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Hollywood Bollywood Lifestyle<br />
Wheels<br />
“I think it’s a part of me which craves versatility. I believe every film has<br />
its own journey, like a unique marriage one could say”<br />
Parenting<br />
Pg07<br />
QATAR TRIBUNE<br />
Publication<br />
<strong>Monday</strong><br />
April 1,<br />
2013<br />
Dance by<br />
chance<br />
COVER STORY<br />
PG 02
<strong>Monday</strong>, April 1, 2013<br />
Dance is the hidden<br />
language of the soul<br />
Students train at one of Pierre Brakhia’s dance classes.<br />
Pierre Brakhia<br />
LEZIMA GOMES<br />
DOHAPIERRE Brakhia’s affair with<br />
dance began years ago when<br />
as a young child he watched<br />
his parents dance to the<br />
beats of the waltz. In fact,<br />
dancing was a family activity. “My entire<br />
family was very fond of dancing. Every<br />
month we would have a get-together<br />
with just the family and a few friends.<br />
That however, would number up to a<br />
good crowd of a hundred or so and we<br />
would dance various dances from Latin<br />
to Ballroom.”<br />
Not surprising then, that his initiation<br />
began early, around the time he<br />
was ten. “When I was still young, my<br />
dad started teaching me the first steps of<br />
Tango, Rumba, Argentinian Waltz and<br />
Cha Cha,” he says.<br />
Not surprising again, that he teaches<br />
dance. Born in Lebanon, a country that<br />
had been a melting pot of Western and<br />
Middle Eastern sensibilities, he came to<br />
<strong>Qatar</strong> after the 2006 Lebanon war began<br />
and has been here since.<br />
Though he took the baby steps in<br />
dancing with the help of his father, the<br />
latter did not want his son to take up<br />
dancing as a profession. It was in 1992,<br />
that the civil war in his country had<br />
ended, and young Pierre who had just<br />
finished schooling took dance courses at<br />
a time when there were just a handful of<br />
dance schools in Lebanon.<br />
Pierre recollects, “My father was<br />
adamant that I should not take up dancing<br />
as a profession and that I should<br />
complete my university degree. In 1994,<br />
my father expired, and I almost gave up<br />
dancing and concentrated on getting my<br />
degree in Business Management.”<br />
But clearly his fate lay elsewhere.<br />
“Once I started working, I took up dancing<br />
again. I would practice for a good<br />
eight to ten hours everyday. After a few<br />
months I began teaching.”<br />
A Class A dancer, the highest level in<br />
the field, Pierre joined hands with others<br />
to form Dancesport Federation in Lebanon.<br />
Dancesport, which denotes competitive<br />
ballroom dancing, as against social<br />
or exhibition dancing, incorporates<br />
dances that are performed at amateur<br />
and professional levels throughout the<br />
world. Ten international style ballroom<br />
dances include five Standard and five<br />
Latin – as defined by the World Dance<br />
Council (WDC), which has world wide<br />
membership of all countries taking part<br />
in ballroom competitions.<br />
Licenced dancer by the Lebanese<br />
Dance Federation, Pierre says “ I am<br />
a trained professional dancer in ten<br />
dances, five Latin dances which include<br />
Samba, Cha Cha, Rumba, Paso Doble<br />
and Jive and five ballroom dances that<br />
include Viennese Waltz, Quick Step,<br />
English Waltz, Tango and Slow Foxtrot.”<br />
“Dancesport has the highest techniques<br />
and criteria. It has a very high<br />
standard in dance and since the difficulty<br />
level is high people stay away from it.<br />
But I have been able to train ten of the<br />
best dance instructors in Lebanon.”<br />
Pointing out that being a licensed
<strong>Monday</strong>, April 1, 2013<br />
My father would keep<br />
a book on my head<br />
and make me walk<br />
for an hour to keep<br />
my posture straight<br />
and this is what I did<br />
with my students who<br />
went onto become<br />
champions of Lebanon,<br />
says Pierre Brakhia<br />
who has been<br />
teaching dance in<br />
<strong>Qatar</strong> since 2006<br />
Pierre with a student.<br />
teacher does not involve just practical<br />
dancing, but also written exams, he<br />
stresses that it is important to have a<br />
license in order to teach dance. “One<br />
cannot just teach others out of love for<br />
dancing or as a hobby but one needs<br />
to be qualified to conduct such dance<br />
classes. It is big responsibility. If you are<br />
not qualified, you can end up seriously<br />
damaging the students’ body, their<br />
back or their knee. You need to<br />
be able to teach people how to<br />
enjoy and, at the same time, protect<br />
themselves.”<br />
Dancing involves various techniques<br />
such as lead and follow, synchronization<br />
with movement, timing and<br />
rhythm and style and posture<br />
among others. Pierre tries to<br />
incorporate these techniques<br />
while teaching<br />
his students.<br />
“My father<br />
would keep<br />
a book on<br />
my head and<br />
make me walk for an hour to<br />
keep my posture straight and this is what<br />
I did with my students who went onto<br />
become champions of Lebanon. They are<br />
the best,” he says.<br />
Interestingly, he says he was never<br />
really interested in taking up dancing as<br />
a profession but his teachers and various<br />
other events in life, prodded him to take<br />
it up more seriously. “I started seriously<br />
teaching only in the year 2000,” he says.<br />
Today apart from his day job, he<br />
devotedly contributes his evenings to<br />
dance, practising as well as teaching.<br />
Pierre is proud of what he does. “People<br />
who join my class can dance like professionals<br />
in three months. One will learn<br />
at least 25 steps, but you need to practice<br />
in order to master the art of dancing.” he<br />
further adds.<br />
When asked what is the biggest challenge<br />
he faces while teaching he says<br />
“When people come to the class they<br />
come with the mindset that they will be<br />
able to dance but it sometimes becomes<br />
difficult to do a certain move, and they<br />
give up. Lifting their spirit and convincing<br />
them that it is possible to do the<br />
movement or to be able to dance, that is<br />
the challenge,” he says.<br />
Pierre has been organising the International<br />
Tango Latino festival in <strong>Qatar</strong><br />
for the last couple of years. This year<br />
was the first time when he organised the<br />
International Salsa Latino festival. He<br />
says “I am so passionate about my dancing<br />
that the money that I spend is irrelevant.<br />
All I want is that my students and<br />
those as passionate as me about dancing<br />
should learn and enjoy.”<br />
For those who consider themselves<br />
as having two left feet he holds out hope<br />
saying, “One needs to try. Unless you try<br />
you will not be able to dance. You have<br />
to take it up as a challenge and do it. One<br />
has to keep trying in order to be able to<br />
dance.”<br />
Pierre conducts regular classes at:<br />
Sheraton on, Saturday 7 pm-8.30<br />
pm, Sunday and Tuesday 8.30 pm-10<br />
pm, Wednesday 7 pm-10 pm, Thursday<br />
5 pm-7.30 pm.<br />
Doha Rugby Club on <strong>Monday</strong> from<br />
7 pm-12 pm<br />
Doha Golf Club on Friday from<br />
4.30 pm-6 pm.)
<strong>Monday</strong>, April 1, 2013<br />
Jeremy Piven moves from<br />
Ari to Harry in PBS series<br />
APJEREMY Piven’s new TV series is<br />
set in decorous England, not the<br />
hedonistic Hollywood of Entourage.<br />
The time is the early 1900s,<br />
when booming London would have<br />
struck the very 21st-century Ari Gold as a<br />
mind-numbing bust.<br />
And, most notably, Mr Selfridge, starring<br />
Piven as the real-life American entrepreneur<br />
whose mission was to transform<br />
and conquer British retailing, is airing not<br />
on the frisky, few-holds-barred HBO home<br />
of Entourage, but on restrained PBS.<br />
Don’t get the wrong idea, cautions Piven,<br />
who earned three Emmys for his portrayal<br />
of power player Ari. The eight-part series<br />
debuting with a two-hour episode Sunday<br />
has its hero’s brash, lusty passion - for business<br />
- at its core.<br />
“Yes, it’s a period piece. But the term<br />
`period’ has to be used loosely, because it’s<br />
also funny and it has energy and it moves,”<br />
Piven said. Lovers of standard British<br />
costume dramas (Downton Abbey fans, you<br />
know who you are) shouldn’t be put off, he<br />
added.<br />
“This will, I think, satisfy those people<br />
who want to see the way it was at the turn of<br />
the century ... but then you also get all the<br />
energy and the sexiness and the humour,”<br />
he said.<br />
Mr Selfridge, based on the nonfiction<br />
book Shopping, Seduction & Mr Selfridge<br />
by Lindy Woodhead, details Harry Gordon<br />
Selfridge’s quest to bring brassy American<br />
salesmanship to the hidebound world of<br />
British shops with his enduring Selfridges<br />
& Co.<br />
The series co-stars Zoe Tapper as Ellen<br />
Love, a fictional character drafted as an<br />
amalgam of Selfridge’s assorted extramarital<br />
romances, and Frances O’Connor as his<br />
loyal but tested wife, Rose.<br />
Selfridge, who had honed his retailing<br />
strategies and marketing skills at Chicago’s<br />
famed Marshall Field, built an Oxford<br />
Street shopping palace that introduced<br />
such concepts as elaborate window displays<br />
and cosmetics counters, and services ranging<br />
from restaurants to beauty salons to a<br />
concierge.<br />
His bravura and extravagance in creating<br />
Selfridges was boundless, as was his optimism.<br />
Some in the British press sneered:<br />
“A crusade has been started to force on<br />
London superfluous luxuries such as those<br />
overstocked across the Atlantic,” warned the<br />
British Weekly, according to Woodhead’s<br />
history.<br />
The contrast between the US and the UK<br />
was part of the project’s draw for him, Piven<br />
said.<br />
“Our culture and the American dream<br />
is butting heads directly with the British<br />
culture and the realistic take they have on<br />
life,” he said. “They believe it’s tough out<br />
there - very few make it and you probably<br />
won’t. We’re all, `You can do it! You can do<br />
anything!’”<br />
Piven found himself fascinated by<br />
Selfridge’s history, and added some personal<br />
memories. Raised in a Chicago suburb,<br />
he was exposed to the retail magic Selfridge<br />
first developed there.<br />
The “amazing” display windows at<br />
Marshall Field were something that “I grew<br />
up taking for granted. ... My mom would<br />
tell me how she would go there as a child<br />
and she was taken care of and made to feel<br />
special,” a hallmark of Selfridge’s approach,<br />
he said.<br />
While the words “Ari” and “shark” seem<br />
made for each other, Selfridge is portrayed<br />
as compulsively charming.<br />
“I don’t think he can help himself. He<br />
loved life and he devoured it, and valued<br />
people and relationships ... and he treated<br />
everyone equally, from the guy that worked<br />
in shipping to his right-hand man,” Piven<br />
said. “Ari was the antithesis, and ruled with<br />
an iron fist and was incredibly reactive.”<br />
“And, my God, they’re both so fun to<br />
play. For very different reasons but equally<br />
satisfying,” said Piven, who won three<br />
Emmy Awards for his Entourage character<br />
said to be inspired by talent agency executive<br />
Ari Emanuel, brother of Chicago Mayor<br />
Rahm Emanuel.<br />
One of the pleasures of switching from<br />
Ari to Harry was leaving modernity behind,<br />
Piven said.<br />
“I just came off eight years of playing a<br />
character that was continuously distracted<br />
by his phone and email and everything<br />
else,” the actor said. “The great thing of<br />
going back in time is that you had none of<br />
that to hide behind. You’re face to face, and<br />
actually speak to people.”<br />
He may end up juggling the two different<br />
worlds. A film based on the HBO series was<br />
green-lighted earlier this year by Warner<br />
Bros, while Mr Selfridge, based on healthy<br />
ratings and good reviews during its justconcluded<br />
run on Britain’s ITV network, has<br />
gotten a second-season order for 2014.<br />
Piven, age 47, is eager to continue his<br />
English adventure as the retailing legend,<br />
but has a confession to make: He’s no shopaholic.<br />
“I personally don’t have a great deal of<br />
endurance for shopping. I think women<br />
have that endurance gene: They can go and<br />
go and go,” he said. “I love to box and can go<br />
12 rounds with very little time in between. ...<br />
I may have 25 minutes in me for shopping<br />
before I hit the wall.”<br />
Jeremy<br />
Piven<br />
“I just came off<br />
eight years of playing<br />
a character that<br />
was continuously<br />
distracted by his<br />
phone and email<br />
and everything else.<br />
The great thing of<br />
going back in time<br />
is that you had<br />
none of that to<br />
hide behind”
HOLLYWOOD <strong>Monday</strong>, April 1, 2013<br />
Blood and Honey not based on<br />
plagiarised story, says Judge<br />
Uh, no, I’m not dating Rihanna: Brown<br />
AP<br />
A<br />
FEDERAL judge says actress<br />
Angelina Jolie didn’t<br />
steal the story for her<br />
movie In the Land of Blood and<br />
Honey from a Croatian author.<br />
City News Service reports<br />
on Friday’s tentative ruling in<br />
Los Angeles will throw out the<br />
suit accusing Jolie of copyright<br />
infringement.<br />
In 2011, author James<br />
Braddock sued Jolie and the<br />
film company that made the<br />
film, saying it was partly<br />
based on his book The Soul<br />
Shattering.<br />
US District Judge Dolly<br />
M Gee wrote in a tentative<br />
ruling that the plots,<br />
characters and themes in<br />
the two works were not<br />
“substantially” similar,<br />
though both centred on<br />
war romances.<br />
Jolie wrote, directed<br />
and co-produced the<br />
film.<br />
Braddock has been<br />
ordered to tell the court<br />
why his complaint<br />
should not be dismissed<br />
with prejudice.<br />
Rihanna (right) with Chris Brown.<br />
IANS<br />
RAPPER Chris Brown has reportedly<br />
denied dating Rihanna on<br />
a radio interview due to air on<br />
<strong>Monday</strong>. Asked if he is dating the singer,<br />
he said: “No”.<br />
The revelation came on Twitter<br />
when it was reported the rapper, who<br />
recently reunited with the singer despite<br />
still being on probation for beating her<br />
in 2009, said he is not still with her,<br />
reports contactmusic.com.<br />
The Don’t Wake Me Up hitmaker<br />
was interviewed on Saturday by radio<br />
station Power 106 who posted a sneak<br />
peak of their chat on the social networking<br />
site.<br />
“Are you still with Rihanna?<br />
ChrisBrown: “Uh, no-that’s the short<br />
answer”, they posted.<br />
The conversation won’t air until<br />
<strong>Monday</strong> but the confusing statement<br />
comes after he admitted the two are like<br />
kids to keep the romance alive.<br />
“It’s still like we’re kids. I try not to<br />
be too grown up and be like, ‘Let’s have<br />
candlelight dinner every night’. I try to<br />
make sure everything is fun. It has to<br />
be fun and it has to be genuine,” said<br />
Brown.<br />
Chris also recently revealed he wrote<br />
a song about Rihanna for his upcoming<br />
album X.<br />
“I wrote a song for her called Put It<br />
Up that we did together. It’s still in the<br />
pot of songs we have to pick from. It<br />
may or may not make it, but you know,<br />
because she’s already on it, it’s a strong<br />
possibility,” he added.<br />
SCENE UNSEEN<br />
Jessica asked to keep an eye on Ashlee<br />
ACTRESS Jessica Simpson<br />
has been told by her<br />
mother Tina to keep a<br />
check on her younger sister<br />
Ashlee’s party habits.<br />
Jessica is expecting<br />
her second child with<br />
fiance Eric Johnson and<br />
has soothing effect of<br />
Ashlee.<br />
“Tina’s asked Jessica Ashlee (left) and Jessica<br />
to look out for Ashlee and<br />
make sure she doesn’t start partying too hard once again.<br />
With Jessica focusing on her second pregnancy, she’s a<br />
calming influence on Ashlee because she doesn’t want to<br />
go out on the town,” radaronline.com quoted a source as<br />
saying. “Instead, she prefers family nights in relaxing and<br />
has encouraged Ashlee to join them when they are all<br />
together, which she has been doing,” the source added.<br />
Ashlee was known to be a hard party person but<br />
has mend her ways recently. “Ashlee’s been looking a lot<br />
more like her old self, lately appears a lot healthier,” the<br />
source said.<br />
Lawrence hits the sack by 11 pm, latest<br />
HOLLYWOOD actress Jennifer Lawrence is said to have joked<br />
that she is like an old woman because she prefers to have an<br />
early night rather than go to parties.<br />
The Silver Linings Playbook star may have<br />
seen a huge amount of success for her role as<br />
Tiffany Maxwell in the rom-com drama, but<br />
she has claimed she’s more comfortable at<br />
home.<br />
“I act like an old woman; I’m in bed by<br />
11 pm at the latest. I prefer that to hanging<br />
around Hollywood parties at night,”<br />
femalefirst.co.uk quoted Lawrence as<br />
saying. Lawrence, whose performance<br />
in the film earned her the Best Actress<br />
award at the Oscars last month, is keen<br />
to stay grounded and refuses to flaunt<br />
her wealth.<br />
“I still live in the same three-bedroom<br />
apartment I had when I moved<br />
to Los Angeles six years ago. I still look<br />
for bargains in the supermarket. When<br />
I go somewhere these days I let a valet<br />
park my car. That costs $6,” she added.<br />
Jennifer Lawrence<br />
Lohan in bracelet trouble again<br />
Lindsay<br />
Lohan<br />
TROUBLED actress Lindsay<br />
Lohan has got into another<br />
problem - she has reportedly<br />
stolen a bracelet from the<br />
sets of Anger Management<br />
show.<br />
The 26-year-old shot for<br />
actor Charlie Sheen’s sitcom<br />
Anger Management before<br />
leaving for South Africa on<br />
a vacation. She was seen<br />
wearing a coloured band<br />
on her wrist, which the producers<br />
said she could wear it out after filming, reports<br />
mirror.co.uk.<br />
But the 26-year-old flame-haired actress actually<br />
hung on to it and was still wearing it when she<br />
landed in Brazil days later.<br />
In 2011, she was accused of stealing a $2,500<br />
necklace from Kamofie & Co in California, although<br />
Lindsay threatened to sue the company as she<br />
said they had lent it to her and then changed their<br />
story for publicity.
<strong>Monday</strong>, April 1, 2013<br />
BOLLYWOOD<br />
Himmatwala<br />
Clueless remake makes original<br />
seem much better<br />
The new-age Sridevi<br />
is a squeal. She<br />
quickly changes from<br />
her audacious mini<br />
skirts and high heels<br />
with whips as accessories,<br />
to being<br />
a simpering salwarkameez-clad<br />
doormat<br />
who is willing to walk<br />
that extra mile for the<br />
man in her life<br />
IANS<br />
SRIDEVI famously said recently<br />
that her 1983 career-making<br />
potboiler Himmatwala was<br />
no Mughal-e-Azam. She was<br />
right to a point.... Until now,<br />
when Sajid Khan’s remake of the 1983 K<br />
Raghvendra Rao film has come along to<br />
provide a comparative viewpoint.<br />
And suddenly the old Himmatwala<br />
does appear to be a classic. It gave us<br />
the timeless Sridevi as an arrogant spoilt<br />
rich bitch who mouthed insanely capitalistic<br />
dialogues like “I hate the poor”.<br />
Thirty years later, Tamannaah Bhatia<br />
does a Sridevi. She gets into Sridevi’s<br />
leather pants, with a whip to match and<br />
tortures the peasants in a village lorded<br />
over by a fatuous feudal dad who is not<br />
really evil. He is just mad. Somehow<br />
Tamannaah misses the bus and the bullock-cart<br />
by a wide margin. Not her fault,<br />
really. It’s the mood and milieu that this<br />
oddball of a remake generates.<br />
We hear the larger-than-life hero<br />
Ravi (Ajay) mouth words of old-fashioned<br />
heroism with a straight face. But<br />
somehow we aren’t convinced if he<br />
means business. Indeed, there was more<br />
than a dash of Shakespeare’s Taming Of<br />
The Shrew in the way the original Himmatwala<br />
Jeetendra brought Sridevi to<br />
heel.<br />
A still from the film Himmatwala.<br />
The new-age Sridevi is a squeal. She<br />
quickly changes from her audacious<br />
mini skirts and high heels with whips as<br />
accessories, to being a simpering salwarkameez-clad<br />
doormat who is willing to<br />
walk that extra mile for the man in her<br />
life.<br />
There are only two other female<br />
characters in the entire plot. The hero’s<br />
long-suffering mother (played with commendable<br />
dignity by Zarina Wahab) and<br />
a sister (Leena Jumani). Vanquished by<br />
the villains, the mother and daughter live<br />
in the village forests.<br />
Curiously the daughter appears to<br />
have walked straight out of a gym. Like<br />
all good sisters from the past history<br />
of commercial cinema, this one too<br />
nearly gets gang-raped. This one happens<br />
in a sealed van (Delhi’s grisly rape<br />
reconstructed?) until the hero appears<br />
to literally crush the wannabe-rapists’<br />
balls. Ouch. Devgn ends his ballsy crusade<br />
with one of the film’s many bravura-tinged<br />
exclamation lines: “As long<br />
as women are attacked, Himmatwalas<br />
would be born.”<br />
Chalk up a long-hurrah for this dimestore<br />
braveheart. We can look at Ajay<br />
Devgn in Himmatwala as the man who<br />
came in from the cold and warmed up<br />
the bucolic baddies’ backsides with what<br />
he calls a bum pe laat. That, we can say<br />
is the other side of the jadoo ki jhappi<br />
Film: Himmatwala<br />
Rating:<br />
Director: Sajid Khan<br />
Starring: Ajay Devgan,<br />
Tamannaah Bhatia, Ritesh Deshmukh,<br />
Paresh Rawal, Mahesh Manjrekar,<br />
Adhyayan Suman and Zarina Wahab<br />
NOW PLAYING IN DOHA THEATRES<br />
which Sanjay Dutt used to heal the world<br />
not so long ago. I guess Sanjay’s jadoo ki<br />
jhappi got a bum pe laat .<br />
Cute? That’s how Ajay plays his shehar<br />
ka hero gaon ka super-hero part. He<br />
wants us to believe he is having fun with<br />
the trite part. But the boredom underneath<br />
the facade of fun shows up often<br />
enough to make us cringe.<br />
The fractured world of Sajid Khan’s<br />
Himmatwala is not looking for healing.<br />
It is happy being unfinished, wonky<br />
and out of shape. A wheezing grunting<br />
snoring world of demented feudalism<br />
where the Zamindar, as played by the<br />
gifted Mahesh Manjrekar is part-fiend,<br />
part-clown. Meals are not cooked in this<br />
tottering tyrant’s kitchen. Instead he<br />
orders the villagers to get him khaana<br />
(food) from their homes which he eats<br />
on a table long enough to serve as the<br />
passenger’s cabin in a domestic airline.<br />
And when his daughter announces she<br />
is pregnant, the father throws a fit in the<br />
style of an eight-year-old who has just<br />
been told his favourite GI Joe has gotten<br />
flushed down the toilet.<br />
The narrative serves up enough ‘feud’<br />
for thought to make our heads go dizzy<br />
with thoughts of ruptured continuity.<br />
But gosh, are we really seeking logical<br />
explanation for what the characters do,<br />
say and convey in this film where a tiger<br />
appears from nowhere to help the hero<br />
fight the goons in the climax? Is this a<br />
film to be taken seriously? Presuming for<br />
a minute that we are expected to abandon<br />
all rationale and ...well go with flow,<br />
how do we set aside the uneasy feeling<br />
that the narrative is laughing not with<br />
us, but at us?<br />
The second movement of the pesky<br />
potboiler is taken over by the Mahesh<br />
Manjrekar-Paresh Rawal duo doing the<br />
Amjad Khan-Kader Khan banter from<br />
the original Himmatwala with a dash<br />
of humour thrown in when the duo are<br />
forced to share a bed in a cowshed. This<br />
is where the mystery of the shapeless<br />
potboiler deepens.<br />
The dialogue that follows between<br />
the two bedded buffoons has to be<br />
heard to be believed. To their credit,<br />
Manjrekar and Rawal, seasoned troupers<br />
both, try their utmost to have fun with<br />
their parts. Their vain efforts to infuse<br />
a joie de vivre in the clogged veins of<br />
this perverse potboiler only reminds<br />
us that stereotypical characters from<br />
conventional mainstream cinema died<br />
long before Joy Mukherjee.<br />
Any attempt to revive the oldfashioned<br />
masala potboiler would<br />
require oodles of inbuilt humour<br />
and a developed sense of spoofiness.<br />
Himmatwala lacks both. It is neither<br />
fish nor fowl. How does one describe the<br />
film in a nutshell? For that we can go<br />
back to one of the songs recreated from<br />
the original Himmatwala.<br />
Ho tacky ho tacky ho tacky tacky<br />
tacky re.....
<strong>Monday</strong>, April 1, 2013<br />
Indian cinema back to adapting classic writings: Abhishek Kapoor<br />
IANS<br />
INDIAN cinema had always enjoyed<br />
linkages with literature, says<br />
Abhishek Kapoor, citing the Apu<br />
Trilogy and Guide. The “glorification<br />
of mediocrity” impeded this creativity,<br />
but the trend is back, says the actorturned-director,<br />
who has adapted The 3<br />
Mistakes of My Life into the hit movie<br />
Kai Po Che.<br />
“The grand masters like Satyajit Ray<br />
(Apu Trilogy), Bimal Roy (‘Bandini’)and<br />
Vijay Anand (Guide), among others,<br />
married the two mediums with remarkable<br />
soul and pride,” Kapoor said in an<br />
email interview.<br />
Leaning towards god-like figures,<br />
who induce hero-worship, “spawned a<br />
subsequent culture of heroics on cinema”,<br />
said Kapoor, who directed Rock<br />
On!!.<br />
Q: Out of the three films that you<br />
have directed so far, Kai Po Che!<br />
was the first one based upon a<br />
book. Was it challenging?<br />
A: Cinema speaks a different language<br />
than literature. That’s why adaptation<br />
is a skill - blending the art and<br />
the science of writing the narrative. The<br />
visual imagery is the easier part. Exercising<br />
economy of characters and situations<br />
while retaining the essence, and<br />
then adding further flourishes in terms<br />
of layers to embellish the flow, was the<br />
SCENE UNSEEN<br />
Abhishek<br />
Kapoor<br />
tough part. No pain, no gain. All credit<br />
to the writing team for retaining their<br />
tenacity and good humour during the<br />
process.<br />
Most of the Oscar nominated films<br />
are inspired by literary work.<br />
India is rich in literature, but very<br />
few filmmakers take the initiative.<br />
Why’s this so?<br />
Indian cinema has always enjoyed<br />
linkages with our literature. The grand<br />
masters like Satyajit Ray (Apu Trilogy),<br />
Bimal Roy (Bandini), Vijay Anand<br />
(Guide), among others, married the<br />
two mediums with remarkable soul and<br />
pride. But our popular leaning towards<br />
god-like figures, who induce hero-worship,<br />
spawned a subsequent culture of<br />
heroics on cinema that transcended<br />
reality and became life-forms of their<br />
own. Compounded to that, the herd<br />
mentality attitude and the glorification<br />
of mediocrity left no room for the<br />
hard work and creative craftsmanship<br />
required to adapt the classic writing to<br />
screen. Recent years have seen a revival<br />
however, and I’m glad to walk this talk.<br />
When you made Rock On!!, the<br />
film got attention because successful<br />
director Farhan Akhtar<br />
was making his acting debut in it,<br />
and Kai Po Che! was promoted as<br />
an adaptation of Chetan Bhagat’s<br />
book’s adaptation. Do you feel any<br />
identity crisis?<br />
None at all. This is the kind of stuff<br />
non-spiritual beings may feel like, but I<br />
crossed that bridge a long time ago having<br />
risen from my early failures. People<br />
can take away your credit, but they can’t<br />
take away your talent. A director’s work<br />
is a director’s work after all in all its<br />
uniqueness. There’s more to me than<br />
meets the “I”, and I would like to keep<br />
it that way. All the world needs to know<br />
about me is best expressed through the<br />
work I do.<br />
You have directed three films, but<br />
not repeated any actor. Why?<br />
I think it’s a part of me which craves<br />
versatility. I believe every film has its<br />
own journey, like a unique marriage one<br />
could say. I’m the common link between<br />
all three of my films. I have ventured<br />
into each one, guided solely by my<br />
creative instinct, which has been driven<br />
specially by the merit of the script and<br />
project in contrast to following any<br />
trend.<br />
What does it take to woo the box<br />
office?<br />
The box office is brutally honest and<br />
truly follows no formula. It is the content<br />
which matters and the accuracy of<br />
its timing. There’s a market for all types<br />
of audiences, make sure you identify<br />
your segment and access it honestly<br />
with a straight-forward approach. Crack<br />
the right combination of these two factors<br />
and in the long-term you forge an<br />
understanding of sorts.<br />
What is next? Are you going to<br />
make Rock On!!2?<br />
For Rock On!!2, talks have been<br />
way under and the scripting process<br />
has been initiated. We’re all waiting to<br />
see when and how to proceed, once the<br />
respective commitments of everyone<br />
involved have been looked after.<br />
Hope to share screen space with<br />
SRK one more time: Hrishitaa<br />
HRISHITAA Bhatt, who<br />
did a small role opposite<br />
superstar Shah<br />
Rukh Khan in Asoka,<br />
wants to share screen<br />
space with him one<br />
more time.<br />
“I really hope so,<br />
because Shah Rukh<br />
has been one of my<br />
favourite actors,<br />
co-stars, a wonderful<br />
human being. I think<br />
Hrishitaa Bhatt<br />
he will always be my<br />
favourite and I would surely want to share screen<br />
space one more time with him,” the 31-year-old<br />
said on Friday at the fashion show Shahnaai.<br />
Meanwhile, the actress confesses she has<br />
always dreamt of becoming a pilot and hopes to<br />
learn flying soon.<br />
“Being a pilot is still on my mind and I have a<br />
lot of time and age on my side. With the grace of<br />
God I should surely learn to fly,” said Hrishitaa.<br />
Hrishitaa has featured in films like Dil Vil Pyar<br />
Vyar, Shararat, Out of Control, Haasil, and Charas: A<br />
Joint Operation.<br />
Soha never fought with brother Saif Ali Khan<br />
ACTRESS Soha Ali<br />
Khan says she has<br />
never had even a<br />
childhood fight with<br />
elder brother and actor<br />
Saif Ali Khan.<br />
“The age difference<br />
between bhai<br />
(Saif Ali Khan) and<br />
me is nine years and<br />
I used to respect him<br />
a lot so I never got a<br />
chance to fight with<br />
him. We only have<br />
some verbal arguments,”<br />
the 34-yearold<br />
said on Friday at a<br />
press conference for<br />
her film War Chod Na<br />
Yaar.<br />
War Chod Na Yaar Soha Ali Khan (left) with brother Saif Ali Khan.<br />
also stars Sharman<br />
Joshi, Mukul Dev and Javed Jaffrey.<br />
Soha, however, says the fighting was mostly with sister Saba.<br />
“I used to fight with my sister (Saba Ali Khan); the age difference<br />
between us is only two years,” Soha said.<br />
Saba, the older sister, is a jewellery designer.<br />
Bobby Deol seeks hair stylist<br />
ACTOR Bobby Deol, who<br />
was in the capital city on<br />
Friday afternoon, looked distracted<br />
and proclaimed that<br />
he needed a stylist to give<br />
him an interesting hairdo.<br />
He said he was bored of his<br />
hair style.<br />
“I’m kind of bored of my<br />
hair. I don’t like curly hair.<br />
I want straight hair. I keep<br />
looking at them all the time.<br />
But I have lost all hope now,”<br />
Bobby said, adding: “But my<br />
mom likes it.”<br />
The 46-year-old also<br />
Bobby Deol<br />
insisted that he likes staying fit. “I am happy with my<br />
physique. I like staying fit and fine. I take a healthy diet<br />
and work out daily,” he said.<br />
Bobby asserted that he would not take part in reality<br />
TV shows, ever.<br />
“I think I am a shy person. I am not fit for reality TV<br />
shows. Appearing on a TV show as a judge is also out<br />
of the question as I am still learning, so I can’t judge<br />
others. But you never know, I might take part. It’s like<br />
we start liking things later, which we don’t like doing<br />
at first,” he said.
<strong>Monday</strong>, April 1, 2013<br />
LIFESTYLE<br />
Is your kitchen a<br />
health hazard?<br />
NYT SYNDICATE<br />
gas stove upstairs and into its own small entertainment-eating zone, too. So I’m<br />
kitchen at the back of the house.<br />
expanding my new kitchen complex into<br />
OUR kitchens may be killing Similarly, the kitchen of my childhood<br />
home in Metuchen, New Jersey, want. I didn’t order some of the now-<br />
my garden – with all the gizmos I could<br />
us – slowly. Not so much<br />
with radon or gas leaks, but was its own single-purpose dedicated common kitchen options: second refrigerators,<br />
separate free-standing freezers,<br />
with kindness and proximity.<br />
evening meal was over (in our case, usu-<br />
pasta faucets, bread makers, warming<br />
room. Back then, when my family’s<br />
When my 1840 Philadelphia row<br />
house was built for its seafaring owners,<br />
the kitchen was in the basement – like<br />
every other home on the block. If the<br />
family wanted a hot meal, someone had<br />
to tramp downstairs and stoke up the<br />
fire.<br />
Fire and smoke inhalation were chief<br />
among the many health hazards the<br />
19th-century kitchen presented. In an<br />
era without refrigeration, food poisoning<br />
was a constant danger. Home-preserved<br />
foods filled in dietary gaps, but if stored<br />
improperly botulism became a real – and<br />
deadly – risk.<br />
The widespread introduction of the<br />
icebox, around the time my house was<br />
built, led to big changes. Insulated iceboxes<br />
– some of them fashionable furniture<br />
– greatly extended the shelf lives<br />
of fresh foods. The electric refrigerator,<br />
with small but handy freezers, appeared<br />
in houses in the first decades of the 20th<br />
century. Ice block delivery by horsedrawn<br />
cart was no longer needed.<br />
When safer natural gas and electricity<br />
entered our lives, kitchens moved<br />
from basement exile into the main area<br />
of homes. As part of an ambitious 1934<br />
modernisation, the previous owner of<br />
my Philadelphia house moved the huge<br />
ally after 20 minutes of near-silent eating),<br />
our kitchen was declared “closed,”<br />
its function complete.<br />
But now our kitchens, like our girths,<br />
have grown substantially, in terms of size<br />
and of function. They’ve become part<br />
of expansive entertainment complexes<br />
in our homes. A recent survey by the<br />
National Association of Home Builders<br />
reports that three out of four new-home<br />
buyers want their kitchen and family<br />
room to be a combined space.<br />
That makes sense. People like to<br />
hang out and socialise in their kitchens.<br />
Now great spaces are full of wonderful,<br />
convenient devices – with super-size<br />
refrigerators, stoves that could service<br />
a restaurant and large enough cabinets<br />
to store provisions for a small army.<br />
Even our dinner plates are bigger than<br />
they used to be. Comfy chairs, computer<br />
stations and a large-screen TV – virtual<br />
necessities – round out the picture.<br />
Sure, not everyone can afford these<br />
gastronomic wonderlands – but a glance<br />
at shows like House Hunters and My<br />
First Place on HGTV give you a pretty<br />
good idea of what the ruling cultural<br />
ideal looks like.<br />
Almost 80 years after its last major<br />
upgrade, my old home deserves its own<br />
drawers, cappuccino bars, home pizza<br />
ovens or a built-in deep fryer and tap. So<br />
I guess, by some standards, I’m roughing<br />
it.<br />
Soon I’ll be able to amble (or, more<br />
likely, roll) a mere five feet from my<br />
kitchen counter stool to my couch to<br />
watch Chopped, Top Chef or Diners,<br />
Drive-Ins and Dives. The refrigerator,<br />
pantry and containers of food will remain<br />
alluringly in sight (and all beautifully<br />
lighted, I might add). I won’t even<br />
have to leave the room during a commercial.<br />
And why would I leave at all? The<br />
kitchen has Wi-Fi.<br />
Many of the safety issues of yesterday’s<br />
kitchens are gone. No one in my<br />
family is likely to tumble into an open<br />
hearth. But new kitchens pose a more<br />
subtle danger to our health by doubling<br />
as a comfortable social, entertainment<br />
and eating hub. Retail marketers have<br />
long known that when tempting food is<br />
within close range of our eyes or nose,<br />
we tend to eat more of it. In our new<br />
kitchens, it’s just too darn easy to get to<br />
addictive snacks and calorie-rich drinks.<br />
My newly expanded kitchen should<br />
be done in a few weeks. Despite its increased<br />
storage capacity, I plan to stock<br />
fewer carbohydrate-laden products and<br />
There are, of course,<br />
many reasons for<br />
the nation’s obesity<br />
epidemic, with<br />
its staggering health<br />
implications. But new<br />
kitchens pose a more<br />
subtle danger to our<br />
health by doubling<br />
as a comfortable social,<br />
entertainment<br />
and eating hub. Retail<br />
marketers have<br />
long known that when<br />
tempting food is within<br />
close range of our<br />
eyes or nose, we tend<br />
to eat more of it<br />
tempting treats. An extra handful or<br />
two of easily accessible daily snacks can<br />
make the difference between maintaining<br />
my weight and adding a few pounds<br />
each year.<br />
There are, of course, many reasons<br />
for the nation’s obesity epidemic, with<br />
its staggering health implications. But<br />
surely modern home design plays an<br />
important and underappreciated role.<br />
Perhaps there is one more kitchen<br />
option I should get: a neon sign that says<br />
“Kitchen Closed.” After dinner, I’ll turn<br />
it on.
WHEELS<br />
<strong>Monday</strong>, April 1, 2013<br />
Chinese help to keep<br />
the London black<br />
cab rolling along<br />
The last appearance of the vehicle on the<br />
international stage, Olympic watchers will<br />
recall, was when the Spice Girls wheeled<br />
into the East London stadium in tarted-up<br />
versions of the black cab for the closing<br />
ceremonies<br />
NYT SYNDICATE<br />
TO the relief of Anglophiles,<br />
the British-astea-and-scones<br />
London<br />
black cab has been<br />
saved from extinction.<br />
After six years of running in the<br />
red, and five months of wobbling<br />
along in the British equivalent of<br />
bankruptcy, the London Taxi Company,<br />
a division of Coventry-based<br />
Manganese Bronze Holdings, was<br />
bought along with its parent company<br />
by the Zhejiang Geely Holding<br />
Group. The Chinese carmaker<br />
already had a 20 percent stake in<br />
the company. Last month it forked<br />
out more than $17 million to acquire<br />
the rest.<br />
The last appearance of the<br />
vehicle on the international stage,<br />
Olympic watchers will recall, was<br />
when the Spice Girls wheeled into<br />
the East London stadium in tartedup<br />
versions of the black cab for the<br />
closing ceremonies.<br />
So what will the Chinese be getting<br />
for their money?<br />
An icon, for one thing, whose<br />
design hasn’t evolved much in six<br />
decades. The ubiquitous black cab<br />
(there are about 21,000 licensed<br />
ones in London) has a rounded<br />
Alfred Hitchcock-like profile and is<br />
spacious, with headroom to spare.<br />
And it’s easy to step into. No knees<br />
in your stomach side-slide maneuvering,<br />
as one does to get into a<br />
New York cab.<br />
“Theoretically,’’ explains Malcolm<br />
Linskey, managing director<br />
of London-based Knowledge Point,<br />
which trains cabbies in “the knowledge’’<br />
(the in-depth study of street<br />
routes cabbies need to know before<br />
qualifying for a license), “you<br />
should be able to sit in the cab with<br />
a top hat on.’’ Other city-streetfriendly<br />
traits include the cabs’<br />
ability to spin on a sixpence, thanks<br />
to its turning radius of 25 feet.<br />
But you don’t have to be a<br />
cabbie to own one. All you need<br />
is the money, roughly $48,000<br />
(£32,000) for a basic-model version<br />
of the TX4, the state-of-the-art<br />
black cab. The Duke of Edinburgh<br />
has one, as does actor-playwright<br />
Stephen Fry, supermodel Kate<br />
Moss, and the late King of Tonga.<br />
“It’s an anonymous vehicle,’’<br />
explains Nyasha Pitt, the London<br />
Cab Company’s marketing manager.<br />
“If you are a lead singer of<br />
a well-known pop group driving<br />
one, no one would suspect.’’ Call it<br />
celebrity camouflage. It’s also easily<br />
customised. “In the Middle East<br />
and in China, owners have installed<br />
plasma screens and fridges in the<br />
back.’’<br />
The cars are manufactured in<br />
Coventry, and all vehicles made for<br />
the UK will continue to be made<br />
there, Pitt said. Cars for other markets<br />
will be made in Shanghai.<br />
The bailout was cause for celebration<br />
for the 107 employees of<br />
the company left standing after 156<br />
were axed when the company was<br />
in administration, as bankruptcy is<br />
known in England.<br />
“Most companies that go into<br />
administration never come out the<br />
other end,’’ Pitt says. But how did<br />
the cabbies react to the acquisition?<br />
Isn’t it bad enough that quintessentially<br />
Brit brands like Jaguar<br />
and Land Rover are now owned by<br />
India’s Tata Motors? Geely itself<br />
had dipped into the global market<br />
previously by buying the Swedish<br />
car manufacturer Volvo.<br />
“Initially there was great dismay,’’<br />
admits Linskey, director of<br />
the school for London cabbies. “The<br />
thinking was the end of the world<br />
had come. Now, they’re grateful<br />
someone has taken over.’’<br />
Denise Ferrer, who has driven<br />
a black cab for about a year, was<br />
among the appreciative. “If they’d<br />
gone under, I’d have been devastated,’’<br />
she said by cellphone on her<br />
way into town for work. “It would<br />
be like yellow taxis in New York<br />
going to purple.’’
<strong>Monday</strong>, April 1, 2013<br />
PARENTING<br />
Is Japan the worst<br />
developed country<br />
for mothers?<br />
As Nobuko’s example<br />
shows, Japan’s<br />
working culture can<br />
be brutal. It’s one of<br />
the reasons why 70<br />
percent of Japanese<br />
women still give up<br />
work as soon as they<br />
have their first child<br />
NYT SYNDICATE<br />
JAPANESE women are more<br />
likely to have a university degree<br />
than men, and the number<br />
of employed women has been<br />
rising steadily for 10 years<br />
– but, for a range of reasons, a woman<br />
who has had children still has a hard<br />
time getting a good job.<br />
Nobuko Ito is the very model of a<br />
modern professional Japanese woman.<br />
She is a qualified lawyer and she<br />
speaks fluent English. She has years<br />
of experience working in international<br />
contract law.<br />
But Nobuko no longer works in a big<br />
international law firm. In fact, she hardly<br />
does any lawyering at all these days.<br />
Instead she has three children. In<br />
Japan it is still one or the other. Doing<br />
both is extremely difficult.<br />
“Before I had a child I remember one<br />
busy month where I billed the client for<br />
300 hours!” Nobuko says.<br />
“I’d get in the office at nine in the<br />
morning, and leave at three the next<br />
morning, and I’d come in on Saturday<br />
and Sunday.<br />
“If you want to keep working you<br />
have to forget about your children, you<br />
have to just devote yourself to the company.<br />
“I can’t do this, it’s impossible.”<br />
As Nobuko’s example shows, Japan’s<br />
working culture can<br />
be brutal. It’s one<br />
of the reasons<br />
why 70 percent<br />
of Japanese<br />
women still<br />
give up work as soon as they have their<br />
first child.<br />
Another is their husbands.<br />
When it comes to helping out around<br />
the home, Japanese men are still far<br />
behind their counterparts in Europe or<br />
America.<br />
In Sweden, Germany and the US,<br />
husbands spend, on average, three hours<br />
a day helping out with children and<br />
household chores. In Japan it’s one hour,<br />
and they spend just 15 minutes a day<br />
with their children.<br />
Then there is paternity leave. Japanese<br />
men are entitled to take it, but only<br />
a tiny minority actually do – just 2.63<br />
percent, according to the Health and<br />
Welfare ministry.<br />
“My husband didn’t take paternity<br />
leave,” Nobuko says.<br />
“Most Japanese men are very hesitant<br />
to use the system. They may want to<br />
come back home to help with the family,<br />
but on the other hand they think they<br />
need to work as hard as possible otherwise<br />
they may not get promoted, or they<br />
may lose their job.”<br />
Despite all this many Japanese<br />
women do want to continue working<br />
after they have children.<br />
But they then come up against the<br />
next problem – child care, or rather the<br />
lack of it.<br />
According to the Tokyo government’s<br />
own statistics there are 20,000 children<br />
in the city waiting for places in day care<br />
centres.<br />
The government centres that do<br />
exist are good, but they are far too few.<br />
And even if you do get a place it’s means<br />
tested and expensive.<br />
“I’d have to pay about $1,000 per<br />
month per child even at the state nursery,”<br />
says Nobuko.<br />
“Expensive private nurseries cost<br />
about $2,000 for one child a month. But<br />
those are really good!” she says, laughing.<br />
All of this adds up to two things.<br />
Women who are having children are not<br />
working. Women who are working are<br />
not having children. Both are terrible for<br />
Japan’s future.<br />
In her groundbreaking work Womenomics:<br />
Japan’s Hidden Asset, Japanese-American<br />
economist Kathy Matsui<br />
says getting more Japanese mothers to<br />
stay in work or go back to work should<br />
be a “national priority.”<br />
She says it could add as much as 15<br />
percent to Japan’s gross domestic product.<br />
But Matsui says there is another even<br />
more pressing reason: Japan is running<br />
out of people.<br />
“Although a low fertility rate is common<br />
among other developed countries,<br />
Japan may be the only (Organisation<br />
for Economic Cooperation and Development)<br />
nation where the number of pets<br />
exceeds the number of children,” she<br />
says.<br />
Japan’s birthrate is just 1.37 births<br />
per woman, far below the 2.1 figure at<br />
which a population remains stable.<br />
Evidence from Europe and America<br />
suggest helping women to stay in work<br />
can increase the birthrate.<br />
In countries like Sweden, Denmark<br />
and the US, where female employment<br />
rates are high, birthrates are also higher.<br />
In countries where female employment<br />
is low, like Italy, South Korea and Japan,<br />
birthrates are also low.<br />
In Japan a demographic crisis is<br />
already under way. In 2006 Japan’s<br />
population began to shrink.<br />
If current trends persist, it will lose<br />
one-third of its population in the next<br />
half-century.<br />
Nothing like that has ever happened<br />
before.
<strong>Monday</strong>, April 1, 2013<br />
Best on TV Tonight<br />
8:00 pm CNN International: INTERNATIONAL DESK 8:35 pm Boomerang: THE FLINSTONES 7:00 pm OSN First: ALPHAS<br />
TV Prime Time Guide<br />
7:00 pm<br />
WORLD SPORT<br />
THE JETSONS<br />
HOW DO THEY DO IT?<br />
ALPHAS<br />
7:30 pm<br />
8:00 pm<br />
AFRICAN VOICES<br />
8:30 pm<br />
INTERNATIONAL DESK<br />
THE FLINTSTONES<br />
HOW IT'S MADE<br />
REVENGE<br />
CNN INTERNATIONAL<br />
BOOMERANG DISCOVERY CHANNEL OSN FIRST<br />
Television Listing<br />
AL JAZEERA<br />
05:00 NEWSHOUR<br />
06:00 News<br />
06:30 Football Rebels<br />
07:00 News<br />
07:30 Listening Post<br />
08:00 News<br />
08:30 News<br />
09:00 The Cafe<br />
10:00 News<br />
10:30 Inside Story<br />
11:00 News<br />
11:30 South2North<br />
12:00 News<br />
12:30 People & Power<br />
13:00 NEWSHOUR<br />
14:00 News<br />
14:30 Inside Story<br />
15:00 Empire<br />
16:00 NEWSHOUR<br />
17:00 News<br />
17:30 Talk to Al Jazeera<br />
18:00 NEWSHOUR<br />
19:00 News<br />
19:30 Counting the Cost<br />
20:00 News<br />
20:30 Inside Story<br />
21:00 NEWSHOUR<br />
22:00 News<br />
22:30 The Stream<br />
23:00 The Family<br />
00:00 NEWSHOUR<br />
01:00 News<br />
01:30 Witness<br />
02:00 NEWSHOUR<br />
03:00 News<br />
03:30 Inside Story<br />
04:00 Empire<br />
ANIMAL PLANET<br />
05:45 Wildest Africa<br />
06:35 Wildlife SOS International<br />
07:00 The Really Wild Show<br />
07:25 Bad Dog<br />
08:15 Dogs/Cats/Pets 101<br />
09:10 Earthquake: Panda Rescue<br />
10:05 Wildest Islands<br />
11:00 Animal Cops Philadelphia<br />
11:55 Shamwari: A Wild Life<br />
12:20 Wildlife SOS<br />
12:50 Vet On The Loose<br />
13:15 Vet On The Loose<br />
13:45 Animal Precinct<br />
14:40 Wildest Islands<br />
15:30 Dark Days In Monkey City<br />
16:00 The Really Wild Show<br />
16:30 Dogs/Cats/Pets 101<br />
17:25 Crocodile Hunter<br />
18:20 America's Cutest...<br />
19:15 Monkey Life<br />
19:40 Bondi Vet<br />
20:10 Shamwari: A Wild Life<br />
20:35 Dark Days In Monkey City<br />
21:05 Wildest Islands<br />
22:00 Baboons With Bill Bailey<br />
22:55 My Cat From Hell<br />
23:50 Animal Cops Miami<br />
00:45 Rogue Nature With Dave Salmoni<br />
01:35 Untamed & Uncut<br />
02:25 Wildest Islands<br />
03:15 Baboons With Bill Bailey<br />
04:05 My Cat From Hell<br />
04:55 Shamwari: A Wild Life<br />
BBC WORLD<br />
05:00 BBC World News<br />
05:30 Asia Business Report<br />
05:45 Sport Today<br />
06:00 BBC World News<br />
06:30 Hardtalk<br />
07:00 BBC World News<br />
07:30 World Business Report<br />
07:45 BBC World News<br />
08:30 World Business Report<br />
08:45 BBC World News<br />
09:30 World Business Report<br />
09:45 Sport Today<br />
10:00 BBC World News<br />
10:30 World Business Report<br />
10:45 Sport Today<br />
11:00 BBC World News<br />
11:30 Hardtalk<br />
12:00 BBC World News<br />
12:30 World Business Report<br />
12:45 Sport Today<br />
13:00 BBC World News<br />
14:00 GMT With George Alagiah<br />
15:00 BBC World News<br />
15:30 World Business Report<br />
15:45 Sport Today<br />
16:00 Impact With Mishal Husain<br />
17:30 Hardtalk<br />
18:00 Global With John Sopel<br />
19:30 World Business Report<br />
19:45 Sport Today<br />
20:00 BBC World News<br />
20:30 BBC Focus On Africa<br />
21:00 World News Today With Zeinab Badawi<br />
22:30 World Business Report<br />
22:45 Sport Today<br />
23:00 Business Edition With Tanya Beckett<br />
23:30 Hardtalk<br />
00:00 BBC World News America<br />
01:00 Newsday<br />
01:30 Asia Business Report<br />
01:45 Sport Today<br />
02:00 Newsday<br />
02:30 Asia Business Report<br />
02:45 Sport Today<br />
03:00 Newsday<br />
03:30 Asia Business Report<br />
03:45 Sport Today<br />
04:00 BBC World News<br />
04:30 Asia Business Report<br />
04:45 Sport Today<br />
BOOMERANG<br />
05:00 Bananas In Pyjamas<br />
05:25 Jelly Jamm<br />
06:00 Ha Ha Hairies<br />
06:25 Bananas In Pyjamas<br />
06:50 Lazytown<br />
07:15 Krypto: The Super Dog<br />
07:40 Baby Looney Tunes<br />
08:05 Gerald McBoing Boing<br />
08:30 Cartoonito Tales<br />
08:55 Lazy Town<br />
09:45 Baby Looney Tunes<br />
10:10 Krypto: The Super Dog<br />
10:35 Cartoonito Tales<br />
11:00 Jelly Jamm<br />
11:25 Gerald McBoing Boing<br />
11:50 Lazy Town<br />
12:40 Jelly Jamm<br />
13:00 Jetsons Meet The Flintstones<br />
14:45 The Addams Family<br />
15:35 The Jetsons<br />
16:25 The Flintstones<br />
17:15 Jetsons Meet The Flintstones<br />
18:55 The Addams Family<br />
19:45 The Jetsons<br />
20:35 The Flintstones<br />
21:25 The Addams Family<br />
22:15 Tom & Jerry Tales<br />
23:05 Pink Panther And Pals<br />
23:55 Moomins<br />
00:45 Wacky Races<br />
01:35 Duck Dodgers<br />
02:00 Duck Dodgers<br />
02:25 Dastardly And Muttley<br />
02:50 Dastardly And Muttley<br />
03:00 Dexter's Laboratory<br />
03:30 Wacky Races<br />
03:55 Sylvester & Tweety Mysteries<br />
04:20 Tom & Jerry<br />
04:45 The Garfield Show<br />
CNN INTERNATIONAL<br />
05:00 CNN Newsroom<br />
06:00 I Report For CNN<br />
06:30 News Special<br />
07:00 World Sport<br />
07:30 Inside Africa<br />
08:00 World Report<br />
09:00 World Report<br />
10:00 World Sport<br />
10:30 News Special<br />
11:00 World Business Today<br />
12:00 World One<br />
12:30 African Voices<br />
13:00 Backstory<br />
13:30 CNN Newscenter<br />
14:00 Fareed Zakaria GPS<br />
15:00 News Stream<br />
16:00 World Business Today<br />
17:00 International Desk<br />
18:00 Global Exchange<br />
19:00 World Sport<br />
19:30 African Voices<br />
20:00 International Desk<br />
21:00 Quest Means Business<br />
22:00 Amanpour<br />
22:30 CNN Newscenter<br />
23:00 Connect The World With Becky Anderson<br />
00:00 Amanpour<br />
00:30 World Sport<br />
01:00 Piers Morgan Tonight<br />
02:00 World Report<br />
02:30 World Sport<br />
03:00 Anderson Cooper 360<br />
04:00 Piers Morgan Tonight<br />
CRIME & INVESTIGATION<br />
05:00 Evil Up Close<br />
06:00 Crime Stories<br />
07:00 Crime Town USA<br />
08:00 Crime Central<br />
09:00 Crime Stories<br />
10:00 Harold Shipman: Born To Kill?<br />
11:00 The Mysterious Dr. Swango<br />
12:00 Charles Sobraj: The Serpent<br />
13:00 The Mystery Of I-45<br />
14:00 The Suffolk Strangler<br />
15:00 Harold Shipman: Born To Kill?<br />
16:00 The Mysterious Dr. Swango<br />
17:00 Charles Sobraj: The Serpent<br />
18:00 The Mystery Of I-45<br />
19:00 The Suffolk Strangler<br />
20:00 Snapped: Women Who Kill
<strong>Monday</strong>, April 1, 2013<br />
Best on TV Tonight<br />
10:00 pm E!: KOURTNEY & KIM TAKE MIAMI 11:00 pm MBC 2: FAST & FURIOUS 9:00 pm MBC Max: VICKY CRISTINA BARCELONA<br />
Television Listing<br />
21:00 Psychic Detectives<br />
21:30 Crime Stories<br />
22:30 Private Crimes<br />
23:30 Escaping Evil: My Life In A Cult<br />
00:30 Charles Whitman<br />
01:30 At Home With The Noonans<br />
02:30 Psychic Detectives<br />
03:00 Private Crimes<br />
04:00 Escaping Evil: My Life In A Cult<br />
DISCOVERY CHANNEL<br />
05:15 Sons Of Guns<br />
06:05 Sons Of Guns<br />
07:00 Mythbusters<br />
08:45 Crash Course<br />
09:10 Crash Course<br />
09:40 Border Security<br />
10:05 Auction Kings<br />
10:30 Baggage Battles<br />
10:55 How Do They Do It?<br />
11:25 How It's Made<br />
11:50 Crash Course<br />
12:20 Crash Course<br />
12:45 World's Top 5<br />
13:40 Dirty Great Machines<br />
14:35 Border Security<br />
15:05 Auction Kings<br />
15:30 Baggage Battles<br />
16:00 Moonshiners<br />
16:55 Dual Survival<br />
17:50 Mythbusters<br />
18:45 Sons Of Guns<br />
19:40 How Do They Do It?<br />
20:05 How It's Made<br />
20:35 Auction Kings<br />
21:00 Baggage Battles<br />
21:30 Gold Rush<br />
22:25 Jungle Gold<br />
23:20 Jungle Gold<br />
00:15 Gold Rush<br />
01:10 Jungle Gold<br />
02:05 Jungle Gold<br />
03:00 Mythbusters<br />
03:55 Border Security<br />
04:20 Auction Kings<br />
04:50 Baggage Battles<br />
DISNEY CHANNEL<br />
05:10 Emperor's New School<br />
05:35 A Kind Of Magic<br />
06:00 Mickey Mouse Clubhouse<br />
06:25 Doc McStuffins<br />
06:40 Suite Life On Deck<br />
07:05 A.N.T Farm<br />
07:55 Jessie<br />
08:45 Good Luck Charlie<br />
09:35 Austin And Ally<br />
10:25 Shake It Up<br />
11:15 Cinderella II<br />
12:30 Wizards Of Waverly Place<br />
13:20 Jessie<br />
13:45 A.N.T. Farm<br />
14:35 Austin And Ally<br />
15:00 Austin And Ally<br />
15:25 Good Luck Charlie<br />
15:50 Jessie<br />
16:15 Shake It Up<br />
16:40 A.N.T. Farm<br />
17:00 Cinderella II<br />
18:20 Wizards Of Waverly Place<br />
18:45 Wizards Of Waverly Place<br />
19:10 Hannah Montana<br />
19:35 Hannah Montana<br />
20:00 Jessie<br />
20:25 Wizards Of Waverly Place<br />
20:50 Wizards Of Waverly Place<br />
21:15 Phil Of The Future<br />
21:40 Hannah Montana<br />
22:05 Jonas<br />
22:30 Sonny With A Chance<br />
22:55 Wizards Of Waverly Place<br />
23:20 Wizards Of Waverly Place<br />
23:45 Hannah Montana<br />
00:10 Hannah Montana<br />
00:35 Brandy & Mr Whiskers<br />
01:00 Brandy & Mr Whiskers<br />
01:25 Replacements<br />
01:50 Replacements<br />
02:15 Emperor's New School<br />
02:40 Emperor's New School<br />
03:05 Brandy & Mr Whiskers<br />
03:30 Brandy & Mr Whiskers<br />
03:55 Replacements<br />
04:20 Replacements<br />
04:45 Emperor's New School<br />
E! ENTERTAINMENT<br />
05:05 Extreme Close-Up<br />
05:30 Extreme Close-Up<br />
06:00 THS<br />
07:50 Style Star<br />
08:20 E! News<br />
09:15 Married To Jonas<br />
09:45 Married To Jonas<br />
10:15 THS<br />
12:05 Ice Loves Coco<br />
12:35 Ice Loves Coco<br />
13:05 Giuliana & Bill<br />
14:05 Kourtney & Kim Take New York<br />
15:00 Style Star<br />
15:30 E!es<br />
16:30 Extreme Close-Up<br />
17:00 Fashion Police<br />
18:00 E! News<br />
19:00 E!es<br />
20:00 Ice Loves Coco<br />
20:30 Ice Loves Coco<br />
21:00 Chasing The Saturdays<br />
21:30 Chasing The Saturdays<br />
22:00 Kourtney And Kim Take Miami<br />
23:00 THS<br />
00:00 Scouted<br />
00:55 Style Star<br />
01:25 E!es<br />
02:20 THS<br />
03:15 Style Star<br />
03:40 Extreme Close-Up<br />
04:10 E!es<br />
FOX MOVIES<br />
06:30 Diary Of A Wimpy Kid<br />
08:30 I, Robot<br />
10:30 Dragon Tiger Gate<br />
12:30 The Nanny Diaries<br />
14:30 Diary Of A Wimpy Kid<br />
16:30 I, Robot<br />
18:30 Goodfellas<br />
20:30 Tron: Legacy<br />
22:30 Stay<br />
00:30 Life Aquatic With Steve Zissou<br />
02:30 Goodfellas<br />
04:30 Stay<br />
MBC 2<br />
04:30 Seven<br />
06:30 Bootmen<br />
11:00 Two Weeks<br />
18:30 The Prestige<br />
21:00 Iron Man<br />
23:00 Fast And Furious<br />
01:00 Miller's Crossing<br />
03:00 Lost<br />
MBC 4<br />
05:30 Mike & Molly<br />
06:00 Entertainment Tonight<br />
06:15 Late Show With David Letterman<br />
07:00 Dallas<br />
07:45 Mike & Molly<br />
08:15 ER<br />
09:00 The Talk<br />
09:30 Days of Our Lives<br />
10:15 DR OZ<br />
11:00 The Doctors<br />
12:00 Alam Al Tasawuq<br />
13:00 Banat El-Eila<br />
13:45 Over The Decade<br />
14:30 Ezel<br />
15:15 ER<br />
16:00 DR OZ<br />
17:00 Ayam El-Zohour<br />
18:00 Dallas<br />
19:00 The Doctors<br />
20:00 Ezel<br />
21:00 Over The Decade<br />
22:00 Banat El-Eila<br />
23:00 Dallas<br />
00:00 Ayam El-Zohour<br />
01:00 Ezel<br />
02:00 Over The Decade<br />
03:00 Banat El-Eila<br />
04:00 Entertainment Tonight<br />
04:30 The Insider<br />
04:45 Late Show With David Letterman<br />
MBC ACTION<br />
05:45 WWE Main Event<br />
06:30 Fringe<br />
07:15 The Forgotten<br />
08:15 Bones<br />
09:00 White Collar<br />
09:45 C.S.I<br />
10:30 The Forgotten<br />
12:00 WWE After Burn<br />
13:00 C.S.I<br />
13:45 White Collar<br />
14:30 The Forgotten<br />
15:30 The Replacements<br />
17:00 TapouT<br />
18:00 WWE After Burn<br />
19:00 Driven<br />
20:00 Facing Ali<br />
22:00 WWE Raw<br />
23:30 Top Gear USA<br />
00:00 Enemy at the Gates<br />
02:00 Action ya Dawry<br />
04:00 Aliens<br />
MBC MAX<br />
06:00 The Perfect Score<br />
07:30 Once<br />
09:00 Welcome To Mooseport<br />
11:00 Look Who's Talking Now<br />
12:30 The Bodyguard<br />
15:00 Doctor Strange<br />
17:00 Garfield: A Tail of Two Kitties<br />
19:00 Annie<br />
21:00 Vicky Cristina Barcelona<br />
23:00 Frequently Asked Questions About Time Travel<br />
01:00 Vicky Cristina Barcelona<br />
02:30 Frequently Asked Questions About Time Travel<br />
04:00 The Bodyguard<br />
NAT GEO ADVENTURE HD<br />
05:20 Puerto Rico<br />
06:15 The Kimchi Chronicles Conclude<br />
06:40 Maybe Baby<br />
07:10 The Oldest Vine<br />
08:05 Mazar-I-Sharif<br />
09:00 Gone to save the planet, 3<br />
09:25 Gone to save the planet, 4<br />
09:55 UK<br />
10:20 New Orleans<br />
10:50 Kununurra To Darwin<br />
11:15 Antibalas<br />
11:45 The Ice Men<br />
12:40 Jamaica (aka Reggae Marathon)<br />
13:35 Best of<br />
14:00 Swept Away<br />
14:30 Wine And Renegades<br />
14:55 Women In Wine<br />
15:25 Herat/bamiyan<br />
16:20 Gone to save the planet, 4<br />
16:45 Gone to save the planet, 5<br />
17:15 India<br />
17:40 Wild West<br />
18:10 Vic Fires<br />
18:35 Ben Harper<br />
19:05 The Many Faces of North America<br />
20:00 Wine And Renegades<br />
20:30 Women In Wine<br />
21:00 Best of<br />
21:30 Swept Away<br />
22:00 Brazil<br />
22:55 Istanbul<br />
23:20 Rocco Goes To Camp<br />
23:50 Food Magic<br />
00:15 Grill Masters<br />
00:45 Cracking The Ice Road<br />
01:40 Ep 4<br />
02:05 My Sri Lanka With Peter Kuruvita, 7<br />
02:35 Madrid<br />
03:00 Alaska<br />
03:30 The World of The Mayas<br />
04:25 Taipei, Taiwan<br />
04:50 Jamaica
<strong>Monday</strong>, April 1, 2013<br />
Best on TV Tonight<br />
10:00 pm OSN Movies Comedy: THE ANGEL'S SHARE 9:45 pm Star Movies: UNBREAKABLE 9:15 pm The Style Network: KIMORA: LIFE IN THE FAB LANE<br />
Television Listing<br />
OSN CINEMA<br />
05:00 Elevator Girl<br />
07:00 The Winning Season<br />
09:00 Ghost Machine<br />
11:00 The National Tree<br />
13:00 Dangerous Flowers<br />
15:00 Ties That Bind<br />
17:00 Return<br />
19:00 On The Inside<br />
21:00 Powder Blue<br />
23:00 American Reunion<br />
01:00 Return<br />
03:00 The National Tree<br />
OSN FIRST<br />
05:00 Castle<br />
06:00 Good Morning America<br />
07:00 Fairly Legal<br />
09:00 The Ellen DeGeneres Show<br />
10:00 Castle<br />
11:00 Fairly Legal<br />
17:00 The Ellen DeGeneres Show<br />
19:00 Alphas<br />
20:00 Revenge<br />
21:00 Once Upon A Time<br />
23:00 Six Feet Under<br />
00:00 Once Upon A Time<br />
04:00 Six Feet Under<br />
OSN MOVIES ACTION<br />
06:00 The Man Inside<br />
08:00 True Justice: Dead Drop<br />
09:45 Dad Savage<br />
11:45 X-Men: First Class<br />
14:00 Red Faction: Origins<br />
16:00 Dad Savage<br />
18:00 Batman: Year One<br />
20:00 Red Faction: Origins<br />
22:00 Seventh Moon<br />
00:00 Open Graves<br />
02:00 RoboCop<br />
04:00 Seventh Moon<br />
OSN MOVIES COMEDY<br />
06:00 Summer School<br />
08:00 Elf<br />
10:00 Good Boy!<br />
12:00 Naked Gun 33 1/3: The Final Insult<br />
14:00 Robots<br />
16:00 Good Boy!<br />
18:00 It's Kind Of A Funny Story<br />
20:00 Detroit Rock City<br />
22:00 A Few Best Men<br />
00:00 Big Fat Important Movie<br />
02:00 Detroit Rock City<br />
04:00 It's Kind Of A Funny Story<br />
OSN MOVIES FESTIVAL<br />
06:45 Moneyball<br />
09:00 Yona Yona Penguin<br />
10:30 Backwash<br />
12:00 Mutum<br />
13:30 Loosies<br />
15:15 Backwash<br />
17:15 Nomads<br />
19:00 The Imposter<br />
21:00 Planet Of The Apes (1968)<br />
23:00 The Presidio<br />
01:00 Cruel Intentions<br />
03:00 Planet Of The Apes (1968)<br />
OSN MOVIES KIDS<br />
06:00 Free Birds<br />
08:00 Winner & The Golden Child: Part I<br />
10:00 Hey Arnold! The Movie<br />
11:15 Sammy's Adventure: The Secret Passage<br />
12:45 Free Birds<br />
14:15 Dolphin Tale<br />
16:15 Scooby-Doo! Haunted Holidays<br />
18:00 Hey Arnold! The Movie<br />
20:00 Blue Elephant 2<br />
22:00 Free Birds<br />
23:30 Marco Antonio<br />
01:00 Winner & The Golden Child: Part I<br />
02:45 Free Birds<br />
04:30 Blue Elephant 2<br />
OSN SPORT 1 HD<br />
06:00 Trans World Sport<br />
07:00 ICC Cricket 360<br />
07:30 Futbol Mundial<br />
08:00 Live NRL Premiership<br />
10:00 University Boat Race<br />
11:00 Live NRL Premiership<br />
13:00 ICC Cricket 360<br />
13:30 PGA European Tour<br />
18:00 PGA Tour Highlights<br />
19:00 PGA European Tour Highlights<br />
20:00 Super Rugby Highlights<br />
21:00 University Boat Race<br />
22:00 ICC Cricket 360<br />
22:30 NRL Premiership<br />
00:30 Premier League Darts<br />
04:00 NRL Premiership<br />
OSN SPORT 4<br />
07:00 WWE Bottom Line<br />
08:00 WWE Experience<br />
09:00 Ping Pong World<br />
10:00 US Bass Fishing<br />
11:00 NHL<br />
13:00 UAE National Race Day Series<br />
14:00 WWE NXT<br />
15:00 WWE SmackDown<br />
17:00 Ping Pong World<br />
18:00 US Bass Fishing<br />
19:00 UFC The Ultimate Fighter<br />
20:00 UFC Prelims<br />
22:00 UFC<br />
01:00 NHL<br />
03:00 Ping Pong World<br />
04:00 US Bass Fishing<br />
SONY ENTERTAINMENT<br />
05:00 Mere Brother Ki Dulhan<br />
07:30 Gnan Ganga<br />
08:00 Godbharaai<br />
08:30 Seva Sagar<br />
09:00 Palampur Express<br />
09:30 Krishnaben Khakrawala<br />
10:00 Kuch Toh Log Kahenge<br />
10:30 Dil Ki Nazar Se Khoobsurat<br />
11:00 Anamika<br />
11:30 Amita Ka Amit<br />
12:00 Chhanchhan<br />
12:30 Parvarish - Kuch Khatti Kuch Meethi<br />
13:00 Kyaa Hua Tera Vaada<br />
13:30 Bade Ache Lagte Hai<br />
14:00 Lamhe<br />
17:30 Anamika<br />
18:00 Amita Ka Amit<br />
18:30 Chhanchhan<br />
19:00 Parvarish - Kuch Khatti Kuch Meethi<br />
19:30 Kyaa Hua Tera Vaada<br />
20:00 Bade Ache Lagte Hai<br />
20:30 Dil Ki Nazar Se Khoobsurat<br />
21:00 Anamika<br />
21:30 Amita Ka Amit<br />
22:00 Chhanchhan<br />
22:30 Parvarish - Kuch Khatti Kuch Meethi<br />
23:00 Kyaa Hua Tera Vaada<br />
23:30 Bade Ache Lagte Hai<br />
00:00 Dil Ki Nazar Se Khoobsurat<br />
00:30 Anamika<br />
01:00 Amita Ka Amit<br />
01:30 Chhanchhan<br />
02:00 Parvarish - Kuch Khatti Kuch Meethi<br />
02:30 Kyaa Hua Tera Vaada<br />
03:00 Bade Ache Lagte Hai<br />
03:30 Andaaz 2013<br />
04:00 Comedy Circus Ke Ajoobe<br />
04:30 Welcome<br />
STAR MOVIES<br />
06:30 The Dark<br />
08:15 Unbreakable<br />
10:00 I am Number Four<br />
11:45 Dead Presidents<br />
13:30 The Dark<br />
15:00 Unbreakable<br />
16:45 Encino Man<br />
18:30 Life Aquatic With Steve Zissou<br />
20:00 Paradise<br />
21:45 The Hurricane<br />
23:30 Pretty Woman<br />
01:15 Unbreakable<br />
03:00 Life Aquatic With Steve Zissou<br />
04:45 I am Number Four<br />
TCM<br />
05:45 Ride Him, Cowboy<br />
07:00 20,000 Years In Sing Sing<br />
08:20 Abbott And Costello In Hollywood<br />
09:45 The Cabin In The Cotton<br />
11:10 Ride The High Country<br />
12:45 Some Came Running<br />
15:00 The Glass Bottom Boat<br />
16:50 Raintree County<br />
19:35 The Dirty Dozen<br />
22:00 Hit Man<br />
23:35 Death In Venice<br />
01:45 Abbott And Costello In Hollywood<br />
03:10 The Adventures Of Robin Hood<br />
04:55 20,000 Years In Sing Sing<br />
THE HISTORY CHANNEL<br />
05:00 The Korean War In Colour<br />
06:00 Ancient Aliens<br />
07:00 The Real Face Of Jesus?<br />
09:00 Jesus: The Lost 40 Days<br />
11:00 Ancient Aliens<br />
12:00 Grave Trade<br />
13:00 Mountain Men<br />
14:00 Jesus: The Lost 40 Days<br />
16:00 Grave Trade<br />
17:00 Mountain Men<br />
18:00 American Restoration<br />
19:00 Mud Men<br />
20:00 Pawn Stars<br />
20:30 Storage Wars<br />
21:00 Ancient Aliens<br />
22:00 Pawn Stars<br />
22:30 The Men Who Built America<br />
00:30 Shipping Wars<br />
01:00 Ancient Aliens<br />
02:00 Pawn Stars<br />
02:30 The Men Who Built America<br />
04:30 Shipping Wars<br />
THE STYLE NETWORK<br />
05:10 Whose Wedding Is It Anyway?<br />
06:05 Open House<br />
07:00 Videofashion News<br />
08:00 Videofashion Daily<br />
09:00 Open House<br />
09:30 Big Boutique In The City<br />
10:00 Top 10<br />
10:55 Giuliana & Bill<br />
11:55 Kimora: Life In The Fab Lane<br />
12:50 Videofashion News<br />
13:20 Videofashion Collections<br />
13:50 Chicagolicious<br />
14:45 How Do I Look?<br />
16:35 Chicagolicious<br />
18:25 Tia And Tamera<br />
20:20 Giuliana & Bill<br />
21:15 Kimora: Life In The Fab Lane<br />
22:10 Built<br />
23:05 Tia And Tamera<br />
00:00 Giuliana & Bill<br />
01:00 Empire Girls: Julissa And Adrienne<br />
01:55 Glam Fairy<br />
02:50 Jerseylicious<br />
03:45 Chicagolicious<br />
04:40 Open House
<strong>Monday</strong>, April 1, 2013<br />
Beetle Bailey<br />
Blondie<br />
Popeye<br />
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Hoy en la Historia<br />
April 1, 1999<br />
A new territory, Nunavut,<br />
meaning “our land”, was created<br />
in northern Canada to provide<br />
autonomy for the Inuit people. It is<br />
the largest territory of Canada<br />
1927: The first gramophone to change<br />
records automatically went on sale<br />
2001: The Netherlands introduced a<br />
law giving same-sex marriages full<br />
legal parity as heterosexual couples<br />
2003: All residents of a housing<br />
complex in Hong Kong were evacuated<br />
when over 200 developed SARS<br />
2012: Aung San Suu Kyi won a seat<br />
in Myanmar’s parliament, having<br />
been released from 20 years house<br />
arrest in 2010<br />
Picture: Getty Images<br />
© GRAPHIC NEWS
<strong>Monday</strong>, April 1, 2013<br />
SUDOKU<br />
Yesterday’s Answer<br />
Star Talk<br />
By King Features Syndicate, Inc.<br />
ARIES [mar 21 – apr 19] TAURUS [apr 20 – may 20] GEMINI [may 21 – jun 20] CANCER [jun 21 - jul 22] LEO [jul 23 – aug 22] VIRGO [aug 23 – 22]<br />
This is an extremely feel-good<br />
day; nevertheless, it’s playful.<br />
It’s not a day for important<br />
decisions or serious work. Just<br />
kick up your heels and have fun!<br />
You might call this a Mother Teresa<br />
day, because you truly want to<br />
do good. You want to help those<br />
who are less fortunate, which is<br />
a noble and fine thing indeed.<br />
Enjoy increased popularity today.<br />
Groups, classes and gatherings of<br />
all sizes will be enthusiastic and<br />
fun choices for you. Accept all<br />
invitations. Don’t hide at home.<br />
You easily impress bosses,<br />
parents, teachers and people<br />
in power today. (Think of it<br />
as flattering lighting from the<br />
universe.) Make the most of this!<br />
This is a creative day for those<br />
working in publishing, the media,<br />
higher education and travel industries.<br />
However, it’s a poor day<br />
for serious, grounded decisions.<br />
If you have to divide or share<br />
something today, make sure you<br />
are being realistic. Your idealism<br />
could make you get carried away.<br />
LIBRA [sept 23 – oct 22] SCORPIO [oct 23 – nov 21] SAGITTARIUS [nov 22 – dec 21] CAPRICORN [dec 22 – jan 19] AQUARIUS [jan 20 – feb 18] Pisces [feb 19 – mar 20]<br />
This is a great day to schmooze<br />
with friends and partners. It’s<br />
also a great day to mingle with<br />
members of the general public.<br />
New ideas that can improve your<br />
health might prove to be encouraging<br />
today. Others might be involved<br />
in work-related travel or dealing<br />
with other countries and cultures.<br />
Because your creative juices are<br />
flowing today, do something that<br />
allows you to express your creativity.<br />
Be a kid again. Enjoy sports,<br />
playful activities with children,<br />
the arts and saucy flirtations.<br />
Meetings at home especially<br />
to teach or share information<br />
will be a positive experience<br />
today. Do whatever you can<br />
to improve family relationships<br />
or your home scene.<br />
Because your imagination is in<br />
overdrive, this is a great day for<br />
writers. It’s also a great day for<br />
all of you, because you’re full<br />
of wonderful ideas and keen<br />
to share them with others.<br />
In one way, this is a good day<br />
for business and commerce,<br />
because you’re thinking up great<br />
ideas. However, don’t put them<br />
into action today. Wait until<br />
tomorrow. (You’ll be glad you did.)
<strong>Monday</strong>, April 1, 2013<br />
MOVIES IN QATAR<br />
G.I.Joe: Retaliation<br />
(Action)<br />
The G.I. Joes are not only fighting their mortal enemy<br />
Cobra; they are forced to contend with threats from<br />
within the government that jeopardise their very<br />
existence.<br />
Madea’s Witness Protection<br />
(Comedy)<br />
A Wall Street investment banker who has been<br />
set up as the linchpin of his company’s<br />
mob-backed Ponzi scheme is relocated with<br />
his family to Aunt Madea’s southern<br />
home.<br />
CITY CENTRE CINEMA VILLAGGIO CINEMA LANDMARK CINEMA MALL CINEMA<br />
G.I.JOE -2 (ACTION): 11.30 AM, 2 PM, 4.30 PM, 7 PM, 9.30<br />
PM, 12 MN, 1 AM. (3D): 10.30 PM, 1 PM, 3.30 PM, 6 PM,<br />
8.30 PM, 11 PM, 1.15 AM [VIP GOLD]: 11 AM, 1.30 PM, 4<br />
PM, 6.30 PM, 9 PM, 11.30 PM<br />
MADEA’S WITNESS PROTECTION (COMEDY): 10.30 AM,<br />
12.45 PM, 6 PM, 11.15 PM<br />
SNOW QUEEN (ANIMATION) (3D): 11 AM, 12.45 PM, 2.30<br />
PM, 4.15 PM, 6 PM<br />
THE BAY (THRILLER): 7.45 PM, 9.45 PM, 11.45 PM<br />
FROM UP ON POPPY HILL (ANIMATION): 11.15 AM, 1.15 PM<br />
PEACE, LOVE & UNDERSTANDING (DRAMA): 5.15 PM, 7.15<br />
PM, 9.15 PM, 11.15 PM<br />
THE LAST EXORCISM-2 (HORROR): 11 AM, 1 PM, 3 PM, 5<br />
PM, 7 PM, 9 PM, 11 PM, 1 AM<br />
THE CROODS (ANIMATION) (3D): 11.30 AM, 1.30 PM, 3.30<br />
PM, 5.30 PM, 7.30 PM, 9.30 PM, 11.30 PM<br />
OLYMPUS HAS FALLEN (ACTION): 11.15 PM, 1.45 PM, 4.15<br />
PM, 6.45 PM, 9.15 PM, 11.45 PM, 1.15 AM<br />
JACK THE GIANT SLAYER (FANTASY): 12.15 PM, 2.30 PM,<br />
4.45 PM, 7 PM, 9.15 PM, 11.30 PM<br />
IDENTITY THIEF (COMEDY): 11.45 AM, 2 PM, 4.15 PM, 6.30<br />
PM, 8.45 PM, 11 PM<br />
PARKER (ACTION): 11.15 AM, 1.45 PM, 4.15 PM, 6.45 PM,<br />
9.15 PM, 11.45 PM<br />
OZ THE GREAT & POWERFUL (ADVENTURE): 10.45 AM, 1.15<br />
PM, 3.45 PM, 6.15 PM, 8.45 PM, 11.15 PM<br />
RED WINE (MALAYALAM): 3 PM, 5.30 PM, 8.15 PM<br />
HIMMATWALA (HINDI): 12 PM, 2.45 PM, 8.30 PM, 11.15 PM<br />
G.I.JOE -2 (ACTION): 10.30 AM, 11.45 AM, 12.45 PM, 2<br />
PM, 3 PM, 4.15 PM, 5.15 PM, 6.30 PM, 7.30 PM, 8.45 PM<br />
9.45 PM, 11 PM, 12 MN, 1 AM<br />
MADEA’S WITNESS PROTECTION (COMEDY): 1.15 PM,<br />
5.15 PM, 9.15 PM<br />
SNOW QUEEN (ANIMATION) (3D): 11 AM, 12.45 PM, 2.30<br />
PM, 4.15 PM, 6 PM, 7.45 PM<br />
THE BAY II (THRILLER): 11.30 AM, 3.30 PM, 7.30 PM, 11.30 PM<br />
FROM UP ON POPPY HILL (ANIMATION): 12 PM, 2 PM,<br />
4 PM, 6 PM<br />
PEACE, LOVE & UNDERSTANDING (DRAMA): 8 PM, 10<br />
PM, 12 MN<br />
THE LAST EXORCISM-2 (HORROR): 12 PM, 2 PM, 4 PM, 6<br />
PM, 8 PM, 10 PM, 12 MN, 1.15 AM<br />
THE CROODS (ANIMATION): 12 PM, 2 PM, 4 PM, 6 PM<br />
(3D): 11 AM, 1 PM, 3 PM, 5 PM, 7 PM<br />
OLYMPUS HAS FALLEN (ACTION): 11.30 AM, 2 PM, 4.30<br />
PM, 7 PM, 9.30 PM, 12 MN, 1.15 PM<br />
IDENTITY THIEF (COMEDY): 11.45 AM, 2 PM, 4.15 PM,<br />
6.30 PM, 8.45 PM, 11 PM<br />
PARKER (ACTION): 1 PM, 6 PM, 11 PM<br />
OZ THE GREAT & POWERFUL (ADVENTURE): 10.30 PM,<br />
11.15 AM, 1.45 PM, 3.30 PM, 4.15 PM, 6.45 PM, 8.30 PM,<br />
9.15 PM, 11.45 PM<br />
HUNT TO KILL (ACTION): 8 PM, 10 PM, 12 PM<br />
SIDE EFFECTS (THRILLER): 9 PM, 12 MN<br />
MADEA’S WITNESS PROTECTION (COMEDY): 4.30 PM<br />
FROM UP POPPY HILL (ANIMATION): 2.30 PM<br />
PEACE, LOVE & MISUNDERSTANDING (COMEDY): 6.30 PM<br />
HIMMATWALA (HINDI): 8.15 PM, 11 PM<br />
CROODS (3D) (ANIMATION): 3 PM, 5 PM<br />
SNOW QUEEN (3D) (ANIMATION): 7 PM<br />
G.I. JOE RETALIATION (3D) (ACTION): 9 PM, 11 PM<br />
THE BAY II (THRILLER): 2.30 PM<br />
RED WINE (MALAYALAM): 4.30 PM, 7 PM<br />
OLYMPUS HAS FALLEN (ACTION): 9.30 PM<br />
THE LAST EXORCISM 2 (THRILLER): 11.30 PM<br />
ROYAL PLAZA<br />
CROODS (3D) (ANIMATION): 3 PM<br />
G.I. JOE RETALIATION (3D) (ACTION): 5 PM, 9.15 PM<br />
OLYMPUS HAS FALLEN (ACTION): 7 PM<br />
THE BAY II (THRILLER): 11 PM<br />
GRINGO: HOW I SPENT MY SUMMER VACATION (DRAMA):<br />
2.30 PM<br />
MELANCHOLIA (DRAMA): 4.30 PM, 9 PM<br />
TAKE THIS WALTZ (COMEDY): 6.30 PM, 11.15 PM<br />
RISE OF THE GUARDIANS (ANIMATION): 2.30 PM, 4.15 PM<br />
JACK REACHER (ACTION); 6 PM, 8.15 PM<br />
THE HOBBIT: AN EXPECTED JOURNEY (ADVENTURE):<br />
10.45 PM<br />
RANGREZZ (HINDI): 2.30 PM, 5 PM, 8 PM, 11 PM<br />
SNOW QUEEN (3D) (ANIMATION): 2.30 PM<br />
CROODS (3D) (ANIMATION): 4.15 PM, 6.15 PM<br />
RED WINE (MALAYALAM): 8.15 PM, 11 PM<br />
OLYMPUS HAS FALLEN (ACTION): 3 PM<br />
MADEA’S WITNESS PROTECTION (COMEDY): 3 PM<br />
G.I. JOE RETALIATION (3D) (ACTION): 7 PM, 11.15 PM<br />
THE BAY II (THRILLER): 5 PM<br />
NOTICE: Timings are subject to change without prior notice.<br />
Movie review<br />
The Snow Queen<br />
THE Snow Queen is a 2012 Russian 3D computer-animated film directed by Vladlen Barbe and Maxim Sveshnikov. It was produced at the<br />
Wizart Animation studio in Voronezh and is based on the story of the same name by Hans Christian Andersen and co-produced with the<br />
Moscow’s Inlay Film, by support of Timur Bekmambetov’s company named Bazelevs.<br />
Wishing to create a New world – where clearness of lines replaces emotions and the polar wind cools human souls, the Snow Queen<br />
(antagonist) is trying to find and destroy all artists and their successors. Gerda (protagonist) tries to find her brother Kai on the boundless<br />
spaces of the fantastic country bewitched by the Snow Queen. During her travel she faces difficult obstacles and finds new friends…<br />
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