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Art - Queen Victoria Museum and Art Gallery

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OUTWARD LOANS<br />

The significance of the <strong>Museum</strong>’s collections is recognised not<br />

just in Tasmania but nationally. Many requests are received<br />

from other institutions each year to borrow items from the<br />

collections. The <strong>Museum</strong> acknowledges this as an opportunity<br />

to provide improved access to its collections for a much<br />

broader audience. Items which have been on extended loan<br />

during the last year include:<br />

• Sarah Isl<strong>and</strong> graveboard—National <strong>Museum</strong> of Australia,<br />

Canberra<br />

• Copper Samovar—Governor’s Residence, Norfolk Isl<strong>and</strong><br />

• Shoe last from the shoemakers shop at Port <strong>Art</strong>hur—<br />

Historic Houses Trust of New South Wales<br />

• Death mask of Marcus Clarke <strong>and</strong> Reverend Knopwood—<br />

National Portrait <strong>Gallery</strong>, Canberra<br />

• Collection of shipwreck <strong>and</strong> convict material—Maritime<br />

<strong>Museum</strong> of Tasmania, Hobart<br />

Early wooden telephone belonging to AB Biggs.<br />

• Compass <strong>and</strong> early wooden telephones belonging to AB<br />

Biggs—Heritage Highway <strong>Museum</strong> <strong>and</strong> Visitor<br />

Information Service, Campbell Town<br />

• Collection of domestic objects—National Trust of Australia<br />

(Tas) Franklin House, Launceston<br />

• ‘A’ Class locomotive—Don River Railway<br />

• Furniture from the Ford collection—Highfield, Stanley<br />

• Frank Bolt’s Lake Pedder photographic series—Wilderness<br />

<strong>Gallery</strong>, Cradle Mountain<br />

• Tasmanian Aboriginal Shell Necklace, early 20th century,<br />

Tasmania 1804 – 2004: History, People <strong>and</strong> L<strong>and</strong>scape of the<br />

Isl<strong>and</strong> State on Australian Stamps—Postmaster <strong>Gallery</strong>,<br />

Australia Post, Melbourne<br />

• Helge Larsen <strong>and</strong> Darani Lewers, Four Finger Ring 1986,<br />

Larsen <strong>and</strong> Lewer—a survey 1986 – 2002—Manly <strong>Art</strong><br />

<strong>Gallery</strong> touring exhibition to Hamilton <strong>Art</strong> <strong>Gallery</strong>,<br />

Tamworth City <strong>Gallery</strong>, Wollongong <strong>Art</strong> <strong>Gallery</strong>, Penrith<br />

Regional <strong>Gallery</strong> & The Lewers Bequest, Wagga Wagga<br />

Regional <strong>Art</strong> <strong>Gallery</strong><br />

• Barbara Macey, Wave 24 Blue Mirror 1984, Barbara Macey<br />

– A Retrospective— National Wool <strong>Museum</strong>, Geelong<br />

Sarah Isl<strong>and</strong> graveboard.<br />

15

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