catalogue text.indd - Sanders of Oxford
catalogue text.indd - Sanders of Oxford
catalogue text.indd - Sanders of Oxford
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59. Tab IV [Frontal view <strong>of</strong> Skeleton and Rhinoceros]<br />
Copper engraving<br />
Charles Grignion after Jan Wandelaar<br />
Published by E. Cox and Son, St. Thomas Street, and No.9 Sutton Street, Southwark. 1827.<br />
Image 380 x 540 mm, Plate 408 x 577 mm, Sheet 503 x 628 mm<br />
unmounted<br />
Tabs IV and VIII are perhaps the most celebrated images in the history <strong>of</strong> anatomical illustration. Contemporary accounts<br />
testify that the backgrounds were proposed by Wandelaar, and intended to relieve the harshness <strong>of</strong> the figures<br />
by providing the illusion <strong>of</strong> three dimensionality. For his two plates illustrating the bones and the fourth order <strong>of</strong> musculature,<br />
Wandelaar included a rhinoceros whose bulk and latticed skin provided a pronounced contrast to the human<br />
form. The grazing beast was known as Clara, and arrived at the port <strong>of</strong> Rotterdam in 1741 at the behest <strong>of</strong> the director<br />
<strong>of</strong> the Dutch East India Company. Douwe Mout van der Meer subsequently paraded Clara around the Low Countries,<br />
and the best part <strong>of</strong> mainland Europe. It is believed that Wandelaar was able to sketch her when she appeared at the<br />
Artis zoo in Amsterdam. Until her arrival, artists and illustrators looking for an image <strong>of</strong> a rhinoceros were still slavishly<br />
copying Dürer’s famous, but solecistic woodcut <strong>of</strong> 1515. Clara’s depiction was not only a momentous event for<br />
zoological illustration, but would prove to be one for anatomical atlases as well.<br />
Condition: Excellent impression with full margins. Also contains accompanying key plate.<br />
[30019]<br />
£300