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Anarchist Seeds Beneath the Snow - Libcom

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Anarchism and libertarian socialism in Britain 19<br />

considered so important that he printed it separately in 1892 as a Kelmscott Press<br />

book. In his discussion of <strong>the</strong> worker’s place in <strong>the</strong> productive process Ruskin rivals<br />

for radical profundity Marx’s analysis of alienation:<br />

You must ei<strong>the</strong>r make a tool of <strong>the</strong> creature, or a man of him. You cannot make<br />

both. Men were not intended to work with <strong>the</strong> accuracy of tools, to be precise and<br />

perfect in all <strong>the</strong>ir actions. If you will have that precision out of <strong>the</strong>m, and make <strong>the</strong>ir<br />

fingers measure degrees like cog-wheels, and <strong>the</strong>ir arms strike curves like compasses,<br />

you must un humanize <strong>the</strong>m…. On <strong>the</strong> o<strong>the</strong>r hand, if you will make a man of <strong>the</strong><br />

working creature, you cannot make a tool. Let him but begin to imagine, to think,<br />

to try to do something worth doing; and <strong>the</strong> engine-turned precision is lost at once.<br />

Out come all his roughness, all his dulness, all his incapability…but out comes <strong>the</strong><br />

whole majesty of him also… 13<br />

In his 1892 preface Morris comments that Ruskin’s teaching is ‘that art is <strong>the</strong><br />

expression of man’s pleasure in labour; that it is possible for man to rejoice in his<br />

work…and lastly, that unless man’s work once again becomes a pleasure to him…all<br />

but <strong>the</strong> worthless must toil in pain, and <strong>the</strong>refore live in pain’. Morris concludes<br />

that ‘<strong>the</strong> hallowing of labour by art is <strong>the</strong> one aim for us at <strong>the</strong> present day’ and ‘if<br />

Politics are to be anything less than an empty game…it is towards this goal of <strong>the</strong><br />

happiness of labour that <strong>the</strong>y must make’. 14 Ruskin had very misleadingly announced<br />

in 1871 that he was ‘a Communist of <strong>the</strong> old school – reddest also of <strong>the</strong> red’; ra<strong>the</strong>r,<br />

as he was to write only two months later and repeat in his autobiography, ‘I am,<br />

and my fa<strong>the</strong>r was before me, a violent Tory of <strong>the</strong> old school…’ His biographer,<br />

Tim Hilton, grappling to denominate his politics, comes up with ‘utopian Toryism’<br />

and ‘High Tory utopianism’. 15 It was <strong>the</strong>refore left for Morris to go beyond Ruskin,<br />

using <strong>the</strong> latter’s thought as a foundation for <strong>the</strong> highly original socialism he was to<br />

develop himself.<br />

Morris entered public life in 1876 when he became treasurer of <strong>the</strong> Eastern<br />

Question Association, set up when it seemed that Disraeli’s government might<br />

intervene on Turkey’s side in yet ano<strong>the</strong>r war with Russia, which was entirely unacceptable<br />

after <strong>the</strong> recent Turkish massacres of Bulgarian Christians and had led<br />

Gladstone to write his famous pamphlet, The Bulgarian Horrors and <strong>the</strong> Question<br />

of <strong>the</strong> East. It was during this agitation that Morris met some of <strong>the</strong> leading trade<br />

unionists, including Henry Broadhurst, secretary of <strong>the</strong> Parliamentary Committee<br />

of <strong>the</strong> Trades Union Congress, yet he found no hope in <strong>the</strong>m for ‘<strong>the</strong>y were quite<br />

13 John Ruskin, The Stones of Venice (1851–3; New York: Merrill & Baker, 3 vols., n.d.), II, pp.<br />

161–2.<br />

14 WMAWS, I, pp. 292–3.<br />

15 John Ruskin, Fors Clavigera: Letters to <strong>the</strong> Workmen and Labourers of Great Britain (Orpington:<br />

George Allen, 9 vols., 1871–87), I, Letter 7, p. 2, and Letter 10, p. 2; John Ruskin, Præterita: Outlines<br />

of Scenes and Thoughts Perhaps Worthy of Memory in My Past Life (1885–9; London: Rupert Hart-<br />

Davis, 1949 edn), p. 5; Tim Hilton, John Ruskin: The Later Years (New Haven and London: Yale<br />

University Press, 2000), pp. 145, 213.

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