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TOUCHPAPER<br />

TELEVISION<br />

SINGLE-HANDED 3<br />

EPISODE 1<br />

Post Production<br />

Script


OPENING CREDITS<br />

RTE Drama<br />

Owen McDonnell<br />

<strong>Single</strong>-<strong>Handed</strong><br />

“The Drowning Man”<br />

Written by<br />

Barry Simner<br />

Produced by<br />

Clare Alan<br />

Directed by<br />

Anthony Byrne<br />

END CREDITS<br />

Cast in order <strong>of</strong> appearance<br />

Daniel O’Malley<br />

Denis Nolan<br />

Anna<br />

Liam Nolan<br />

Andy<br />

Cathal<br />

Garda Finbarr Colvin<br />

Michael Casey<br />

Brede O’Malley<br />

Ciaran O’Malley<br />

Eithne Driscoll<br />

Radio DJ<br />

Maura Dooley<br />

Eugene<br />

Chief Superintendent Lynch<br />

Doc<strong>to</strong>r<br />

Peter Agnew<br />

Daisy Cummins<br />

Sandra Corbally<br />

Colm O’Callaghan<br />

Cathy Hegarty<br />

Ann Warter<br />

Sean Burke<br />

Gary Robinson<br />

Owen Roe<br />

Maude Fahy<br />

Robert Bannon<br />

Cillian O’Sullivan<br />

Brien Gleeson<br />

David Herlihy<br />

Padraic Delaney<br />

Catherine Byrne<br />

Peter Gowen<br />

Ruth McCabe<br />

Paul Phelan<br />

Marcella Plunkett<br />

John O’Dowd<br />

Michael McElhat<strong>to</strong>n<br />

Ross Flannery<br />

First Assistant Direc<strong>to</strong>r<br />

Second Assistant Direc<strong>to</strong>r<br />

Third Assistant Direc<strong>to</strong>r<br />

Trainee ADs<br />

Crowd Co-ordina<strong>to</strong>r<br />

Location Manager


2<br />

Joe Walsh<br />

James Mongon<br />

Yvonne Burke<br />

Ross Flannery<br />

Sophie Tebbitt<br />

Evelyn McLoughlin<br />

Matthew Hennessy<br />

Paddy Hession<br />

Gerard Coyne<br />

Donal O’Farrell<br />

Alistair Rumball<br />

Chris Roufs<br />

Julian Pugh-Cook<br />

Alan Butler<br />

Jessica Drum<br />

Brian Dungan<br />

Amy Breen<br />

Paul Tsan<br />

Adam Tsan<br />

Fiachra O’Hanlon<br />

Padraigh O’Mannion<br />

Melanie Downes<br />

Adrienne McGrane<br />

Eleonora McNamara<br />

Assistant Location Manager<br />

Locations Trainee<br />

Production Co-ordina<strong>to</strong>r<br />

Production Assistant<br />

Production Accountant<br />

Assistant Accountant<br />

Transport Captain<br />

Action Vehicle Drivers<br />

Stunt Co-ordina<strong>to</strong>r<br />

Marine Co-ordina<strong>to</strong>r<br />

Script Supervisor<br />

Camera Opera<strong>to</strong>r<br />

Focus Puller<br />

Underwater Pho<strong>to</strong>graphy<br />

Video Technician<br />

Camera Trainee<br />

Key Grip<br />

Assistant Grip<br />

Sound Recordist<br />

Boom Opera<strong>to</strong>r<br />

Supervising Art Direc<strong>to</strong>r<br />

Standby Art Direc<strong>to</strong>r<br />

Standby Assistant Art Direc<strong>to</strong>r


3<br />

Keavy Lalor<br />

Gerry Lanigan<br />

Alan Harvey<br />

Ronan Kennedy<br />

Ciara McKenna<br />

Dave Flanagan<br />

Dave Hill<br />

Nicky McManus<br />

Pat Tighe<br />

Joey Gaynore<br />

Thomas Arkins<br />

Darren Carney<br />

Neville Gaynor<br />

Mark O’Callaghan<br />

Dave Cowley<br />

Simon Farrelly<br />

John Martin Ó Flatharta<br />

Stephen Doyle<br />

Noel Holland<br />

Martin Holland<br />

Denise Watson<br />

Sharon Doyle<br />

Martina McCarthy<br />

Sevlene Roddy<br />

Art Department Buyer<br />

Property Master<br />

Chargehand<br />

Stand-by Props<br />

Assistant Stand-by Props<br />

Dressing Props<br />

Props Runaround<br />

Construction Manager<br />

Supervising Carpenter<br />

Master Painter<br />

Stagehand<br />

Stand-by Painters<br />

Stand-by Carpenter<br />

Stand-by Stagehand<br />

Stand-by Rigger<br />

Gaffer<br />

Best boy<br />

Electrician<br />

Genera<strong>to</strong>r Opera<strong>to</strong>r<br />

Chief Make-up Artist<br />

Assistant Make-up Artist<br />

Chief Hair Designer<br />

Assistant Hairdresser


4<br />

Mary Fox<br />

Katie Guinnane<br />

Peter Murray<br />

Tim Morris<br />

Stephen Lynch<br />

Nikki Moss<br />

Fionán Higgins<br />

Andrea King<br />

Peter Blayney<br />

Shayne Murphy<br />

John Kennedy<br />

Dave Hughes<br />

Wardrobe Supervisor<br />

Wardrobe Assistant<br />

Consultant<br />

Post Production Supervisor<br />

Assistant Edi<strong>to</strong>r<br />

Sound Designer<br />

Dialogue Edi<strong>to</strong>r<br />

Foley Artist<br />

Dubbing Mixer<br />

HD Online Edi<strong>to</strong>r<br />

Flame Artist<br />

Colourist<br />

Produced with the support <strong>of</strong> investment incentives<br />

For the Irish Film Industry provided by the Government <strong>of</strong><br />

Ireland<br />

Filmed on location in Ireland<br />

Footage from Learning Gravity courtesy <strong>of</strong> Little Bird<br />

Andrew Lowe<br />

Des Martin<br />

Maureen Hughes<br />

Aisling Byrne<br />

Anna Rackard<br />

Niall Byrne<br />

Isobel Stephenson<br />

Darran Tiernan<br />

Executive Producer for Element Films<br />

Line Producer<br />

Casting Direc<strong>to</strong>r<br />

Costume Designer<br />

Production Designer<br />

Composer<br />

Edi<strong>to</strong>r<br />

Direc<strong>to</strong>r <strong>of</strong> Pho<strong>to</strong>graphy


5<br />

Rob Pursey<br />

Executive Producer<br />

Touchpaper Television logo<br />

For RTE<br />

© RTE 2008


6<br />

00:01<br />

WAVES BREAKING & MUSIC<br />

00:17<br />

GASPS OF BREATH.<br />

00:50<br />

A MOBILE PHONE RINGING.<br />

00:58<br />

JACK:<br />

Hello? Jack Driscoll... What<br />

sort <strong>of</strong> trouble? Where is<br />

this? Okay. Who am I talking<br />

<strong>to</strong>? Hello? Hello?<br />

01:02<br />

MUSIC<br />

01:27<br />

THUNDER<br />

02:17<br />

MUSIC<br />

02:28<br />

JACK:<br />

02:44<br />

JACK:<br />

Shit!<br />

Daniel! Daniel!<br />

02:52<br />

GRUNTS OF EXERTION.<br />

03:32<br />

LIAM:<br />

ANDY:<br />

LIAM:<br />

CATHAL:<br />

ANDY:<br />

Try his mobile.<br />

He'll be here.<br />

Go on. You've got his<br />

number.<br />

No, we should wait. It was<br />

Daniel's idea.<br />

Give him another ten<br />

minutes.


7<br />

LIAM:<br />

Five - then I'm <strong>of</strong>f.<br />

03:41<br />

KNOCK ON THE DOOR.<br />

03:43<br />

ANDY:<br />

ANNA:<br />

Yes! What did I say?<br />

It's Daniel. Let him in.<br />

03:58<br />

DOOR SHUTTING.<br />

04:02<br />

FINBARR:<br />

ANNA:<br />

FINBARR:<br />

ANNA:<br />

FINBARR:<br />

CATHAL:<br />

FINBARR:<br />

CATHAL:<br />

FINBARR:<br />

Well, this is a cosy little<br />

set up on a cold, dark<br />

night. Andy. Liam. Anna.<br />

How are you, Anna?<br />

I'm good, thank you, Garda<br />

Colvin.<br />

That's good. And your mother<br />

and your father? Are they<br />

good <strong>to</strong>o?<br />

They are. Thank you.<br />

So we're all good. And<br />

Cathal here is our host for<br />

the evening. Is er, is that<br />

what they call five card<br />

stud you're playing there?<br />

Actually, we were just<br />

leaving, Garda Colvin.<br />

O yeah, well er I got the<br />

impression you were<br />

expecting someone else.<br />

No. I don't think he'll be<br />

coming now. It's <strong>to</strong>o late.<br />

Well, I’ll tell you what,<br />

why don't you deal me in so<br />

- seeing as there's a spare


8<br />

place at the table? And I<br />

think I'll have my usual<br />

please, Cathal.<br />

CATHAL:<br />

FINBARR:<br />

Well, it'll have <strong>to</strong> be on<br />

the house then - we're<br />

supposed <strong>to</strong> be closed.<br />

O yes. I forgot that. So,<br />

who’s dealing then lads?<br />

05:05<br />

MUSIC<br />

05:35<br />

MOBILE PHONE RINGS.<br />

05:47<br />

CATHAL:<br />

FINBARR:<br />

I think we're all done here,<br />

Garda Colvin.<br />

Well, I suppose that's just<br />

as well. I have <strong>to</strong> be up<br />

early in the morning <strong>to</strong> take<br />

the kids <strong>to</strong> school. Now,<br />

take it easy on the way<br />

home, won’t you.<br />

06:01<br />

LIAM:<br />

06:03<br />

DOOR SLAMS.<br />

CATHAL:<br />

The bastard's cleaned us<br />

out.<br />

The one thing about Finbarr<br />

is, he's always there when<br />

you don't need him and never<br />

there when you do.<br />

06:08<br />

MUSIC<br />

07:04<br />

JACK:<br />

(On an answermachine)<br />

Finbarr? I'm on my way <strong>to</strong>


9<br />

07:06<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

JACK:<br />

get an i.d. on the drowned<br />

man.<br />

Tom. Saoirse.<br />

(on an answermachine)<br />

There's a little holiday<br />

cottage over the bay -<br />

Skerig... ...<br />

Come on. In the car.<br />

(on an answermachine) Can<br />

you find out who owns it or<br />

who it's let <strong>to</strong>. And,<br />

Finbarr - could you please<br />

turn on your mobile?<br />

07:15<br />

ANSWERMACHINE BEEPS END OF MESSAGE.<br />

07:17<br />

LANDLINE RINGS.<br />

07:27<br />

FINBARR:<br />

Gardai. Eugene. What's the<br />

s<strong>to</strong>ry?<br />

07:32<br />

MUSIC.<br />

08:40<br />

NOLAN:<br />

FINBARR:<br />

NOLAN:<br />

FINBARR:<br />

NOLAN:<br />

FINBARR:<br />

Will we have some money on<br />

this hole boys?<br />

On my wages?<br />

O come on. Wouldn’t that<br />

make it more interesting.<br />

I wouldn't want <strong>to</strong> take your<br />

money, Dennis. Not if your<br />

luck's as bad as your son's.<br />

Liam?<br />

Did you know he's playing


10<br />

poker after hours at<br />

Mallon's Bar?<br />

NOLAN:<br />

FINBARR:<br />

NOLAN:<br />

And losing <strong>to</strong>o by the sound<br />

<strong>of</strong> it. How much this time?<br />

You'll have <strong>to</strong> ask him. But<br />

you'd think these kids were<br />

made <strong>of</strong> money the way they<br />

carry on these days.<br />

What can you do? They need a<br />

car living in a place like<br />

this. They have <strong>to</strong> be fed<br />

and clothed. Anyway, he’ll<br />

be wasting his own money<br />

before <strong>to</strong>o long. I <strong>to</strong>ld him,<br />

if you think I'm <strong>to</strong>ugh on<br />

you, wait till you get your<br />

own boss.<br />

09:16<br />

GOLF BALL HIT.<br />

09:18<br />

FINBARR:<br />

NOLAN:<br />

FINBARR:<br />

NOLAN:<br />

FINBARR:<br />

NOLAN:<br />

FINBARR:<br />

Good man.<br />

Speaking <strong>of</strong> bosses. I saw<br />

your's last night - out near<br />

the beach.<br />

Is that right?<br />

Yeah. I was dropping a<br />

friend <strong>of</strong>f, you know, and he<br />

came driving along, his<br />

lights flashing and blazing.<br />

Nearly had me <strong>of</strong>f the road.<br />

Yeah, there was, there was a<br />

fatality, I think. Someone<br />

drowned.<br />

Do you know who?<br />

No. Probably some foreigner<br />

<strong>of</strong>f one <strong>of</strong> those Spanish


11<br />

fac<strong>to</strong>ry-ships, stealing all<br />

our bloody fish.<br />

09:42<br />

MUSIC<br />

NOLAN:<br />

09:46<br />

DJ:<br />

That'll be it.<br />

(On the radio) Talks are due<br />

<strong>to</strong> resume next week. A look<br />

at the business pages now<br />

and it’s the long expected<br />

deal between Eddie McCann’s<br />

Premium Holdings and Chinese<br />

Investment Bank that’s<br />

making all the headlines. If<br />

you follow the markets<br />

you’ll know that Premium<br />

Holdings is one <strong>of</strong> the Irish<br />

success s<strong>to</strong>ries.<br />

09:55<br />

DOORBELL<br />

09:57<br />

DJ:<br />

MAURA:<br />

EITHNE:<br />

MAURA:<br />

(On the radio) If you follow<br />

the markets you’ll know that<br />

Premium Holdings has been<br />

one <strong>of</strong> the great Irish<br />

success s<strong>to</strong>ries <strong>of</strong> recent<br />

years, riding out some very<br />

rough financial conditions<br />

when other companies have<br />

been struggling.<br />

(Off camera) Mrs Driscoll?<br />

(Off camera) Yes.<br />

I’m Maura Dooley. I'm a<br />

friend <strong>of</strong> Jack's from<br />

Dublin? He might have<br />

mentioned me.


12<br />

DJ:<br />

EITHNE:<br />

DJ:<br />

10:13<br />

EITHNE:<br />

MAURA:<br />

EITHNE:<br />

MAURA:<br />

EITHNE:<br />

(On the radio) According <strong>to</strong><br />

Chairman, Eddie McCann, the<br />

success <strong>of</strong> the company is<br />

all down <strong>to</strong> shareholder<br />

loyalty.<br />

(Off camera) He did mention<br />

you, Maura. Come in.<br />

(On the radio) Weather now…<br />

That’s a while ago, isn't it<br />

– since yourself and Jack<br />

were friends?<br />

That's right. Yeah, when he<br />

was still stationed in<br />

Dublin. I'm over here on<br />

holiday for a day or two. I<br />

thought it would be nice...<br />

He'll be thrilled <strong>to</strong> see<br />

you.<br />

He's not here though?<br />

He was called out somewhere<br />

last night. I'm expecting<br />

him any minute for his<br />

breakfast. He’ll not be<br />

long. So - you're Maura<br />

Dooley. Well, it's nice <strong>to</strong><br />

meet you, Maura - at last.<br />

10:37<br />

MUSIC<br />

10:45<br />

BREDE:<br />

CIARAN:<br />

But what was he doing? There<br />

was no reason for him <strong>to</strong> be<br />

out there on his own.<br />

Was he... you know... when<br />

you got <strong>to</strong> him?<br />

JACK: He was still breathing -


13<br />

just. But he was exhausted.<br />

It was the cold.<br />

CIARAN:<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

BREDE:<br />

JACK:<br />

BREDE:<br />

JACK:<br />

So he wasn't far from the<br />

beach?<br />

No. He almost made it by<br />

himself.<br />

But you were with him - at<br />

the end? He wasn't...<br />

I was with him. I had him on<br />

the beach. I tried<br />

everything. I held him.<br />

Did he say anything?<br />

No. But I think he knew I<br />

was there.<br />

Alone out there. In the cold<br />

water.<br />

D’you have any idea what he<br />

might have been doing out<br />

there? Why he ended up in<br />

the sea?<br />

11.30<br />

MUSIC<br />

BREDE:<br />

JACK:<br />

CIARAN:<br />

BREDE:<br />

No. Normally, you couldn't<br />

get Daniel in <strong>to</strong> the water<br />

for love nor money. Ciaran<br />

couldn't get him, get him <strong>to</strong><br />

set foot on the trawler.<br />

Did Daniel know Dennis<br />

Nolan?<br />

He plays cards with Dennis's<br />

son, Liam, and a few other<br />

lads. Over there at<br />

Mallon's.<br />

That’s where he said he was


14<br />

going last night. Then when<br />

he didn't come home I<br />

thought they might have had<br />

a drink or two. Then I<br />

thought he might be staying<br />

over. God!<br />

JACK:<br />

12:13<br />

MAURA:<br />

EITHNE:<br />

MAURA:<br />

EITHNE:<br />

MAURA:<br />

EITHNE:<br />

MAURA:<br />

EITHNE:<br />

Look. I'm going <strong>to</strong> take you<br />

home. I'll start <strong>to</strong> make<br />

some enquiries but, if you<br />

hear anything, I want you <strong>to</strong><br />

give me a call straight<br />

away.<br />

His father must have been<br />

proud <strong>of</strong> him.<br />

Well it's not supposed <strong>to</strong><br />

happen, as you know - taking<br />

over from your father. A few<br />

strings had <strong>to</strong> be pulled<br />

there. But Gerry was proud.<br />

And so was I. Having a<br />

husband and a son that<br />

people would look up <strong>to</strong>.<br />

He’s a good-looking man <strong>to</strong>o.<br />

The whole set <strong>of</strong> him. The<br />

way he walks. It's Gerry<br />

every time Jack comes in the<br />

room.<br />

It's been a great loss <strong>to</strong><br />

you.<br />

He was no age, you know. And<br />

fit as a fiddle.<br />

You're lucky you still have<br />

Jack.<br />

I still have Jack. You don’t<br />

have any children yourself,<br />

Maura, no?


15<br />

MAURA:<br />

EITHNE:<br />

MAURA:<br />

EITHNE:<br />

MAURA:<br />

No. Fortunately. I mean, now<br />

I'm divorced I'm glad we<br />

didn't.<br />

And you've left your job in<br />

the guards? That's a shame.<br />

Was that for the same<br />

reason?<br />

My husband was in another<br />

part <strong>of</strong> the city. It's a<br />

small world. I'd have<br />

forever been running in<strong>to</strong><br />

him.<br />

And your friend? The one<br />

you're over here with?<br />

He’s just a friend.<br />

13:19<br />

MUSIC.<br />

13:36<br />

JACK:<br />

EITHNE:<br />

JACK:<br />

EITHNE:<br />

JACK:<br />

EITHNE:<br />

JACK:<br />

EITHNE:<br />

Hello?<br />

I’m in the kitchen. God<br />

almighty, where've you been?<br />

These are soaking wet.<br />

You know Brede and Ciaran<br />

O'Malley's son, Daniel? He’s<br />

drowned.<br />

Dear God, no. How?<br />

I wish I knew.<br />

They'll be in pieces, the<br />

pair <strong>of</strong> them. She worships<br />

that boy.<br />

Yeah. I could see that.<br />

And you might have been<br />

drowned yourself going in <strong>to</strong><br />

the water like that. Taking


16<br />

those risks.<br />

JACK:<br />

14:16<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

14:33<br />

EITHNE:<br />

MAURA:<br />

JACK:<br />

EITHNE:<br />

MAURA:<br />

Well, it made no difference<br />

in the end. I couldn’t save<br />

him.<br />

Hello, Jack.<br />

Maura.<br />

I, I’m sorry, this is a<br />

really bad…<br />

No, no, you’re grand. I just<br />

wasn't expecting... It's<br />

great <strong>to</strong> see you.<br />

I'm afraid I've been boring<br />

her with old pho<strong>to</strong>s and<br />

s<strong>to</strong>ries...<br />

Not at all, sure. Jack<br />

never showed me any<br />

pictures. But, like I<br />

said... (this is a really<br />

bad time).<br />

No, stay.<br />

I'm sure Maura can make<br />

herself at home. Look, I<br />

have a meeting that I have<br />

<strong>to</strong> get <strong>to</strong>. You have a shower<br />

– or a bath. Make sure he<br />

has something <strong>to</strong> eat?<br />

I'll try. You should have<br />

that shower.<br />

15:00<br />

MUSIC<br />

JACK:<br />

Yeah. Yeah, I’ll do that.


17<br />

17:02<br />

SHOWER WATER RUNNING.<br />

17:10<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

17:50<br />

EITHNE:<br />

You've put on a bit <strong>of</strong><br />

weight.<br />

It shows then?<br />

Just a little bit. Round<br />

here.<br />

Give me the <strong>to</strong>wel. Come on.<br />

You'd think we'd be fit<br />

living in the country.<br />

Nobody walks anywhere.<br />

You're probably fitter<br />

living in the city.<br />

Do you miss being in Dublin?<br />

Sometimes.<br />

Your mother <strong>to</strong>ld me <strong>to</strong> make<br />

you something <strong>to</strong> eat.<br />

Then you'd better do it.<br />

Laughs.<br />

Well, she said they were<br />

just friends - but you only<br />

have <strong>to</strong> see them <strong>to</strong>gether <strong>to</strong><br />

know they were more than<br />

that. Thanks Cathal. The<br />

one that's come really good<br />

for us is Premium Holdings.<br />

It's all over the news this<br />

morning so we have a great<br />

chance there as long as we<br />

hold our nerve.<br />

18:05<br />

CHATTER…<br />

EITHNE:<br />

Look at the figures from


18<br />

that last quarter there?<br />

CATHAL:<br />

EITHNE:<br />

CATHAL:<br />

EITHNE:<br />

CATHAL:<br />

EITHNE:<br />

CATHAL:<br />

EITHNE:<br />

CATHAL:<br />

EITHNE:<br />

CATHAL:<br />

18:44<br />

CATHAL:<br />

It's only a mug's game, Mrs<br />

Driscoll. Shares go down as<br />

well as up. It's only<br />

gambling in the end.<br />

Well, I know you have <strong>to</strong><br />

have a bit <strong>of</strong> luck but you<br />

must study the form <strong>to</strong> make<br />

money in s<strong>to</strong>cks and shares.<br />

You’re better <strong>of</strong>f doing the<br />

lottery or something...<br />

...at our age? Is that what<br />

you were going <strong>to</strong> say?<br />

Have you played poker?<br />

Poker. Would you listen <strong>to</strong><br />

him. Why would I want <strong>to</strong> do<br />

that?<br />

You have the face for it Mrs<br />

Driscoll - you know?<br />

I can imagine sort <strong>of</strong> riff<br />

raff you get involved with<br />

in a game like that.<br />

No. They're a decent bunch.<br />

Liam Nolan, d'you know him?<br />

His father's a solici<strong>to</strong>r.<br />

Oh, a solici<strong>to</strong>r? That’ll<br />

make all the difference.<br />

Daniel O'Malley. He's a good<br />

lad.<br />

What, d’you know him?<br />

18:46<br />

MUSIC


19<br />

EITHNE:<br />

CATHAL:<br />

EITHNE:<br />

19:09<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

No-one’s <strong>to</strong>ld you? Daniel's<br />

dead. He was drowned last<br />

night.<br />

Where?<br />

In the bay out there. Jack<br />

went in after him but it was<br />

no use. He got him out <strong>of</strong><br />

the water and he was gone.<br />

So you're a free woman<br />

again.<br />

I am. I chucked his ring<br />

in<strong>to</strong> the Liffey.<br />

Why?<br />

Well that's what he<br />

threatened <strong>to</strong> do <strong>to</strong> me when<br />

he found out about you.<br />

You should never have<br />

married him.<br />

No, punching him wasn't <strong>to</strong>o<br />

clever either.<br />

No, but it felt good. I'm<br />

surprised I hadn't heard<br />

that you'd left the guards -<br />

what are you up <strong>to</strong> now?<br />

19:39<br />

MUSIC<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

Just temporary stuff. Bits<br />

and pieces. You know...<br />

Nothing permanent.<br />

You should have called me.<br />

I'd already messed up your<br />

life once.


20<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

Who's this 'friend' you're<br />

on holiday with?<br />

Just someone I work with.<br />

Your mother mentioned you<br />

met someone. A doc<strong>to</strong>r?<br />

Maggie.<br />

Attractive? Sexy?<br />

Yeah.<br />

Sexier than me?<br />

She went back <strong>to</strong> England.<br />

It's beautiful here, but<br />

it's not an easy place <strong>to</strong><br />

settle.<br />

Many are tempted?<br />

Not many make it past the<br />

winter. Where are you<br />

staying?<br />

Somewhere Michael booked. He<br />

kind <strong>of</strong> knows the area. So,<br />

tell me about this young lad<br />

who drowned.<br />

Daniel O’Malley? He's local.<br />

Father has a fishing boat.<br />

Decent people. Hard working.<br />

How did he come <strong>to</strong> be in the<br />

sea?<br />

God knows. He <strong>to</strong>ld his<br />

parents he was going out <strong>to</strong><br />

play poker and the next<br />

thing they know, I'm<br />

standing at the door telling<br />

them he's been drowned.<br />

So what is it then, a<br />

gambling debt? Suicide?


21<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

21:58<br />

FINBARR:<br />

EUGENE:<br />

FINBARR:<br />

EUGENE:<br />

The poker, you mean? Still<br />

thinking like a detective?<br />

It's a hard habit <strong>to</strong> break.<br />

It's possible, I suppose.<br />

And what about witnesses?<br />

Well the woman who rang me<br />

must have seen something but<br />

she didn't leave a name.<br />

Still it's a small<br />

community. Not much stays<br />

hidden for long - not if you<br />

know who <strong>to</strong> ask.<br />

Thank god you're okay. It's<br />

<strong>to</strong>ugh out here.<br />

Different.<br />

Lonely?<br />

Are you going <strong>to</strong> be around<br />

long enough for me <strong>to</strong> buy<br />

you a drink? That’s if your<br />

friend doesn't mind.<br />

Do you still have my number?<br />

It’s in the memory there<br />

somewhere.<br />

Then give me a call.<br />

Eugene. How are you?<br />

Finbarr. How are you?<br />

So, you’ve, you've lost a<br />

boat, then have you?<br />

The small ‘Dory'. It was<br />

tied up here secure when we


22<br />

left it last night.<br />

FINBARR:<br />

EUGENE:<br />

FINBARR:<br />

And, could it have broken<br />

loose and drifted <strong>of</strong>f?<br />

No. It wasn't in the water.<br />

It was up here by the sheds.<br />

The outboard's gone as well.<br />

So, s<strong>to</strong>len then, yeah?<br />

22:18<br />

MUSIC<br />

EUGENE:<br />

FINBARR:<br />

EUGENE:<br />

Well, that's the way it<br />

looks <strong>to</strong> me.<br />

Ciaran not about yet?<br />

No, he has his phone<br />

switched <strong>of</strong>f. That's why I<br />

thought I'd better get on <strong>to</strong><br />

you.<br />

FINBARR:<br />

22:34<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

OK.<br />

Jack.<br />

Where were you in the middle<br />

<strong>of</strong> last night?<br />

I noticed there were lights<br />

on in Mallon's so I dropped<br />

in <strong>to</strong> have a look.<br />

Which would be why you<br />

couldn't answer your mobile,<br />

I suppose? Did the poker<br />

players tell you Daniel<br />

O'Malley was supposed <strong>to</strong> be<br />

in there?<br />

They were expecting someone<br />

- I didn't know it was<br />

Daniel. Why?


23<br />

JACK:<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

It was Daniel who drowned<br />

last night. So it would have<br />

been his hand you were<br />

playing - if you'd been<br />

playing.<br />

Daniel O'Malley? Good god.<br />

Was there much money<br />

involved?<br />

No. Pocket money that’s all.<br />

Poor kid. I remember him<br />

helping around the pier<br />

during the summer holidays.<br />

Yeah. Seventeen years old.<br />

Well that explains one thing<br />

anyhow. You know Eugene – he<br />

works for Ciaran? He phoned<br />

me this morning <strong>to</strong> say the<br />

little 'Dory' they have -<br />

the one that they use as a<br />

tender - disappeared last<br />

night. He must have been<br />

fishing.<br />

At night? No life-jacket?<br />

There's a lot <strong>of</strong> fishermen<br />

don't like wearing lifejackets.<br />

Daniel wasn't a fisherman.<br />

His mother said they<br />

couldn't get him interested<br />

in it so he's hardly likely<br />

<strong>to</strong> be out hauling nets in<br />

the middle <strong>of</strong> the night, is<br />

he?<br />

God knows what's running<br />

around in these kids' heads?<br />

Sure, it's like talking with<br />

aliens with them most <strong>of</strong> the


24<br />

time.<br />

JACK:<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

I passed Dennis Nolan on my<br />

way out there.<br />

I know you did. I've just<br />

played a round with him.<br />

And he mentioned seeing me?<br />

O yes. Said you nearly had<br />

him <strong>of</strong>f the road. Keen <strong>to</strong><br />

tell me he was dropping a<br />

friend home. Wanted <strong>to</strong> know<br />

what was the hurry with you.<br />

Is this a regular round you<br />

have with Nolan?<br />

You must be joking. I can't<br />

abide the man. That's why it<br />

was a pleasure <strong>to</strong> take fifty<br />

euros <strong>of</strong>f him for one hole.<br />

Shame we can't get a result<br />

in court like that now and<br />

again.<br />

Did you get that message<br />

about the cottage? Skerig.<br />

Yeah. I'm on<strong>to</strong> it now.<br />

OK. I'll catch you later.<br />

Righ<strong>to</strong>.<br />

24:39<br />

MUSIC<br />

25:02<br />

NOLAN:<br />

JACK:<br />

This better be quick,<br />

sergeant. I've another case<br />

due on.<br />

Last night. I passed you<br />

near the beach.


25<br />

NOLAN:<br />

JACK:<br />

NOLAN:<br />

JACK:<br />

NOLAN:<br />

JACK:<br />

NOLAN:<br />

USHER:<br />

NOLAN:<br />

JACK:<br />

NOLAN:<br />

JACK:<br />

NOLAN:<br />

JACK:<br />

You did. You nearly had me<br />

in the ditch.<br />

Can you tell me what you<br />

were doing out there?<br />

Didn't Finbarr tell you? I<br />

was dropping a friend <strong>of</strong>f<br />

home. He'd had a few<br />

glasses. I didn't want him<br />

taking any risks by driving.<br />

I see the consequences <strong>of</strong><br />

that in here every day.<br />

Did you notice any activity<br />

out there? Lights on the<br />

beach? Anything like that?<br />

You know I must have been on<br />

au<strong>to</strong>-pilot. I’m assuming all<br />

these questions are in<br />

connection with the young<br />

man who drowned?<br />

Daniel O'Malley. His father<br />

has a fishing boat.<br />

I think my son knew him.<br />

Mr. Nolan?<br />

O, thank you. Was it a<br />

fishing accident?<br />

I expect it was something<br />

like that.<br />

Tragic.<br />

You wouldn’t happen <strong>to</strong> have<br />

the name <strong>of</strong> that friend <strong>of</strong><br />

yours handy, would you?<br />

He's a client, sergeant.<br />

But he would be able <strong>to</strong><br />

verify that you were driving


26<br />

him home?<br />

NOLAN:<br />

If you had good reason <strong>to</strong><br />

ask him.<br />

26:01<br />

MUSIC<br />

26:33<br />

ANNA:<br />

JACK:<br />

ANDY:<br />

CATHAL:<br />

ANNA:<br />

CATHAL:<br />

JACK:<br />

CATHAL:<br />

ANNA:<br />

JACK:<br />

ANNA:<br />

Everyone just turned up. We<br />

didn't know what else <strong>to</strong> do.<br />

It was Sergeant Driscoll<br />

here who went in after<br />

Daniel.<br />

You all knew him. What sort<br />

<strong>of</strong> mood has he been in<br />

lately?<br />

Normal? Happy? Always nice<br />

<strong>to</strong> everyone.<br />

He’d been quite moody<br />

though.<br />

Not <strong>to</strong> me.<br />

A bit low.<br />

Depressed?<br />

Well... quieter than usual.<br />

You think he might have<br />

killed himself?<br />

I'm just trying <strong>to</strong> get a<br />

sense <strong>of</strong> what was going on<br />

in his life. Did he have a<br />

girlfriend? Were they<br />

getting on?<br />

No one special. But Daniel<br />

wouldn't do something like<br />

this. It wasn't in his<br />

nature.


27<br />

CATHAL:<br />

JACK:<br />

CATHAL:<br />

JACK:<br />

CATHAL:<br />

He had a big row with his<br />

dad.<br />

When?<br />

A few weeks back.<br />

What was that about?<br />

They weren't getting on.<br />

27:30<br />

A DOOR SHUTS.<br />

CATHAL:<br />

JACK:<br />

But sure, that's normal,<br />

isn't it?<br />

Thanks.<br />

27:49<br />

KNOCKING ON DOOR.<br />

27:59<br />

JACK:<br />

CASEY:<br />

MAURA:<br />

CASEY:<br />

JACK:<br />

CASEY:<br />

28:25<br />

JACK:<br />

CASEY:<br />

JACK:<br />

Jack Driscoll. Garda<br />

Sergeant Driscoll.<br />

Michael Casey.<br />

Who is it?<br />

You've met Maura. What can<br />

we do for you, sergeant?<br />

Can I come in?<br />

Sure. We're a bit<br />

disorganized but..., come<br />

in.<br />

That's a great <strong>view</strong>.<br />

It's a grand spot, isn't it?<br />

You're enjoying your<br />

holiday?


28<br />

CASEY:<br />

JACK:<br />

CASEY:<br />

JACK:<br />

CASEY:<br />

Very much.<br />

Maura <strong>to</strong>ld you what<br />

happened?<br />

Yeah. I can't believe<br />

someone was drowning while<br />

we were asleep.<br />

You didn't hear anything?<br />

See anything? Lights on the<br />

beach?<br />

You know, we can't seem <strong>to</strong><br />

stay awake here? Can we? It<br />

must be the sea air.<br />

28:48<br />

MUSIC<br />

JACK:<br />

CASEY:<br />

JACK:<br />

CASEY:<br />

JACK:<br />

CASEY:<br />

JACK:<br />

CASEY:<br />

You didn’t hear any<br />

vehicles?<br />

Not a sound. We knew nothing<br />

about this - well, not till<br />

you <strong>to</strong>ld Maura.<br />

It’s just that I got a call<br />

you see. To say that someone<br />

was in trouble. A woman's<br />

voice. She wouldn't leave<br />

her name.<br />

Right.<br />

What do you do, Michael?<br />

I work with Maura. Sales.<br />

It's pretty boring sort <strong>of</strong><br />

shite but we have a laugh,<br />

don't we?<br />

You're interested in birdwatching?<br />

I'm getting in<strong>to</strong> it.<br />

Cormorants and stuff.


29<br />

Obviously, if we do hear <strong>of</strong><br />

anything... we'll call you).<br />

JACK:<br />

CASEY:<br />

JACK:<br />

MAURA:<br />

29:58<br />

MAURA:<br />

CASEY:<br />

MAURA:<br />

CASEY:<br />

MAURA:<br />

Obviously. Maura has my<br />

number.<br />

I suppose this happens out<br />

here quite a lot? Get<br />

pissed, go for a midnight<br />

swim, find yourself out <strong>of</strong><br />

your depth.<br />

Usually it’s only the<br />

visi<strong>to</strong>rs who do that. Locals<br />

tend <strong>to</strong> know where it’s<br />

safe. Don't forget that<br />

drink, Maura?<br />

No.<br />

What?<br />

The point <strong>of</strong> going <strong>to</strong> see<br />

him was <strong>to</strong> find out whether<br />

he was going <strong>to</strong> cause us a<br />

problem here.<br />

Yeah, which is what I did.<br />

You also seem <strong>to</strong> have given<br />

him the impression that<br />

you're available for a cosy<br />

bloody reunion. And maybe<br />

some extras.<br />

Meaning?<br />

30:09<br />

MUSIC<br />

CASEY:<br />

MAURA:<br />

Oh, you didn't see his<br />

<strong>to</strong>ngue hanging out?<br />

I went <strong>to</strong> see him. I tried<br />

<strong>to</strong> find out how much he<br />

knew.


30<br />

CASEY:<br />

This whole thing is about <strong>to</strong><br />

go arse upwards. You tell me<br />

you know the local guard. I<br />

say, fine, let's use that.<br />

Find out how he's going <strong>to</strong><br />

handle this. I didn't say<br />

give him the impression you<br />

were up for a shag.<br />

30:29<br />

DOOR SLAMS<br />

30:30<br />

MAURA:<br />

JACK:<br />

Jack. Jack! What are you<br />

going <strong>to</strong> do?<br />

When did all this undercover<br />

shite start? Were you at it<br />

when we were <strong>to</strong>gether?<br />

30:40<br />

MUSIC<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

31:04<br />

EITHNE:<br />

It's my job. No, I wasn't<br />

'at it' when we were<br />

<strong>to</strong>gether. I was recruited<br />

after I got divorced.<br />

You shouldn't have dragged<br />

my mother in<strong>to</strong> this.<br />

What could I do? I couldn't<br />

just turn up at the garda<br />

station.<br />

You used her. It’s not fair.<br />

You've given her the wrong<br />

impression.<br />

Jack?<br />

Cathal, could you pass me<br />

the playing cards on the<br />

shelf there? Did you ever<br />

learn any German I wonder?


31<br />

CATHAL:<br />

EITHNE:<br />

CATHAL:<br />

EITHNE:<br />

CATHAL:<br />

EITHNE:<br />

CATHAL:<br />

EITHNE:<br />

CATHAL:<br />

32:00<br />

NOLAN:<br />

LIAM:<br />

NOLAN:<br />

LIAM:<br />

No.<br />

Pochen. It's a German word,<br />

I believe. That’s where we<br />

get the word poker from.<br />

Pochen, poker, bluff.<br />

Is that right?<br />

Were you and Daniel close?<br />

We were at the National<br />

School <strong>to</strong>gether.<br />

Is this the first time<br />

you've ever lost someone?<br />

Someone my own age. Last<br />

week he was in here banging<br />

on about this terrible<br />

argument he’d had with his<br />

dad. I <strong>to</strong>ld him <strong>to</strong> get on<br />

with it.<br />

And now you wish you’d been<br />

a bit more sympathetic?<br />

Yeah, something like that.<br />

You already know how <strong>to</strong><br />

play, don't you?<br />

Liam. Where've you been?<br />

In was out on the beach.<br />

Where Daniel died.<br />

Yeah, it's <strong>to</strong>ugh when<br />

something like this happens.<br />

I know that. Did you hear<br />

any more?<br />

No. He was supposed <strong>to</strong> be<br />

with us at Mallon's. He was<br />

out in a boat. Nobody can<br />

understand.


32<br />

NOLAN:<br />

DANIEL:<br />

NOLAN:<br />

DANIEL:<br />

NOLAN:<br />

DANIEL:<br />

Look Liam, if you had any<br />

troubles, you would talk <strong>to</strong><br />

me, wouldn't you?<br />

Yeah, <strong>of</strong> course.<br />

Here.<br />

Dad.<br />

Ah go on. Take this. It’ll<br />

cover what you lost last<br />

night. Don't waste it.<br />

Thanks.<br />

33:00<br />

MUSIC<br />

33:06<br />

FINBARR:<br />

LYNCH:<br />

FINBARR:<br />

LYNCH:<br />

FINBARR:<br />

LYNCH:<br />

Yeah... yeah... right...<br />

That'll be fifty euros the<br />

round trip. Grand. See you<br />

there. Bye bye.<br />

Jack Driscoll?<br />

Garda Colvin. Can I help<br />

you?<br />

Chief Superintendent Lynch.<br />

It's Jack Driscoll I'm<br />

after.<br />

Right. Sir. Well. Sergeant<br />

Driscoll will be back here<br />

any minute now. I tell you<br />

what, why don't you make<br />

yourself comfortable because<br />

you see, er, like I’m a bit<br />

tied up right at the minute<br />

and I have... (<strong>to</strong> go out).<br />

I can see you're a busy man,<br />

Garda Colvin. You get on<br />

with whatever it is you have


33<br />

<strong>to</strong> do.<br />

33:42<br />

MUSIC<br />

FINBARR:<br />

33:59<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

Right. Good luck.<br />

We could get some real work<br />

done if it wasn't for all<br />

this shite. Isn't that<br />

right, sergeant? Chief<br />

Superintendent Lynch.<br />

Organized Crime Unit. If<br />

it's any consolation, the<br />

pile on my desk is twice<br />

what you have here. So you<br />

have a drowned man on your<br />

hands.<br />

That's right.<br />

And is it true that you went<br />

in<strong>to</strong> the sea after him? At<br />

night? At this time <strong>of</strong> year?<br />

It's not something you s<strong>to</strong>p<br />

<strong>to</strong> think about.<br />

Oh, I don’t know about that.<br />

That's the kind <strong>of</strong> thing<br />

they hand out medals for.<br />

Well, I lost him so it I<br />

made no difference.<br />

Yeah. Very sad. But you can<br />

look yourself in the eye and<br />

say you tried. You were<br />

tested - you came through.<br />

Have you filed your report<br />

yet, sergeant?<br />

Not yet.<br />

It shouldn't take you long,<br />

should it? The paperwork on


34<br />

a straightforward accident<br />

like that. Simple stuff<br />

compared <strong>to</strong> all <strong>of</strong> this<br />

shite.<br />

JACK:<br />

I’m not at all sure about<br />

what happened yet. It might<br />

be an accident. I don't<br />

know.<br />

35:05<br />

MUSIC<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

Oh. It’s perfectly clear <strong>to</strong><br />

me, Jack. I think you'll<br />

find that what happened here<br />

was an accident - at least<br />

until my people have<br />

finished their work.<br />

Your people?<br />

Detective Sergeant Casey and<br />

Detective Garda Dooley are<br />

two <strong>of</strong> the best <strong>of</strong>ficers in<br />

my unit. Now I'm sure I<br />

don't have <strong>to</strong> remind you <strong>of</strong><br />

the pro<strong>to</strong>col involved when<br />

an <strong>of</strong>ficer stumbles across<br />

an undercover operation.<br />

I know how it's supposed <strong>to</strong><br />

work.<br />

Of course you do. You're an<br />

experienced man. Now what<br />

Casey and Dooley are doing<br />

here is very important <strong>to</strong><br />

me, it’s very important <strong>to</strong><br />

the state. And I cannot, and<br />

I will not, allow anything<br />

<strong>to</strong> compromise that<br />

operation.<br />

That might be easier if I<br />

knew what the operation was.


35<br />

LYNCH:<br />

35:50<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

36:02<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

I've <strong>to</strong>ld you all you need<br />

<strong>to</strong> know.<br />

Oh, your partner. The one<br />

with the taxi.<br />

He doesn't know about your<br />

people.<br />

Local paper?<br />

No.<br />

Radio?<br />

No.<br />

Good. That's the way I want<br />

<strong>to</strong> keep it.<br />

Well, would you look at<br />

that? I'd like <strong>to</strong> have your<br />

drive <strong>to</strong> work in the<br />

morning, Jack. Gerry<br />

Driscoll? Remind me.<br />

He was my father.<br />

Of course he was. I bumped<br />

in<strong>to</strong> him once in Templemore.<br />

I think he might have been<br />

doing his Sergeant's Exams.<br />

The early nineties?<br />

That would be it. You could<br />

never tell what that man was<br />

thinking. Of course it would<br />

have been different for you,<br />

being his son and all that.<br />

I'm sure he would have<br />

talked....<br />

He never spoke about work.<br />

He was a very discreet man<br />

when it came <strong>to</strong> the job.


36<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

And that's what I want you<br />

<strong>to</strong> be, Jack. There's no need<br />

for you <strong>to</strong> have anything <strong>to</strong><br />

do with my people. As far as<br />

you're concerned they're a<br />

young couple enjoying a<br />

quiet break. But if you do<br />

happen <strong>to</strong> bump in<strong>to</strong> them<br />

again - a little bit <strong>of</strong> your<br />

father’s discretion wouldn’t<br />

go amiss.<br />

And it's Garda Colvin's<br />

wife's taxi - not his.<br />

O I don’t worry about that<br />

Jack. I knew a Guard once<br />

ran a funeral parlour from<br />

the barracks. Can you<br />

believe it? You're the boss.<br />

You're the sheriff. Be safe,<br />

be well.<br />

39:00<br />

MUSIC<br />

39:26<br />

SHOP DOOR BELL RINGS.<br />

39:56<br />

CASEY:<br />

LYNCH:<br />

CASEY:<br />

I'm sorry. The last thing I<br />

wanted was <strong>to</strong> bring you out<br />

here.<br />

I didn't want <strong>to</strong> have <strong>to</strong><br />

come here, Michael. I<br />

thought this operation was<br />

in safe hands. I thought I<br />

could concentrate on the<br />

Dublin end <strong>of</strong> things and<br />

leave this side <strong>to</strong> you.<br />

We couldn't have planned on<br />

the kid going in the water.<br />

That came out <strong>of</strong> nowhere.<br />

Did you speak <strong>to</strong> this


37<br />

culchie guard yet?<br />

LYNCH:<br />

CASEY:<br />

LYNCH:<br />

CASEY:<br />

LYNCH:<br />

CASEY:<br />

LYNCH:<br />

CASEY:<br />

LYNCH:<br />

CASEY:<br />

LYNCH:<br />

CASEY:<br />

LYNCH:<br />

I <strong>to</strong>ld him that until you've<br />

finished your work here,<br />

what he has on his hands is<br />

a simple, straightforward<br />

accident.<br />

Did you tell him what we're<br />

doing?<br />

No. He knows who you are but<br />

not what you're doing.<br />

Is he happy with that?<br />

With Driscoll's record, he's<br />

lucky <strong>to</strong> have a job - he'd<br />

be a fool <strong>to</strong> risk his career<br />

over this.<br />

He'd be a lot easier <strong>to</strong><br />

handle if he hadn't been<br />

mixed up with Maura way<br />

back. That emotional<br />

business... that really<br />

complicates things.<br />

Dooley has good instincts.<br />

She can handle it.<br />

I'm wondering if it wouldn't<br />

be better just <strong>to</strong> pull out<br />

now.<br />

Are you serious?<br />

Yeah. Rather than have the<br />

thing go <strong>of</strong>f half-cocked.<br />

Michael, this operation<br />

means a lot <strong>to</strong> me.<br />

And <strong>to</strong> me.<br />

And this is your chance <strong>to</strong><br />

prove it. This is your


38<br />

chance <strong>to</strong> make your mark.<br />

41:00<br />

MUSIC<br />

LYNCH<br />

WAITRESS:<br />

LYNCH:<br />

WAITRESS:<br />

LYNCH:<br />

41:50<br />

EITHNE:<br />

JACK:<br />

EITHNE:<br />

JACK:<br />

EITHNE:<br />

As you well know, we don't<br />

have a great record with<br />

this target.<br />

More C<strong>of</strong>fee?<br />

Excuse me?<br />

More c<strong>of</strong>fee?<br />

No. Thank you. The idea was<br />

<strong>to</strong> keep it simple. Small.<br />

Low-key. Get in, get the<br />

evidence, get out. Now I<br />

chose you, Michael - above<br />

all the others. I chose you.<br />

We have <strong>to</strong> deliver. You<br />

have <strong>to</strong> deliver. Now this<br />

operation goes ahead despite<br />

your drowned man. Yeah?<br />

The pockets were full <strong>of</strong><br />

sand. I don't know what it's<br />

done <strong>to</strong> my machine.<br />

You didn't have <strong>to</strong> do all<br />

that. I could have ironed<br />

them myself.<br />

Like that one you've on, you<br />

mean? Look, it’s a pity you<br />

didn’t bring Maura over <strong>to</strong><br />

meet your dad when he was<br />

still alive. They'd have got<br />

on well, I think.<br />

He was always a hit with the<br />

ladies.<br />

She's a lovely-looking<br />

woman.


39<br />

JACK:<br />

EITHNE:<br />

JACK:<br />

EITHNE:<br />

JACK:<br />

EITHNE:<br />

JACK:<br />

EITHNE:<br />

JACK:<br />

43:11<br />

JACK:<br />

DOCTOR:<br />

JACK:<br />

DOCTOR:<br />

And she's a mind <strong>of</strong> her own<br />

– as do I. Here, big box <strong>of</strong><br />

his stuff down at the<br />

station.<br />

And he'd have you <strong>to</strong> think<br />

he wasn't a sentimental man.<br />

Did he ever mention him?<br />

Lynch. Your father was<br />

always one for keeping up<br />

with who was in and who was<br />

out at the Phoenix Park. But<br />

he's one you would remember.<br />

Bit <strong>of</strong> a crusader. He's done<br />

well for himself, hasn’t he.<br />

Chief Superintendent. What<br />

did dad say?<br />

The worst thing your father<br />

could say about someone was<br />

that he had no sense <strong>of</strong><br />

humour. But your man here<br />

must be good <strong>to</strong> get where he<br />

is. How do you know him?<br />

His name came up.<br />

Have you any news <strong>of</strong> Daniel?<br />

No. I'm just on my way <strong>to</strong><br />

the hospital now <strong>to</strong> pick up<br />

the au<strong>to</strong>psy report. I’ll<br />

see you later.<br />

Any sign <strong>of</strong> alcohol?<br />

No.<br />

Drugs?<br />

Nothing. Nothing at all.


40<br />

JACK:<br />

DOCTOR:<br />

JACK:<br />

Okay, thanks. Actually, I<br />

thought I might drop his<br />

personal effects and his<br />

clothes back <strong>to</strong> his parents.<br />

Sure. I’ll ask one <strong>of</strong> the<br />

nurses.<br />

Great. Thank you.<br />

43:32<br />

MUSIC<br />

43:45<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

BREDE:<br />

44:37<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

I had some paper-work <strong>to</strong><br />

pick up from the hospital.<br />

They asked me <strong>to</strong> drop this<br />

<strong>of</strong>f. Some <strong>of</strong> Daniel’s<br />

things. Saw you in <strong>to</strong>wn.<br />

I was on my way out <strong>to</strong> the<br />

boat.<br />

Sorry, Brede. There's<br />

nothing yet. It might be<br />

useful for me <strong>to</strong> have a look<br />

at his room. Would that be<br />

OK?<br />

Will you bring the guard up<br />

and show him Daniel’s room?<br />

Tell me about the argument.<br />

What argument?<br />

The argument you had with<br />

Daniel. What was that about?<br />

There was no argument. The<br />

same as any other family.<br />

About his future. What he<br />

was going <strong>to</strong> do with his<br />

life.<br />

What was he going <strong>to</strong> do?


41<br />

CIARAN:<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

CIARAN:<br />

Anything but go <strong>to</strong> sea. I<br />

can't blame really. The<br />

business is finished.<br />

He was playing a lot <strong>of</strong><br />

poker.<br />

Not a lot. Just with his<br />

friends.<br />

For money?<br />

No.<br />

What about 'on-line'?<br />

I <strong>to</strong>ld you before. It was<br />

just a bit <strong>of</strong> fun.<br />

It's an easy way <strong>to</strong> lose a<br />

lot <strong>of</strong> money. Easy <strong>to</strong> let<br />

things get out <strong>of</strong> control.<br />

You think maybe he was in<br />

debt?<br />

Lads <strong>of</strong> his age <strong>of</strong>ten find<br />

it difficult <strong>to</strong> speak <strong>to</strong><br />

their families. Bottle this<br />

up.<br />

Are you suggesting he did<br />

this on purpose?<br />

No. I don't think it was<br />

deliberate. I think Daniel<br />

went in<strong>to</strong> the water by<br />

accident. What I want <strong>to</strong><br />

find out is what he was<br />

doing out there in the first<br />

place. Was Daniel involved<br />

in drugs in any way?<br />

Good god, no. He was never<br />

interested in anything like<br />

that in his life.


42<br />

JACK:<br />

BREDE:<br />

CIARAN:<br />

BREDE:<br />

JACK:<br />

CIARAN:<br />

BREDE:<br />

CIARAN:<br />

BREDE:<br />

Eugene reported your 'Dory'<br />

missing first thing this<br />

morning. Had Daniel taken it<br />

out before?<br />

The 'Dory'? What would he be<br />

doing out in the dark in<br />

that little thing?<br />

Look, nobody knows what<br />

happened. The boat was gone<br />

but nobody knows what it was<br />

he was doing out there. Now<br />

you're asking me about his<br />

poker-playing and drugs and<br />

god-knows-what.<br />

Drugs? That's never Daniel.<br />

And the poker - that's just<br />

a hobby with them all<br />

nowadays.<br />

I have <strong>to</strong> ask.<br />

I know you do. And it's<br />

true, you do hear these<br />

s<strong>to</strong>ries about the young<br />

people. How they have all<br />

this pressure on them and<br />

the parents only find out<br />

when it's <strong>to</strong>o late.<br />

What are you saying?<br />

I'm saying that you hear<br />

these things, that's all.<br />

Good god, man. If my son was<br />

thinking <strong>of</strong> taking his own<br />

life, I would have known<br />

about it. I loved him. He<br />

was my own blood. I would<br />

have known if he was in<br />

trouble. I don't understand<br />

what all these questions are<br />

for.


43<br />

JACK:<br />

CIARAN:<br />

I'm sorry, Brede. I'm trying<br />

<strong>to</strong> find out what happened <strong>to</strong><br />

your son. Let's get back <strong>to</strong><br />

Denis Nolan. Do you have<br />

anything <strong>to</strong> do with him?<br />

I know him. He loaned me<br />

money....<br />

47:00<br />

MUSIC<br />

BREDE:<br />

CIARAN:<br />

BREDE:<br />

CIARAN:<br />

BREDE:<br />

CIARAN:<br />

BREDE:<br />

JACK:<br />

What?<br />

Couple <strong>of</strong> thousand.... Five<br />

thousand.<br />

Five thousand euros?<br />

And I paid him back. It was<br />

purely a business<br />

arrangement. A small loan.<br />

What on earth were you doing<br />

taking money from a man like<br />

that? Nolan doesn't do<br />

favours - he doesn't do<br />

anything for nothing. What<br />

has all this got <strong>to</strong> do with<br />

my son and Dennis Nolan?<br />

Nothing. It has nothing <strong>to</strong><br />

do with the man.<br />

The guard's asking you a<br />

question, Ciaran. Why is he<br />

asking? What's he<br />

suggesting?<br />

I'm suggesting nothing, Mrs<br />

O'Malley. I'm just asking<br />

questions.<br />

48:10<br />

KNOCKING ON DOOR.


44<br />

48:15<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

Where is he?<br />

Talk <strong>to</strong> me.<br />

I want Casey. I want some<br />

answers.<br />

Jack. Be reasonable. Lynch<br />

<strong>to</strong>ld you....<br />

Why don’t you come down and<br />

tell Daniel's mother why her<br />

son died? She needs some<br />

answers.<br />

And I can't give them <strong>to</strong><br />

her. You know what I'm doing<br />

here.<br />

No. I don't - because you<br />

won't tell me.<br />

You know I can't talk about<br />

it.<br />

You didn't need <strong>to</strong> lie <strong>to</strong><br />

me.<br />

Do you think I enjoyed that?<br />

It's a possibility, isn't<br />

it? Given your record.<br />

Jack - grow up. This isn’t<br />

about us. There is no us.<br />

This is about work. Now,<br />

leave me alone before you<br />

blow the whole thing wide<br />

open.<br />

What exactly is your<br />

relationship with Ciaran<br />

O'Malley?<br />

You're behaving like a fool.


45<br />

JACK:<br />

I have Daniel out there in<br />

Ciaran's boat - alone – and<br />

nobody can tell me why. I<br />

also have a local man - a<br />

solici<strong>to</strong>r with a dodgy<br />

reputation out near the<br />

beach at the same time. Now,<br />

I think Daniel was trying <strong>to</strong><br />

get ashore when he went in<strong>to</strong><br />

the water.<br />

49:01<br />

MUSIC<br />

JACK:<br />

MAURA:<br />

JACK:<br />

He had no car there so he<br />

must have been meeting<br />

someone.<br />

You're putting all <strong>of</strong> us in<br />

danger by coming here.<br />

Including, if you only knew<br />

it, Ciaran O’Malley and his<br />

wife and...<br />

No, you did that when you<br />

rang me <strong>to</strong> say that someone<br />

was in trouble. You were<br />

shit scared and you didn't<br />

know what <strong>to</strong> do so you<br />

called me. Now I didn't ask<br />

<strong>to</strong> be dragged in<strong>to</strong> this. Now<br />

that I have been the least<br />

you can do is tell me what<br />

the fuck is going on. Okay.<br />

Let's try Casey.<br />

49:34<br />

CASEY:<br />

JACK:<br />

CASEY:<br />

Why don't you s<strong>to</strong>p and think<br />

before you make a very<br />

serious mistake?<br />

You were both watching the<br />

beach the night Daniel<br />

O’Malley died. Why?<br />

What did I tell you? This is


46<br />

why they sent him out here.<br />

This is why it was a bad<br />

idea <strong>to</strong> go and see him. How<br />

long have you been in this<br />

job, Driscoll?<br />

JACK:<br />

CASEY:<br />

JACK:<br />

CASEY:<br />

MAURA:<br />

JACK:<br />

Don't treat me like a fool.<br />

I'm sick <strong>of</strong> lying <strong>to</strong> decent<br />

people.<br />

Is that so? And would that<br />

be because you have<br />

scruples? Because you’ve got<br />

a duty <strong>to</strong> perform? You know<br />

what? Fuck your scruples.<br />

Fuck your duty. This is a<br />

major investigation in<strong>to</strong>...<br />

In<strong>to</strong> what? Well, go on. A<br />

seventeen year-old boy is<br />

lying on a slab because <strong>of</strong><br />

what you're doing here. Now<br />

I find out his his father's<br />

involved somehow. I don't<br />

care about your operation. I<br />

don't give a fuck how<br />

'major' it is. I think you<br />

deliberately placed him and<br />

his family at risk. Now do<br />

you expect me <strong>to</strong> sit here<br />

and do nothing while you<br />

shit on my doorstep and<br />

expect me <strong>to</strong> clear it up?<br />

One way or the other, Casey,<br />

I'm having the answers.<br />

You're having nothing. Stick<br />

<strong>to</strong> handing out parking<br />

tickets <strong>to</strong> <strong>to</strong>urists.<br />

Jack, be reasonable. There<br />

was nothing we could do for<br />

Daniel. I'm sorry but that's<br />

the truth, believe me.<br />

Ask him why he didn't go in<br />

after him.


47<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

CASEY:<br />

JACK:<br />

CASEY:<br />

JACK:<br />

Jack, please.<br />

This has <strong>to</strong> do with drugs,<br />

doesn’t it? Daniel O'Malley<br />

was mixed up in it, somehow.<br />

Leave it alone.<br />

One death is enough.<br />

Go home <strong>to</strong> your mother and<br />

leave this <strong>to</strong> people who are<br />

trained <strong>to</strong> handle it.<br />

Okay. Let's try a different<br />

approach.<br />

Driscoll. Look, I know what<br />

your problem is. I know what<br />

this is all about. But if<br />

you think she's going <strong>to</strong><br />

Michael Casey. I'm arresting<br />

you...<br />

51:03<br />

PUNCH<br />

51:09<br />

SPIT<br />

JACK:<br />

MAURA:<br />

JACK:<br />

CASEY:<br />

JACK:<br />

MAURA:<br />

Assault on an <strong>of</strong>ficer will<br />

do nicely.<br />

Jack, Wait. Jack, please<br />

listen.<br />

Now, you are not obliged <strong>to</strong><br />

say anything but anything<br />

you do say<br />

...can you believe this?<br />

...may be used against you…<br />

Jack.


48<br />

JACK:<br />

MAURA:<br />

JACK:<br />

in evidence."<br />

You're behaving like an<br />

idiot.<br />

If I find that your friend<br />

here sent a seventeen-yearold<br />

<strong>to</strong> his death, I swear <strong>to</strong><br />

god - I'll bury him. Now<br />

move.<br />

51:36<br />

CAR SCREACHING TO A HALT.<br />

51:39<br />

LYNCH:<br />

You what? This guy is<br />

starting <strong>to</strong> get on my<br />

nerves. Okay, I'm on<strong>to</strong> it.<br />

Fuck!<br />

51:55<br />

MUSIC<br />

52:02<br />

LYNCH:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

LYNCH:<br />

JACK:<br />

CASEY:<br />

Last year alone Eddie McCann<br />

was behind the importation<br />

<strong>of</strong> 50 million worth <strong>of</strong> drugs<br />

in <strong>to</strong> this country…<br />

Jack, I don’t want this <strong>to</strong><br />

wreck things for us.<br />

I thought there was no us.<br />

That depends on you.<br />

There’s a bigger picture<br />

here and you’re not seeing<br />

it. Did I get you wrong<br />

Jack?<br />

If you assumed I was my<br />

father, then yes.<br />

She only came on <strong>to</strong> you<br />

because I <strong>to</strong>ld her <strong>to</strong>.


49<br />

She’s laughing at you.<br />

LYNCH:<br />

CASEY:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

MAURA:<br />

EITHNE:<br />

MAURA:<br />

JACK:<br />

Michael, enough.<br />

You were <strong>to</strong>ld <strong>to</strong> back <strong>of</strong>f.<br />

You were <strong>to</strong>ld you were out<br />

<strong>of</strong> your depth.<br />

So what happens <strong>to</strong> Ciaran<br />

O’Malley?<br />

He’s a drug trafficker, do<br />

you care?<br />

I care about his family.<br />

Do you worry about Jack.<br />

The worry never goes away.<br />

No matter what age they are.<br />

I only ever seem <strong>to</strong> bring<br />

him bad luck.<br />

I think you have an<br />

informant. Someone inside<br />

your operation.


50<br />

TOUCHPAPER<br />

TELEVISION<br />

SINGLE-HANDED 3<br />

EPISODE 2<br />

Post Production<br />

Script


51<br />

OPENING CREDITS<br />

RTE Drama<br />

Owen McDonnell<br />

<strong>Single</strong>-<strong>Handed</strong><br />

“The Drowning Man”<br />

Written by<br />

Barry Simner<br />

Produced by<br />

Clare Alan<br />

Directed by<br />

Anthony Byrne<br />

END CREDITS<br />

Cast in order <strong>of</strong> appearance<br />

Daniel O’Malley<br />

Garda Finbarr Colvin<br />

Denis Nolan<br />

Maura Dooley<br />

Brede O’Malley<br />

Ciaran O’Malley<br />

Michael Casey<br />

Chief Superintendent Lynch<br />

Liam Nolan<br />

Radio DJ<br />

Eithne Driscoll<br />

Eddie McCann<br />

Eugene<br />

Cathal<br />

Andy<br />

Anna<br />

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Daisy Cummins<br />

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52<br />

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James Mongon<br />

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Matthew Hennessy<br />

Assistant Location Manager<br />

Locations Trainee<br />

Production Co-ordina<strong>to</strong>r<br />

Production Assistant<br />

Production Accountant<br />

Assistant Accountant<br />

Transport Captain<br />

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Julian Pugh-Cook<br />

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Brian Dungan<br />

Amy Breen<br />

Paul Tsan<br />

Adam Tsan<br />

Fiachra O’Hanlon<br />

Padraigh O’Mannion<br />

Melanie Downes<br />

Adrienne McGrane<br />

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Action Vehicle Drivers<br />

Marine Co-ordina<strong>to</strong>r<br />

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Script Supervisor<br />

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53<br />

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54<br />

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Produced with the support <strong>of</strong> investment incentives<br />

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Filmed on location in Ireland<br />

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55<br />

For RTE<br />

© RTE 2008


56<br />

00:00<br />

MUSIC<br />

00:01<br />

MOBILE PHONE RINGS.<br />

00:03<br />

JACK:<br />

00:12<br />

FINBARR:<br />

NOLAN:<br />

00:16<br />

JACK:<br />

EITHNE:<br />

00:24<br />

BREDE:<br />

JACK:<br />

BREDE:<br />

00:31<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

Hello? Jack Driscoll. What<br />

kind <strong>of</strong> trouble?<br />

There was a fatality I<br />

think. Someone drowned.<br />

D’you know who?<br />

You know Brede and Ciaran<br />

O’Malley’s son, Daniel?<br />

He’s drowned.<br />

Dear God, no.<br />

All alone out there, in the<br />

cold water.<br />

D’you have any idea what he<br />

might have been doing? Why<br />

he ended up in the sea?<br />

No.<br />

Hello Jack.<br />

Maura? I’m surprised I<br />

hadn’t heard that you’d left<br />

the guards. What are you up<br />

<strong>to</strong> now.<br />

Just temporary stuff.<br />

When did all this undercover<br />

shite start? Were you at it<br />

when we were <strong>to</strong>gether?


57<br />

00:44<br />

BREDE:<br />

00:52<br />

CASEY:<br />

JACK:<br />

00:57<br />

LYNCH:<br />

JACK:<br />

What on earth were you doing<br />

taking money from a man like<br />

that? Nolan doesn’t do<br />

favours. He doesn’t do<br />

anything for nothing.<br />

Why don’t you s<strong>to</strong>p and think<br />

before you make a very<br />

serious mistake.<br />

You were both watching the<br />

beach the night Daniel<br />

O’Malley drowned.<br />

Now I’m sure I don’t have <strong>to</strong><br />

remind you <strong>of</strong> the pro<strong>to</strong>col<br />

involved when an <strong>of</strong>ficer<br />

stumbles across an<br />

undercover operation.<br />

I know how it’s supposed <strong>to</strong><br />

work.<br />

01:09<br />

Grunts.<br />

JACK:<br />

LYNCH:<br />

You’re not obliged <strong>to</strong> say<br />

anything but anything you do<br />

say…<br />

This guy is starting <strong>to</strong> get<br />

on my nerves. OK – I’m on<br />

<strong>to</strong> it<br />

01:54<br />

SCUFFLING.<br />

01:55<br />

JACK:<br />

Sit. Garda Colvin. This is<br />

Mister Michael Casey - all<br />

the way from Dublin. I'm<br />

bringing him in for<br />

resisting arrest and<br />

assaulting a guard.


58<br />

FINBARR:<br />

CASEY:<br />

Is that right?<br />

What do you two farmers<br />

think you're going <strong>to</strong> do <strong>to</strong><br />

me in this shithole? This is<br />

a joke. You're a joke.<br />

02:14<br />

HANDCUFFS LOCKED.<br />

FINBARR:<br />

JACK:<br />

CASEY:<br />

FINBARR:<br />

JACK:<br />

CASEY:<br />

JACK:<br />

FINBARR:<br />

CASEY:<br />

All the way from Dublin and<br />

assaulting a guard? That's<br />

not a joke in my book.<br />

Neither is 'reckless<br />

endangerment' - which is<br />

the next charge I'm looking<br />

at.<br />

D'you think this is going <strong>to</strong><br />

impress her?<br />

Oh, yeah. Mr Casey. You'll<br />

be the gentleman staying in<br />

the little cottage? You<br />

know, this isn't the sort <strong>of</strong><br />

behaviour we expect from<br />

people enjoying a quiet<br />

holiday.<br />

Mr Casey's being a bit vague<br />

about exactly what he's<br />

doing here. I'm hoping he'll<br />

be able <strong>to</strong> shed some light<br />

on Daniel O'Malley's death.<br />

Keep hoping.<br />

Let's get some particulars,<br />

shall we?<br />

Right oh. Ah, this can take<br />

a bit <strong>of</strong> time, Mr Casey.<br />

Because you're making it up<br />

as you go along?


59<br />

FINBARR:<br />

CASEY:<br />

FINBARR:<br />

CASEY:<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

No, no, I mean with all the<br />

forms and the bureaucracy<br />

and all that sort <strong>of</strong> thing.<br />

Would you like some tea or<br />

c<strong>of</strong>fee while we're going<br />

through the process?<br />

Enjoy it while you can.<br />

Right, that's a no, is it?<br />

I'd better take a note <strong>of</strong><br />

that. Prisoner refused<br />

refreshments. Now, would you<br />

mind emptying your pockets<br />

please, Mr Casey?<br />

Let's assume you're serious.<br />

We both know you can't<br />

charge me here.<br />

I didn't know that. Did you<br />

know that, Jack?<br />

I think you'll find we do<br />

things a bit differently out<br />

here in the Wild West.<br />

Your pockets.<br />

03:28<br />

MUSIC<br />

03:34<br />

HANDCUFFS RATTLE<br />

03:40<br />

JACK:<br />

CASEY:<br />

03:48<br />

LYNCH:<br />

Let’s see if we can get some<br />

details about Mr Casey from<br />

that lot shall we?<br />

If my operation goes down<br />

the Swanee because <strong>of</strong> your<br />

ego...<br />

Can I speak <strong>to</strong> you outside,


60<br />

sergeant?<br />

04:00<br />

LYNCH:<br />

JACK:<br />

You’ve got the wrong man<br />

there, sergeant.<br />

I have a man who assaulted<br />

me. A man I believe<br />

endangered the life <strong>of</strong><br />

someone barely out <strong>of</strong><br />

school. Now, I don't care<br />

who you are or what you're<br />

doing here, that’s not<br />

something I'm prepared <strong>to</strong><br />

ignore.<br />

04:06<br />

MOBILE PHONE QUICK DIAL BEEP<br />

LYNCH:<br />

Maura, would you get over<br />

here <strong>to</strong> the station straight<br />

away? Thanks.<br />

04:14<br />

MOBILE PHONE BEEP<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

Now, I thought I'd made<br />

myself perfectly clear the<br />

last time we spoke. There's<br />

a bigger picture here and<br />

you're not seeing it.<br />

Maybe if you <strong>to</strong>ld me what it<br />

was.<br />

Did I get you wrong, Jack?<br />

If you assumed I was my<br />

father then, yes, I believe<br />

you did.<br />

Now, you're a determined man<br />

and I respect that.<br />

So s<strong>to</strong>p treating me like a<br />

fool. I've been involved in<br />

the internal politics <strong>of</strong>


61<br />

this job before and I didn't<br />

like it.<br />

LYNCH:<br />

04:38<br />

FINBARR:<br />

CASEY:<br />

FINBARR:<br />

Get in the car.<br />

Is it true you can even send<br />

emails on these?<br />

That's still my property.<br />

Would you mind not fucking<br />

around with it?<br />

Would you believe we don't<br />

even have a computer? Half<br />

the time the powers that be<br />

don’t even know what we're<br />

up <strong>to</strong>.<br />

04:52<br />

THUNDER & RAIN<br />

04:58<br />

LYNCH:<br />

I’m going <strong>to</strong> tell you<br />

something that I don’t tell<br />

many people. I was out near<br />

the border in seventy-nine<br />

in a one-and-one station<br />

like yours. My sergeant was<br />

a great man. He was a great<br />

country copper. One spring<br />

morning he walked in<strong>to</strong> a<br />

post-<strong>of</strong>fice and a terrorist<br />

gunman shot him dead. That’s<br />

one <strong>of</strong> five bullets they dug<br />

out <strong>of</strong> his body. You can<br />

imagine what five <strong>of</strong> those<br />

would do <strong>to</strong> you. That gunman<br />

was never caught - though we<br />

knew who he was. And these<br />

days he's hardly <strong>of</strong>f the<br />

front pages. International<br />

businessman. Public<br />

benefac<strong>to</strong>r. He's a man with<br />

a violent past but he has<br />

one great talent –


62<br />

05:43<br />

MUSIC<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

He can s<strong>to</strong>p certain people<br />

from rocking the political<br />

boat. D’you follow me? No<br />

one wants <strong>to</strong> ask awkward<br />

questions about Eddie McCann<br />

or where his money comes<br />

from – just as long as his<br />

old friends stay quiet. Now,<br />

men like us, we might wonder<br />

whether we should be<br />

ignoring them just because<br />

it's politically expedient.<br />

But we're only a couple <strong>of</strong><br />

guards, aren't we, Jack?<br />

What do we know? I’ll tell<br />

you what I know? Last year<br />

alone, Eddie McCann was<br />

behind the importation <strong>of</strong><br />

fifty million worth <strong>of</strong> drugs<br />

in<strong>to</strong> this country. He has<br />

ten million worth <strong>of</strong> cocaine<br />

lying at the bot<strong>to</strong>m <strong>of</strong> your<br />

beautiful bay as we speak.<br />

Now, we've known for some<br />

time that he's a major<br />

player in the drugs trade<br />

but we’ve never been able <strong>to</strong><br />

bring a successful case<br />

against him. I've had two<br />

operations against him fall<br />

at the last fence. Nolan is<br />

the last piece in the<br />

jigsaw. He's the link<br />

between the drugs in your<br />

bay and McCann.<br />

Ah well, plenty <strong>of</strong> people<br />

are wondering how a country<br />

solici<strong>to</strong>r like Nolan managed<br />

<strong>to</strong> do quite so well for<br />

himself.<br />

Well now you know. Our job<br />

is <strong>to</strong> catch Nolan with his


63<br />

hands on the drugs. Isn't<br />

this what you signed up for?<br />

Wouldn't nailing a man like<br />

McCann make all the shite,<br />

all the bloody paperwork<br />

worthwhile?<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

Yeah, but surely Nolan's not<br />

going <strong>to</strong> risk anything now<br />

he knows that I’m sniffing<br />

around.<br />

And that's why you have <strong>to</strong><br />

s<strong>to</strong>p sniffing around and let<br />

Michael Casey get on with<br />

his job. Now, as you point<br />

out, they're unlikely <strong>to</strong><br />

risk bringing it in <strong>to</strong> the<br />

same spot now that Daniel's<br />

dead and you're<br />

investigating his death. But<br />

without Daniel, Casey is<br />

going <strong>to</strong> have <strong>to</strong> go <strong>to</strong> his<br />

father and make a new<br />

arrangement.<br />

So it was Daniel who was<br />

Casey's <strong>to</strong>ut - not Ciaran?<br />

I couldn’t tell you before,<br />

I couldn't take that chance.<br />

The more people who know,<br />

the bigger the risk <strong>of</strong> a<br />

leak. Now, that bullet's<br />

been in my pocket for nearly<br />

thirty years - and I would<br />

dearly like <strong>to</strong> give it back<br />

<strong>to</strong> Mr McCann. I'm close,<br />

Jack. I'm that close.<br />

07:59<br />

MUSIC & THUNDER<br />

08:09<br />

JACK:<br />

Finbarr...? Release<br />

Detective Sergeant Casey.<br />

Yeah. That’s right.


64<br />

08:21<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

So what happens <strong>to</strong> Ciaran<br />

O'Malley?<br />

He's a drug-trafficker. Do<br />

you care?<br />

I care about his family.<br />

He's not the only one at<br />

risk.<br />

Ciaran O'Malley dragged his<br />

own son in<strong>to</strong> this. He's two<br />

mortgages – a house and a<br />

boat. There's Spanish<br />

trawlers out there hoovering<br />

up everything with fins<br />

while his government - the<br />

same government that's in<br />

bed with Eddie McCann - is<br />

telling him that he can't<br />

fish for nine months <strong>of</strong> the<br />

year because <strong>of</strong> EU quotas.<br />

So he goes <strong>to</strong> Nolan - he<br />

borrows a few thousand.<br />

Nolan asks for a small<br />

favour in return. But it<br />

doesn't s<strong>to</strong>p there. Because<br />

with McCann and Nolan it<br />

never s<strong>to</strong>ps. Once they've<br />

found a safe way in, they'll<br />

keep coming back. Now as I<br />

say, Jack, you can<br />

understand, you even<br />

sympathise - but you also<br />

have <strong>to</strong> judge. You have any<br />

problems, give me a shout<br />

before you do anything else.<br />

09:19<br />

FINBARR:<br />

JACK:<br />

So it’s business as usual is<br />

it? Let the pr<strong>of</strong>essionals<br />

get on with their job?<br />

Leave it <strong>to</strong> the experts.


65<br />

Turn a blind eye – whichever<br />

you prefer.<br />

JACK:<br />

What did you make <strong>of</strong><br />

Detective Casey?<br />

09:29<br />

MUSIC<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

Did you see the watch on<br />

him? And all those fancy<br />

little gadgets. Sure, nobody<br />

could blame you for wanting<br />

a bit <strong>of</strong> that if it was on<br />

<strong>of</strong>fer. But these guys aren’t<br />

like you and me, Jack.<br />

There's no honour where<br />

these guys are concerned.<br />

Everyone is expendable.<br />

They should never have<br />

involved a kid like Daniel.<br />

And leave him <strong>to</strong> drown in<br />

the middle <strong>of</strong> the bloody<br />

night like that? If Casey<br />

was any sort <strong>of</strong> man, he<br />

would have gone in there<br />

after him. And if he's<br />

supposed <strong>to</strong> be the boss why<br />

did he let her call me? Why<br />

didn't he ring me himself?<br />

I tell you what. He called<br />

someone in the middle <strong>of</strong> the<br />

night. That is his 'lastnumber-redial'.<br />

He thought I<br />

was playing submarines or<br />

something but I thought it<br />

would be no harm <strong>to</strong> check<br />

who he was calling while he<br />

was here.<br />

That must be Lynch.<br />

Have you got his number?<br />

10:19


66<br />

MUSIC<br />

JACK:<br />

FINBARR:<br />

JACK:<br />

FINBARR:<br />

That's not it.<br />

Well, d'you want me <strong>to</strong> give<br />

it a go?<br />

No. No, hold on. Thanks.<br />

Right.<br />

10:39<br />

MOBILE PHONE RINGS.<br />

10:46<br />

MAURA:<br />

Jack? Are you alright? I<br />

don’t think that’s a very<br />

good idea. Okay, just give<br />

me a minute I’ll think <strong>of</strong> an<br />

excuse.<br />

11:00<br />

MOBILE PHONE DISCONNECT BEEP.<br />

11:04<br />

NEWSREADER:<br />

DARRAGH:<br />

NEWSREADER:<br />

DARRAGH:<br />

Darragh - this deal we're<br />

hearing about between Eddie<br />

McCann's Premium Holdings<br />

and Chinese Investment Bank?<br />

Yeah, I spoke <strong>to</strong> Eddie<br />

McCann yesterday and it's<br />

very much in line with his<br />

long-term strategy for the<br />

company.<br />

And yet he's made a name for<br />

himself by insisting on<br />

ploughing a large part <strong>of</strong><br />

the company's pr<strong>of</strong>its back<br />

in<strong>to</strong> Ireland.<br />

He has. Not taking out <strong>of</strong><br />

Ireland what he's earned in<br />

Ireland. It's something <strong>of</strong> a<br />

mantra with him. He built<br />

the company up from nothing


67<br />

and you'd have <strong>to</strong> say the<br />

policy's paid <strong>of</strong>f<br />

handsomely.<br />

11:32<br />

CASEY:<br />

MAURA:<br />

CASEY:<br />

MAURA:<br />

CASEY:<br />

MAURA:<br />

CASEY:<br />

MAURA:<br />

CASEY:<br />

MAURA:<br />

Okay, let me call you back.<br />

Who was that?<br />

Lynch.<br />

What did he want?<br />

Probably making sure I<br />

hadn't been arrested by your<br />

boyfriend again.<br />

God, he's really got under<br />

your skin, hasn't he?<br />

I'm just fascinated really<br />

how you ever got involved<br />

with a gorilla like<br />

Driscoll. Anyhow, he's<br />

finished as soon as we get<br />

out <strong>of</strong> here.<br />

What, you're going <strong>to</strong> get<br />

even now?<br />

Maura, the man shouldn't be<br />

wearing the uniform. Or his<br />

idle bloody sidekick. I<br />

thought you were going <strong>to</strong><br />

bed.<br />

No. I need <strong>to</strong> use the car.<br />

12:03<br />

KEYS.<br />

12:05<br />

CASEY:<br />

MAURA:<br />

What for?<br />

I have <strong>to</strong> get something in<br />

the chemist.


68<br />

CASEY:<br />

MAURA:<br />

Wait a second. Are you going<br />

<strong>to</strong> see him?<br />

D'you want <strong>to</strong> come with me?<br />

12:18<br />

CAR KEYS RATTLE.<br />

12:34<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

See you've had the sermon?<br />

Well-rehearsed is it?<br />

Yeah. But that doesn't mean<br />

it's not sincere though.<br />

McCann should have been<br />

behind bars years ago.<br />

And is Casey the man <strong>to</strong> put<br />

him there?<br />

He's very anxious, Jack.<br />

He's got a lot riding on<br />

this. And he's jealous <strong>of</strong> my<br />

relationship with you,<br />

nervous that Lynch is<br />

confiding in you. I've<br />

worked with him before.<br />

Look, I'm not having a go at<br />

you. I know a little bit<br />

about the world you work in.<br />

And I know sometimes you end<br />

up not knowing who <strong>to</strong> trust.<br />

Do you trust Casey?<br />

I don't like him.<br />

Does it bother you that he<br />

was using a seventeen-year<br />

old as his <strong>to</strong>ut?<br />

Those are the sort <strong>of</strong> calls<br />

we have <strong>to</strong> make, Jack.<br />

Daniel was looking for a way<br />

<strong>to</strong> get his father <strong>of</strong>f the<br />

hook.


69<br />

JACK:<br />

Tell me exactly what<br />

happened the night he died.<br />

13:0<br />

MUSIC<br />

MAURA:<br />

JACK:<br />

13:44<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

Is that why you brought me<br />

here? I had <strong>to</strong> lie <strong>to</strong><br />

Casey....<br />

Maura. It's important.<br />

We were at the cottage<br />

watching Daniel drag that<br />

stuff on<strong>to</strong> the boat.<br />

On his own?<br />

He was supposed <strong>to</strong> be with<br />

his father. The two <strong>of</strong> them<br />

<strong>to</strong>gether. That is how it was<br />

supposed <strong>to</strong> work. We<br />

couldn't make out the<br />

details but we could see<br />

that he was in trouble. He<br />

couldn't manage it on his<br />

own.<br />

So why didn't you do<br />

something <strong>to</strong> help him?<br />

Casey said that it was <strong>to</strong>o<br />

late, we had <strong>to</strong> let it run.<br />

And Nolan was on the beach<br />

remember. We couldn't just<br />

turn up. The next thing we<br />

knew the boat was empty and<br />

Daniel was in the water. I<br />

couldn't just stand there<br />

and watch him drown.<br />

But Casey could? Did he do<br />

anything at all?<br />

He called Lynch.


70<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

How do you know?<br />

He <strong>to</strong>ld me. Look, Lynch<br />

brought Casey in<strong>to</strong> the<br />

squad. He gave him all his<br />

breaks. They're like father<br />

and son.<br />

Lynch <strong>to</strong>ld me that you’ve<br />

had a few cases go down at<br />

the last hurdle before.<br />

Yeah, because it's always<br />

<strong>to</strong>uch and go with operations<br />

like this. Look, you can<br />

catch the street dealers,<br />

and the low-lifes and the<br />

runners – but with people<br />

like McCann and Nolan, it’s<br />

something else. The least<br />

suspicion and they're gone.<br />

That's why you have <strong>to</strong> let<br />

things run.<br />

Even if someone’s drowning<br />

in front <strong>of</strong> you.<br />

Sometimes - yes.<br />

Okay. But the fact is, Casey<br />

doesn't have a great track<br />

record, does he?<br />

That's why this is so<br />

important <strong>to</strong> him.<br />

15:04<br />

PAPER UNCRUMPLED.<br />

15:07<br />

JACK:<br />

This is a list <strong>of</strong> recentlydialed-calls<br />

from Casey's<br />

mobile. I know. Just look.<br />

That has <strong>to</strong> be the call<br />

Casey made that you say was<br />

<strong>to</strong> Lynch. Now is that


71<br />

Lynch's number?<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

It's not the number I use.<br />

Do you recognise it?<br />

No.<br />

Doesn't that make you think?<br />

Lynch <strong>to</strong>ld me this was being<br />

kept small-scale so that<br />

there was less risk <strong>of</strong> any<br />

leaks. But here's your man<br />

Casey ringing god-knows-who<br />

at just the moment when it<br />

all starts going wrong.<br />

So - you have a suspicious<br />

number. What are you going<br />

<strong>to</strong> do about it?<br />

That’s why I wanted <strong>to</strong> talk<br />

<strong>to</strong> you. You know Lynch. What<br />

do you think I should do?<br />

D’you want my advice, Jack?<br />

Think very carefully before<br />

you call him. You've a nice<br />

life here. Another couple <strong>of</strong><br />

days and we'll be gone.<br />

Don't mess it up because<br />

you've taken a dislike <strong>to</strong><br />

Casey.<br />

16:33<br />

MUSIC<br />

17:04<br />

EITHNE:<br />

JACK:<br />

17:14<br />

EITHNE:<br />

Did you sleep well?<br />

Not great.<br />

Look Jack. I know can't help<br />

you with your work in the<br />

way your father might have<br />

done, but I do know what


72<br />

this job is like.<br />

JACK:<br />

EITHNE:<br />

JACK:<br />

EITHNE:<br />

JACK:<br />

EITHNE:<br />

I know you do.<br />

Look, what I'm saying is, he<br />

had me <strong>to</strong> share it with. So<br />

if you ever want <strong>to</strong> talk -<br />

about anything at all.<br />

Was he a worry <strong>to</strong> you?<br />

You know he was. Every<br />

minute he was out there in<br />

that uniform. Why I thought<br />

it would be any different<br />

with you, I don't know. But<br />

I know you'll always do the<br />

right thing.<br />

Like Dad, you mean?<br />

I'm away for my bath.<br />

18:07<br />

DIAL ON MOBILE KEY PAD.<br />

18:18<br />

MCCANN:<br />

18:21<br />

MCCANN<br />

JACK:<br />

MCCANN:<br />

JACK:<br />

McCann.<br />

Hello?<br />

Hello, is Jimmy there?<br />

Jimmy? No. You've got the<br />

wrong number.<br />

Sorry. I must have misdialed.<br />

18:29<br />

LINE CUT NOISE.<br />

21:00<br />

MUSIC and CAR DRIVING ON GRAVEL.<br />

21:47


73<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

CASEY:<br />

LYNCH:<br />

JACK:<br />

CASEY:<br />

JACK:<br />

CASEY:<br />

JACK:<br />

CASEY:<br />

JACK:<br />

Can I speak <strong>to</strong> you alone?<br />

We're out here in the open,<br />

Jack. I think that's how we<br />

should keep.<br />

I believe you have an<br />

informant. Someone inside<br />

your operation.<br />

Did you bring me all the way<br />

out here <strong>to</strong> listen <strong>to</strong> this?<br />

You're going <strong>to</strong> have <strong>to</strong> give<br />

me a bit more than that,<br />

Jack.<br />

I think that Detective Casey<br />

is passing on information <strong>to</strong><br />

the man you are targeting.<br />

To Eddie McCann.<br />

What? Are you actually<br />

going <strong>to</strong> stand here and<br />

listen <strong>to</strong> this bollocks?<br />

I don't have what you'd call<br />

hard evidence.<br />

It's time this man was<br />

relieved <strong>of</strong> his duties.<br />

At the moment all I have is<br />

circumstantial evidence - at<br />

the moment.<br />

He has no evidence <strong>of</strong> any<br />

kind. From the moment he<br />

wandered in<strong>to</strong> this thing -<br />

the first moment he caught<br />

sight <strong>of</strong> me with his old<br />

girlfriend, he's been trying<br />

<strong>to</strong> put a stick in my wheel.<br />

That's what this is all<br />

about - him and her.<br />

It has nothing <strong>to</strong> do with


74<br />

Maura.<br />

CASEY:<br />

LYNCH:<br />

CASEY:<br />

LYNCH:<br />

CASEY:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

He thinks I'm shagging her<br />

and it's driving him mad. Is<br />

that what you think? That<br />

I'm shagging her? Is it?<br />

Alright, Michael. That's<br />

enough.<br />

She only came on <strong>to</strong> you<br />

because I <strong>to</strong>ld her <strong>to</strong>. She's<br />

laughing at you.<br />

Michael enough.<br />

You were <strong>to</strong>ld <strong>to</strong> back <strong>of</strong>f.<br />

You were <strong>to</strong>ld you were out<br />

<strong>of</strong> your depth.<br />

I want this operation <strong>to</strong><br />

succeed as much as you do. I<br />

want <strong>to</strong> see Nolan go down.<br />

And I want <strong>to</strong> see justice<br />

for Daniel O’Malley.<br />

You mentioned evidence.<br />

The night Daniel drowned,<br />

Casey dialled this number.<br />

23:07<br />

MUSIC<br />

CASEY:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

CASEY:<br />

So what?<br />

Do you recognise it?<br />

It's just a phone number,<br />

Jack. I don't know whose.<br />

I called that number this<br />

morning - Eddie McCann<br />

answered it.<br />

This is crazy.


75<br />

23:25<br />

LYNCH:<br />

CASEY:<br />

LYNCH:<br />

23:54<br />

LYNCH:<br />

CASEY:<br />

JACK:<br />

CASEY:<br />

LYNCH:<br />

CASEY:<br />

LYNCH:<br />

CASEY:<br />

Give me your phone, Michael.<br />

This is ridiculous. The<br />

whole thing is in his head.<br />

What do you know? What do<br />

you know? Nothing.<br />

The phone.<br />

You dialled the same number<br />

again last night. What’s<br />

that about?<br />

I'm allowed <strong>to</strong> make phone<br />

calls. I was checking<br />

something.<br />

What?<br />

I don't have <strong>to</strong> explain<br />

anything <strong>to</strong> this man. I<br />

don't have <strong>to</strong> explain myself<br />

<strong>to</strong> this failure... this<br />

useless…<br />

No, you don't. But you do <strong>to</strong><br />

me?<br />

I <strong>to</strong>ld you. I was trying <strong>to</strong><br />

get an idea <strong>of</strong> McCann's<br />

movements. After Daniel<br />

drowned I thought... I<br />

wondered if he suspected<br />

something, so...<br />

So you thought you'd give<br />

him a call? Just <strong>to</strong> check<br />

in?<br />

How many times have we been<br />

so close <strong>to</strong> nailing McCann?<br />

I thought, you know, if I<br />

could find another way <strong>to</strong><br />

him, a way <strong>to</strong> make him...


76<br />

LYNCH:<br />

CASEY:<br />

LYNCH:<br />

CASEY:<br />

24:57<br />

LYNCH:<br />

CASEY:<br />

LYNCH:<br />

CASEY:<br />

LYNCH:<br />

CASEY:<br />

Trust you?<br />

Exactly. Yeah. And then I<br />

could use that trust and...<br />

Michael. Michael. You're<br />

clutching at straws.<br />

No. Chief. How long have I<br />

been with you? Ah, come on<br />

man. You know me.<br />

Have I let you down in some<br />

way, Michael? Have I?<br />

You can't catch him. And, if<br />

you do, you'll never get a<br />

conviction. We both know<br />

that. Was I going <strong>to</strong> be<br />

stuck with you till you<br />

retired and still be chasing<br />

the same man? Is that what I<br />

was supposed <strong>to</strong> do with my<br />

career?<br />

I trusted you.<br />

All your talk about the big<br />

picture. You can't see the<br />

big picture because you're<br />

obsessed with one man. Eddie<br />

McCann is a protected<br />

species. No one can <strong>to</strong>uch<br />

him because he's <strong>to</strong>o<br />

important. Without McCann<br />

holding things <strong>to</strong>gether - we<br />

all know what happens.<br />

So this is how you justify<br />

it <strong>to</strong> yourself?<br />

No, no. It's what you <strong>to</strong>ld<br />

me. Eddie McCann is the<br />

price we have <strong>to</strong> pay for<br />

peace in this country. You


77<br />

26:22<br />

PUNCH FOLLOWED BY COUGHING.<br />

won't catch him because no<br />

one in this country wants<br />

him caught. Why? Because a<br />

trial would be worse than<br />

allowing him <strong>to</strong> carry on<br />

with his drugs and his tax<br />

dodges and people-smuggling<br />

<strong>to</strong>o for all I know. He's <strong>to</strong>o<br />

big and <strong>to</strong>o powerful and he<br />

knows <strong>to</strong>o much. This is your<br />

crusade, not mine. I could<br />

have been an inspec<strong>to</strong>r by<br />

now. Instead I’m stuck here<br />

trying <strong>to</strong> sort out your<br />

stupid fucking blood feud<br />

with Eddie McCann.<br />

26:28<br />

LYNCH:<br />

CASEY:<br />

JACK:<br />

LYNCH:<br />

How were you going <strong>to</strong> get<br />

him <strong>of</strong>f the hook this time?<br />

If Daniel hadn't drowned and<br />

we'd got our evidence on<br />

Nolan? Talk <strong>to</strong> me Michael?<br />

Good man.<br />

McCann can always find<br />

another Nolan.<br />

So McCann would have had<br />

Nolan killed?<br />

Give me your gun.<br />

27:02<br />

FINGERS SNAPPED.<br />

27:13<br />

JACK:<br />

CASEY:<br />

Did Daniel tell you he was<br />

going <strong>to</strong> be alone that<br />

night?<br />

No. If his father had have<br />

been with him, none <strong>of</strong> this<br />

would have happened.


78<br />

LYNCH:<br />

27:43<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

JACK:<br />

LYNCH:<br />

28:14<br />

LYNCH:<br />

28:20<br />

NOLAN:<br />

LIAM:<br />

NOLAN:<br />

LIAM:<br />

Go and wait in the car,<br />

Michael.<br />

You were suspicious <strong>of</strong> him<br />

from the start.<br />

I didn't trust him.<br />

And you were right.<br />

I need you <strong>to</strong> go <strong>to</strong> Ciaran<br />

O’Malley and tell him that<br />

the deal is still on. Can<br />

you do that for me?<br />

Yeah.<br />

I'll tell Maura.<br />

What about him?<br />

Oh, don’t worry about<br />

Michael. He'll do what he's<br />

<strong>to</strong>ld from now on.<br />

Thanks Jack.<br />

You ready?<br />

Yeah.<br />

You don’t mind going with<br />

your dad?<br />

No, I’ve <strong>to</strong>ld the others I’d<br />

meet them there.<br />

28:31<br />

KEYS RATTLING.<br />

NOLAN:<br />

LIAM:<br />

Here, my car?<br />

Seriously?


79<br />

NOLAN:<br />

Of course. I trust you - you<br />

know that.<br />

28:43<br />

MUSIC<br />

28:44<br />

RADIO DJ:<br />

No sign <strong>of</strong> an early<br />

resolution. Returning <strong>to</strong><br />

<strong>to</strong>day's <strong>to</strong>p s<strong>to</strong>ry - shares<br />

in Premium Holdings rose<br />

again when it was announced<br />

that the long-expected deal<br />

with Chinese Investment Bank<br />

now has ministerial<br />

backing...<br />

29:16<br />

CAR DOOR SLAMS<br />

29:51<br />

JACK:<br />

BREDE:<br />

30:08<br />

JACK:<br />

30:16<br />

JACK:<br />

Brede. I'm sorry for your<br />

trouble. I truly I am.<br />

Thank you, Jack. Thank you.<br />

Ciaran. Is there somewhere<br />

we can talk?<br />

At the moment, you don't<br />

think things can get any<br />

worse. I'm telling you now,<br />

they can get a lot worse.<br />

You're mixed up with people<br />

who will do anything <strong>to</strong> get<br />

what they want. They didn't<br />

care about Daniel and they<br />

don't care about you and<br />

Brede. You are all<br />

expendable. Do you<br />

understand that? It's time<br />

<strong>to</strong> talk <strong>to</strong> me Ciaran. You<br />

want <strong>to</strong> talk <strong>to</strong> me, don't<br />

you?


80<br />

CIARAN:<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

CIARAN:<br />

I have a priest down there<br />

in my own front room if I<br />

want any <strong>of</strong> that bollocks.<br />

Ciaran. I know - everything.<br />

The deal with Nolan. What<br />

you've been doing. What you<br />

were trying <strong>to</strong> bring ashore.<br />

Where. Who was waiting for<br />

it. Where it's going. In<br />

fact, I know more than you<br />

do because I know who's<br />

behind it all.<br />

I don't know what my son was<br />

doing in the water but it<br />

was nothing <strong>to</strong> do with drugs<br />

or.<br />

Listen <strong>to</strong> me. You're sitting<br />

in the room where he slept.<br />

You can smell his aftershave<br />

<strong>of</strong>f the pillow.<br />

This is a house <strong>of</strong> mourning.<br />

Will you leave us in peace?<br />

Please?<br />

Peace? There isn't going <strong>to</strong><br />

be any more peace. Listen <strong>to</strong><br />

what I'm saying. Detectives<br />

from Dublin were on<strong>to</strong><br />

Daniel. Daniel was their<br />

<strong>to</strong>ut. Dates, times, they<br />

knew it all because Daniel<br />

<strong>to</strong>ld them. And why would he<br />

do that? Why would he betray<br />

you, his own father?<br />

Because I was <strong>to</strong>o scared <strong>to</strong><br />

do it myself. I wasn't man<br />

enough. He wanted me <strong>to</strong> go<br />

<strong>to</strong> the guards. That's what<br />

the argument was about. He<br />

could see where all <strong>of</strong> this<br />

was going. He knew I'd never


81<br />

get Nolan <strong>of</strong>f my back. He<br />

wanted us <strong>to</strong> be free <strong>of</strong> all<br />

<strong>of</strong> this. He wouldn't let me<br />

go in the boat with him. And<br />

now I know why.<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

EITHNE:<br />

32:44<br />

CIARAN:<br />

32:49<br />

BREDE:<br />

I think it's time <strong>to</strong> tell<br />

Brede the truth.<br />

How can I tell her?<br />

She needs <strong>to</strong> know why her<br />

son died.<br />

But you can't be with them<br />

all the time, can you? You<br />

have <strong>to</strong> trust them, you have<br />

<strong>to</strong> let them go.<br />

The guard wants <strong>to</strong> talk <strong>to</strong><br />

us.<br />

You sent him out there on<br />

his own at night in that<br />

little scrap <strong>of</strong> a thing. I<br />

taught my children what was<br />

right and what was wrong<br />

from the minute they were<br />

born. O god. I always<br />

thought that the danger <strong>to</strong><br />

them was out there.<br />

33:10<br />

MUSIC<br />

BREDE:<br />

But it wasn't, was it? It<br />

was in here all the time<br />

with their own father. How<br />

could you do that <strong>to</strong> my son?<br />

And the detectives that all<br />

came down from Dublin and<br />

even you. I know you risked<br />

your life for him but he was<br />

only a boy and you all used<br />

him - even his own father.


82<br />

CIARAN:<br />

BREDE:<br />

CIARAN:<br />

BREDE:<br />

CIARAN:<br />

BREDE:<br />

CIARAN:<br />

BREDE:<br />

JACK:<br />

BREDE:<br />

JACK:<br />

BREDE:<br />

JACK:<br />

BREDE:<br />

JACK:<br />

CIARAN:<br />

Brede...<br />

No. Don't try <strong>to</strong> explain.<br />

Nolan came <strong>to</strong> me and he<br />

<strong>of</strong>fered money.<br />

I don't want <strong>to</strong> know why. I<br />

don't care why.<br />

We were going <strong>to</strong> lose<br />

everything we had.<br />

God and we did. My boy. My<br />

lovely, lovely boy.<br />

Our boy.<br />

No.<br />

Brede. I'm sorry but this<br />

isn't over. The cocaine that<br />

Ciaran brought in is still<br />

out there in the bay. These<br />

men are waiting for him <strong>to</strong><br />

hand it over.<br />

Well why don't you go out<br />

and catch them? Why don’t<br />

you go out and catch them!<br />

They have a fortune tied up<br />

in this and they're not<br />

going <strong>to</strong> risk it because<br />

your son is dead.<br />

So we're all trapped in<br />

this?<br />

Yes.<br />

Whether we like it or not?<br />

Yes, you are.<br />

They know everything about


83<br />

us.<br />

BREDE:<br />

JACK:<br />

BREDE:<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

BREDE:<br />

JACK:<br />

35:28<br />

BREDE:<br />

Oh God. So we’re all in<br />

danger?<br />

If Ciaran doesn't keep his<br />

part <strong>of</strong> the bargain - then<br />

you're in grave danger.<br />

The children?<br />

Brede. These are<br />

unbelievable sums <strong>of</strong> money<br />

we're talking about here.<br />

These men will s<strong>to</strong>p at<br />

nothing.<br />

Is there anything I can do?<br />

Please.<br />

Well, you can help us catch<br />

the people behind this. And<br />

then maybe, at the trial...<br />

I can't promise anything,<br />

but I want <strong>to</strong> help you.<br />

Senior <strong>of</strong>ficers want <strong>to</strong> help<br />

you - but you have <strong>to</strong> agree<br />

<strong>to</strong> help them.<br />

You know where the drugs<br />

are. Why don't you just go<br />

out and tell them everything<br />

and have done with it?<br />

That's not good enough<br />

Brede. Denis Nolan has <strong>to</strong><br />

believe that this operation<br />

is going ahead exactly as<br />

planned, exactly as Ciaran<br />

agreed. You have <strong>to</strong> make<br />

Nolan believe that. We need<br />

clear evidence that ties<br />

Nolan <strong>to</strong> that cocaine.<br />

Thank you for coming, Mr<br />

Nolan.


84<br />

NOLAN:<br />

JACK:<br />

NOLAN:<br />

JACK:<br />

NOLAN:<br />

JACK:<br />

NOLAN:<br />

JACK:<br />

NOLAN:<br />

JACK:<br />

NOLAN:<br />

JACK:<br />

NOLAN:<br />

36:24<br />

MUSIC<br />

I'm sorry for your loss, Mrs<br />

O'Malley, I really am.<br />

Ciaran. I’m sorry.<br />

Mr. Nolan.<br />

It’s a sad day, sergeant.<br />

It is.<br />

I hear you acquitted<br />

yourself well. But it's a<br />

strange business, all the<br />

same. In the water at that<br />

hour <strong>of</strong> the night.<br />

I'm not sure it's all that<br />

strange.<br />

So you have some idea <strong>of</strong><br />

what happened?<br />

Daniel was playing a lot <strong>of</strong><br />

poker - on-line. It looks as<br />

if he'd run up some big<br />

debts - in his father's<br />

name. Ciaran has his own<br />

financial problems.<br />

Surely you’re not suggesting<br />

that the young lad <strong>to</strong>ok his<br />

own life?<br />

Seems the most likely<br />

explanation.<br />

Do they know this?<br />

I've just <strong>to</strong>ld them.<br />

Jesus. You and I have some<br />

<strong>of</strong> experience at dealing<br />

with bereavements, but this<br />

is a <strong>to</strong>ugh one.


85<br />

JACK:<br />

36:44<br />

MAURA:<br />

EITHNE:<br />

MAURA:<br />

EITHNE:<br />

MAURA:<br />

EITHNE:<br />

MAURA:<br />

I'm sure they'll be glad <strong>of</strong><br />

your sympathy. They're very<br />

vulnerable right now.<br />

I'm sorry <strong>to</strong> be barging in<br />

again like this.<br />

I said any time and I meant<br />

it. Do you have any<br />

regrets? About resigning<br />

from a good job I mean<br />

because <strong>of</strong>... well, whatever<br />

it was.<br />

I don't know. I suppose time<br />

will tell. Sorry - I don't<br />

mean <strong>to</strong> be rude.<br />

And you're not. I'm poking<br />

my nose in where I’ve no<br />

business. I just think it's<br />

an awful shame that a young<br />

woman like yourself, with a<br />

good job...<br />

Did you work?<br />

When I met Jack's father. I<br />

was training <strong>to</strong> be a<br />

teacher.<br />

Really?<br />

EITHNE: It was a very common thing -<br />

the guard and the school<br />

teacher. You worked as a<br />

team.<br />

MAURA:<br />

EITHNE:<br />

People find that very<br />

difficult nowadays, don't<br />

they?<br />

Because they don’t know how<br />

<strong>to</strong> share is what it is. It's<br />

all about being an


86<br />

37:43<br />

MUSIC<br />

individual now, isn't it?<br />

Not that there’s anything<br />

wrong with that. But it<br />

makes sharing a life<br />

difficult. I don't envy the<br />

youngsters nowadays.<br />

MAURA:<br />

D’you worry about Jack?<br />

EITHNE: The worry never goes away –<br />

no matter what age they are.<br />

I suppose I'd like <strong>to</strong> see<br />

him settled.<br />

MAURA:<br />

EITHNE:<br />

I only ever seem <strong>to</strong> bring<br />

him bad luck.<br />

People think Jack’s like his<br />

father – but he's like me.<br />

Once he makes a decision, he<br />

makes his own luck.<br />

38:02<br />

DOOR OPENS.<br />

38:04<br />

EITHNE:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

Look who’s here. I’m afraid<br />

I have <strong>to</strong> go.<br />

OK. Did she have the pho<strong>to</strong>s<br />

out again?<br />

I know you think she's<br />

mothering you but actually,<br />

I think she'd like <strong>to</strong> have<br />

you <strong>of</strong>f her hands.<br />

Is that right? What's the<br />

s<strong>to</strong>ry with Casey?<br />

He's with the Chief.<br />

38:21<br />

MOBILE PHONE RINGS.


87<br />

38:26<br />

JACK:<br />

38:56<br />

JACK:<br />

38:59<br />

LYNCH:<br />

Ciaran... Okay, what time?<br />

And you know what <strong>to</strong> do?<br />

That's right. Just make the<br />

drop, take the money, just<br />

be normal. OK. It's coming<br />

in <strong>to</strong>morrow morning.<br />

Sir? It's Jack Driscoll...<br />

Well done Jack. Leave it<br />

with me. Call McCann. Tell<br />

him the drop is on for<br />

<strong>to</strong>morrow morning.<br />

41:03<br />

MUSIC<br />

41:23<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

He was in the water.<br />

Jack.<br />

I thought I'd saved him.<br />

Jack. Sh. Here Jack.<br />

What time is it?<br />

It's four. It's not even<br />

light yet.<br />

Is that going <strong>to</strong> keep on<br />

happening?<br />

Yeah. I expect so - for a<br />

while.<br />

41:52<br />

MUSIC<br />

42:14<br />

JACK:<br />

Finbarr? We're on our way.<br />

Just keep out <strong>of</strong> sight.


88<br />

42:24<br />

CAR DOORS SHUT.<br />

43:43<br />

CAMERA SHUTTER CLICKING.<br />

43:47<br />

CARS DRIVING TO A STOP.<br />

43:51<br />

CAMERA SHUTTER CLICKING & CAR DOORS SHUTTING.<br />

43:57<br />

CAMERA SHUTTER CLICKING<br />

44:04<br />

CAMERA SHUTTER CLICKING.<br />

44:14<br />

CAMERA SHUTTER CLICKING<br />

44:27<br />

NOLAN:<br />

Thank you.<br />

44:31<br />

CAR DOOR SLAMS.<br />

44:32<br />

NOLAN:<br />

44:36<br />

JACK:<br />

What’s wrong?<br />

Come on, man, take it. Just<br />

take it.<br />

44:40<br />

CAR DRIVES OFF.<br />

44:43<br />

CAMERA SHUTTER CLICKING<br />

44:49<br />

NOLAN:<br />

By the way, I don’t know<br />

what you and Brede have<br />

decided about flowers - but<br />

maybe you’d get a decent<br />

spray for the boy from me.


89<br />

45:10<br />

JACK:<br />

Nolan!<br />

45:24<br />

GUNSHOT<br />

45:43<br />

MAURA:<br />

Ciaran! Put the gun down!<br />

Put the gun down! Ciaran.<br />

Ciaran. Ciaran you can help<br />

us put Nolan and the rest <strong>of</strong><br />

them away. Ciaran, please,<br />

you have <strong>to</strong> be brave about<br />

this. Ciaran please don't do<br />

this. For Daniel's sake.<br />

46:27<br />

GUN CLICKS AS IT’S DISARMED<br />

46:50<br />

MAURA:<br />

I thought he'd hit you.<br />

46:55<br />

MUSIC<br />

46:57<br />

MAURA:<br />

47:12<br />

LYNCH:<br />

JACK:<br />

47:26<br />

LYNCH:<br />

Chief? We've got what we<br />

wanted. McCann's all yours.<br />

Thanks.<br />

I'm on my way back <strong>to</strong><br />

Dublin, Jack - now that this<br />

part <strong>of</strong> the operation’s<br />

over. McCann's already in<br />

cus<strong>to</strong>dy.<br />

I’d say you're looking<br />

forward <strong>to</strong> returning that<br />

bullet?<br />

It helped <strong>to</strong> keep me<br />

focussed. You know I don’t<br />

think that I could ever tire<br />

<strong>of</strong> that <strong>view</strong>. But if you do<br />

feel you want a change, why


90<br />

don't you come up and see me<br />

in The Park? You and Maura<br />

work well <strong>to</strong>gether.<br />

JACK:<br />

LYNCH:<br />

47:53<br />

FINBARR:<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

CIARAN:<br />

JACK:<br />

I might do that. What's<br />

happening about Casey?<br />

Maura's driving him back <strong>to</strong><br />

Dublin. Take care Jack.<br />

These guards here will take<br />

you <strong>to</strong> the District<br />

Headquarters where you'll be<br />

formally charged. D’you<br />

understand that, Ciaran?<br />

Are you sure you won't make<br />

a phone call Ciaran? Not <strong>to</strong><br />

Brede?<br />

No.<br />

She has <strong>to</strong> know what<br />

happened.<br />

You were there. You saw.<br />

Will you go <strong>to</strong> his funeral<br />

for me?<br />

Yes, I will. Yes, <strong>of</strong> course<br />

I will.<br />

48:17<br />

MOBILE PHONE RINGS.<br />

48:22<br />

JACK:<br />

I hope you're not going <strong>to</strong><br />

say goodbye <strong>to</strong> me on the<br />

phone. Where are you? Okay,<br />

I'm coming over. Finbarr.<br />

Hold the fort, will you.<br />

48:32<br />

MUSIC<br />

49:17


91<br />

MAURA:<br />

49:31<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

JACK:<br />

He must have decided not <strong>to</strong><br />

wait until they came looking<br />

for him.<br />

I would have helped him.<br />

I don't think you could have<br />

done anything.<br />

I could have s<strong>to</strong>pped him<br />

doing this.<br />

Maura. Look at him. He still<br />

has his gun.<br />

I know. I know his gun.<br />

Casey didn’t have a gun. I<br />

saw Lynch take it <strong>of</strong>f him<br />

out there in the forest.<br />

So he gave it back <strong>to</strong> him.<br />

To the man who just betrayed<br />

him? Why would he do that?<br />

What, you think Lynch wanted<br />

him <strong>to</strong> do this?<br />

All I'm saying is that, when<br />

I left them, Lynch had<br />

Casey's gun. Now it's back<br />

in Casey's hand.<br />

Jack, I think you should<br />

leave this <strong>to</strong> me.<br />

Look the other way again?<br />

No.<br />

I can't do that, Maura. I'm<br />

the investigating <strong>of</strong>ficer<br />

here. I'm going <strong>to</strong> have the<br />

Ombudsman and Internal<br />

Affairs all over this. D’you


92<br />

want me <strong>to</strong> lie <strong>to</strong> them?<br />

MAURA:<br />

JACK:<br />

MAURA:<br />

No one's asking you <strong>to</strong> lie.<br />

Let them look at the<br />

evidence. Let them decide.<br />

You don't have <strong>to</strong> say<br />

anything about the gun. This<br />

is Lynch’s problem. Let him<br />

sort it. We can make sure<br />

you don't get dragged in.<br />

This could be just what it<br />

looks like. It could be<br />

suicide.<br />

We know it’s not.<br />

Everyone will assume that it<br />

is. You know I'm right.<br />

Jack, I don't want this <strong>to</strong><br />

wreck things for us.<br />

50:28<br />

MUSIC<br />

JACK:<br />

MAURA:<br />

50:58<br />

RADIO DJ:<br />

FINBARR:<br />

I thought there was no us.<br />

It depends on you.<br />

(On the car radio) Some<br />

breaking news just coming in<br />

<strong>to</strong> us here. Gardai are at<br />

the Dublin Headquarters <strong>of</strong><br />

Premium Holdings and the<br />

Killiney home <strong>of</strong> Chief<br />

Executive, Eddie McCann who<br />

was taken <strong>to</strong> Pearse Street<br />

station for questioning<br />

earlier this morning. Senior<br />

<strong>of</strong>ficers refuse <strong>to</strong> confirm<br />

reports that the raids are<br />

connected <strong>to</strong> <strong>to</strong>day’s seizure<br />

on the N7 <strong>of</strong> cocaine with an<br />

estimated street value <strong>of</strong><br />

Euro20million.<br />

Cathal?


93<br />

CATHAL:<br />

FINBARR:<br />

51:39<br />

EITHNE:<br />

JACK:<br />

EITHNE:<br />

JACK:<br />

EITHNE:<br />

How are you? Usual?<br />

Yeah. Good man. Liam.<br />

Have you seen the share<br />

price <strong>to</strong>day?<br />

No.<br />

Through the floor. And all<br />

the time you're after these<br />

people and you don't say a<br />

word.<br />

Did you miss out there?<br />

Good god, no. We're not<br />

doing this for fun.<br />

51:51<br />

MUSIC<br />

EITHNE:<br />

JACK:<br />

EITHNE:<br />

JACK:<br />

EITHNE:<br />

We're in it <strong>to</strong> make money.<br />

We sold at just the right<br />

moment. Everyone will think<br />

I got a tip-<strong>of</strong>f. Of course,<br />

I understand why you<br />

couldn't say anything.<br />

I'm sure you do.<br />

I knew she wasn't what she<br />

said she was. Of course<br />

that’s her doing the job<br />

she's paid <strong>to</strong> do and keeping<br />

us all safe in our beds.<br />

She's a clever girl alright.<br />

To do well in that world.<br />

She is.<br />

You seemed <strong>to</strong> be getting on<br />

so well with her. It’s not<br />

over is it?


94<br />

JACK:<br />

No. I hope not.<br />

52:54<br />

CAR DOOR SHUTS.<br />

53:07<br />

HOUSE DOOR SHUTS.<br />

53:23<br />

ENVELOPE OPENED.

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