You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
TOUCHPAPER<br />
TELEVISION<br />
SINGLE-HANDED 3<br />
EPISODE 1<br />
Post Production<br />
Script
OPENING CREDITS<br />
RTE Drama<br />
Owen McDonnell<br />
<strong>Single</strong>-<strong>Handed</strong><br />
“The Drowning Man”<br />
Written by<br />
Barry Simner<br />
Produced by<br />
Clare Alan<br />
Directed by<br />
Anthony Byrne<br />
END CREDITS<br />
Cast in order <strong>of</strong> appearance<br />
Daniel O’Malley<br />
Denis Nolan<br />
Anna<br />
Liam Nolan<br />
Andy<br />
Cathal<br />
Garda Finbarr Colvin<br />
Michael Casey<br />
Brede O’Malley<br />
Ciaran O’Malley<br />
Eithne Driscoll<br />
Radio DJ<br />
Maura Dooley<br />
Eugene<br />
Chief Superintendent Lynch<br />
Doc<strong>to</strong>r<br />
Peter Agnew<br />
Daisy Cummins<br />
Sandra Corbally<br />
Colm O’Callaghan<br />
Cathy Hegarty<br />
Ann Warter<br />
Sean Burke<br />
Gary Robinson<br />
Owen Roe<br />
Maude Fahy<br />
Robert Bannon<br />
Cillian O’Sullivan<br />
Brien Gleeson<br />
David Herlihy<br />
Padraic Delaney<br />
Catherine Byrne<br />
Peter Gowen<br />
Ruth McCabe<br />
Paul Phelan<br />
Marcella Plunkett<br />
John O’Dowd<br />
Michael McElhat<strong>to</strong>n<br />
Ross Flannery<br />
First Assistant Direc<strong>to</strong>r<br />
Second Assistant Direc<strong>to</strong>r<br />
Third Assistant Direc<strong>to</strong>r<br />
Trainee ADs<br />
Crowd Co-ordina<strong>to</strong>r<br />
Location Manager
2<br />
Joe Walsh<br />
James Mongon<br />
Yvonne Burke<br />
Ross Flannery<br />
Sophie Tebbitt<br />
Evelyn McLoughlin<br />
Matthew Hennessy<br />
Paddy Hession<br />
Gerard Coyne<br />
Donal O’Farrell<br />
Alistair Rumball<br />
Chris Roufs<br />
Julian Pugh-Cook<br />
Alan Butler<br />
Jessica Drum<br />
Brian Dungan<br />
Amy Breen<br />
Paul Tsan<br />
Adam Tsan<br />
Fiachra O’Hanlon<br />
Padraigh O’Mannion<br />
Melanie Downes<br />
Adrienne McGrane<br />
Eleonora McNamara<br />
Assistant Location Manager<br />
Locations Trainee<br />
Production Co-ordina<strong>to</strong>r<br />
Production Assistant<br />
Production Accountant<br />
Assistant Accountant<br />
Transport Captain<br />
Action Vehicle Drivers<br />
Stunt Co-ordina<strong>to</strong>r<br />
Marine Co-ordina<strong>to</strong>r<br />
Script Supervisor<br />
Camera Opera<strong>to</strong>r<br />
Focus Puller<br />
Underwater Pho<strong>to</strong>graphy<br />
Video Technician<br />
Camera Trainee<br />
Key Grip<br />
Assistant Grip<br />
Sound Recordist<br />
Boom Opera<strong>to</strong>r<br />
Supervising Art Direc<strong>to</strong>r<br />
Standby Art Direc<strong>to</strong>r<br />
Standby Assistant Art Direc<strong>to</strong>r
3<br />
Keavy Lalor<br />
Gerry Lanigan<br />
Alan Harvey<br />
Ronan Kennedy<br />
Ciara McKenna<br />
Dave Flanagan<br />
Dave Hill<br />
Nicky McManus<br />
Pat Tighe<br />
Joey Gaynore<br />
Thomas Arkins<br />
Darren Carney<br />
Neville Gaynor<br />
Mark O’Callaghan<br />
Dave Cowley<br />
Simon Farrelly<br />
John Martin Ó Flatharta<br />
Stephen Doyle<br />
Noel Holland<br />
Martin Holland<br />
Denise Watson<br />
Sharon Doyle<br />
Martina McCarthy<br />
Sevlene Roddy<br />
Art Department Buyer<br />
Property Master<br />
Chargehand<br />
Stand-by Props<br />
Assistant Stand-by Props<br />
Dressing Props<br />
Props Runaround<br />
Construction Manager<br />
Supervising Carpenter<br />
Master Painter<br />
Stagehand<br />
Stand-by Painters<br />
Stand-by Carpenter<br />
Stand-by Stagehand<br />
Stand-by Rigger<br />
Gaffer<br />
Best boy<br />
Electrician<br />
Genera<strong>to</strong>r Opera<strong>to</strong>r<br />
Chief Make-up Artist<br />
Assistant Make-up Artist<br />
Chief Hair Designer<br />
Assistant Hairdresser
4<br />
Mary Fox<br />
Katie Guinnane<br />
Peter Murray<br />
Tim Morris<br />
Stephen Lynch<br />
Nikki Moss<br />
Fionán Higgins<br />
Andrea King<br />
Peter Blayney<br />
Shayne Murphy<br />
John Kennedy<br />
Dave Hughes<br />
Wardrobe Supervisor<br />
Wardrobe Assistant<br />
Consultant<br />
Post Production Supervisor<br />
Assistant Edi<strong>to</strong>r<br />
Sound Designer<br />
Dialogue Edi<strong>to</strong>r<br />
Foley Artist<br />
Dubbing Mixer<br />
HD Online Edi<strong>to</strong>r<br />
Flame Artist<br />
Colourist<br />
Produced with the support <strong>of</strong> investment incentives<br />
For the Irish Film Industry provided by the Government <strong>of</strong><br />
Ireland<br />
Filmed on location in Ireland<br />
Footage from Learning Gravity courtesy <strong>of</strong> Little Bird<br />
Andrew Lowe<br />
Des Martin<br />
Maureen Hughes<br />
Aisling Byrne<br />
Anna Rackard<br />
Niall Byrne<br />
Isobel Stephenson<br />
Darran Tiernan<br />
Executive Producer for Element Films<br />
Line Producer<br />
Casting Direc<strong>to</strong>r<br />
Costume Designer<br />
Production Designer<br />
Composer<br />
Edi<strong>to</strong>r<br />
Direc<strong>to</strong>r <strong>of</strong> Pho<strong>to</strong>graphy
5<br />
Rob Pursey<br />
Executive Producer<br />
Touchpaper Television logo<br />
For RTE<br />
© RTE 2008
6<br />
00:01<br />
WAVES BREAKING & MUSIC<br />
00:17<br />
GASPS OF BREATH.<br />
00:50<br />
A MOBILE PHONE RINGING.<br />
00:58<br />
JACK:<br />
Hello? Jack Driscoll... What<br />
sort <strong>of</strong> trouble? Where is<br />
this? Okay. Who am I talking<br />
<strong>to</strong>? Hello? Hello?<br />
01:02<br />
MUSIC<br />
01:27<br />
THUNDER<br />
02:17<br />
MUSIC<br />
02:28<br />
JACK:<br />
02:44<br />
JACK:<br />
Shit!<br />
Daniel! Daniel!<br />
02:52<br />
GRUNTS OF EXERTION.<br />
03:32<br />
LIAM:<br />
ANDY:<br />
LIAM:<br />
CATHAL:<br />
ANDY:<br />
Try his mobile.<br />
He'll be here.<br />
Go on. You've got his<br />
number.<br />
No, we should wait. It was<br />
Daniel's idea.<br />
Give him another ten<br />
minutes.
7<br />
LIAM:<br />
Five - then I'm <strong>of</strong>f.<br />
03:41<br />
KNOCK ON THE DOOR.<br />
03:43<br />
ANDY:<br />
ANNA:<br />
Yes! What did I say?<br />
It's Daniel. Let him in.<br />
03:58<br />
DOOR SHUTTING.<br />
04:02<br />
FINBARR:<br />
ANNA:<br />
FINBARR:<br />
ANNA:<br />
FINBARR:<br />
CATHAL:<br />
FINBARR:<br />
CATHAL:<br />
FINBARR:<br />
Well, this is a cosy little<br />
set up on a cold, dark<br />
night. Andy. Liam. Anna.<br />
How are you, Anna?<br />
I'm good, thank you, Garda<br />
Colvin.<br />
That's good. And your mother<br />
and your father? Are they<br />
good <strong>to</strong>o?<br />
They are. Thank you.<br />
So we're all good. And<br />
Cathal here is our host for<br />
the evening. Is er, is that<br />
what they call five card<br />
stud you're playing there?<br />
Actually, we were just<br />
leaving, Garda Colvin.<br />
O yeah, well er I got the<br />
impression you were<br />
expecting someone else.<br />
No. I don't think he'll be<br />
coming now. It's <strong>to</strong>o late.<br />
Well, I’ll tell you what,<br />
why don't you deal me in so<br />
- seeing as there's a spare
8<br />
place at the table? And I<br />
think I'll have my usual<br />
please, Cathal.<br />
CATHAL:<br />
FINBARR:<br />
Well, it'll have <strong>to</strong> be on<br />
the house then - we're<br />
supposed <strong>to</strong> be closed.<br />
O yes. I forgot that. So,<br />
who’s dealing then lads?<br />
05:05<br />
MUSIC<br />
05:35<br />
MOBILE PHONE RINGS.<br />
05:47<br />
CATHAL:<br />
FINBARR:<br />
I think we're all done here,<br />
Garda Colvin.<br />
Well, I suppose that's just<br />
as well. I have <strong>to</strong> be up<br />
early in the morning <strong>to</strong> take<br />
the kids <strong>to</strong> school. Now,<br />
take it easy on the way<br />
home, won’t you.<br />
06:01<br />
LIAM:<br />
06:03<br />
DOOR SLAMS.<br />
CATHAL:<br />
The bastard's cleaned us<br />
out.<br />
The one thing about Finbarr<br />
is, he's always there when<br />
you don't need him and never<br />
there when you do.<br />
06:08<br />
MUSIC<br />
07:04<br />
JACK:<br />
(On an answermachine)<br />
Finbarr? I'm on my way <strong>to</strong>
9<br />
07:06<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
JACK:<br />
get an i.d. on the drowned<br />
man.<br />
Tom. Saoirse.<br />
(on an answermachine)<br />
There's a little holiday<br />
cottage over the bay -<br />
Skerig... ...<br />
Come on. In the car.<br />
(on an answermachine) Can<br />
you find out who owns it or<br />
who it's let <strong>to</strong>. And,<br />
Finbarr - could you please<br />
turn on your mobile?<br />
07:15<br />
ANSWERMACHINE BEEPS END OF MESSAGE.<br />
07:17<br />
LANDLINE RINGS.<br />
07:27<br />
FINBARR:<br />
Gardai. Eugene. What's the<br />
s<strong>to</strong>ry?<br />
07:32<br />
MUSIC.<br />
08:40<br />
NOLAN:<br />
FINBARR:<br />
NOLAN:<br />
FINBARR:<br />
NOLAN:<br />
FINBARR:<br />
Will we have some money on<br />
this hole boys?<br />
On my wages?<br />
O come on. Wouldn’t that<br />
make it more interesting.<br />
I wouldn't want <strong>to</strong> take your<br />
money, Dennis. Not if your<br />
luck's as bad as your son's.<br />
Liam?<br />
Did you know he's playing
10<br />
poker after hours at<br />
Mallon's Bar?<br />
NOLAN:<br />
FINBARR:<br />
NOLAN:<br />
And losing <strong>to</strong>o by the sound<br />
<strong>of</strong> it. How much this time?<br />
You'll have <strong>to</strong> ask him. But<br />
you'd think these kids were<br />
made <strong>of</strong> money the way they<br />
carry on these days.<br />
What can you do? They need a<br />
car living in a place like<br />
this. They have <strong>to</strong> be fed<br />
and clothed. Anyway, he’ll<br />
be wasting his own money<br />
before <strong>to</strong>o long. I <strong>to</strong>ld him,<br />
if you think I'm <strong>to</strong>ugh on<br />
you, wait till you get your<br />
own boss.<br />
09:16<br />
GOLF BALL HIT.<br />
09:18<br />
FINBARR:<br />
NOLAN:<br />
FINBARR:<br />
NOLAN:<br />
FINBARR:<br />
NOLAN:<br />
FINBARR:<br />
Good man.<br />
Speaking <strong>of</strong> bosses. I saw<br />
your's last night - out near<br />
the beach.<br />
Is that right?<br />
Yeah. I was dropping a<br />
friend <strong>of</strong>f, you know, and he<br />
came driving along, his<br />
lights flashing and blazing.<br />
Nearly had me <strong>of</strong>f the road.<br />
Yeah, there was, there was a<br />
fatality, I think. Someone<br />
drowned.<br />
Do you know who?<br />
No. Probably some foreigner<br />
<strong>of</strong>f one <strong>of</strong> those Spanish
11<br />
fac<strong>to</strong>ry-ships, stealing all<br />
our bloody fish.<br />
09:42<br />
MUSIC<br />
NOLAN:<br />
09:46<br />
DJ:<br />
That'll be it.<br />
(On the radio) Talks are due<br />
<strong>to</strong> resume next week. A look<br />
at the business pages now<br />
and it’s the long expected<br />
deal between Eddie McCann’s<br />
Premium Holdings and Chinese<br />
Investment Bank that’s<br />
making all the headlines. If<br />
you follow the markets<br />
you’ll know that Premium<br />
Holdings is one <strong>of</strong> the Irish<br />
success s<strong>to</strong>ries.<br />
09:55<br />
DOORBELL<br />
09:57<br />
DJ:<br />
MAURA:<br />
EITHNE:<br />
MAURA:<br />
(On the radio) If you follow<br />
the markets you’ll know that<br />
Premium Holdings has been<br />
one <strong>of</strong> the great Irish<br />
success s<strong>to</strong>ries <strong>of</strong> recent<br />
years, riding out some very<br />
rough financial conditions<br />
when other companies have<br />
been struggling.<br />
(Off camera) Mrs Driscoll?<br />
(Off camera) Yes.<br />
I’m Maura Dooley. I'm a<br />
friend <strong>of</strong> Jack's from<br />
Dublin? He might have<br />
mentioned me.
12<br />
DJ:<br />
EITHNE:<br />
DJ:<br />
10:13<br />
EITHNE:<br />
MAURA:<br />
EITHNE:<br />
MAURA:<br />
EITHNE:<br />
(On the radio) According <strong>to</strong><br />
Chairman, Eddie McCann, the<br />
success <strong>of</strong> the company is<br />
all down <strong>to</strong> shareholder<br />
loyalty.<br />
(Off camera) He did mention<br />
you, Maura. Come in.<br />
(On the radio) Weather now…<br />
That’s a while ago, isn't it<br />
– since yourself and Jack<br />
were friends?<br />
That's right. Yeah, when he<br />
was still stationed in<br />
Dublin. I'm over here on<br />
holiday for a day or two. I<br />
thought it would be nice...<br />
He'll be thrilled <strong>to</strong> see<br />
you.<br />
He's not here though?<br />
He was called out somewhere<br />
last night. I'm expecting<br />
him any minute for his<br />
breakfast. He’ll not be<br />
long. So - you're Maura<br />
Dooley. Well, it's nice <strong>to</strong><br />
meet you, Maura - at last.<br />
10:37<br />
MUSIC<br />
10:45<br />
BREDE:<br />
CIARAN:<br />
But what was he doing? There<br />
was no reason for him <strong>to</strong> be<br />
out there on his own.<br />
Was he... you know... when<br />
you got <strong>to</strong> him?<br />
JACK: He was still breathing -
13<br />
just. But he was exhausted.<br />
It was the cold.<br />
CIARAN:<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
BREDE:<br />
JACK:<br />
BREDE:<br />
JACK:<br />
So he wasn't far from the<br />
beach?<br />
No. He almost made it by<br />
himself.<br />
But you were with him - at<br />
the end? He wasn't...<br />
I was with him. I had him on<br />
the beach. I tried<br />
everything. I held him.<br />
Did he say anything?<br />
No. But I think he knew I<br />
was there.<br />
Alone out there. In the cold<br />
water.<br />
D’you have any idea what he<br />
might have been doing out<br />
there? Why he ended up in<br />
the sea?<br />
11.30<br />
MUSIC<br />
BREDE:<br />
JACK:<br />
CIARAN:<br />
BREDE:<br />
No. Normally, you couldn't<br />
get Daniel in <strong>to</strong> the water<br />
for love nor money. Ciaran<br />
couldn't get him, get him <strong>to</strong><br />
set foot on the trawler.<br />
Did Daniel know Dennis<br />
Nolan?<br />
He plays cards with Dennis's<br />
son, Liam, and a few other<br />
lads. Over there at<br />
Mallon's.<br />
That’s where he said he was
14<br />
going last night. Then when<br />
he didn't come home I<br />
thought they might have had<br />
a drink or two. Then I<br />
thought he might be staying<br />
over. God!<br />
JACK:<br />
12:13<br />
MAURA:<br />
EITHNE:<br />
MAURA:<br />
EITHNE:<br />
MAURA:<br />
EITHNE:<br />
MAURA:<br />
EITHNE:<br />
Look. I'm going <strong>to</strong> take you<br />
home. I'll start <strong>to</strong> make<br />
some enquiries but, if you<br />
hear anything, I want you <strong>to</strong><br />
give me a call straight<br />
away.<br />
His father must have been<br />
proud <strong>of</strong> him.<br />
Well it's not supposed <strong>to</strong><br />
happen, as you know - taking<br />
over from your father. A few<br />
strings had <strong>to</strong> be pulled<br />
there. But Gerry was proud.<br />
And so was I. Having a<br />
husband and a son that<br />
people would look up <strong>to</strong>.<br />
He’s a good-looking man <strong>to</strong>o.<br />
The whole set <strong>of</strong> him. The<br />
way he walks. It's Gerry<br />
every time Jack comes in the<br />
room.<br />
It's been a great loss <strong>to</strong><br />
you.<br />
He was no age, you know. And<br />
fit as a fiddle.<br />
You're lucky you still have<br />
Jack.<br />
I still have Jack. You don’t<br />
have any children yourself,<br />
Maura, no?
15<br />
MAURA:<br />
EITHNE:<br />
MAURA:<br />
EITHNE:<br />
MAURA:<br />
No. Fortunately. I mean, now<br />
I'm divorced I'm glad we<br />
didn't.<br />
And you've left your job in<br />
the guards? That's a shame.<br />
Was that for the same<br />
reason?<br />
My husband was in another<br />
part <strong>of</strong> the city. It's a<br />
small world. I'd have<br />
forever been running in<strong>to</strong><br />
him.<br />
And your friend? The one<br />
you're over here with?<br />
He’s just a friend.<br />
13:19<br />
MUSIC.<br />
13:36<br />
JACK:<br />
EITHNE:<br />
JACK:<br />
EITHNE:<br />
JACK:<br />
EITHNE:<br />
JACK:<br />
EITHNE:<br />
Hello?<br />
I’m in the kitchen. God<br />
almighty, where've you been?<br />
These are soaking wet.<br />
You know Brede and Ciaran<br />
O'Malley's son, Daniel? He’s<br />
drowned.<br />
Dear God, no. How?<br />
I wish I knew.<br />
They'll be in pieces, the<br />
pair <strong>of</strong> them. She worships<br />
that boy.<br />
Yeah. I could see that.<br />
And you might have been<br />
drowned yourself going in <strong>to</strong><br />
the water like that. Taking
16<br />
those risks.<br />
JACK:<br />
14:16<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
14:33<br />
EITHNE:<br />
MAURA:<br />
JACK:<br />
EITHNE:<br />
MAURA:<br />
Well, it made no difference<br />
in the end. I couldn’t save<br />
him.<br />
Hello, Jack.<br />
Maura.<br />
I, I’m sorry, this is a<br />
really bad…<br />
No, no, you’re grand. I just<br />
wasn't expecting... It's<br />
great <strong>to</strong> see you.<br />
I'm afraid I've been boring<br />
her with old pho<strong>to</strong>s and<br />
s<strong>to</strong>ries...<br />
Not at all, sure. Jack<br />
never showed me any<br />
pictures. But, like I<br />
said... (this is a really<br />
bad time).<br />
No, stay.<br />
I'm sure Maura can make<br />
herself at home. Look, I<br />
have a meeting that I have<br />
<strong>to</strong> get <strong>to</strong>. You have a shower<br />
– or a bath. Make sure he<br />
has something <strong>to</strong> eat?<br />
I'll try. You should have<br />
that shower.<br />
15:00<br />
MUSIC<br />
JACK:<br />
Yeah. Yeah, I’ll do that.
17<br />
17:02<br />
SHOWER WATER RUNNING.<br />
17:10<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
17:50<br />
EITHNE:<br />
You've put on a bit <strong>of</strong><br />
weight.<br />
It shows then?<br />
Just a little bit. Round<br />
here.<br />
Give me the <strong>to</strong>wel. Come on.<br />
You'd think we'd be fit<br />
living in the country.<br />
Nobody walks anywhere.<br />
You're probably fitter<br />
living in the city.<br />
Do you miss being in Dublin?<br />
Sometimes.<br />
Your mother <strong>to</strong>ld me <strong>to</strong> make<br />
you something <strong>to</strong> eat.<br />
Then you'd better do it.<br />
Laughs.<br />
Well, she said they were<br />
just friends - but you only<br />
have <strong>to</strong> see them <strong>to</strong>gether <strong>to</strong><br />
know they were more than<br />
that. Thanks Cathal. The<br />
one that's come really good<br />
for us is Premium Holdings.<br />
It's all over the news this<br />
morning so we have a great<br />
chance there as long as we<br />
hold our nerve.<br />
18:05<br />
CHATTER…<br />
EITHNE:<br />
Look at the figures from
18<br />
that last quarter there?<br />
CATHAL:<br />
EITHNE:<br />
CATHAL:<br />
EITHNE:<br />
CATHAL:<br />
EITHNE:<br />
CATHAL:<br />
EITHNE:<br />
CATHAL:<br />
EITHNE:<br />
CATHAL:<br />
18:44<br />
CATHAL:<br />
It's only a mug's game, Mrs<br />
Driscoll. Shares go down as<br />
well as up. It's only<br />
gambling in the end.<br />
Well, I know you have <strong>to</strong><br />
have a bit <strong>of</strong> luck but you<br />
must study the form <strong>to</strong> make<br />
money in s<strong>to</strong>cks and shares.<br />
You’re better <strong>of</strong>f doing the<br />
lottery or something...<br />
...at our age? Is that what<br />
you were going <strong>to</strong> say?<br />
Have you played poker?<br />
Poker. Would you listen <strong>to</strong><br />
him. Why would I want <strong>to</strong> do<br />
that?<br />
You have the face for it Mrs<br />
Driscoll - you know?<br />
I can imagine sort <strong>of</strong> riff<br />
raff you get involved with<br />
in a game like that.<br />
No. They're a decent bunch.<br />
Liam Nolan, d'you know him?<br />
His father's a solici<strong>to</strong>r.<br />
Oh, a solici<strong>to</strong>r? That’ll<br />
make all the difference.<br />
Daniel O'Malley. He's a good<br />
lad.<br />
What, d’you know him?<br />
18:46<br />
MUSIC
19<br />
EITHNE:<br />
CATHAL:<br />
EITHNE:<br />
19:09<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
No-one’s <strong>to</strong>ld you? Daniel's<br />
dead. He was drowned last<br />
night.<br />
Where?<br />
In the bay out there. Jack<br />
went in after him but it was<br />
no use. He got him out <strong>of</strong><br />
the water and he was gone.<br />
So you're a free woman<br />
again.<br />
I am. I chucked his ring<br />
in<strong>to</strong> the Liffey.<br />
Why?<br />
Well that's what he<br />
threatened <strong>to</strong> do <strong>to</strong> me when<br />
he found out about you.<br />
You should never have<br />
married him.<br />
No, punching him wasn't <strong>to</strong>o<br />
clever either.<br />
No, but it felt good. I'm<br />
surprised I hadn't heard<br />
that you'd left the guards -<br />
what are you up <strong>to</strong> now?<br />
19:39<br />
MUSIC<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
Just temporary stuff. Bits<br />
and pieces. You know...<br />
Nothing permanent.<br />
You should have called me.<br />
I'd already messed up your<br />
life once.
20<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
Who's this 'friend' you're<br />
on holiday with?<br />
Just someone I work with.<br />
Your mother mentioned you<br />
met someone. A doc<strong>to</strong>r?<br />
Maggie.<br />
Attractive? Sexy?<br />
Yeah.<br />
Sexier than me?<br />
She went back <strong>to</strong> England.<br />
It's beautiful here, but<br />
it's not an easy place <strong>to</strong><br />
settle.<br />
Many are tempted?<br />
Not many make it past the<br />
winter. Where are you<br />
staying?<br />
Somewhere Michael booked. He<br />
kind <strong>of</strong> knows the area. So,<br />
tell me about this young lad<br />
who drowned.<br />
Daniel O’Malley? He's local.<br />
Father has a fishing boat.<br />
Decent people. Hard working.<br />
How did he come <strong>to</strong> be in the<br />
sea?<br />
God knows. He <strong>to</strong>ld his<br />
parents he was going out <strong>to</strong><br />
play poker and the next<br />
thing they know, I'm<br />
standing at the door telling<br />
them he's been drowned.<br />
So what is it then, a<br />
gambling debt? Suicide?
21<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
21:58<br />
FINBARR:<br />
EUGENE:<br />
FINBARR:<br />
EUGENE:<br />
The poker, you mean? Still<br />
thinking like a detective?<br />
It's a hard habit <strong>to</strong> break.<br />
It's possible, I suppose.<br />
And what about witnesses?<br />
Well the woman who rang me<br />
must have seen something but<br />
she didn't leave a name.<br />
Still it's a small<br />
community. Not much stays<br />
hidden for long - not if you<br />
know who <strong>to</strong> ask.<br />
Thank god you're okay. It's<br />
<strong>to</strong>ugh out here.<br />
Different.<br />
Lonely?<br />
Are you going <strong>to</strong> be around<br />
long enough for me <strong>to</strong> buy<br />
you a drink? That’s if your<br />
friend doesn't mind.<br />
Do you still have my number?<br />
It’s in the memory there<br />
somewhere.<br />
Then give me a call.<br />
Eugene. How are you?<br />
Finbarr. How are you?<br />
So, you’ve, you've lost a<br />
boat, then have you?<br />
The small ‘Dory'. It was<br />
tied up here secure when we
22<br />
left it last night.<br />
FINBARR:<br />
EUGENE:<br />
FINBARR:<br />
And, could it have broken<br />
loose and drifted <strong>of</strong>f?<br />
No. It wasn't in the water.<br />
It was up here by the sheds.<br />
The outboard's gone as well.<br />
So, s<strong>to</strong>len then, yeah?<br />
22:18<br />
MUSIC<br />
EUGENE:<br />
FINBARR:<br />
EUGENE:<br />
Well, that's the way it<br />
looks <strong>to</strong> me.<br />
Ciaran not about yet?<br />
No, he has his phone<br />
switched <strong>of</strong>f. That's why I<br />
thought I'd better get on <strong>to</strong><br />
you.<br />
FINBARR:<br />
22:34<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
OK.<br />
Jack.<br />
Where were you in the middle<br />
<strong>of</strong> last night?<br />
I noticed there were lights<br />
on in Mallon's so I dropped<br />
in <strong>to</strong> have a look.<br />
Which would be why you<br />
couldn't answer your mobile,<br />
I suppose? Did the poker<br />
players tell you Daniel<br />
O'Malley was supposed <strong>to</strong> be<br />
in there?<br />
They were expecting someone<br />
- I didn't know it was<br />
Daniel. Why?
23<br />
JACK:<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
It was Daniel who drowned<br />
last night. So it would have<br />
been his hand you were<br />
playing - if you'd been<br />
playing.<br />
Daniel O'Malley? Good god.<br />
Was there much money<br />
involved?<br />
No. Pocket money that’s all.<br />
Poor kid. I remember him<br />
helping around the pier<br />
during the summer holidays.<br />
Yeah. Seventeen years old.<br />
Well that explains one thing<br />
anyhow. You know Eugene – he<br />
works for Ciaran? He phoned<br />
me this morning <strong>to</strong> say the<br />
little 'Dory' they have -<br />
the one that they use as a<br />
tender - disappeared last<br />
night. He must have been<br />
fishing.<br />
At night? No life-jacket?<br />
There's a lot <strong>of</strong> fishermen<br />
don't like wearing lifejackets.<br />
Daniel wasn't a fisherman.<br />
His mother said they<br />
couldn't get him interested<br />
in it so he's hardly likely<br />
<strong>to</strong> be out hauling nets in<br />
the middle <strong>of</strong> the night, is<br />
he?<br />
God knows what's running<br />
around in these kids' heads?<br />
Sure, it's like talking with<br />
aliens with them most <strong>of</strong> the
24<br />
time.<br />
JACK:<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
I passed Dennis Nolan on my<br />
way out there.<br />
I know you did. I've just<br />
played a round with him.<br />
And he mentioned seeing me?<br />
O yes. Said you nearly had<br />
him <strong>of</strong>f the road. Keen <strong>to</strong><br />
tell me he was dropping a<br />
friend home. Wanted <strong>to</strong> know<br />
what was the hurry with you.<br />
Is this a regular round you<br />
have with Nolan?<br />
You must be joking. I can't<br />
abide the man. That's why it<br />
was a pleasure <strong>to</strong> take fifty<br />
euros <strong>of</strong>f him for one hole.<br />
Shame we can't get a result<br />
in court like that now and<br />
again.<br />
Did you get that message<br />
about the cottage? Skerig.<br />
Yeah. I'm on<strong>to</strong> it now.<br />
OK. I'll catch you later.<br />
Righ<strong>to</strong>.<br />
24:39<br />
MUSIC<br />
25:02<br />
NOLAN:<br />
JACK:<br />
This better be quick,<br />
sergeant. I've another case<br />
due on.<br />
Last night. I passed you<br />
near the beach.
25<br />
NOLAN:<br />
JACK:<br />
NOLAN:<br />
JACK:<br />
NOLAN:<br />
JACK:<br />
NOLAN:<br />
USHER:<br />
NOLAN:<br />
JACK:<br />
NOLAN:<br />
JACK:<br />
NOLAN:<br />
JACK:<br />
You did. You nearly had me<br />
in the ditch.<br />
Can you tell me what you<br />
were doing out there?<br />
Didn't Finbarr tell you? I<br />
was dropping a friend <strong>of</strong>f<br />
home. He'd had a few<br />
glasses. I didn't want him<br />
taking any risks by driving.<br />
I see the consequences <strong>of</strong><br />
that in here every day.<br />
Did you notice any activity<br />
out there? Lights on the<br />
beach? Anything like that?<br />
You know I must have been on<br />
au<strong>to</strong>-pilot. I’m assuming all<br />
these questions are in<br />
connection with the young<br />
man who drowned?<br />
Daniel O'Malley. His father<br />
has a fishing boat.<br />
I think my son knew him.<br />
Mr. Nolan?<br />
O, thank you. Was it a<br />
fishing accident?<br />
I expect it was something<br />
like that.<br />
Tragic.<br />
You wouldn’t happen <strong>to</strong> have<br />
the name <strong>of</strong> that friend <strong>of</strong><br />
yours handy, would you?<br />
He's a client, sergeant.<br />
But he would be able <strong>to</strong><br />
verify that you were driving
26<br />
him home?<br />
NOLAN:<br />
If you had good reason <strong>to</strong><br />
ask him.<br />
26:01<br />
MUSIC<br />
26:33<br />
ANNA:<br />
JACK:<br />
ANDY:<br />
CATHAL:<br />
ANNA:<br />
CATHAL:<br />
JACK:<br />
CATHAL:<br />
ANNA:<br />
JACK:<br />
ANNA:<br />
Everyone just turned up. We<br />
didn't know what else <strong>to</strong> do.<br />
It was Sergeant Driscoll<br />
here who went in after<br />
Daniel.<br />
You all knew him. What sort<br />
<strong>of</strong> mood has he been in<br />
lately?<br />
Normal? Happy? Always nice<br />
<strong>to</strong> everyone.<br />
He’d been quite moody<br />
though.<br />
Not <strong>to</strong> me.<br />
A bit low.<br />
Depressed?<br />
Well... quieter than usual.<br />
You think he might have<br />
killed himself?<br />
I'm just trying <strong>to</strong> get a<br />
sense <strong>of</strong> what was going on<br />
in his life. Did he have a<br />
girlfriend? Were they<br />
getting on?<br />
No one special. But Daniel<br />
wouldn't do something like<br />
this. It wasn't in his<br />
nature.
27<br />
CATHAL:<br />
JACK:<br />
CATHAL:<br />
JACK:<br />
CATHAL:<br />
He had a big row with his<br />
dad.<br />
When?<br />
A few weeks back.<br />
What was that about?<br />
They weren't getting on.<br />
27:30<br />
A DOOR SHUTS.<br />
CATHAL:<br />
JACK:<br />
But sure, that's normal,<br />
isn't it?<br />
Thanks.<br />
27:49<br />
KNOCKING ON DOOR.<br />
27:59<br />
JACK:<br />
CASEY:<br />
MAURA:<br />
CASEY:<br />
JACK:<br />
CASEY:<br />
28:25<br />
JACK:<br />
CASEY:<br />
JACK:<br />
Jack Driscoll. Garda<br />
Sergeant Driscoll.<br />
Michael Casey.<br />
Who is it?<br />
You've met Maura. What can<br />
we do for you, sergeant?<br />
Can I come in?<br />
Sure. We're a bit<br />
disorganized but..., come<br />
in.<br />
That's a great <strong>view</strong>.<br />
It's a grand spot, isn't it?<br />
You're enjoying your<br />
holiday?
28<br />
CASEY:<br />
JACK:<br />
CASEY:<br />
JACK:<br />
CASEY:<br />
Very much.<br />
Maura <strong>to</strong>ld you what<br />
happened?<br />
Yeah. I can't believe<br />
someone was drowning while<br />
we were asleep.<br />
You didn't hear anything?<br />
See anything? Lights on the<br />
beach?<br />
You know, we can't seem <strong>to</strong><br />
stay awake here? Can we? It<br />
must be the sea air.<br />
28:48<br />
MUSIC<br />
JACK:<br />
CASEY:<br />
JACK:<br />
CASEY:<br />
JACK:<br />
CASEY:<br />
JACK:<br />
CASEY:<br />
You didn’t hear any<br />
vehicles?<br />
Not a sound. We knew nothing<br />
about this - well, not till<br />
you <strong>to</strong>ld Maura.<br />
It’s just that I got a call<br />
you see. To say that someone<br />
was in trouble. A woman's<br />
voice. She wouldn't leave<br />
her name.<br />
Right.<br />
What do you do, Michael?<br />
I work with Maura. Sales.<br />
It's pretty boring sort <strong>of</strong><br />
shite but we have a laugh,<br />
don't we?<br />
You're interested in birdwatching?<br />
I'm getting in<strong>to</strong> it.<br />
Cormorants and stuff.
29<br />
Obviously, if we do hear <strong>of</strong><br />
anything... we'll call you).<br />
JACK:<br />
CASEY:<br />
JACK:<br />
MAURA:<br />
29:58<br />
MAURA:<br />
CASEY:<br />
MAURA:<br />
CASEY:<br />
MAURA:<br />
Obviously. Maura has my<br />
number.<br />
I suppose this happens out<br />
here quite a lot? Get<br />
pissed, go for a midnight<br />
swim, find yourself out <strong>of</strong><br />
your depth.<br />
Usually it’s only the<br />
visi<strong>to</strong>rs who do that. Locals<br />
tend <strong>to</strong> know where it’s<br />
safe. Don't forget that<br />
drink, Maura?<br />
No.<br />
What?<br />
The point <strong>of</strong> going <strong>to</strong> see<br />
him was <strong>to</strong> find out whether<br />
he was going <strong>to</strong> cause us a<br />
problem here.<br />
Yeah, which is what I did.<br />
You also seem <strong>to</strong> have given<br />
him the impression that<br />
you're available for a cosy<br />
bloody reunion. And maybe<br />
some extras.<br />
Meaning?<br />
30:09<br />
MUSIC<br />
CASEY:<br />
MAURA:<br />
Oh, you didn't see his<br />
<strong>to</strong>ngue hanging out?<br />
I went <strong>to</strong> see him. I tried<br />
<strong>to</strong> find out how much he<br />
knew.
30<br />
CASEY:<br />
This whole thing is about <strong>to</strong><br />
go arse upwards. You tell me<br />
you know the local guard. I<br />
say, fine, let's use that.<br />
Find out how he's going <strong>to</strong><br />
handle this. I didn't say<br />
give him the impression you<br />
were up for a shag.<br />
30:29<br />
DOOR SLAMS<br />
30:30<br />
MAURA:<br />
JACK:<br />
Jack. Jack! What are you<br />
going <strong>to</strong> do?<br />
When did all this undercover<br />
shite start? Were you at it<br />
when we were <strong>to</strong>gether?<br />
30:40<br />
MUSIC<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
31:04<br />
EITHNE:<br />
It's my job. No, I wasn't<br />
'at it' when we were<br />
<strong>to</strong>gether. I was recruited<br />
after I got divorced.<br />
You shouldn't have dragged<br />
my mother in<strong>to</strong> this.<br />
What could I do? I couldn't<br />
just turn up at the garda<br />
station.<br />
You used her. It’s not fair.<br />
You've given her the wrong<br />
impression.<br />
Jack?<br />
Cathal, could you pass me<br />
the playing cards on the<br />
shelf there? Did you ever<br />
learn any German I wonder?
31<br />
CATHAL:<br />
EITHNE:<br />
CATHAL:<br />
EITHNE:<br />
CATHAL:<br />
EITHNE:<br />
CATHAL:<br />
EITHNE:<br />
CATHAL:<br />
32:00<br />
NOLAN:<br />
LIAM:<br />
NOLAN:<br />
LIAM:<br />
No.<br />
Pochen. It's a German word,<br />
I believe. That’s where we<br />
get the word poker from.<br />
Pochen, poker, bluff.<br />
Is that right?<br />
Were you and Daniel close?<br />
We were at the National<br />
School <strong>to</strong>gether.<br />
Is this the first time<br />
you've ever lost someone?<br />
Someone my own age. Last<br />
week he was in here banging<br />
on about this terrible<br />
argument he’d had with his<br />
dad. I <strong>to</strong>ld him <strong>to</strong> get on<br />
with it.<br />
And now you wish you’d been<br />
a bit more sympathetic?<br />
Yeah, something like that.<br />
You already know how <strong>to</strong><br />
play, don't you?<br />
Liam. Where've you been?<br />
In was out on the beach.<br />
Where Daniel died.<br />
Yeah, it's <strong>to</strong>ugh when<br />
something like this happens.<br />
I know that. Did you hear<br />
any more?<br />
No. He was supposed <strong>to</strong> be<br />
with us at Mallon's. He was<br />
out in a boat. Nobody can<br />
understand.
32<br />
NOLAN:<br />
DANIEL:<br />
NOLAN:<br />
DANIEL:<br />
NOLAN:<br />
DANIEL:<br />
Look Liam, if you had any<br />
troubles, you would talk <strong>to</strong><br />
me, wouldn't you?<br />
Yeah, <strong>of</strong> course.<br />
Here.<br />
Dad.<br />
Ah go on. Take this. It’ll<br />
cover what you lost last<br />
night. Don't waste it.<br />
Thanks.<br />
33:00<br />
MUSIC<br />
33:06<br />
FINBARR:<br />
LYNCH:<br />
FINBARR:<br />
LYNCH:<br />
FINBARR:<br />
LYNCH:<br />
Yeah... yeah... right...<br />
That'll be fifty euros the<br />
round trip. Grand. See you<br />
there. Bye bye.<br />
Jack Driscoll?<br />
Garda Colvin. Can I help<br />
you?<br />
Chief Superintendent Lynch.<br />
It's Jack Driscoll I'm<br />
after.<br />
Right. Sir. Well. Sergeant<br />
Driscoll will be back here<br />
any minute now. I tell you<br />
what, why don't you make<br />
yourself comfortable because<br />
you see, er, like I’m a bit<br />
tied up right at the minute<br />
and I have... (<strong>to</strong> go out).<br />
I can see you're a busy man,<br />
Garda Colvin. You get on<br />
with whatever it is you have
33<br />
<strong>to</strong> do.<br />
33:42<br />
MUSIC<br />
FINBARR:<br />
33:59<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
Right. Good luck.<br />
We could get some real work<br />
done if it wasn't for all<br />
this shite. Isn't that<br />
right, sergeant? Chief<br />
Superintendent Lynch.<br />
Organized Crime Unit. If<br />
it's any consolation, the<br />
pile on my desk is twice<br />
what you have here. So you<br />
have a drowned man on your<br />
hands.<br />
That's right.<br />
And is it true that you went<br />
in<strong>to</strong> the sea after him? At<br />
night? At this time <strong>of</strong> year?<br />
It's not something you s<strong>to</strong>p<br />
<strong>to</strong> think about.<br />
Oh, I don’t know about that.<br />
That's the kind <strong>of</strong> thing<br />
they hand out medals for.<br />
Well, I lost him so it I<br />
made no difference.<br />
Yeah. Very sad. But you can<br />
look yourself in the eye and<br />
say you tried. You were<br />
tested - you came through.<br />
Have you filed your report<br />
yet, sergeant?<br />
Not yet.<br />
It shouldn't take you long,<br />
should it? The paperwork on
34<br />
a straightforward accident<br />
like that. Simple stuff<br />
compared <strong>to</strong> all <strong>of</strong> this<br />
shite.<br />
JACK:<br />
I’m not at all sure about<br />
what happened yet. It might<br />
be an accident. I don't<br />
know.<br />
35:05<br />
MUSIC<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
Oh. It’s perfectly clear <strong>to</strong><br />
me, Jack. I think you'll<br />
find that what happened here<br />
was an accident - at least<br />
until my people have<br />
finished their work.<br />
Your people?<br />
Detective Sergeant Casey and<br />
Detective Garda Dooley are<br />
two <strong>of</strong> the best <strong>of</strong>ficers in<br />
my unit. Now I'm sure I<br />
don't have <strong>to</strong> remind you <strong>of</strong><br />
the pro<strong>to</strong>col involved when<br />
an <strong>of</strong>ficer stumbles across<br />
an undercover operation.<br />
I know how it's supposed <strong>to</strong><br />
work.<br />
Of course you do. You're an<br />
experienced man. Now what<br />
Casey and Dooley are doing<br />
here is very important <strong>to</strong><br />
me, it’s very important <strong>to</strong><br />
the state. And I cannot, and<br />
I will not, allow anything<br />
<strong>to</strong> compromise that<br />
operation.<br />
That might be easier if I<br />
knew what the operation was.
35<br />
LYNCH:<br />
35:50<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
36:02<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
I've <strong>to</strong>ld you all you need<br />
<strong>to</strong> know.<br />
Oh, your partner. The one<br />
with the taxi.<br />
He doesn't know about your<br />
people.<br />
Local paper?<br />
No.<br />
Radio?<br />
No.<br />
Good. That's the way I want<br />
<strong>to</strong> keep it.<br />
Well, would you look at<br />
that? I'd like <strong>to</strong> have your<br />
drive <strong>to</strong> work in the<br />
morning, Jack. Gerry<br />
Driscoll? Remind me.<br />
He was my father.<br />
Of course he was. I bumped<br />
in<strong>to</strong> him once in Templemore.<br />
I think he might have been<br />
doing his Sergeant's Exams.<br />
The early nineties?<br />
That would be it. You could<br />
never tell what that man was<br />
thinking. Of course it would<br />
have been different for you,<br />
being his son and all that.<br />
I'm sure he would have<br />
talked....<br />
He never spoke about work.<br />
He was a very discreet man<br />
when it came <strong>to</strong> the job.
36<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
And that's what I want you<br />
<strong>to</strong> be, Jack. There's no need<br />
for you <strong>to</strong> have anything <strong>to</strong><br />
do with my people. As far as<br />
you're concerned they're a<br />
young couple enjoying a<br />
quiet break. But if you do<br />
happen <strong>to</strong> bump in<strong>to</strong> them<br />
again - a little bit <strong>of</strong> your<br />
father’s discretion wouldn’t<br />
go amiss.<br />
And it's Garda Colvin's<br />
wife's taxi - not his.<br />
O I don’t worry about that<br />
Jack. I knew a Guard once<br />
ran a funeral parlour from<br />
the barracks. Can you<br />
believe it? You're the boss.<br />
You're the sheriff. Be safe,<br />
be well.<br />
39:00<br />
MUSIC<br />
39:26<br />
SHOP DOOR BELL RINGS.<br />
39:56<br />
CASEY:<br />
LYNCH:<br />
CASEY:<br />
I'm sorry. The last thing I<br />
wanted was <strong>to</strong> bring you out<br />
here.<br />
I didn't want <strong>to</strong> have <strong>to</strong><br />
come here, Michael. I<br />
thought this operation was<br />
in safe hands. I thought I<br />
could concentrate on the<br />
Dublin end <strong>of</strong> things and<br />
leave this side <strong>to</strong> you.<br />
We couldn't have planned on<br />
the kid going in the water.<br />
That came out <strong>of</strong> nowhere.<br />
Did you speak <strong>to</strong> this
37<br />
culchie guard yet?<br />
LYNCH:<br />
CASEY:<br />
LYNCH:<br />
CASEY:<br />
LYNCH:<br />
CASEY:<br />
LYNCH:<br />
CASEY:<br />
LYNCH:<br />
CASEY:<br />
LYNCH:<br />
CASEY:<br />
LYNCH:<br />
I <strong>to</strong>ld him that until you've<br />
finished your work here,<br />
what he has on his hands is<br />
a simple, straightforward<br />
accident.<br />
Did you tell him what we're<br />
doing?<br />
No. He knows who you are but<br />
not what you're doing.<br />
Is he happy with that?<br />
With Driscoll's record, he's<br />
lucky <strong>to</strong> have a job - he'd<br />
be a fool <strong>to</strong> risk his career<br />
over this.<br />
He'd be a lot easier <strong>to</strong><br />
handle if he hadn't been<br />
mixed up with Maura way<br />
back. That emotional<br />
business... that really<br />
complicates things.<br />
Dooley has good instincts.<br />
She can handle it.<br />
I'm wondering if it wouldn't<br />
be better just <strong>to</strong> pull out<br />
now.<br />
Are you serious?<br />
Yeah. Rather than have the<br />
thing go <strong>of</strong>f half-cocked.<br />
Michael, this operation<br />
means a lot <strong>to</strong> me.<br />
And <strong>to</strong> me.<br />
And this is your chance <strong>to</strong><br />
prove it. This is your
38<br />
chance <strong>to</strong> make your mark.<br />
41:00<br />
MUSIC<br />
LYNCH<br />
WAITRESS:<br />
LYNCH:<br />
WAITRESS:<br />
LYNCH:<br />
41:50<br />
EITHNE:<br />
JACK:<br />
EITHNE:<br />
JACK:<br />
EITHNE:<br />
As you well know, we don't<br />
have a great record with<br />
this target.<br />
More C<strong>of</strong>fee?<br />
Excuse me?<br />
More c<strong>of</strong>fee?<br />
No. Thank you. The idea was<br />
<strong>to</strong> keep it simple. Small.<br />
Low-key. Get in, get the<br />
evidence, get out. Now I<br />
chose you, Michael - above<br />
all the others. I chose you.<br />
We have <strong>to</strong> deliver. You<br />
have <strong>to</strong> deliver. Now this<br />
operation goes ahead despite<br />
your drowned man. Yeah?<br />
The pockets were full <strong>of</strong><br />
sand. I don't know what it's<br />
done <strong>to</strong> my machine.<br />
You didn't have <strong>to</strong> do all<br />
that. I could have ironed<br />
them myself.<br />
Like that one you've on, you<br />
mean? Look, it’s a pity you<br />
didn’t bring Maura over <strong>to</strong><br />
meet your dad when he was<br />
still alive. They'd have got<br />
on well, I think.<br />
He was always a hit with the<br />
ladies.<br />
She's a lovely-looking<br />
woman.
39<br />
JACK:<br />
EITHNE:<br />
JACK:<br />
EITHNE:<br />
JACK:<br />
EITHNE:<br />
JACK:<br />
EITHNE:<br />
JACK:<br />
43:11<br />
JACK:<br />
DOCTOR:<br />
JACK:<br />
DOCTOR:<br />
And she's a mind <strong>of</strong> her own<br />
– as do I. Here, big box <strong>of</strong><br />
his stuff down at the<br />
station.<br />
And he'd have you <strong>to</strong> think<br />
he wasn't a sentimental man.<br />
Did he ever mention him?<br />
Lynch. Your father was<br />
always one for keeping up<br />
with who was in and who was<br />
out at the Phoenix Park. But<br />
he's one you would remember.<br />
Bit <strong>of</strong> a crusader. He's done<br />
well for himself, hasn’t he.<br />
Chief Superintendent. What<br />
did dad say?<br />
The worst thing your father<br />
could say about someone was<br />
that he had no sense <strong>of</strong><br />
humour. But your man here<br />
must be good <strong>to</strong> get where he<br />
is. How do you know him?<br />
His name came up.<br />
Have you any news <strong>of</strong> Daniel?<br />
No. I'm just on my way <strong>to</strong><br />
the hospital now <strong>to</strong> pick up<br />
the au<strong>to</strong>psy report. I’ll<br />
see you later.<br />
Any sign <strong>of</strong> alcohol?<br />
No.<br />
Drugs?<br />
Nothing. Nothing at all.
40<br />
JACK:<br />
DOCTOR:<br />
JACK:<br />
Okay, thanks. Actually, I<br />
thought I might drop his<br />
personal effects and his<br />
clothes back <strong>to</strong> his parents.<br />
Sure. I’ll ask one <strong>of</strong> the<br />
nurses.<br />
Great. Thank you.<br />
43:32<br />
MUSIC<br />
43:45<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
BREDE:<br />
44:37<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
I had some paper-work <strong>to</strong><br />
pick up from the hospital.<br />
They asked me <strong>to</strong> drop this<br />
<strong>of</strong>f. Some <strong>of</strong> Daniel’s<br />
things. Saw you in <strong>to</strong>wn.<br />
I was on my way out <strong>to</strong> the<br />
boat.<br />
Sorry, Brede. There's<br />
nothing yet. It might be<br />
useful for me <strong>to</strong> have a look<br />
at his room. Would that be<br />
OK?<br />
Will you bring the guard up<br />
and show him Daniel’s room?<br />
Tell me about the argument.<br />
What argument?<br />
The argument you had with<br />
Daniel. What was that about?<br />
There was no argument. The<br />
same as any other family.<br />
About his future. What he<br />
was going <strong>to</strong> do with his<br />
life.<br />
What was he going <strong>to</strong> do?
41<br />
CIARAN:<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
CIARAN:<br />
Anything but go <strong>to</strong> sea. I<br />
can't blame really. The<br />
business is finished.<br />
He was playing a lot <strong>of</strong><br />
poker.<br />
Not a lot. Just with his<br />
friends.<br />
For money?<br />
No.<br />
What about 'on-line'?<br />
I <strong>to</strong>ld you before. It was<br />
just a bit <strong>of</strong> fun.<br />
It's an easy way <strong>to</strong> lose a<br />
lot <strong>of</strong> money. Easy <strong>to</strong> let<br />
things get out <strong>of</strong> control.<br />
You think maybe he was in<br />
debt?<br />
Lads <strong>of</strong> his age <strong>of</strong>ten find<br />
it difficult <strong>to</strong> speak <strong>to</strong><br />
their families. Bottle this<br />
up.<br />
Are you suggesting he did<br />
this on purpose?<br />
No. I don't think it was<br />
deliberate. I think Daniel<br />
went in<strong>to</strong> the water by<br />
accident. What I want <strong>to</strong><br />
find out is what he was<br />
doing out there in the first<br />
place. Was Daniel involved<br />
in drugs in any way?<br />
Good god, no. He was never<br />
interested in anything like<br />
that in his life.
42<br />
JACK:<br />
BREDE:<br />
CIARAN:<br />
BREDE:<br />
JACK:<br />
CIARAN:<br />
BREDE:<br />
CIARAN:<br />
BREDE:<br />
Eugene reported your 'Dory'<br />
missing first thing this<br />
morning. Had Daniel taken it<br />
out before?<br />
The 'Dory'? What would he be<br />
doing out in the dark in<br />
that little thing?<br />
Look, nobody knows what<br />
happened. The boat was gone<br />
but nobody knows what it was<br />
he was doing out there. Now<br />
you're asking me about his<br />
poker-playing and drugs and<br />
god-knows-what.<br />
Drugs? That's never Daniel.<br />
And the poker - that's just<br />
a hobby with them all<br />
nowadays.<br />
I have <strong>to</strong> ask.<br />
I know you do. And it's<br />
true, you do hear these<br />
s<strong>to</strong>ries about the young<br />
people. How they have all<br />
this pressure on them and<br />
the parents only find out<br />
when it's <strong>to</strong>o late.<br />
What are you saying?<br />
I'm saying that you hear<br />
these things, that's all.<br />
Good god, man. If my son was<br />
thinking <strong>of</strong> taking his own<br />
life, I would have known<br />
about it. I loved him. He<br />
was my own blood. I would<br />
have known if he was in<br />
trouble. I don't understand<br />
what all these questions are<br />
for.
43<br />
JACK:<br />
CIARAN:<br />
I'm sorry, Brede. I'm trying<br />
<strong>to</strong> find out what happened <strong>to</strong><br />
your son. Let's get back <strong>to</strong><br />
Denis Nolan. Do you have<br />
anything <strong>to</strong> do with him?<br />
I know him. He loaned me<br />
money....<br />
47:00<br />
MUSIC<br />
BREDE:<br />
CIARAN:<br />
BREDE:<br />
CIARAN:<br />
BREDE:<br />
CIARAN:<br />
BREDE:<br />
JACK:<br />
What?<br />
Couple <strong>of</strong> thousand.... Five<br />
thousand.<br />
Five thousand euros?<br />
And I paid him back. It was<br />
purely a business<br />
arrangement. A small loan.<br />
What on earth were you doing<br />
taking money from a man like<br />
that? Nolan doesn't do<br />
favours - he doesn't do<br />
anything for nothing. What<br />
has all this got <strong>to</strong> do with<br />
my son and Dennis Nolan?<br />
Nothing. It has nothing <strong>to</strong><br />
do with the man.<br />
The guard's asking you a<br />
question, Ciaran. Why is he<br />
asking? What's he<br />
suggesting?<br />
I'm suggesting nothing, Mrs<br />
O'Malley. I'm just asking<br />
questions.<br />
48:10<br />
KNOCKING ON DOOR.
44<br />
48:15<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
Where is he?<br />
Talk <strong>to</strong> me.<br />
I want Casey. I want some<br />
answers.<br />
Jack. Be reasonable. Lynch<br />
<strong>to</strong>ld you....<br />
Why don’t you come down and<br />
tell Daniel's mother why her<br />
son died? She needs some<br />
answers.<br />
And I can't give them <strong>to</strong><br />
her. You know what I'm doing<br />
here.<br />
No. I don't - because you<br />
won't tell me.<br />
You know I can't talk about<br />
it.<br />
You didn't need <strong>to</strong> lie <strong>to</strong><br />
me.<br />
Do you think I enjoyed that?<br />
It's a possibility, isn't<br />
it? Given your record.<br />
Jack - grow up. This isn’t<br />
about us. There is no us.<br />
This is about work. Now,<br />
leave me alone before you<br />
blow the whole thing wide<br />
open.<br />
What exactly is your<br />
relationship with Ciaran<br />
O'Malley?<br />
You're behaving like a fool.
45<br />
JACK:<br />
I have Daniel out there in<br />
Ciaran's boat - alone – and<br />
nobody can tell me why. I<br />
also have a local man - a<br />
solici<strong>to</strong>r with a dodgy<br />
reputation out near the<br />
beach at the same time. Now,<br />
I think Daniel was trying <strong>to</strong><br />
get ashore when he went in<strong>to</strong><br />
the water.<br />
49:01<br />
MUSIC<br />
JACK:<br />
MAURA:<br />
JACK:<br />
He had no car there so he<br />
must have been meeting<br />
someone.<br />
You're putting all <strong>of</strong> us in<br />
danger by coming here.<br />
Including, if you only knew<br />
it, Ciaran O’Malley and his<br />
wife and...<br />
No, you did that when you<br />
rang me <strong>to</strong> say that someone<br />
was in trouble. You were<br />
shit scared and you didn't<br />
know what <strong>to</strong> do so you<br />
called me. Now I didn't ask<br />
<strong>to</strong> be dragged in<strong>to</strong> this. Now<br />
that I have been the least<br />
you can do is tell me what<br />
the fuck is going on. Okay.<br />
Let's try Casey.<br />
49:34<br />
CASEY:<br />
JACK:<br />
CASEY:<br />
Why don't you s<strong>to</strong>p and think<br />
before you make a very<br />
serious mistake?<br />
You were both watching the<br />
beach the night Daniel<br />
O’Malley died. Why?<br />
What did I tell you? This is
46<br />
why they sent him out here.<br />
This is why it was a bad<br />
idea <strong>to</strong> go and see him. How<br />
long have you been in this<br />
job, Driscoll?<br />
JACK:<br />
CASEY:<br />
JACK:<br />
CASEY:<br />
MAURA:<br />
JACK:<br />
Don't treat me like a fool.<br />
I'm sick <strong>of</strong> lying <strong>to</strong> decent<br />
people.<br />
Is that so? And would that<br />
be because you have<br />
scruples? Because you’ve got<br />
a duty <strong>to</strong> perform? You know<br />
what? Fuck your scruples.<br />
Fuck your duty. This is a<br />
major investigation in<strong>to</strong>...<br />
In<strong>to</strong> what? Well, go on. A<br />
seventeen year-old boy is<br />
lying on a slab because <strong>of</strong><br />
what you're doing here. Now<br />
I find out his his father's<br />
involved somehow. I don't<br />
care about your operation. I<br />
don't give a fuck how<br />
'major' it is. I think you<br />
deliberately placed him and<br />
his family at risk. Now do<br />
you expect me <strong>to</strong> sit here<br />
and do nothing while you<br />
shit on my doorstep and<br />
expect me <strong>to</strong> clear it up?<br />
One way or the other, Casey,<br />
I'm having the answers.<br />
You're having nothing. Stick<br />
<strong>to</strong> handing out parking<br />
tickets <strong>to</strong> <strong>to</strong>urists.<br />
Jack, be reasonable. There<br />
was nothing we could do for<br />
Daniel. I'm sorry but that's<br />
the truth, believe me.<br />
Ask him why he didn't go in<br />
after him.
47<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
CASEY:<br />
JACK:<br />
CASEY:<br />
JACK:<br />
Jack, please.<br />
This has <strong>to</strong> do with drugs,<br />
doesn’t it? Daniel O'Malley<br />
was mixed up in it, somehow.<br />
Leave it alone.<br />
One death is enough.<br />
Go home <strong>to</strong> your mother and<br />
leave this <strong>to</strong> people who are<br />
trained <strong>to</strong> handle it.<br />
Okay. Let's try a different<br />
approach.<br />
Driscoll. Look, I know what<br />
your problem is. I know what<br />
this is all about. But if<br />
you think she's going <strong>to</strong><br />
Michael Casey. I'm arresting<br />
you...<br />
51:03<br />
PUNCH<br />
51:09<br />
SPIT<br />
JACK:<br />
MAURA:<br />
JACK:<br />
CASEY:<br />
JACK:<br />
MAURA:<br />
Assault on an <strong>of</strong>ficer will<br />
do nicely.<br />
Jack, Wait. Jack, please<br />
listen.<br />
Now, you are not obliged <strong>to</strong><br />
say anything but anything<br />
you do say<br />
...can you believe this?<br />
...may be used against you…<br />
Jack.
48<br />
JACK:<br />
MAURA:<br />
JACK:<br />
in evidence."<br />
You're behaving like an<br />
idiot.<br />
If I find that your friend<br />
here sent a seventeen-yearold<br />
<strong>to</strong> his death, I swear <strong>to</strong><br />
god - I'll bury him. Now<br />
move.<br />
51:36<br />
CAR SCREACHING TO A HALT.<br />
51:39<br />
LYNCH:<br />
You what? This guy is<br />
starting <strong>to</strong> get on my<br />
nerves. Okay, I'm on<strong>to</strong> it.<br />
Fuck!<br />
51:55<br />
MUSIC<br />
52:02<br />
LYNCH:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
LYNCH:<br />
JACK:<br />
CASEY:<br />
Last year alone Eddie McCann<br />
was behind the importation<br />
<strong>of</strong> 50 million worth <strong>of</strong> drugs<br />
in <strong>to</strong> this country…<br />
Jack, I don’t want this <strong>to</strong><br />
wreck things for us.<br />
I thought there was no us.<br />
That depends on you.<br />
There’s a bigger picture<br />
here and you’re not seeing<br />
it. Did I get you wrong<br />
Jack?<br />
If you assumed I was my<br />
father, then yes.<br />
She only came on <strong>to</strong> you<br />
because I <strong>to</strong>ld her <strong>to</strong>.
49<br />
She’s laughing at you.<br />
LYNCH:<br />
CASEY:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
MAURA:<br />
EITHNE:<br />
MAURA:<br />
JACK:<br />
Michael, enough.<br />
You were <strong>to</strong>ld <strong>to</strong> back <strong>of</strong>f.<br />
You were <strong>to</strong>ld you were out<br />
<strong>of</strong> your depth.<br />
So what happens <strong>to</strong> Ciaran<br />
O’Malley?<br />
He’s a drug trafficker, do<br />
you care?<br />
I care about his family.<br />
Do you worry about Jack.<br />
The worry never goes away.<br />
No matter what age they are.<br />
I only ever seem <strong>to</strong> bring<br />
him bad luck.<br />
I think you have an<br />
informant. Someone inside<br />
your operation.
50<br />
TOUCHPAPER<br />
TELEVISION<br />
SINGLE-HANDED 3<br />
EPISODE 2<br />
Post Production<br />
Script
51<br />
OPENING CREDITS<br />
RTE Drama<br />
Owen McDonnell<br />
<strong>Single</strong>-<strong>Handed</strong><br />
“The Drowning Man”<br />
Written by<br />
Barry Simner<br />
Produced by<br />
Clare Alan<br />
Directed by<br />
Anthony Byrne<br />
END CREDITS<br />
Cast in order <strong>of</strong> appearance<br />
Daniel O’Malley<br />
Garda Finbarr Colvin<br />
Denis Nolan<br />
Maura Dooley<br />
Brede O’Malley<br />
Ciaran O’Malley<br />
Michael Casey<br />
Chief Superintendent Lynch<br />
Liam Nolan<br />
Radio DJ<br />
Eithne Driscoll<br />
Eddie McCann<br />
Eugene<br />
Cathal<br />
Andy<br />
Anna<br />
Peter Agnew<br />
Daisy Cummins<br />
Sandra Corbally<br />
Colm O’Callaghan<br />
Cathy Hegarty<br />
Ann Warter<br />
Sean Burke<br />
Garry Robinson<br />
David Herlihy<br />
Owen Roe<br />
Marcella Plunkett<br />
Catherine Byrne<br />
Peter Gowen<br />
Padraic Delaney<br />
Michael McElhat<strong>to</strong>n<br />
Robert Bannon<br />
Paul Phelan<br />
Ruth McCabe<br />
Tony Lynch<br />
John O’Dowd<br />
Brien Gleeson<br />
Cillian O’Sullivan<br />
Maude Fahy<br />
First Assistant Direc<strong>to</strong>r<br />
Second Assistant Direc<strong>to</strong>r<br />
Third Assistant Direc<strong>to</strong>r<br />
Trainee ADs<br />
Crowd Co-ordina<strong>to</strong>r<br />
Location Manager
52<br />
Joe Walsh<br />
James Mongon<br />
Yvonne Burke<br />
Ross Flannery<br />
Sophie Tebbitt<br />
Evelyn McLoughlin<br />
Matthew Hennessy<br />
Assistant Location Manager<br />
Locations Trainee<br />
Production Co-ordina<strong>to</strong>r<br />
Production Assistant<br />
Production Accountant<br />
Assistant Accountant<br />
Transport Captain<br />
Paddy Hession<br />
Gerard Coyne<br />
Alistair Rumball<br />
Donal O’Farrell<br />
Chris Roufs<br />
Julian Pugh-Cook<br />
Alan Butler<br />
Jessica Drum<br />
Brian Dungan<br />
Amy Breen<br />
Paul Tsan<br />
Adam Tsan<br />
Fiachra O’Hanlon<br />
Padraigh O’Mannion<br />
Melanie Downes<br />
Adrienne McGrane<br />
Eleonora McNamara<br />
Action Vehicle Drivers<br />
Marine Co-ordina<strong>to</strong>r<br />
Stunt Co-ordina<strong>to</strong>r<br />
Script Supervisor<br />
Camera Opera<strong>to</strong>r<br />
Focus Puller<br />
Underwater Pho<strong>to</strong>graphy<br />
Video Technician<br />
Camera Trainee<br />
Key Grip<br />
Assistant Grip<br />
Sound Recordist<br />
Boom Opera<strong>to</strong>r<br />
Supervising Art Direc<strong>to</strong>r<br />
Standby Art Direc<strong>to</strong>r<br />
Standby Assistant Art Direc<strong>to</strong>r
53<br />
Keavy Lalor<br />
Gerry Lanigan<br />
Alan Harvey<br />
Ronan Kennedy<br />
Ciara McKenna<br />
Dave Flanagan<br />
Dave Hill<br />
Nicky McManus<br />
Pat Tighe<br />
Joey Gaynore<br />
Thomas Arkins<br />
Darren Carney<br />
Neville Gaynor<br />
Mark O’Callaghan<br />
Dave Cowley<br />
Simon Farrelly<br />
John Martin Ó Flatharta<br />
Stephen Doyle<br />
Noel Holland<br />
Martin Holand<br />
Denise Watson<br />
Sharon Doyle<br />
Martina McCarthy<br />
Sevlene Roddy<br />
Art Department Buyer<br />
Property Master<br />
Chargehand<br />
Stand-by Props<br />
Assistant Stand-by Props<br />
Dressing Props<br />
Props Runaround<br />
Construction Manager<br />
Supervising Carpenter<br />
Master Painter<br />
Stagehand<br />
Stand-by Painters<br />
Stand-by Carpenter<br />
Stand-by Stagehand<br />
Stand-by Rigger<br />
Gaffer<br />
Best boy<br />
Electrician<br />
Genera<strong>to</strong>r Opera<strong>to</strong>r<br />
Chief Make-up Artist<br />
Assistant Make-up Artist<br />
Chief Hair Designer<br />
Assistant Hairdresser
54<br />
Mary Fox<br />
Katie Guinnane<br />
Peter Murray<br />
Tim Morris<br />
Stephen Lynch<br />
Nikki Moss<br />
Andrea King<br />
Peter Blayney<br />
Shayne Murphy<br />
John Kennedy<br />
Dave Hughes<br />
Wardrobe Supervisor<br />
Wardrobe Assistant<br />
Consultant<br />
Post Production Supervisor<br />
Assistant Edi<strong>to</strong>r<br />
Sound Designer<br />
Foley Artist<br />
Dubbing Mixer<br />
HD Online Edi<strong>to</strong>r<br />
Flame Artist<br />
Colourist<br />
Produced with the support <strong>of</strong> investment incentives<br />
For the Irish Film Industry provided by the Government <strong>of</strong> Ireland<br />
Filmed on location in Ireland<br />
Andrew Lowe<br />
Des Martin<br />
Maureen Hughes<br />
Aisling Byrne<br />
Anna Rackard<br />
Niall Byrne<br />
Isobel Stephenson<br />
Darran Tiernan<br />
Rob Pursey<br />
Executive Producer for Element Films<br />
Line Producer<br />
Casting Direc<strong>to</strong>r<br />
Costume Designer<br />
Production Designer<br />
Composer<br />
Edi<strong>to</strong>r<br />
Direc<strong>to</strong>r <strong>of</strong> Pho<strong>to</strong>graphy<br />
Executive Producer<br />
Touchpaper Television logo
55<br />
For RTE<br />
© RTE 2008
56<br />
00:00<br />
MUSIC<br />
00:01<br />
MOBILE PHONE RINGS.<br />
00:03<br />
JACK:<br />
00:12<br />
FINBARR:<br />
NOLAN:<br />
00:16<br />
JACK:<br />
EITHNE:<br />
00:24<br />
BREDE:<br />
JACK:<br />
BREDE:<br />
00:31<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
Hello? Jack Driscoll. What<br />
kind <strong>of</strong> trouble?<br />
There was a fatality I<br />
think. Someone drowned.<br />
D’you know who?<br />
You know Brede and Ciaran<br />
O’Malley’s son, Daniel?<br />
He’s drowned.<br />
Dear God, no.<br />
All alone out there, in the<br />
cold water.<br />
D’you have any idea what he<br />
might have been doing? Why<br />
he ended up in the sea?<br />
No.<br />
Hello Jack.<br />
Maura? I’m surprised I<br />
hadn’t heard that you’d left<br />
the guards. What are you up<br />
<strong>to</strong> now.<br />
Just temporary stuff.<br />
When did all this undercover<br />
shite start? Were you at it<br />
when we were <strong>to</strong>gether?
57<br />
00:44<br />
BREDE:<br />
00:52<br />
CASEY:<br />
JACK:<br />
00:57<br />
LYNCH:<br />
JACK:<br />
What on earth were you doing<br />
taking money from a man like<br />
that? Nolan doesn’t do<br />
favours. He doesn’t do<br />
anything for nothing.<br />
Why don’t you s<strong>to</strong>p and think<br />
before you make a very<br />
serious mistake.<br />
You were both watching the<br />
beach the night Daniel<br />
O’Malley drowned.<br />
Now I’m sure I don’t have <strong>to</strong><br />
remind you <strong>of</strong> the pro<strong>to</strong>col<br />
involved when an <strong>of</strong>ficer<br />
stumbles across an<br />
undercover operation.<br />
I know how it’s supposed <strong>to</strong><br />
work.<br />
01:09<br />
Grunts.<br />
JACK:<br />
LYNCH:<br />
You’re not obliged <strong>to</strong> say<br />
anything but anything you do<br />
say…<br />
This guy is starting <strong>to</strong> get<br />
on my nerves. OK – I’m on<br />
<strong>to</strong> it<br />
01:54<br />
SCUFFLING.<br />
01:55<br />
JACK:<br />
Sit. Garda Colvin. This is<br />
Mister Michael Casey - all<br />
the way from Dublin. I'm<br />
bringing him in for<br />
resisting arrest and<br />
assaulting a guard.
58<br />
FINBARR:<br />
CASEY:<br />
Is that right?<br />
What do you two farmers<br />
think you're going <strong>to</strong> do <strong>to</strong><br />
me in this shithole? This is<br />
a joke. You're a joke.<br />
02:14<br />
HANDCUFFS LOCKED.<br />
FINBARR:<br />
JACK:<br />
CASEY:<br />
FINBARR:<br />
JACK:<br />
CASEY:<br />
JACK:<br />
FINBARR:<br />
CASEY:<br />
All the way from Dublin and<br />
assaulting a guard? That's<br />
not a joke in my book.<br />
Neither is 'reckless<br />
endangerment' - which is<br />
the next charge I'm looking<br />
at.<br />
D'you think this is going <strong>to</strong><br />
impress her?<br />
Oh, yeah. Mr Casey. You'll<br />
be the gentleman staying in<br />
the little cottage? You<br />
know, this isn't the sort <strong>of</strong><br />
behaviour we expect from<br />
people enjoying a quiet<br />
holiday.<br />
Mr Casey's being a bit vague<br />
about exactly what he's<br />
doing here. I'm hoping he'll<br />
be able <strong>to</strong> shed some light<br />
on Daniel O'Malley's death.<br />
Keep hoping.<br />
Let's get some particulars,<br />
shall we?<br />
Right oh. Ah, this can take<br />
a bit <strong>of</strong> time, Mr Casey.<br />
Because you're making it up<br />
as you go along?
59<br />
FINBARR:<br />
CASEY:<br />
FINBARR:<br />
CASEY:<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
No, no, I mean with all the<br />
forms and the bureaucracy<br />
and all that sort <strong>of</strong> thing.<br />
Would you like some tea or<br />
c<strong>of</strong>fee while we're going<br />
through the process?<br />
Enjoy it while you can.<br />
Right, that's a no, is it?<br />
I'd better take a note <strong>of</strong><br />
that. Prisoner refused<br />
refreshments. Now, would you<br />
mind emptying your pockets<br />
please, Mr Casey?<br />
Let's assume you're serious.<br />
We both know you can't<br />
charge me here.<br />
I didn't know that. Did you<br />
know that, Jack?<br />
I think you'll find we do<br />
things a bit differently out<br />
here in the Wild West.<br />
Your pockets.<br />
03:28<br />
MUSIC<br />
03:34<br />
HANDCUFFS RATTLE<br />
03:40<br />
JACK:<br />
CASEY:<br />
03:48<br />
LYNCH:<br />
Let’s see if we can get some<br />
details about Mr Casey from<br />
that lot shall we?<br />
If my operation goes down<br />
the Swanee because <strong>of</strong> your<br />
ego...<br />
Can I speak <strong>to</strong> you outside,
60<br />
sergeant?<br />
04:00<br />
LYNCH:<br />
JACK:<br />
You’ve got the wrong man<br />
there, sergeant.<br />
I have a man who assaulted<br />
me. A man I believe<br />
endangered the life <strong>of</strong><br />
someone barely out <strong>of</strong><br />
school. Now, I don't care<br />
who you are or what you're<br />
doing here, that’s not<br />
something I'm prepared <strong>to</strong><br />
ignore.<br />
04:06<br />
MOBILE PHONE QUICK DIAL BEEP<br />
LYNCH:<br />
Maura, would you get over<br />
here <strong>to</strong> the station straight<br />
away? Thanks.<br />
04:14<br />
MOBILE PHONE BEEP<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
Now, I thought I'd made<br />
myself perfectly clear the<br />
last time we spoke. There's<br />
a bigger picture here and<br />
you're not seeing it.<br />
Maybe if you <strong>to</strong>ld me what it<br />
was.<br />
Did I get you wrong, Jack?<br />
If you assumed I was my<br />
father then, yes, I believe<br />
you did.<br />
Now, you're a determined man<br />
and I respect that.<br />
So s<strong>to</strong>p treating me like a<br />
fool. I've been involved in<br />
the internal politics <strong>of</strong>
61<br />
this job before and I didn't<br />
like it.<br />
LYNCH:<br />
04:38<br />
FINBARR:<br />
CASEY:<br />
FINBARR:<br />
Get in the car.<br />
Is it true you can even send<br />
emails on these?<br />
That's still my property.<br />
Would you mind not fucking<br />
around with it?<br />
Would you believe we don't<br />
even have a computer? Half<br />
the time the powers that be<br />
don’t even know what we're<br />
up <strong>to</strong>.<br />
04:52<br />
THUNDER & RAIN<br />
04:58<br />
LYNCH:<br />
I’m going <strong>to</strong> tell you<br />
something that I don’t tell<br />
many people. I was out near<br />
the border in seventy-nine<br />
in a one-and-one station<br />
like yours. My sergeant was<br />
a great man. He was a great<br />
country copper. One spring<br />
morning he walked in<strong>to</strong> a<br />
post-<strong>of</strong>fice and a terrorist<br />
gunman shot him dead. That’s<br />
one <strong>of</strong> five bullets they dug<br />
out <strong>of</strong> his body. You can<br />
imagine what five <strong>of</strong> those<br />
would do <strong>to</strong> you. That gunman<br />
was never caught - though we<br />
knew who he was. And these<br />
days he's hardly <strong>of</strong>f the<br />
front pages. International<br />
businessman. Public<br />
benefac<strong>to</strong>r. He's a man with<br />
a violent past but he has<br />
one great talent –
62<br />
05:43<br />
MUSIC<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
He can s<strong>to</strong>p certain people<br />
from rocking the political<br />
boat. D’you follow me? No<br />
one wants <strong>to</strong> ask awkward<br />
questions about Eddie McCann<br />
or where his money comes<br />
from – just as long as his<br />
old friends stay quiet. Now,<br />
men like us, we might wonder<br />
whether we should be<br />
ignoring them just because<br />
it's politically expedient.<br />
But we're only a couple <strong>of</strong><br />
guards, aren't we, Jack?<br />
What do we know? I’ll tell<br />
you what I know? Last year<br />
alone, Eddie McCann was<br />
behind the importation <strong>of</strong><br />
fifty million worth <strong>of</strong> drugs<br />
in<strong>to</strong> this country. He has<br />
ten million worth <strong>of</strong> cocaine<br />
lying at the bot<strong>to</strong>m <strong>of</strong> your<br />
beautiful bay as we speak.<br />
Now, we've known for some<br />
time that he's a major<br />
player in the drugs trade<br />
but we’ve never been able <strong>to</strong><br />
bring a successful case<br />
against him. I've had two<br />
operations against him fall<br />
at the last fence. Nolan is<br />
the last piece in the<br />
jigsaw. He's the link<br />
between the drugs in your<br />
bay and McCann.<br />
Ah well, plenty <strong>of</strong> people<br />
are wondering how a country<br />
solici<strong>to</strong>r like Nolan managed<br />
<strong>to</strong> do quite so well for<br />
himself.<br />
Well now you know. Our job<br />
is <strong>to</strong> catch Nolan with his
63<br />
hands on the drugs. Isn't<br />
this what you signed up for?<br />
Wouldn't nailing a man like<br />
McCann make all the shite,<br />
all the bloody paperwork<br />
worthwhile?<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
Yeah, but surely Nolan's not<br />
going <strong>to</strong> risk anything now<br />
he knows that I’m sniffing<br />
around.<br />
And that's why you have <strong>to</strong><br />
s<strong>to</strong>p sniffing around and let<br />
Michael Casey get on with<br />
his job. Now, as you point<br />
out, they're unlikely <strong>to</strong><br />
risk bringing it in <strong>to</strong> the<br />
same spot now that Daniel's<br />
dead and you're<br />
investigating his death. But<br />
without Daniel, Casey is<br />
going <strong>to</strong> have <strong>to</strong> go <strong>to</strong> his<br />
father and make a new<br />
arrangement.<br />
So it was Daniel who was<br />
Casey's <strong>to</strong>ut - not Ciaran?<br />
I couldn’t tell you before,<br />
I couldn't take that chance.<br />
The more people who know,<br />
the bigger the risk <strong>of</strong> a<br />
leak. Now, that bullet's<br />
been in my pocket for nearly<br />
thirty years - and I would<br />
dearly like <strong>to</strong> give it back<br />
<strong>to</strong> Mr McCann. I'm close,<br />
Jack. I'm that close.<br />
07:59<br />
MUSIC & THUNDER<br />
08:09<br />
JACK:<br />
Finbarr...? Release<br />
Detective Sergeant Casey.<br />
Yeah. That’s right.
64<br />
08:21<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
So what happens <strong>to</strong> Ciaran<br />
O'Malley?<br />
He's a drug-trafficker. Do<br />
you care?<br />
I care about his family.<br />
He's not the only one at<br />
risk.<br />
Ciaran O'Malley dragged his<br />
own son in<strong>to</strong> this. He's two<br />
mortgages – a house and a<br />
boat. There's Spanish<br />
trawlers out there hoovering<br />
up everything with fins<br />
while his government - the<br />
same government that's in<br />
bed with Eddie McCann - is<br />
telling him that he can't<br />
fish for nine months <strong>of</strong> the<br />
year because <strong>of</strong> EU quotas.<br />
So he goes <strong>to</strong> Nolan - he<br />
borrows a few thousand.<br />
Nolan asks for a small<br />
favour in return. But it<br />
doesn't s<strong>to</strong>p there. Because<br />
with McCann and Nolan it<br />
never s<strong>to</strong>ps. Once they've<br />
found a safe way in, they'll<br />
keep coming back. Now as I<br />
say, Jack, you can<br />
understand, you even<br />
sympathise - but you also<br />
have <strong>to</strong> judge. You have any<br />
problems, give me a shout<br />
before you do anything else.<br />
09:19<br />
FINBARR:<br />
JACK:<br />
So it’s business as usual is<br />
it? Let the pr<strong>of</strong>essionals<br />
get on with their job?<br />
Leave it <strong>to</strong> the experts.
65<br />
Turn a blind eye – whichever<br />
you prefer.<br />
JACK:<br />
What did you make <strong>of</strong><br />
Detective Casey?<br />
09:29<br />
MUSIC<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
Did you see the watch on<br />
him? And all those fancy<br />
little gadgets. Sure, nobody<br />
could blame you for wanting<br />
a bit <strong>of</strong> that if it was on<br />
<strong>of</strong>fer. But these guys aren’t<br />
like you and me, Jack.<br />
There's no honour where<br />
these guys are concerned.<br />
Everyone is expendable.<br />
They should never have<br />
involved a kid like Daniel.<br />
And leave him <strong>to</strong> drown in<br />
the middle <strong>of</strong> the bloody<br />
night like that? If Casey<br />
was any sort <strong>of</strong> man, he<br />
would have gone in there<br />
after him. And if he's<br />
supposed <strong>to</strong> be the boss why<br />
did he let her call me? Why<br />
didn't he ring me himself?<br />
I tell you what. He called<br />
someone in the middle <strong>of</strong> the<br />
night. That is his 'lastnumber-redial'.<br />
He thought I<br />
was playing submarines or<br />
something but I thought it<br />
would be no harm <strong>to</strong> check<br />
who he was calling while he<br />
was here.<br />
That must be Lynch.<br />
Have you got his number?<br />
10:19
66<br />
MUSIC<br />
JACK:<br />
FINBARR:<br />
JACK:<br />
FINBARR:<br />
That's not it.<br />
Well, d'you want me <strong>to</strong> give<br />
it a go?<br />
No. No, hold on. Thanks.<br />
Right.<br />
10:39<br />
MOBILE PHONE RINGS.<br />
10:46<br />
MAURA:<br />
Jack? Are you alright? I<br />
don’t think that’s a very<br />
good idea. Okay, just give<br />
me a minute I’ll think <strong>of</strong> an<br />
excuse.<br />
11:00<br />
MOBILE PHONE DISCONNECT BEEP.<br />
11:04<br />
NEWSREADER:<br />
DARRAGH:<br />
NEWSREADER:<br />
DARRAGH:<br />
Darragh - this deal we're<br />
hearing about between Eddie<br />
McCann's Premium Holdings<br />
and Chinese Investment Bank?<br />
Yeah, I spoke <strong>to</strong> Eddie<br />
McCann yesterday and it's<br />
very much in line with his<br />
long-term strategy for the<br />
company.<br />
And yet he's made a name for<br />
himself by insisting on<br />
ploughing a large part <strong>of</strong><br />
the company's pr<strong>of</strong>its back<br />
in<strong>to</strong> Ireland.<br />
He has. Not taking out <strong>of</strong><br />
Ireland what he's earned in<br />
Ireland. It's something <strong>of</strong> a<br />
mantra with him. He built<br />
the company up from nothing
67<br />
and you'd have <strong>to</strong> say the<br />
policy's paid <strong>of</strong>f<br />
handsomely.<br />
11:32<br />
CASEY:<br />
MAURA:<br />
CASEY:<br />
MAURA:<br />
CASEY:<br />
MAURA:<br />
CASEY:<br />
MAURA:<br />
CASEY:<br />
MAURA:<br />
Okay, let me call you back.<br />
Who was that?<br />
Lynch.<br />
What did he want?<br />
Probably making sure I<br />
hadn't been arrested by your<br />
boyfriend again.<br />
God, he's really got under<br />
your skin, hasn't he?<br />
I'm just fascinated really<br />
how you ever got involved<br />
with a gorilla like<br />
Driscoll. Anyhow, he's<br />
finished as soon as we get<br />
out <strong>of</strong> here.<br />
What, you're going <strong>to</strong> get<br />
even now?<br />
Maura, the man shouldn't be<br />
wearing the uniform. Or his<br />
idle bloody sidekick. I<br />
thought you were going <strong>to</strong><br />
bed.<br />
No. I need <strong>to</strong> use the car.<br />
12:03<br />
KEYS.<br />
12:05<br />
CASEY:<br />
MAURA:<br />
What for?<br />
I have <strong>to</strong> get something in<br />
the chemist.
68<br />
CASEY:<br />
MAURA:<br />
Wait a second. Are you going<br />
<strong>to</strong> see him?<br />
D'you want <strong>to</strong> come with me?<br />
12:18<br />
CAR KEYS RATTLE.<br />
12:34<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
See you've had the sermon?<br />
Well-rehearsed is it?<br />
Yeah. But that doesn't mean<br />
it's not sincere though.<br />
McCann should have been<br />
behind bars years ago.<br />
And is Casey the man <strong>to</strong> put<br />
him there?<br />
He's very anxious, Jack.<br />
He's got a lot riding on<br />
this. And he's jealous <strong>of</strong> my<br />
relationship with you,<br />
nervous that Lynch is<br />
confiding in you. I've<br />
worked with him before.<br />
Look, I'm not having a go at<br />
you. I know a little bit<br />
about the world you work in.<br />
And I know sometimes you end<br />
up not knowing who <strong>to</strong> trust.<br />
Do you trust Casey?<br />
I don't like him.<br />
Does it bother you that he<br />
was using a seventeen-year<br />
old as his <strong>to</strong>ut?<br />
Those are the sort <strong>of</strong> calls<br />
we have <strong>to</strong> make, Jack.<br />
Daniel was looking for a way<br />
<strong>to</strong> get his father <strong>of</strong>f the<br />
hook.
69<br />
JACK:<br />
Tell me exactly what<br />
happened the night he died.<br />
13:0<br />
MUSIC<br />
MAURA:<br />
JACK:<br />
13:44<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
Is that why you brought me<br />
here? I had <strong>to</strong> lie <strong>to</strong><br />
Casey....<br />
Maura. It's important.<br />
We were at the cottage<br />
watching Daniel drag that<br />
stuff on<strong>to</strong> the boat.<br />
On his own?<br />
He was supposed <strong>to</strong> be with<br />
his father. The two <strong>of</strong> them<br />
<strong>to</strong>gether. That is how it was<br />
supposed <strong>to</strong> work. We<br />
couldn't make out the<br />
details but we could see<br />
that he was in trouble. He<br />
couldn't manage it on his<br />
own.<br />
So why didn't you do<br />
something <strong>to</strong> help him?<br />
Casey said that it was <strong>to</strong>o<br />
late, we had <strong>to</strong> let it run.<br />
And Nolan was on the beach<br />
remember. We couldn't just<br />
turn up. The next thing we<br />
knew the boat was empty and<br />
Daniel was in the water. I<br />
couldn't just stand there<br />
and watch him drown.<br />
But Casey could? Did he do<br />
anything at all?<br />
He called Lynch.
70<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
How do you know?<br />
He <strong>to</strong>ld me. Look, Lynch<br />
brought Casey in<strong>to</strong> the<br />
squad. He gave him all his<br />
breaks. They're like father<br />
and son.<br />
Lynch <strong>to</strong>ld me that you’ve<br />
had a few cases go down at<br />
the last hurdle before.<br />
Yeah, because it's always<br />
<strong>to</strong>uch and go with operations<br />
like this. Look, you can<br />
catch the street dealers,<br />
and the low-lifes and the<br />
runners – but with people<br />
like McCann and Nolan, it’s<br />
something else. The least<br />
suspicion and they're gone.<br />
That's why you have <strong>to</strong> let<br />
things run.<br />
Even if someone’s drowning<br />
in front <strong>of</strong> you.<br />
Sometimes - yes.<br />
Okay. But the fact is, Casey<br />
doesn't have a great track<br />
record, does he?<br />
That's why this is so<br />
important <strong>to</strong> him.<br />
15:04<br />
PAPER UNCRUMPLED.<br />
15:07<br />
JACK:<br />
This is a list <strong>of</strong> recentlydialed-calls<br />
from Casey's<br />
mobile. I know. Just look.<br />
That has <strong>to</strong> be the call<br />
Casey made that you say was<br />
<strong>to</strong> Lynch. Now is that
71<br />
Lynch's number?<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
It's not the number I use.<br />
Do you recognise it?<br />
No.<br />
Doesn't that make you think?<br />
Lynch <strong>to</strong>ld me this was being<br />
kept small-scale so that<br />
there was less risk <strong>of</strong> any<br />
leaks. But here's your man<br />
Casey ringing god-knows-who<br />
at just the moment when it<br />
all starts going wrong.<br />
So - you have a suspicious<br />
number. What are you going<br />
<strong>to</strong> do about it?<br />
That’s why I wanted <strong>to</strong> talk<br />
<strong>to</strong> you. You know Lynch. What<br />
do you think I should do?<br />
D’you want my advice, Jack?<br />
Think very carefully before<br />
you call him. You've a nice<br />
life here. Another couple <strong>of</strong><br />
days and we'll be gone.<br />
Don't mess it up because<br />
you've taken a dislike <strong>to</strong><br />
Casey.<br />
16:33<br />
MUSIC<br />
17:04<br />
EITHNE:<br />
JACK:<br />
17:14<br />
EITHNE:<br />
Did you sleep well?<br />
Not great.<br />
Look Jack. I know can't help<br />
you with your work in the<br />
way your father might have<br />
done, but I do know what
72<br />
this job is like.<br />
JACK:<br />
EITHNE:<br />
JACK:<br />
EITHNE:<br />
JACK:<br />
EITHNE:<br />
I know you do.<br />
Look, what I'm saying is, he<br />
had me <strong>to</strong> share it with. So<br />
if you ever want <strong>to</strong> talk -<br />
about anything at all.<br />
Was he a worry <strong>to</strong> you?<br />
You know he was. Every<br />
minute he was out there in<br />
that uniform. Why I thought<br />
it would be any different<br />
with you, I don't know. But<br />
I know you'll always do the<br />
right thing.<br />
Like Dad, you mean?<br />
I'm away for my bath.<br />
18:07<br />
DIAL ON MOBILE KEY PAD.<br />
18:18<br />
MCCANN:<br />
18:21<br />
MCCANN<br />
JACK:<br />
MCCANN:<br />
JACK:<br />
McCann.<br />
Hello?<br />
Hello, is Jimmy there?<br />
Jimmy? No. You've got the<br />
wrong number.<br />
Sorry. I must have misdialed.<br />
18:29<br />
LINE CUT NOISE.<br />
21:00<br />
MUSIC and CAR DRIVING ON GRAVEL.<br />
21:47
73<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
CASEY:<br />
LYNCH:<br />
JACK:<br />
CASEY:<br />
JACK:<br />
CASEY:<br />
JACK:<br />
CASEY:<br />
JACK:<br />
Can I speak <strong>to</strong> you alone?<br />
We're out here in the open,<br />
Jack. I think that's how we<br />
should keep.<br />
I believe you have an<br />
informant. Someone inside<br />
your operation.<br />
Did you bring me all the way<br />
out here <strong>to</strong> listen <strong>to</strong> this?<br />
You're going <strong>to</strong> have <strong>to</strong> give<br />
me a bit more than that,<br />
Jack.<br />
I think that Detective Casey<br />
is passing on information <strong>to</strong><br />
the man you are targeting.<br />
To Eddie McCann.<br />
What? Are you actually<br />
going <strong>to</strong> stand here and<br />
listen <strong>to</strong> this bollocks?<br />
I don't have what you'd call<br />
hard evidence.<br />
It's time this man was<br />
relieved <strong>of</strong> his duties.<br />
At the moment all I have is<br />
circumstantial evidence - at<br />
the moment.<br />
He has no evidence <strong>of</strong> any<br />
kind. From the moment he<br />
wandered in<strong>to</strong> this thing -<br />
the first moment he caught<br />
sight <strong>of</strong> me with his old<br />
girlfriend, he's been trying<br />
<strong>to</strong> put a stick in my wheel.<br />
That's what this is all<br />
about - him and her.<br />
It has nothing <strong>to</strong> do with
74<br />
Maura.<br />
CASEY:<br />
LYNCH:<br />
CASEY:<br />
LYNCH:<br />
CASEY:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
He thinks I'm shagging her<br />
and it's driving him mad. Is<br />
that what you think? That<br />
I'm shagging her? Is it?<br />
Alright, Michael. That's<br />
enough.<br />
She only came on <strong>to</strong> you<br />
because I <strong>to</strong>ld her <strong>to</strong>. She's<br />
laughing at you.<br />
Michael enough.<br />
You were <strong>to</strong>ld <strong>to</strong> back <strong>of</strong>f.<br />
You were <strong>to</strong>ld you were out<br />
<strong>of</strong> your depth.<br />
I want this operation <strong>to</strong><br />
succeed as much as you do. I<br />
want <strong>to</strong> see Nolan go down.<br />
And I want <strong>to</strong> see justice<br />
for Daniel O’Malley.<br />
You mentioned evidence.<br />
The night Daniel drowned,<br />
Casey dialled this number.<br />
23:07<br />
MUSIC<br />
CASEY:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
CASEY:<br />
So what?<br />
Do you recognise it?<br />
It's just a phone number,<br />
Jack. I don't know whose.<br />
I called that number this<br />
morning - Eddie McCann<br />
answered it.<br />
This is crazy.
75<br />
23:25<br />
LYNCH:<br />
CASEY:<br />
LYNCH:<br />
23:54<br />
LYNCH:<br />
CASEY:<br />
JACK:<br />
CASEY:<br />
LYNCH:<br />
CASEY:<br />
LYNCH:<br />
CASEY:<br />
Give me your phone, Michael.<br />
This is ridiculous. The<br />
whole thing is in his head.<br />
What do you know? What do<br />
you know? Nothing.<br />
The phone.<br />
You dialled the same number<br />
again last night. What’s<br />
that about?<br />
I'm allowed <strong>to</strong> make phone<br />
calls. I was checking<br />
something.<br />
What?<br />
I don't have <strong>to</strong> explain<br />
anything <strong>to</strong> this man. I<br />
don't have <strong>to</strong> explain myself<br />
<strong>to</strong> this failure... this<br />
useless…<br />
No, you don't. But you do <strong>to</strong><br />
me?<br />
I <strong>to</strong>ld you. I was trying <strong>to</strong><br />
get an idea <strong>of</strong> McCann's<br />
movements. After Daniel<br />
drowned I thought... I<br />
wondered if he suspected<br />
something, so...<br />
So you thought you'd give<br />
him a call? Just <strong>to</strong> check<br />
in?<br />
How many times have we been<br />
so close <strong>to</strong> nailing McCann?<br />
I thought, you know, if I<br />
could find another way <strong>to</strong><br />
him, a way <strong>to</strong> make him...
76<br />
LYNCH:<br />
CASEY:<br />
LYNCH:<br />
CASEY:<br />
24:57<br />
LYNCH:<br />
CASEY:<br />
LYNCH:<br />
CASEY:<br />
LYNCH:<br />
CASEY:<br />
Trust you?<br />
Exactly. Yeah. And then I<br />
could use that trust and...<br />
Michael. Michael. You're<br />
clutching at straws.<br />
No. Chief. How long have I<br />
been with you? Ah, come on<br />
man. You know me.<br />
Have I let you down in some<br />
way, Michael? Have I?<br />
You can't catch him. And, if<br />
you do, you'll never get a<br />
conviction. We both know<br />
that. Was I going <strong>to</strong> be<br />
stuck with you till you<br />
retired and still be chasing<br />
the same man? Is that what I<br />
was supposed <strong>to</strong> do with my<br />
career?<br />
I trusted you.<br />
All your talk about the big<br />
picture. You can't see the<br />
big picture because you're<br />
obsessed with one man. Eddie<br />
McCann is a protected<br />
species. No one can <strong>to</strong>uch<br />
him because he's <strong>to</strong>o<br />
important. Without McCann<br />
holding things <strong>to</strong>gether - we<br />
all know what happens.<br />
So this is how you justify<br />
it <strong>to</strong> yourself?<br />
No, no. It's what you <strong>to</strong>ld<br />
me. Eddie McCann is the<br />
price we have <strong>to</strong> pay for<br />
peace in this country. You
77<br />
26:22<br />
PUNCH FOLLOWED BY COUGHING.<br />
won't catch him because no<br />
one in this country wants<br />
him caught. Why? Because a<br />
trial would be worse than<br />
allowing him <strong>to</strong> carry on<br />
with his drugs and his tax<br />
dodges and people-smuggling<br />
<strong>to</strong>o for all I know. He's <strong>to</strong>o<br />
big and <strong>to</strong>o powerful and he<br />
knows <strong>to</strong>o much. This is your<br />
crusade, not mine. I could<br />
have been an inspec<strong>to</strong>r by<br />
now. Instead I’m stuck here<br />
trying <strong>to</strong> sort out your<br />
stupid fucking blood feud<br />
with Eddie McCann.<br />
26:28<br />
LYNCH:<br />
CASEY:<br />
JACK:<br />
LYNCH:<br />
How were you going <strong>to</strong> get<br />
him <strong>of</strong>f the hook this time?<br />
If Daniel hadn't drowned and<br />
we'd got our evidence on<br />
Nolan? Talk <strong>to</strong> me Michael?<br />
Good man.<br />
McCann can always find<br />
another Nolan.<br />
So McCann would have had<br />
Nolan killed?<br />
Give me your gun.<br />
27:02<br />
FINGERS SNAPPED.<br />
27:13<br />
JACK:<br />
CASEY:<br />
Did Daniel tell you he was<br />
going <strong>to</strong> be alone that<br />
night?<br />
No. If his father had have<br />
been with him, none <strong>of</strong> this<br />
would have happened.
78<br />
LYNCH:<br />
27:43<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
JACK:<br />
LYNCH:<br />
28:14<br />
LYNCH:<br />
28:20<br />
NOLAN:<br />
LIAM:<br />
NOLAN:<br />
LIAM:<br />
Go and wait in the car,<br />
Michael.<br />
You were suspicious <strong>of</strong> him<br />
from the start.<br />
I didn't trust him.<br />
And you were right.<br />
I need you <strong>to</strong> go <strong>to</strong> Ciaran<br />
O’Malley and tell him that<br />
the deal is still on. Can<br />
you do that for me?<br />
Yeah.<br />
I'll tell Maura.<br />
What about him?<br />
Oh, don’t worry about<br />
Michael. He'll do what he's<br />
<strong>to</strong>ld from now on.<br />
Thanks Jack.<br />
You ready?<br />
Yeah.<br />
You don’t mind going with<br />
your dad?<br />
No, I’ve <strong>to</strong>ld the others I’d<br />
meet them there.<br />
28:31<br />
KEYS RATTLING.<br />
NOLAN:<br />
LIAM:<br />
Here, my car?<br />
Seriously?
79<br />
NOLAN:<br />
Of course. I trust you - you<br />
know that.<br />
28:43<br />
MUSIC<br />
28:44<br />
RADIO DJ:<br />
No sign <strong>of</strong> an early<br />
resolution. Returning <strong>to</strong><br />
<strong>to</strong>day's <strong>to</strong>p s<strong>to</strong>ry - shares<br />
in Premium Holdings rose<br />
again when it was announced<br />
that the long-expected deal<br />
with Chinese Investment Bank<br />
now has ministerial<br />
backing...<br />
29:16<br />
CAR DOOR SLAMS<br />
29:51<br />
JACK:<br />
BREDE:<br />
30:08<br />
JACK:<br />
30:16<br />
JACK:<br />
Brede. I'm sorry for your<br />
trouble. I truly I am.<br />
Thank you, Jack. Thank you.<br />
Ciaran. Is there somewhere<br />
we can talk?<br />
At the moment, you don't<br />
think things can get any<br />
worse. I'm telling you now,<br />
they can get a lot worse.<br />
You're mixed up with people<br />
who will do anything <strong>to</strong> get<br />
what they want. They didn't<br />
care about Daniel and they<br />
don't care about you and<br />
Brede. You are all<br />
expendable. Do you<br />
understand that? It's time<br />
<strong>to</strong> talk <strong>to</strong> me Ciaran. You<br />
want <strong>to</strong> talk <strong>to</strong> me, don't<br />
you?
80<br />
CIARAN:<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
CIARAN:<br />
I have a priest down there<br />
in my own front room if I<br />
want any <strong>of</strong> that bollocks.<br />
Ciaran. I know - everything.<br />
The deal with Nolan. What<br />
you've been doing. What you<br />
were trying <strong>to</strong> bring ashore.<br />
Where. Who was waiting for<br />
it. Where it's going. In<br />
fact, I know more than you<br />
do because I know who's<br />
behind it all.<br />
I don't know what my son was<br />
doing in the water but it<br />
was nothing <strong>to</strong> do with drugs<br />
or.<br />
Listen <strong>to</strong> me. You're sitting<br />
in the room where he slept.<br />
You can smell his aftershave<br />
<strong>of</strong>f the pillow.<br />
This is a house <strong>of</strong> mourning.<br />
Will you leave us in peace?<br />
Please?<br />
Peace? There isn't going <strong>to</strong><br />
be any more peace. Listen <strong>to</strong><br />
what I'm saying. Detectives<br />
from Dublin were on<strong>to</strong><br />
Daniel. Daniel was their<br />
<strong>to</strong>ut. Dates, times, they<br />
knew it all because Daniel<br />
<strong>to</strong>ld them. And why would he<br />
do that? Why would he betray<br />
you, his own father?<br />
Because I was <strong>to</strong>o scared <strong>to</strong><br />
do it myself. I wasn't man<br />
enough. He wanted me <strong>to</strong> go<br />
<strong>to</strong> the guards. That's what<br />
the argument was about. He<br />
could see where all <strong>of</strong> this<br />
was going. He knew I'd never
81<br />
get Nolan <strong>of</strong>f my back. He<br />
wanted us <strong>to</strong> be free <strong>of</strong> all<br />
<strong>of</strong> this. He wouldn't let me<br />
go in the boat with him. And<br />
now I know why.<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
EITHNE:<br />
32:44<br />
CIARAN:<br />
32:49<br />
BREDE:<br />
I think it's time <strong>to</strong> tell<br />
Brede the truth.<br />
How can I tell her?<br />
She needs <strong>to</strong> know why her<br />
son died.<br />
But you can't be with them<br />
all the time, can you? You<br />
have <strong>to</strong> trust them, you have<br />
<strong>to</strong> let them go.<br />
The guard wants <strong>to</strong> talk <strong>to</strong><br />
us.<br />
You sent him out there on<br />
his own at night in that<br />
little scrap <strong>of</strong> a thing. I<br />
taught my children what was<br />
right and what was wrong<br />
from the minute they were<br />
born. O god. I always<br />
thought that the danger <strong>to</strong><br />
them was out there.<br />
33:10<br />
MUSIC<br />
BREDE:<br />
But it wasn't, was it? It<br />
was in here all the time<br />
with their own father. How<br />
could you do that <strong>to</strong> my son?<br />
And the detectives that all<br />
came down from Dublin and<br />
even you. I know you risked<br />
your life for him but he was<br />
only a boy and you all used<br />
him - even his own father.
82<br />
CIARAN:<br />
BREDE:<br />
CIARAN:<br />
BREDE:<br />
CIARAN:<br />
BREDE:<br />
CIARAN:<br />
BREDE:<br />
JACK:<br />
BREDE:<br />
JACK:<br />
BREDE:<br />
JACK:<br />
BREDE:<br />
JACK:<br />
CIARAN:<br />
Brede...<br />
No. Don't try <strong>to</strong> explain.<br />
Nolan came <strong>to</strong> me and he<br />
<strong>of</strong>fered money.<br />
I don't want <strong>to</strong> know why. I<br />
don't care why.<br />
We were going <strong>to</strong> lose<br />
everything we had.<br />
God and we did. My boy. My<br />
lovely, lovely boy.<br />
Our boy.<br />
No.<br />
Brede. I'm sorry but this<br />
isn't over. The cocaine that<br />
Ciaran brought in is still<br />
out there in the bay. These<br />
men are waiting for him <strong>to</strong><br />
hand it over.<br />
Well why don't you go out<br />
and catch them? Why don’t<br />
you go out and catch them!<br />
They have a fortune tied up<br />
in this and they're not<br />
going <strong>to</strong> risk it because<br />
your son is dead.<br />
So we're all trapped in<br />
this?<br />
Yes.<br />
Whether we like it or not?<br />
Yes, you are.<br />
They know everything about
83<br />
us.<br />
BREDE:<br />
JACK:<br />
BREDE:<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
BREDE:<br />
JACK:<br />
35:28<br />
BREDE:<br />
Oh God. So we’re all in<br />
danger?<br />
If Ciaran doesn't keep his<br />
part <strong>of</strong> the bargain - then<br />
you're in grave danger.<br />
The children?<br />
Brede. These are<br />
unbelievable sums <strong>of</strong> money<br />
we're talking about here.<br />
These men will s<strong>to</strong>p at<br />
nothing.<br />
Is there anything I can do?<br />
Please.<br />
Well, you can help us catch<br />
the people behind this. And<br />
then maybe, at the trial...<br />
I can't promise anything,<br />
but I want <strong>to</strong> help you.<br />
Senior <strong>of</strong>ficers want <strong>to</strong> help<br />
you - but you have <strong>to</strong> agree<br />
<strong>to</strong> help them.<br />
You know where the drugs<br />
are. Why don't you just go<br />
out and tell them everything<br />
and have done with it?<br />
That's not good enough<br />
Brede. Denis Nolan has <strong>to</strong><br />
believe that this operation<br />
is going ahead exactly as<br />
planned, exactly as Ciaran<br />
agreed. You have <strong>to</strong> make<br />
Nolan believe that. We need<br />
clear evidence that ties<br />
Nolan <strong>to</strong> that cocaine.<br />
Thank you for coming, Mr<br />
Nolan.
84<br />
NOLAN:<br />
JACK:<br />
NOLAN:<br />
JACK:<br />
NOLAN:<br />
JACK:<br />
NOLAN:<br />
JACK:<br />
NOLAN:<br />
JACK:<br />
NOLAN:<br />
JACK:<br />
NOLAN:<br />
36:24<br />
MUSIC<br />
I'm sorry for your loss, Mrs<br />
O'Malley, I really am.<br />
Ciaran. I’m sorry.<br />
Mr. Nolan.<br />
It’s a sad day, sergeant.<br />
It is.<br />
I hear you acquitted<br />
yourself well. But it's a<br />
strange business, all the<br />
same. In the water at that<br />
hour <strong>of</strong> the night.<br />
I'm not sure it's all that<br />
strange.<br />
So you have some idea <strong>of</strong><br />
what happened?<br />
Daniel was playing a lot <strong>of</strong><br />
poker - on-line. It looks as<br />
if he'd run up some big<br />
debts - in his father's<br />
name. Ciaran has his own<br />
financial problems.<br />
Surely you’re not suggesting<br />
that the young lad <strong>to</strong>ok his<br />
own life?<br />
Seems the most likely<br />
explanation.<br />
Do they know this?<br />
I've just <strong>to</strong>ld them.<br />
Jesus. You and I have some<br />
<strong>of</strong> experience at dealing<br />
with bereavements, but this<br />
is a <strong>to</strong>ugh one.
85<br />
JACK:<br />
36:44<br />
MAURA:<br />
EITHNE:<br />
MAURA:<br />
EITHNE:<br />
MAURA:<br />
EITHNE:<br />
MAURA:<br />
I'm sure they'll be glad <strong>of</strong><br />
your sympathy. They're very<br />
vulnerable right now.<br />
I'm sorry <strong>to</strong> be barging in<br />
again like this.<br />
I said any time and I meant<br />
it. Do you have any<br />
regrets? About resigning<br />
from a good job I mean<br />
because <strong>of</strong>... well, whatever<br />
it was.<br />
I don't know. I suppose time<br />
will tell. Sorry - I don't<br />
mean <strong>to</strong> be rude.<br />
And you're not. I'm poking<br />
my nose in where I’ve no<br />
business. I just think it's<br />
an awful shame that a young<br />
woman like yourself, with a<br />
good job...<br />
Did you work?<br />
When I met Jack's father. I<br />
was training <strong>to</strong> be a<br />
teacher.<br />
Really?<br />
EITHNE: It was a very common thing -<br />
the guard and the school<br />
teacher. You worked as a<br />
team.<br />
MAURA:<br />
EITHNE:<br />
People find that very<br />
difficult nowadays, don't<br />
they?<br />
Because they don’t know how<br />
<strong>to</strong> share is what it is. It's<br />
all about being an
86<br />
37:43<br />
MUSIC<br />
individual now, isn't it?<br />
Not that there’s anything<br />
wrong with that. But it<br />
makes sharing a life<br />
difficult. I don't envy the<br />
youngsters nowadays.<br />
MAURA:<br />
D’you worry about Jack?<br />
EITHNE: The worry never goes away –<br />
no matter what age they are.<br />
I suppose I'd like <strong>to</strong> see<br />
him settled.<br />
MAURA:<br />
EITHNE:<br />
I only ever seem <strong>to</strong> bring<br />
him bad luck.<br />
People think Jack’s like his<br />
father – but he's like me.<br />
Once he makes a decision, he<br />
makes his own luck.<br />
38:02<br />
DOOR OPENS.<br />
38:04<br />
EITHNE:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
Look who’s here. I’m afraid<br />
I have <strong>to</strong> go.<br />
OK. Did she have the pho<strong>to</strong>s<br />
out again?<br />
I know you think she's<br />
mothering you but actually,<br />
I think she'd like <strong>to</strong> have<br />
you <strong>of</strong>f her hands.<br />
Is that right? What's the<br />
s<strong>to</strong>ry with Casey?<br />
He's with the Chief.<br />
38:21<br />
MOBILE PHONE RINGS.
87<br />
38:26<br />
JACK:<br />
38:56<br />
JACK:<br />
38:59<br />
LYNCH:<br />
Ciaran... Okay, what time?<br />
And you know what <strong>to</strong> do?<br />
That's right. Just make the<br />
drop, take the money, just<br />
be normal. OK. It's coming<br />
in <strong>to</strong>morrow morning.<br />
Sir? It's Jack Driscoll...<br />
Well done Jack. Leave it<br />
with me. Call McCann. Tell<br />
him the drop is on for<br />
<strong>to</strong>morrow morning.<br />
41:03<br />
MUSIC<br />
41:23<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
He was in the water.<br />
Jack.<br />
I thought I'd saved him.<br />
Jack. Sh. Here Jack.<br />
What time is it?<br />
It's four. It's not even<br />
light yet.<br />
Is that going <strong>to</strong> keep on<br />
happening?<br />
Yeah. I expect so - for a<br />
while.<br />
41:52<br />
MUSIC<br />
42:14<br />
JACK:<br />
Finbarr? We're on our way.<br />
Just keep out <strong>of</strong> sight.
88<br />
42:24<br />
CAR DOORS SHUT.<br />
43:43<br />
CAMERA SHUTTER CLICKING.<br />
43:47<br />
CARS DRIVING TO A STOP.<br />
43:51<br />
CAMERA SHUTTER CLICKING & CAR DOORS SHUTTING.<br />
43:57<br />
CAMERA SHUTTER CLICKING<br />
44:04<br />
CAMERA SHUTTER CLICKING.<br />
44:14<br />
CAMERA SHUTTER CLICKING<br />
44:27<br />
NOLAN:<br />
Thank you.<br />
44:31<br />
CAR DOOR SLAMS.<br />
44:32<br />
NOLAN:<br />
44:36<br />
JACK:<br />
What’s wrong?<br />
Come on, man, take it. Just<br />
take it.<br />
44:40<br />
CAR DRIVES OFF.<br />
44:43<br />
CAMERA SHUTTER CLICKING<br />
44:49<br />
NOLAN:<br />
By the way, I don’t know<br />
what you and Brede have<br />
decided about flowers - but<br />
maybe you’d get a decent<br />
spray for the boy from me.
89<br />
45:10<br />
JACK:<br />
Nolan!<br />
45:24<br />
GUNSHOT<br />
45:43<br />
MAURA:<br />
Ciaran! Put the gun down!<br />
Put the gun down! Ciaran.<br />
Ciaran. Ciaran you can help<br />
us put Nolan and the rest <strong>of</strong><br />
them away. Ciaran, please,<br />
you have <strong>to</strong> be brave about<br />
this. Ciaran please don't do<br />
this. For Daniel's sake.<br />
46:27<br />
GUN CLICKS AS IT’S DISARMED<br />
46:50<br />
MAURA:<br />
I thought he'd hit you.<br />
46:55<br />
MUSIC<br />
46:57<br />
MAURA:<br />
47:12<br />
LYNCH:<br />
JACK:<br />
47:26<br />
LYNCH:<br />
Chief? We've got what we<br />
wanted. McCann's all yours.<br />
Thanks.<br />
I'm on my way back <strong>to</strong><br />
Dublin, Jack - now that this<br />
part <strong>of</strong> the operation’s<br />
over. McCann's already in<br />
cus<strong>to</strong>dy.<br />
I’d say you're looking<br />
forward <strong>to</strong> returning that<br />
bullet?<br />
It helped <strong>to</strong> keep me<br />
focussed. You know I don’t<br />
think that I could ever tire<br />
<strong>of</strong> that <strong>view</strong>. But if you do<br />
feel you want a change, why
90<br />
don't you come up and see me<br />
in The Park? You and Maura<br />
work well <strong>to</strong>gether.<br />
JACK:<br />
LYNCH:<br />
47:53<br />
FINBARR:<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
CIARAN:<br />
JACK:<br />
I might do that. What's<br />
happening about Casey?<br />
Maura's driving him back <strong>to</strong><br />
Dublin. Take care Jack.<br />
These guards here will take<br />
you <strong>to</strong> the District<br />
Headquarters where you'll be<br />
formally charged. D’you<br />
understand that, Ciaran?<br />
Are you sure you won't make<br />
a phone call Ciaran? Not <strong>to</strong><br />
Brede?<br />
No.<br />
She has <strong>to</strong> know what<br />
happened.<br />
You were there. You saw.<br />
Will you go <strong>to</strong> his funeral<br />
for me?<br />
Yes, I will. Yes, <strong>of</strong> course<br />
I will.<br />
48:17<br />
MOBILE PHONE RINGS.<br />
48:22<br />
JACK:<br />
I hope you're not going <strong>to</strong><br />
say goodbye <strong>to</strong> me on the<br />
phone. Where are you? Okay,<br />
I'm coming over. Finbarr.<br />
Hold the fort, will you.<br />
48:32<br />
MUSIC<br />
49:17
91<br />
MAURA:<br />
49:31<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
JACK:<br />
He must have decided not <strong>to</strong><br />
wait until they came looking<br />
for him.<br />
I would have helped him.<br />
I don't think you could have<br />
done anything.<br />
I could have s<strong>to</strong>pped him<br />
doing this.<br />
Maura. Look at him. He still<br />
has his gun.<br />
I know. I know his gun.<br />
Casey didn’t have a gun. I<br />
saw Lynch take it <strong>of</strong>f him<br />
out there in the forest.<br />
So he gave it back <strong>to</strong> him.<br />
To the man who just betrayed<br />
him? Why would he do that?<br />
What, you think Lynch wanted<br />
him <strong>to</strong> do this?<br />
All I'm saying is that, when<br />
I left them, Lynch had<br />
Casey's gun. Now it's back<br />
in Casey's hand.<br />
Jack, I think you should<br />
leave this <strong>to</strong> me.<br />
Look the other way again?<br />
No.<br />
I can't do that, Maura. I'm<br />
the investigating <strong>of</strong>ficer<br />
here. I'm going <strong>to</strong> have the<br />
Ombudsman and Internal<br />
Affairs all over this. D’you
92<br />
want me <strong>to</strong> lie <strong>to</strong> them?<br />
MAURA:<br />
JACK:<br />
MAURA:<br />
No one's asking you <strong>to</strong> lie.<br />
Let them look at the<br />
evidence. Let them decide.<br />
You don't have <strong>to</strong> say<br />
anything about the gun. This<br />
is Lynch’s problem. Let him<br />
sort it. We can make sure<br />
you don't get dragged in.<br />
This could be just what it<br />
looks like. It could be<br />
suicide.<br />
We know it’s not.<br />
Everyone will assume that it<br />
is. You know I'm right.<br />
Jack, I don't want this <strong>to</strong><br />
wreck things for us.<br />
50:28<br />
MUSIC<br />
JACK:<br />
MAURA:<br />
50:58<br />
RADIO DJ:<br />
FINBARR:<br />
I thought there was no us.<br />
It depends on you.<br />
(On the car radio) Some<br />
breaking news just coming in<br />
<strong>to</strong> us here. Gardai are at<br />
the Dublin Headquarters <strong>of</strong><br />
Premium Holdings and the<br />
Killiney home <strong>of</strong> Chief<br />
Executive, Eddie McCann who<br />
was taken <strong>to</strong> Pearse Street<br />
station for questioning<br />
earlier this morning. Senior<br />
<strong>of</strong>ficers refuse <strong>to</strong> confirm<br />
reports that the raids are<br />
connected <strong>to</strong> <strong>to</strong>day’s seizure<br />
on the N7 <strong>of</strong> cocaine with an<br />
estimated street value <strong>of</strong><br />
Euro20million.<br />
Cathal?
93<br />
CATHAL:<br />
FINBARR:<br />
51:39<br />
EITHNE:<br />
JACK:<br />
EITHNE:<br />
JACK:<br />
EITHNE:<br />
How are you? Usual?<br />
Yeah. Good man. Liam.<br />
Have you seen the share<br />
price <strong>to</strong>day?<br />
No.<br />
Through the floor. And all<br />
the time you're after these<br />
people and you don't say a<br />
word.<br />
Did you miss out there?<br />
Good god, no. We're not<br />
doing this for fun.<br />
51:51<br />
MUSIC<br />
EITHNE:<br />
JACK:<br />
EITHNE:<br />
JACK:<br />
EITHNE:<br />
We're in it <strong>to</strong> make money.<br />
We sold at just the right<br />
moment. Everyone will think<br />
I got a tip-<strong>of</strong>f. Of course,<br />
I understand why you<br />
couldn't say anything.<br />
I'm sure you do.<br />
I knew she wasn't what she<br />
said she was. Of course<br />
that’s her doing the job<br />
she's paid <strong>to</strong> do and keeping<br />
us all safe in our beds.<br />
She's a clever girl alright.<br />
To do well in that world.<br />
She is.<br />
You seemed <strong>to</strong> be getting on<br />
so well with her. It’s not<br />
over is it?
94<br />
JACK:<br />
No. I hope not.<br />
52:54<br />
CAR DOOR SHUTS.<br />
53:07<br />
HOUSE DOOR SHUTS.<br />
53:23<br />
ENVELOPE OPENED.