

kitchens, it’s just too darn easy to get to<br />

addictive snacks and calorie-rich drinks.<br />

My newly expanded kitchen should<br />

be done in a few weeks. Despite its increased<br />

storage capacity, I plan to stock<br />

fewer carbohydrate-laden products and<br />

There are, of course,<br />

many reasons for<br />

the nation’s obesity<br />

epidemic, with<br />

its staggering health<br />

implications. But new<br />

kitchens pose a more<br />

subtle danger to our<br />

health by doubling<br />

as a comfortable social,<br />

entertainment<br />

and eating hub. Retail<br />

marketers have<br />

long known that when<br />

tempting food is within<br />

close range of our<br />

eyes or nose, we tend<br />

to eat more of it<br />

tempting treats. An extra handful or<br />

two of easily accessible daily snacks can<br />

make the difference between maintaining<br />

my weight and adding a few pounds<br />

each year.<br />

There are, of course, many reasons<br />

for the nation’s obesity epidemic, with<br />

its staggering health implications. But<br />

surely modern home design plays an<br />

important and underappreciated role.<br />

Perhaps there is one more kitchen<br />

option I should get: a neon sign that says<br />

“Kitchen Closed.” After dinner, I’ll turn<br />

it on.


WHEELS<br />

<strong>Monday</strong>, April 1, 2013<br />

Chinese help to keep<br />

the London black<br />

cab rolling along<br />

The last appearance of the vehicle on the<br />

international stage, Olympic watchers will<br />

recall, was when the Spice Girls wheeled<br />

into the East London stadium in tarted-up<br />

versions of the black cab for the closing<br />

ceremonies<br />

NYT SYNDICATE<br />

TO the relief of Anglophiles,<br />

the British-astea-and-scones<br />

London<br />

black cab has been<br />

saved from extinction.<br />

After six years of running in the<br />

red, and five months of wobbling<br />

along in the British equivalent of<br />

bankruptcy, the London Taxi Company,<br />

a division of Coventry-based<br />

Manganese Bronze Holdings, was<br />

bought along with its parent company<br />

by the Zhejiang Geely Holding<br />

Group. The Chinese carmaker<br />

already had a 20 percent stake in<br />

the company. Last month it forked<br />

out more than $17 million to acquire<br />

the rest.<br />

The last appearance of the<br />

vehicle on the international stage,<br />

Olympic watchers will recall, was<br />

when the Spice Girls wheeled into<br />

the East London stadium in tartedup<br />

versions of the black cab for the<br />

closing ceremonies.<br />

So what will the Chinese be getting<br />

for their money?<br />

An icon, for one thing, whose<br />

design hasn’t evolved much in six<br />

decades. The ubiquitous black cab<br />

(there are about 21,000 licensed<br />

ones in London) has a rounded<br />

Alfred Hitchcock-like profile and is<br />

spacious, with headroom to spare.<br />

And it’s easy to step into. No knees<br />

in your stomach side-slide maneuvering,<br />

as one does to get into a<br />

New York cab.<br />

“Theoretically,’’ explains Malcolm<br />

Linskey, managing director<br />

of London-based Knowledge Point,<br />

which trains cabbies in “the knowledge’’<br />

(the in-depth study of street<br />

routes cabbies need to know before<br />

qualifying for a license), “you<br />

should be able to sit in the cab with<br />

a top hat on.’’ Other city-streetfriendly<br />

traits include the cabs’<br />

ability to spin on a sixpence, thanks<br />

to its turning radius of 25 feet.<br />

But you don’t have to be a<br />

cabbie to own one. All you need<br />

is the money, roughly $48,000<br />

(£32,000) for a basic-model version<br />

of the TX4, the state-of-the-art<br />

black cab. The Duke of Edinburgh<br />

has one, as does actor-playwright<br />

Stephen Fry, supermodel Kate<br />

Moss, and the late King of Tonga.<br />

“It’s an anonymous vehicle,’’<br />

explains Nyasha Pitt, the London<br />

Cab Company’s marketing manager.<br />

“If you are a lead singer of<br />

a well-known pop group driving<br />

one, no one would suspect.’’ Call it<br />

celebrity camouflage. It’s also easily<br />

customised. “In the Middle East<br />

and in China, owners have installed<br />

plasma screens and fridges in the<br />

back.’’<br />

The cars are manufactured in<br />

Coventry, and all vehicles made for<br />

the UK will continue to be made<br />

there, Pitt said. Cars for other markets<br />

will be made in Shanghai.<br />

The bailout was cause for celebration<br />

for the 107 employees of<br />

the company left standing after 156<br />

were axed when the company was<br />

in administration, as bankruptcy is<br />

known in England.<br />

“Most companies that go into<br />

administration never come out the<br />

other end,’’ Pitt says. But how did<br />

the cabbies react to the acquisition?<br />

Isn’t it bad enough that quintessentially<br />

Brit brands like Jaguar<br />

and Land Rover are now owned by<br />

India’s Tata Motors? Geely itself<br />

had dipped into the global market<br />

previously by buying the Swedish<br />

car manufacturer Volvo.<br />

“Initially there was great dismay,’’<br />

admits Linskey, director of<br />

the school for London cabbies. “The<br />

thinking was the end of the world<br />

had come. Now, they’re grateful<br />

someone has taken over.’’<br />

Denise Ferrer, who has driven<br />

a black cab for about a year, was<br />

among the appreciative. “If they’d<br />

gone under, I’d have been devastated,’’<br />

she said by cellphone on her<br />

way into town for work. “It would<br />

be like yellow taxis in New York<br />

going to purple.’’


<strong>Monday</strong>, April 1, 2013<br />

PARENTING<br />

Is Japan the worst<br />

developed country<br />

for mothers?<br />

As Nobuko’s example<br />

shows, Japan’s<br />

working culture can<br />

be brutal. It’s one of<br />

the reasons why 70<br />

percent of Japanese<br />

women still give up<br />

work as soon as they<br />

have their first child<br />

NYT SYNDICATE<br />

JAPANESE women are more<br />

likely to have a university degree<br />

than men, and the number<br />

of employed women has been<br />

rising steadily for 10 years<br />

– but, for a range of reasons, a woman<br />

who has had children still has a hard<br />

time getting a good job.<br />

Nobuko Ito is the very model of a<br />

modern professional Japanese woman.<br />

She is a qualified lawyer and she<br />

speaks fluent English. She has years<br />

of experience working in international<br />

contract law.<br />

But Nobuko no longer works in a big<br />

international law firm. In fact, she hardly<br />

does any lawyering at all these days.<br />

Instead she has three children. In<br />

Japan it is still one or the other. Doing<br />

both is extremely difficult.<br />

“Before I had a child I remember one<br />

busy month where I billed the client for<br />

300 hours!” Nobuko says.<br />

“I’d get in the office at nine in the<br />

morning, and leave at three the next<br />

morning, and I’d come in on Saturday<br />

and Sunday.<br />

“If you want to keep working you<br />

have to forget about your children, you<br />

have to just devote yourself to the company.<br />

“I can’t do this, it’s impossible.”<br />

As Nobuko’s example shows, Japan’s<br />

working culture can<br />

be brutal. It’s one<br />

of the reasons<br />

why 70 percent<br />

of Japanese<br />

women still<br />

give up work as soon as they have their<br />

first child.<br />

Another is their husbands.<br />

When it comes to helping out around<br />

the home, Japanese men are still far<br />

behind their counterparts in Europe or<br />

America.<br />

In Sweden, Germany and the US,<br />

husbands spend, on average, three hours<br />

a day helping out with children and<br />

household chores. In Japan it’s one hour,<br />

and they spend just 15 minutes a day<br />

with their children.<br />

Then there is paternity leave. Japanese<br />

men are entitled to take it, but only<br />

a tiny minority actually do – just 2.63<br />

percent, according to the Health and<br />

Welfare ministry.<br />

“My husband didn’t take paternity<br />

leave,” Nobuko says.<br />

“Most Japanese men are very hesitant<br />

to use the system. They may want to<br />

come back home to help with the family,<br />

but on the other hand they think they<br />

need to work as hard as possible otherwise<br />

they may not get promoted, or they<br />

may lose their job.”<br />

Despite all this many Japanese<br />

women do want to continue working<br />

after they have children.<br />

But they then come up against the<br />

next problem – child care, or rather the<br />

lack of it.<br />

According to the Tokyo government’s<br />

own statistics there are 20,000 children<br />

in the city waiting for places in day care<br />

centres.<br />

The government centres that do<br />

exist are good, but they are far too few.<br />

And even if you do get a place it’s means<br />

tested and expensive.<br />

“I’d have to pay about $1,000 per<br />

month per child even at the state nursery,”<br />

says Nobuko.<br />

“Expensive private nurseries cost<br />

about $2,000 for one child a month. But<br />

those are really good!” she says, laughing.<br />

All of this adds up to two things.<br />

Women who are having children are not<br />

working. Women who are working are<br />

not having children. Both are terrible for<br />

Japan’s future.<br />

In her groundbreaking work Womenomics:<br />

Japan’s Hidden Asset, Japanese-American<br />

economist Kathy Matsui<br />

says getting more Japanese mothers to<br />

stay in work or go back to work should<br />

be a “national priority.”<br />

She says it could add as much as 15<br />

percent to Japan’s gross domestic product.<br />

But Matsui says there is another even<br />

more pressing reason: Japan is running<br />

out of people.<br />

“Although a low fertility rate is common<br />

among other developed countries,<br />

Japan may be the only (Organisation<br />

for Economic Cooperation and Development)<br />

nation where the number of pets<br />

exceeds the number of children,” she<br />

says.<br />

Japan’s birthrate is just 1.37 births<br />

per woman, far below the 2.1 figure at<br />

which a population remains stable.<br />

Evidence from Europe and America<br />

suggest helping women to stay in work<br />

can increase the birthrate.<br />

In countries like Sweden, Denmark<br />

and the US, where female employment<br />

rates are high, birthrates are also higher.<br />

In countries where female employment<br />

is low, like Italy, South Korea and Japan,<br />

birthrates are also low.<br />

In Japan a demographic crisis is<br />

already under way. In 2006 Japan’s<br />

population began to shrink.<br />

If current trends persist, it will lose<br />

one-third of its population in the next<br />

half-century.<br />

Nothing like that has ever happened<br />

before.


<strong>Monday</strong>, April 1, 2013<br />

Best on TV Tonight<br />

8:00 pm CNN International: INTERNATIONAL DESK 8:35 pm Boomerang: THE FLINSTONES 7:00 pm OSN First: ALPHAS<br />

TV Prime Time Guide<br />

7:00 pm<br />

WORLD SPORT<br />

THE JETSONS<br />

HOW DO THEY DO IT?<br />

ALPHAS<br />

7:30 pm<br />

8:00 pm<br />

AFRICAN VOICES<br />

8:30 pm<br />

INTERNATIONAL DESK<br />

THE FLINTSTONES<br />

HOW IT'S MADE<br />

REVENGE<br />

CNN INTERNATIONAL<br />

BOOMERANG DISCOVERY CHANNEL OSN FIRST<br />

Television Listing<br />

AL JAZEERA<br />

05:00 NEWSHOUR<br />

06:00 News<br />

06:30 Football Rebels<br />

07:00 News<br />

07:30 Listening Post<br />

08:00 News<br />

08:30 News<br />

09:00 The Cafe<br />

10:00 News<br />

10:30 Inside Story<br />

11:00 News<br />

11:30 South2North<br />

12:00 News<br />

12:30 People & Power<br />

13:00 NEWSHOUR<br />

14:00 News<br />

14:30 Inside Story<br />

15:00 Empire<br />

16:00 NEWSHOUR<br />

17:00 News<br />

17:30 Talk to Al Jazeera<br />

18:00 NEWSHOUR<br />

19:00 News<br />

19:30 Counting the Cost<br />

20:00 News<br />

20:30 Inside Story<br />

21:00 NEWSHOUR<br />

22:00 News<br />

22:30 The Stream<br />

23:00 The Family<br />

00:00 NEWSHOUR<br />

01:00 News<br />

01:30 Witness<br />

02:00 NEWSHOUR<br />

03:00 News<br />

03:30 Inside Story<br />

04:00 Empire<br />

ANIMAL PLANET<br />

05:45 Wildest Africa<br />

06:35 Wildlife SOS International<br />

07:00 The Really Wild Show<br />

07:25 Bad Dog<br />

08:15 Dogs/Cats/Pets 101<br />

09:10 Earthquake: Panda Rescue<br />

10:05 Wildest Islands<br />

11:00 Animal Cops Philadelphia<br />

11:55 Shamwari: A Wild Life<br />

12:20 Wildlife SOS<br />

12:50 Vet On The Loose<br />

13:15 Vet On The Loose<br />

13:45 Animal Precinct<br />

14:40 Wildest Islands<br />

15:30 Dark Days In Monkey City<br />

16:00 The Really Wild Show<br />

16:30 Dogs/Cats/Pets 101<br />

17:25 Crocodile Hunter<br />

18:20 America's Cutest...<br />

19:15 Monkey Life<br />

19:40 Bondi Vet<br />

20:10 Shamwari: A Wild Life<br />

20:35 Dark Days In Monkey City<br />

21:05 Wildest Islands<br />

22:00 Baboons With Bill Bailey<br />

22:55 My Cat From Hell<br />

23:50 Animal Cops Miami<br />

00:45 Rogue Nature With Dave Salmoni<br />

01:35 Untamed & Uncut<br />

02:25 Wildest Islands<br />

03:15 Baboons With Bill Bailey<br />

04:05 My Cat From Hell<br />

04:55 Shamwari: A Wild Life<br />

BBC WORLD<br />

05:00 BBC World News<br />

05:30 Asia Business Report<br />

05:45 Sport Today<br />

06:00 BBC World News<br />

06:30 Hardtalk<br />

07:00 BBC World News<br />

07:30 World Business Report<br />

07:45 BBC World News<br />

08:30 World Business Report<br />

08:45 BBC World News<br />

09:30 World Business Report<br />

09:45 Sport Today<br />

10:00 BBC World News<br />

10:30 World Business Report<br />

10:45 Sport Today<br />

11:00 BBC World News<br />

11:30 Hardtalk<br />

12:00 BBC World News<br />

12:30 World Business Report<br />

12:45 Sport Today<br />

13:00 BBC World News<br />

14:00 GMT With George Alagiah<br />

15:00 BBC World News<br />

15:30 World Business Report<br />

15:45 Sport Today<br />

16:00 Impact With Mishal Husain<br />

17:30 Hardtalk<br />

18:00 Global With John Sopel<br />

19:30 World Business Report<br />

19:45 Sport Today<br />

20:00 BBC World News<br />

20:30 BBC Focus On Africa<br />

21:00 World News Today With Zeinab Badawi<br />

22:30 World Business Report<br />

22:45 Sport Today<br />

23:00 Business Edition With Tanya Beckett<br />

23:30 Hardtalk<br />

00:00 BBC World News America<br />

01:00 Newsday<br />

01:30 Asia Business Report<br />

01:45 Sport Today<br />

02:00 Newsday<br />

02:30 Asia Business Report<br />

02:45 Sport Today<br />

03:00 Newsday<br />

03:30 Asia Business Report<br />

03:45 Sport Today<br />

04:00 BBC World News<br />

04:30 Asia Business Report<br />

04:45 Sport Today<br />

BOOMERANG<br />

05:00 Bananas In Pyjamas<br />

05:25 Jelly Jamm<br />

06:00 Ha Ha Hairies<br />

06:25 Bananas In Pyjamas<br />

06:50 Lazytown<br />

07:15 Krypto: The Super Dog<br />

07:40 Baby Looney Tunes<br />

08:05 Gerald McBoing Boing<br />

08:30 Cartoonito Tales<br />

08:55 Lazy Town<br />

09:45 Baby Looney Tunes<br />

10:10 Krypto: The Super Dog<br />

10:35 Cartoonito Tales<br />

11:00 Jelly Jamm<br />

11:25 Gerald McBoing Boing<br />

11:50 Lazy Town<br />

12:40 Jelly Jamm<br />

13:00 Jetsons Meet The Flintstones<br />

14:45 The Addams Family<br />

15:35 The Jetsons<br />

16:25 The Flintstones<br />

17:15 Jetsons Meet The Flintstones<br />

18:55 The Addams Family<br />

19:45 The Jetsons<br />

20:35 The Flintstones<br />

21:25 The Addams Family<br />

22:15 Tom & Jerry Tales<br />

23:05 Pink Panther And Pals<br />

23:55 Moomins<br />

00:45 Wacky Races<br />

01:35 Duck Dodgers<br />

02:00 Duck Dodgers<br />

02:25 Dastardly And Muttley<br />

02:50 Dastardly And Muttley<br />

03:00 Dexter's Laboratory<br />

03:30 Wacky Races<br />

03:55 Sylvester & Tweety Mysteries<br />

04:20 Tom & Jerry<br />

04:45 The Garfield Show<br />

CNN INTERNATIONAL<br />

05:00 CNN Newsroom<br />

06:00 I Report For CNN<br />

06:30 News Special<br />

07:00 World Sport<br />

07:30 Inside Africa<br />

08:00 World Report<br />

09:00 World Report<br />

10:00 World Sport<br />

10:30 News Special<br />

11:00 World Business Today<br />

12:00 World One<br />

12:30 African Voices<br />

13:00 Backstory<br />

13:30 CNN Newscenter<br />

14:00 Fareed Zakaria GPS<br />

15:00 News Stream<br />

16:00 World Business Today<br />

17:00 International Desk<br />

18:00 Global Exchange<br />

19:00 World Sport<br />

19:30 African Voices<br />

20:00 International Desk<br />

21:00 Quest Means Business<br />

22:00 Amanpour<br />

22:30 CNN Newscenter<br />

23:00 Connect The World With Becky Anderson<br />

00:00 Amanpour<br />

00:30 World Sport<br />

01:00 Piers Morgan Tonight<br />

02:00 World Report<br />

02:30 World Sport<br />

03:00 Anderson Cooper 360<br />

04:00 Piers Morgan Tonight<br />

CRIME & INVESTIGATION<br />

05:00 Evil Up Close<br />

06:00 Crime Stories<br />

07:00 Crime Town USA<br />

08:00 Crime Central<br />

09:00 Crime Stories<br />

10:00 Harold Shipman: Born To Kill?<br />

11:00 The Mysterious Dr. Swango<br />

12:00 Charles Sobraj: The Serpent<br />

13:00 The Mystery Of I-45<br />

14:00 The Suffolk Strangler<br />

15:00 Harold Shipman: Born To Kill?<br />

16:00 The Mysterious Dr. Swango<br />

17:00 Charles Sobraj: The Serpent<br />

18:00 The Mystery Of I-45<br />

19:00 The Suffolk Strangler<br />

20:00 Snapped: Women Who Kill


<strong>Monday</strong>, April 1, 2013<br />

Best on TV Tonight<br />

10:00 pm E!: KOURTNEY & KIM TAKE MIAMI 11:00 pm MBC 2: FAST & FURIOUS 9:00 pm MBC Max: VICKY CRISTINA BARCELONA<br />

Television Listing<br />

21:00 Psychic Detectives<br />

21:30 Crime Stories<br />

22:30 Private Crimes<br />

23:30 Escaping Evil: My Life In A Cult<br />

00:30 Charles Whitman<br />

01:30 At Home With The Noonans<br />

02:30 Psychic Detectives<br />

03:00 Private Crimes<br />

04:00 Escaping Evil: My Life In A Cult<br />

DISCOVERY CHANNEL<br />

05:15 Sons Of Guns<br />

06:05 Sons Of Guns<br />

07:00 Mythbusters<br />

08:45 Crash Course<br />

09:10 Crash Course<br />

09:40 Border Security<br />

10:05 Auction Kings<br />

10:30 Baggage Battles<br />

10:55 How Do They Do It?<br />

11:25 How It's Made<br />

11:50 Crash Course<br />

12:20 Crash Course<br />

12:45 World's Top 5<br />

13:40 Dirty Great Machines<br />

14:35 Border Security<br />

15:05 Auction Kings<br />

15:30 Baggage Battles<br />

16:00 Moonshiners<br />

16:55 Dual Survival<br />

17:50 Mythbusters<br />

18:45 Sons Of Guns<br />

19:40 How Do They Do It?<br />

20:05 How It's Made<br />

20:35 Auction Kings<br />

21:00 Baggage Battles<br />

21:30 Gold Rush<br />

22:25 Jungle Gold<br />

23:20 Jungle Gold<br />

00:15 Gold Rush<br />

01:10 Jungle Gold<br />

02:05 Jungle Gold<br />

03:00 Mythbusters<br />

03:55 Border Security<br />

04:20 Auction Kings<br />

04:50 Baggage Battles<br />

DISNEY CHANNEL<br />

05:10 Emperor's New School<br />

05:35 A Kind Of Magic<br />

06:00 Mickey Mouse Clubhouse<br />

06:25 Doc McStuffins<br />

06:40 Suite Life On Deck<br />

07:05 A.N.T Farm<br />

07:55 Jessie<br />

08:45 Good Luck Charlie<br />

09:35 Austin And Ally<br />

10:25 Shake It Up<br />

11:15 Cinderella II<br />

12:30 Wizards Of Waverly Place<br />

13:20 Jessie<br />

13:45 A.N.T. Farm<br />

14:35 Austin And Ally<br />

15:00 Austin And Ally<br />

15:25 Good Luck Charlie<br />

15:50 Jessie<br />

16:15 Shake It Up<br />

16:40 A.N.T. Farm<br />

17:00 Cinderella II<br />

18:20 Wizards Of Waverly Place<br />

18:45 Wizards Of Waverly Place<br />

19:10 Hannah Montana<br />

19:35 Hannah Montana<br />

20:00 Jessie<br />

20:25 Wizards Of Waverly Place<br />

20:50 Wizards Of Waverly Place<br />

21:15 Phil Of The Future<br />

21:40 Hannah Montana<br />

22:05 Jonas<br />

22:30 Sonny With A Chance<br />

22:55 Wizards Of Waverly Place<br />

23:20 Wizards Of Waverly Place<br />

23:45 Hannah Montana<br />

00:10 Hannah Montana<br />

00:35 Brandy & Mr Whiskers<br />

01:00 Brandy & Mr Whiskers<br />

01:25 Replacements<br />

01:50 Replacements<br />

02:15 Emperor's New School<br />

02:40 Emperor's New School<br />

03:05 Brandy & Mr Whiskers<br />

03:30 Brandy & Mr Whiskers<br />

03:55 Replacements<br />

04:20 Replacements<br />

04:45 Emperor's New School<br />

E! ENTERTAINMENT<br />

05:05 Extreme Close-Up<br />

05:30 Extreme Close-Up<br />

06:00 THS<br />

07:50 Style Star<br />

08:20 E! News<br />

09:15 Married To Jonas<br />

09:45 Married To Jonas<br />

10:15 THS<br />

12:05 Ice Loves Coco<br />

12:35 Ice Loves Coco<br />

13:05 Giuliana & Bill<br />

14:05 Kourtney & Kim Take New York<br />

15:00 Style Star<br />

15:30 E!es<br />

16:30 Extreme Close-Up<br />

17:00 Fashion Police<br />

18:00 E! News<br />

19:00 E!es<br />

20:00 Ice Loves Coco<br />

20:30 Ice Loves Coco<br />

21:00 Chasing The Saturdays<br />

21:30 Chasing The Saturdays<br />

22:00 Kourtney And Kim Take Miami<br />

23:00 THS<br />

00:00 Scouted<br />

00:55 Style Star<br />

01:25 E!es<br />

02:20 THS<br />

03:15 Style Star<br />

03:40 Extreme Close-Up<br />

04:10 E!es<br />

FOX MOVIES<br />

06:30 Diary Of A Wimpy Kid<br />

08:30 I, Robot<br />

10:30 Dragon Tiger Gate<br />

12:30 The Nanny Diaries<br />

14:30 Diary Of A Wimpy Kid<br />

16:30 I, Robot<br />

18:30 Goodfellas<br />

20:30 Tron: Legacy<br />

22:30 Stay<br />

00:30 Life Aquatic With Steve Zissou<br />

02:30 Goodfellas<br />

04:30 Stay<br />

MBC 2<br />

04:30 Seven<br />

06:30 Bootmen<br />

11:00 Two Weeks<br />

18:30 The Prestige<br />

21:00 Iron Man<br />

23:00 Fast And Furious<br />

01:00 Miller's Crossing<br />

03:00 Lost<br />

MBC 4<br />

05:30 Mike & Molly<br />

06:00 Entertainment Tonight<br />

06:15 Late Show With David Letterman<br />

07:00 Dallas<br />

07:45 Mike & Molly<br />

08:15 ER<br />

09:00 The Talk<br />

09:30 Days of Our Lives<br />

10:15 DR OZ<br />

11:00 The Doctors<br />

12:00 Alam Al Tasawuq<br />

13:00 Banat El-Eila<br />

13:45 Over The Decade<br />

14:30 Ezel<br />

15:15 ER<br />

16:00 DR OZ<br />

17:00 Ayam El-Zohour<br />

18:00 Dallas<br />

19:00 The Doctors<br />

20:00 Ezel<br />

21:00 Over The Decade<br />

22:00 Banat El-Eila<br />

23:00 Dallas<br />

00:00 Ayam El-Zohour<br />

01:00 Ezel<br />

02:00 Over The Decade<br />

03:00 Banat El-Eila<br />

04:00 Entertainment Tonight<br />

04:30 The Insider<br />

04:45 Late Show With David Letterman<br />

MBC ACTION<br />

05:45 WWE Main Event<br />

06:30 Fringe<br />

07:15 The Forgotten<br />

08:15 Bones<br />

09:00 White Collar<br />

09:45 C.S.I<br />

10:30 The Forgotten<br />

12:00 WWE After Burn<br />

13:00 C.S.I<br />

13:45 White Collar<br />

14:30 The Forgotten<br />

15:30 The Replacements<br />

17:00 TapouT<br />

18:00 WWE After Burn<br />

19:00 Driven<br />

20:00 Facing Ali<br />

22:00 WWE Raw<br />

23:30 Top Gear USA<br />

00:00 Enemy at the Gates<br />

02:00 Action ya Dawry<br />

04:00 Aliens<br />

MBC MAX<br />

06:00 The Perfect Score<br />

07:30 Once<br />

09:00 Welcome To Mooseport<br />

11:00 Look Who's Talking Now<br />

12:30 The Bodyguard<br />

15:00 Doctor Strange<br />

17:00 Garfield: A Tail of Two Kitties<br />

19:00 Annie<br />

21:00 Vicky Cristina Barcelona<br />

23:00 Frequently Asked Questions About Time Travel<br />

01:00 Vicky Cristina Barcelona<br />

02:30 Frequently Asked Questions About Time Travel<br />

04:00 The Bodyguard<br />

NAT GEO ADVENTURE HD<br />

05:20 Puerto Rico<br />

06:15 The Kimchi Chronicles Conclude<br />

06:40 Maybe Baby<br />

07:10 The Oldest Vine<br />

08:05 Mazar-I-Sharif<br />

09:00 Gone to save the planet, 3<br />

09:25 Gone to save the planet, 4<br />

09:55 UK<br />

10:20 New Orleans<br />

10:50 Kununurra To Darwin<br />

11:15 Antibalas<br />

11:45 The Ice Men<br />

12:40 Jamaica (aka Reggae Marathon)<br />

13:35 Best of<br />

14:00 Swept Away<br />

14:30 Wine And Renegades<br />

14:55 Women In Wine<br />

15:25 Herat/bamiyan<br />

16:20 Gone to save the planet, 4<br />

16:45 Gone to save the planet, 5<br />

17:15 India<br />

17:40 Wild West<br />

18:10 Vic Fires<br />

18:35 Ben Harper<br />

19:05 The Many Faces of North America<br />

20:00 Wine And Renegades<br />

20:30 Women In Wine<br />

21:00 Best of<br />

21:30 Swept Away<br />

22:00 Brazil<br />

22:55 Istanbul<br />

23:20 Rocco Goes To Camp<br />

23:50 Food Magic<br />

00:15 Grill Masters<br />

00:45 Cracking The Ice Road<br />

01:40 Ep 4<br />

02:05 My Sri Lanka With Peter Kuruvita, 7<br />

02:35 Madrid<br />

03:00 Alaska<br />

03:30 The World of The Mayas<br />

04:25 Taipei, Taiwan<br />

04:50 Jamaica


<strong>Monday</strong>, April 1, 2013<br />

Best on TV Tonight<br />

10:00 pm OSN Movies Comedy: THE ANGEL'S SHARE 9:45 pm Star Movies: UNBREAKABLE 9:15 pm The Style Network: KIMORA: LIFE IN THE FAB LANE<br />

Television Listing<br />

OSN CINEMA<br />

05:00 Elevator Girl<br />

07:00 The Winning Season<br />

09:00 Ghost Machine<br />

11:00 The National Tree<br />

13:00 Dangerous Flowers<br />

15:00 Ties That Bind<br />

17:00 Return<br />

19:00 On The Inside<br />

21:00 Powder Blue<br />

23:00 American Reunion<br />

01:00 Return<br />

03:00 The National Tree<br />

OSN FIRST<br />

05:00 Castle<br />

06:00 Good Morning America<br />

07:00 Fairly Legal<br />

09:00 The Ellen DeGeneres Show<br />

10:00 Castle<br />

11:00 Fairly Legal<br />

17:00 The Ellen DeGeneres Show<br />

19:00 Alphas<br />

20:00 Revenge<br />

21:00 Once Upon A Time<br />

23:00 Six Feet Under<br />

00:00 Once Upon A Time<br />

04:00 Six Feet Under<br />

OSN MOVIES ACTION<br />

06:00 The Man Inside<br />

08:00 True Justice: Dead Drop<br />

09:45 Dad Savage<br />

11:45 X-Men: First Class<br />

14:00 Red Faction: Origins<br />

16:00 Dad Savage<br />

18:00 Batman: Year One<br />

20:00 Red Faction: Origins<br />

22:00 Seventh Moon<br />

00:00 Open Graves<br />

02:00 RoboCop<br />

04:00 Seventh Moon<br />

OSN MOVIES COMEDY<br />

06:00 Summer School<br />

08:00 Elf<br />

10:00 Good Boy!<br />

12:00 Naked Gun 33 1/3: The Final Insult<br />

14:00 Robots<br />

16:00 Good Boy!<br />

18:00 It's Kind Of A Funny Story<br />

20:00 Detroit Rock City<br />

22:00 A Few Best Men<br />

00:00 Big Fat Important Movie<br />

02:00 Detroit Rock City<br />

04:00 It's Kind Of A Funny Story<br />

OSN MOVIES FESTIVAL<br />

06:45 Moneyball<br />

09:00 Yona Yona Penguin<br />

10:30 Backwash<br />

12:00 Mutum<br />

13:30 Loosies<br />

15:15 Backwash<br />

17:15 Nomads<br />

19:00 The Imposter<br />

21:00 Planet Of The Apes (1968)<br />

23:00 The Presidio<br />

01:00 Cruel Intentions<br />

03:00 Planet Of The Apes (1968)<br />

OSN MOVIES KIDS<br />

06:00 Free Birds<br />

08:00 Winner & The Golden Child: Part I<br />

10:00 Hey Arnold! The Movie<br />

11:15 Sammy's Adventure: The Secret Passage<br />

12:45 Free Birds<br />

14:15 Dolphin Tale<br />

16:15 Scooby-Doo! Haunted Holidays<br />

18:00 Hey Arnold! The Movie<br />

20:00 Blue Elephant 2<br />

22:00 Free Birds<br />

23:30 Marco Antonio<br />

01:00 Winner & The Golden Child: Part I<br />

02:45 Free Birds<br />

04:30 Blue Elephant 2<br />

OSN SPORT 1 HD<br />

06:00 Trans World Sport<br />

07:00 ICC Cricket 360<br />

07:30 Futbol Mundial<br />

08:00 Live NRL Premiership<br />

10:00 University Boat Race<br />

11:00 Live NRL Premiership<br />

13:00 ICC Cricket 360<br />

13:30 PGA European Tour<br />

18:00 PGA Tour Highlights<br />

19:00 PGA European Tour Highlights<br />

20:00 Super Rugby Highlights<br />

21:00 University Boat Race<br />

22:00 ICC Cricket 360<br />

22:30 NRL Premiership<br />

00:30 Premier League Darts<br />

04:00 NRL Premiership<br />

OSN SPORT 4<br />

07:00 WWE Bottom Line<br />

08:00 WWE Experience<br />

09:00 Ping Pong World<br />

10:00 US Bass Fishing<br />

11:00 NHL<br />

13:00 UAE National Race Day Series<br />

14:00 WWE NXT<br />

15:00 WWE SmackDown<br />

17:00 Ping Pong World<br />

18:00 US Bass Fishing<br />

19:00 UFC The Ultimate Fighter<br />

20:00 UFC Prelims<br />

22:00 UFC<br />

01:00 NHL<br />

03:00 Ping Pong World<br />

04:00 US Bass Fishing<br />

SONY ENTERTAINMENT<br />

05:00 Mere Brother Ki Dulhan<br />

07:30 Gnan Ganga<br />

08:00 Godbharaai<br />

08:30 Seva Sagar<br />

09:00 Palampur Express<br />

09:30 Krishnaben Khakrawala<br />

10:00 Kuch Toh Log Kahenge<br />

10:30 Dil Ki Nazar Se Khoobsurat<br />

11:00 Anamika<br />

11:30 Amita Ka Amit<br />

12:00 Chhanchhan<br />

12:30 Parvarish - Kuch Khatti Kuch Meethi<br />

13:00 Kyaa Hua Tera Vaada<br />

13:30 Bade Ache Lagte Hai<br />

14:00 Lamhe<br />

17:30 Anamika<br />

18:00 Amita Ka Amit<br />

18:30 Chhanchhan<br />

19:00 Parvarish - Kuch Khatti Kuch Meethi<br />

19:30 Kyaa Hua Tera Vaada<br />

20:00 Bade Ache Lagte Hai<br />

20:30 Dil Ki Nazar Se Khoobsurat<br />

21:00 Anamika<br />

21:30 Amita Ka Amit<br />

22:00 Chhanchhan<br />

22:30 Parvarish - Kuch Khatti Kuch Meethi<br />

23:00 Kyaa Hua Tera Vaada<br />

23:30 Bade Ache Lagte Hai<br />

00:00 Dil Ki Nazar Se Khoobsurat<br />

00:30 Anamika<br />

01:00 Amita Ka Amit<br />

01:30 Chhanchhan<br />

02:00 Parvarish - Kuch Khatti Kuch Meethi<br />

02:30 Kyaa Hua Tera Vaada<br />

03:00 Bade Ache Lagte Hai<br />

03:30 Andaaz 2013<br />

04:00 Comedy Circus Ke Ajoobe<br />

04:30 Welcome<br />

STAR MOVIES<br />

06:30 The Dark<br />

08:15 Unbreakable<br />

10:00 I am Number Four<br />

11:45 Dead Presidents<br />

13:30 The Dark<br />

15:00 Unbreakable<br />

16:45 Encino Man<br />

18:30 Life Aquatic With Steve Zissou<br />

20:00 Paradise<br />

21:45 The Hurricane<br />

23:30 Pretty Woman<br />

01:15 Unbreakable<br />

03:00 Life Aquatic With Steve Zissou<br />

04:45 I am Number Four<br />

TCM<br />

05:45 Ride Him, Cowboy<br />

07:00 20,000 Years In Sing Sing<br />

08:20 Abbott And Costello In Hollywood<br />

09:45 The Cabin In The Cotton<br />

11:10 Ride The High Country<br />

12:45 Some Came Running<br />

15:00 The Glass Bottom Boat<br />

16:50 Raintree County<br />

19:35 The Dirty Dozen<br />

22:00 Hit Man<br />

23:35 Death In Venice<br />

01:45 Abbott And Costello In Hollywood<br />

03:10 The Adventures Of Robin Hood<br />

04:55 20,000 Years In Sing Sing<br />

THE HISTORY CHANNEL<br />

05:00 The Korean War In Colour<br />

06:00 Ancient Aliens<br />

07:00 The Real Face Of Jesus?<br />

09:00 Jesus: The Lost 40 Days<br />

11:00 Ancient Aliens<br />

12:00 Grave Trade<br />

13:00 Mountain Men<br />

14:00 Jesus: The Lost 40 Days<br />

16:00 Grave Trade<br />

17:00 Mountain Men<br />

18:00 American Restoration<br />

19:00 Mud Men<br />

20:00 Pawn Stars<br />

20:30 Storage Wars<br />

21:00 Ancient Aliens<br />

22:00 Pawn Stars<br />

22:30 The Men Who Built America<br />

00:30 Shipping Wars<br />

01:00 Ancient Aliens<br />

02:00 Pawn Stars<br />

02:30 The Men Who Built America<br />

04:30 Shipping Wars<br />

THE STYLE NETWORK<br />

05:10 Whose Wedding Is It Anyway?<br />

06:05 Open House<br />

07:00 Videofashion News<br />

08:00 Videofashion Daily<br />

09:00 Open House<br />

09:30 Big Boutique In The City<br />

10:00 Top 10<br />

10:55 Giuliana & Bill<br />

11:55 Kimora: Life In The Fab Lane<br />

12:50 Videofashion News<br />

13:20 Videofashion Collections<br />

13:50 Chicagolicious<br />

14:45 How Do I Look?<br />

16:35 Chicagolicious<br />

18:25 Tia And Tamera<br />

20:20 Giuliana & Bill<br />

21:15 Kimora: Life In The Fab Lane<br />

22:10 Built<br />

23:05 Tia And Tamera<br />

00:00 Giuliana & Bill<br />

01:00 Empire Girls: Julissa And Adrienne<br />

01:55 Glam Fairy<br />

02:50 Jerseylicious<br />

03:45 Chicagolicious<br />

04:40 Open House


<strong>Monday</strong>, April 1, 2013<br />

Beetle Bailey<br />

Blondie<br />

Popeye<br />

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Brown<br />

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Orange<br />

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Red<br />

Asfar<br />

Yellow<br />

Hoy en la Historia<br />

April 1, 1999<br />

A new territory, Nunavut,<br />

meaning “our land”, was created<br />

in northern Canada to provide<br />

autonomy for the Inuit people. It is<br />

the largest territory of Canada<br />

1927: The first gramophone to change<br />

records automatically went on sale<br />

2001: The Netherlands introduced a<br />

law giving same-sex marriages full<br />

legal parity as heterosexual couples<br />

2003: All residents of a housing<br />

complex in Hong Kong were evacuated<br />

when over 200 developed SARS<br />

2012: Aung San Suu Kyi won a seat<br />

in Myanmar’s parliament, having<br />

been released from 20 years house<br />

arrest in 2010<br />

Picture: Getty Images<br />

© GRAPHIC NEWS


<strong>Monday</strong>, April 1, 2013<br />

SUDOKU<br />

Yesterday’s Answer<br />

Star Talk<br />

By King Features Syndicate, Inc.<br />

ARIES [mar 21 – apr 19] TAURUS [apr 20 – may 20] GEMINI [may 21 – jun 20] CANCER [jun 21 - jul 22] LEO [jul 23 – aug 22] VIRGO [aug 23 – 22]<br />

This is an extremely feel-good<br />

day; nevertheless, it’s playful.<br />

It’s not a day for important<br />

decisions or serious work. Just<br />

kick up your heels and have fun!<br />

You might call this a Mother Teresa<br />

day, because you truly want to<br />

do good. You want to help those<br />

who are less fortunate, which is<br />

a noble and fine thing indeed.<br />

Enjoy increased popularity today.<br />

Groups, classes and gatherings of<br />

all sizes will be enthusiastic and<br />

fun choices for you. Accept all<br />

invitations. Don’t hide at home.<br />

You easily impress bosses,<br />

parents, teachers and people<br />

in power today. (Think of it<br />

as flattering lighting from the<br />

universe.) Make the most of this!<br />

This is a creative day for those<br />

working in publishing, the media,<br />

higher education and travel industries.<br />

However, it’s a poor day<br />

for serious, grounded decisions.<br />

If you have to divide or share<br />

something today, make sure you<br />

are being realistic. Your idealism<br />

could make you get carried away.<br />

LIBRA [sept 23 – oct 22] SCORPIO [oct 23 – nov 21] SAGITTARIUS [nov 22 – dec 21] CAPRICORN [dec 22 – jan 19] AQUARIUS [jan 20 – feb 18] Pisces [feb 19 – mar 20]<br />

This is a great day to schmooze<br />

with friends and partners. It’s<br />

also a great day to mingle with<br />

members of the general public.<br />

New ideas that can improve your<br />

health might prove to be encouraging<br />

today. Others might be involved<br />

in work-related travel or dealing<br />

with other countries and cultures.<br />

Because your creative juices are<br />

flowing today, do something that<br />

allows you to express your creativity.<br />

Be a kid again. Enjoy sports,<br />

playful activities with children,<br />

the arts and saucy flirtations.<br />

Meetings at home especially<br />

to teach or share information<br />

will be a positive experience<br />

today. Do whatever you can<br />

to improve family relationships<br />

or your home scene.<br />

Because your imagination is in<br />

overdrive, this is a great day for<br />

writers. It’s also a great day for<br />

all of you, because you’re full<br />

of wonderful ideas and keen<br />

to share them with others.<br />

In one way, this is a good day<br />

for business and commerce,<br />

because you’re thinking up great<br />

ideas. However, don’t put them<br />

into action today. Wait until<br />

tomorrow. (You’ll be glad you did.)


<strong>Monday</strong>, April 1, 2013<br />

MOVIES IN QATAR<br />

G.I.Joe: Retaliation<br />

(Action)<br />

The G.I. Joes are not only fighting their mortal enemy<br />

Cobra; they are forced to contend with threats from<br />

within the government that jeopardise their very<br />

existence.<br />

Madea’s Witness Protection<br />

(Comedy)<br />

A Wall Street investment banker who has been<br />

set up as the linchpin of his company’s<br />

mob-backed Ponzi scheme is relocated with<br />

his family to Aunt Madea’s southern<br />

home.<br />

CITY CENTRE CINEMA VILLAGGIO CINEMA LANDMARK CINEMA MALL CINEMA<br />

G.I.JOE -2 (ACTION): 11.30 AM, 2 PM, 4.30 PM, 7 PM, 9.30<br />

PM, 12 MN, 1 AM. (3D): 10.30 PM, 1 PM, 3.30 PM, 6 PM,<br />

8.30 PM, 11 PM, 1.15 AM [VIP GOLD]: 11 AM, 1.30 PM, 4<br />

PM, 6.30 PM, 9 PM, 11.30 PM<br />

MADEA’S WITNESS PROTECTION (COMEDY): 10.30 AM,<br />

12.45 PM, 6 PM, 11.15 PM<br />

SNOW QUEEN (ANIMATION) (3D): 11 AM, 12.45 PM, 2.30<br />

PM, 4.15 PM, 6 PM<br />

THE BAY (THRILLER): 7.45 PM, 9.45 PM, 11.45 PM<br />

FROM UP ON POPPY HILL (ANIMATION): 11.15 AM, 1.15 PM<br />

PEACE, LOVE & UNDERSTANDING (DRAMA): 5.15 PM, 7.15<br />

PM, 9.15 PM, 11.15 PM<br />

THE LAST EXORCISM-2 (HORROR): 11 AM, 1 PM, 3 PM, 5<br />

PM, 7 PM, 9 PM, 11 PM, 1 AM<br />

THE CROODS (ANIMATION) (3D): 11.30 AM, 1.30 PM, 3.30<br />

PM, 5.30 PM, 7.30 PM, 9.30 PM, 11.30 PM<br />

OLYMPUS HAS FALLEN (ACTION): 11.15 PM, 1.45 PM, 4.15<br />

PM, 6.45 PM, 9.15 PM, 11.45 PM, 1.15 AM<br />

JACK THE GIANT SLAYER (FANTASY): 12.15 PM, 2.30 PM,<br />

4.45 PM, 7 PM, 9.15 PM, 11.30 PM<br />

IDENTITY THIEF (COMEDY): 11.45 AM, 2 PM, 4.15 PM, 6.30<br />

PM, 8.45 PM, 11 PM<br />

PARKER (ACTION): 11.15 AM, 1.45 PM, 4.15 PM, 6.45 PM,<br />

9.15 PM, 11.45 PM<br />

OZ THE GREAT & POWERFUL (ADVENTURE): 10.45 AM, 1.15<br />

PM, 3.45 PM, 6.15 PM, 8.45 PM, 11.15 PM<br />

RED WINE (MALAYALAM): 3 PM, 5.30 PM, 8.15 PM<br />

HIMMATWALA (HINDI): 12 PM, 2.45 PM, 8.30 PM, 11.15 PM<br />

G.I.JOE -2 (ACTION): 10.30 AM, 11.45 AM, 12.45 PM, 2<br />

PM, 3 PM, 4.15 PM, 5.15 PM, 6.30 PM, 7.30 PM, 8.45 PM<br />

9.45 PM, 11 PM, 12 MN, 1 AM<br />

MADEA’S WITNESS PROTECTION (COMEDY): 1.15 PM,<br />

5.15 PM, 9.15 PM<br />

SNOW QUEEN (ANIMATION) (3D): 11 AM, 12.45 PM, 2.30<br />

PM, 4.15 PM, 6 PM, 7.45 PM<br />

THE BAY II (THRILLER): 11.30 AM, 3.30 PM, 7.30 PM, 11.30 PM<br />

FROM UP ON POPPY HILL (ANIMATION): 12 PM, 2 PM,<br />

4 PM, 6 PM<br />

PEACE, LOVE & UNDERSTANDING (DRAMA): 8 PM, 10<br />

PM, 12 MN<br />

THE LAST EXORCISM-2 (HORROR): 12 PM, 2 PM, 4 PM, 6<br />

PM, 8 PM, 10 PM, 12 MN, 1.15 AM<br />

THE CROODS (ANIMATION): 12 PM, 2 PM, 4 PM, 6 PM<br />

(3D): 11 AM, 1 PM, 3 PM, 5 PM, 7 PM<br />

OLYMPUS HAS FALLEN (ACTION): 11.30 AM, 2 PM, 4.30<br />

PM, 7 PM, 9.30 PM, 12 MN, 1.15 PM<br />

IDENTITY THIEF (COMEDY): 11.45 AM, 2 PM, 4.15 PM,<br />

6.30 PM, 8.45 PM, 11 PM<br />

PARKER (ACTION): 1 PM, 6 PM, 11 PM<br />

OZ THE GREAT & POWERFUL (ADVENTURE): 10.30 PM,<br />

11.15 AM, 1.45 PM, 3.30 PM, 4.15 PM, 6.45 PM, 8.30 PM,<br />

9.15 PM, 11.45 PM<br />

HUNT TO KILL (ACTION): 8 PM, 10 PM, 12 PM<br />

SIDE EFFECTS (THRILLER): 9 PM, 12 MN<br />

MADEA’S WITNESS PROTECTION (COMEDY): 4.30 PM<br />

FROM UP POPPY HILL (ANIMATION): 2.30 PM<br />

PEACE, LOVE & MISUNDERSTANDING (COMEDY): 6.30 PM<br />

HIMMATWALA (HINDI): 8.15 PM, 11 PM<br />

CROODS (3D) (ANIMATION): 3 PM, 5 PM<br />

SNOW QUEEN (3D) (ANIMATION): 7 PM<br />

G.I. JOE RETALIATION (3D) (ACTION): 9 PM, 11 PM<br />

THE BAY II (THRILLER): 2.30 PM<br />

RED WINE (MALAYALAM): 4.30 PM, 7 PM<br />

OLYMPUS HAS FALLEN (ACTION): 9.30 PM<br />

THE LAST EXORCISM 2 (THRILLER): 11.30 PM<br />

ROYAL PLAZA<br />

CROODS (3D) (ANIMATION): 3 PM<br />

G.I. JOE RETALIATION (3D) (ACTION): 5 PM, 9.15 PM<br />

OLYMPUS HAS FALLEN (ACTION): 7 PM<br />

THE BAY II (THRILLER): 11 PM<br />

GRINGO: HOW I SPENT MY SUMMER VACATION (DRAMA):<br />

2.30 PM<br />

MELANCHOLIA (DRAMA): 4.30 PM, 9 PM<br />

TAKE THIS WALTZ (COMEDY): 6.30 PM, 11.15 PM<br />

RISE OF THE GUARDIANS (ANIMATION): 2.30 PM, 4.15 PM<br />

JACK REACHER (ACTION); 6 PM, 8.15 PM<br />

THE HOBBIT: AN EXPECTED JOURNEY (ADVENTURE):<br />

10.45 PM<br />

RANGREZZ (HINDI): 2.30 PM, 5 PM, 8 PM, 11 PM<br />

SNOW QUEEN (3D) (ANIMATION): 2.30 PM<br />

CROODS (3D) (ANIMATION): 4.15 PM, 6.15 PM<br />

RED WINE (MALAYALAM): 8.15 PM, 11 PM<br />

OLYMPUS HAS FALLEN (ACTION): 3 PM<br />

MADEA’S WITNESS PROTECTION (COMEDY): 3 PM<br />

G.I. JOE RETALIATION (3D) (ACTION): 7 PM, 11.15 PM<br />

THE BAY II (THRILLER): 5 PM<br />

NOTICE: Timings are subject to change without prior notice.<br />

Movie review<br />

The Snow Queen<br />

THE Snow Queen is a 2012 Russian 3D computer-animated film directed by Vladlen Barbe and Maxim Sveshnikov. It was produced at the<br />

Wizart Animation studio in Voronezh and is based on the story of the same name by Hans Christian Andersen and co-produced with the<br />

Moscow’s Inlay Film, by support of Timur Bekmambetov’s company named Bazelevs.<br />

Wishing to create a New world – where clearness of lines replaces emotions and the polar wind cools human souls, the Snow Queen<br />

(antagonist) is trying to find and destroy all artists and their successors. Gerda (protagonist) tries to find her brother Kai on the boundless<br />

spaces of the fantastic country bewitched by the Snow Queen. During her travel she faces difficult obstacles and finds new friends…<br />

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