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news<br />
Front cover image:<br />
BAFTA Scotland awards<br />
editorial<br />
Christmas is fast approaching and as this<br />
issue straddles the old and new year, it<br />
seems time is further accelerated.<br />
Just a moment then to pause and celebrate<br />
all the great work and talented people in<br />
Scotland’s screen industries. Much of this<br />
issue is given over to this year’s BAFTA<br />
Scotland awards, with an interview with new<br />
Director, Helen Anderson, a report from the<br />
Cardonald College students who worked<br />
behind the scenes to produce the show, and<br />
of course, a few words with the winners<br />
themselves.<br />
Also time to look back and celebrate an<br />
iconic <strong>Scottish</strong> film that is celebrating its<br />
25 th anniversary. Bill Forsyth was recently<br />
reunited with Local Hero and the town of<br />
Pennan, which played such a crucial role in<br />
the film; Neil Shirran from Aberdeen City<br />
and Shire Film Office writes of how the town<br />
marked the occasion.<br />
Also in this issue we hear from five<br />
different film festivals around the world:<br />
Kenny Glenaan recent recipient of a BAFTA<br />
Scotland award for Best Direction reports<br />
back on the Rome International Film Festival,<br />
were Summer picked up a prestigious<br />
prize – and some footwear - from a jury<br />
young Italians. Lucinda Broadbent writes of<br />
Sheffield doc/fest where her film, Red Oil,<br />
was screening, and where she enjoyed a<br />
<strong>Scottish</strong> rollerblading ceilidh! Further afield,<br />
Dale Corlett and Suzanne Adamson took<br />
their short film, man at the side of the road,<br />
to Palm Springs Shortfest and discovered<br />
the downside of driving convertibles in the<br />
desert. Closer to home, Norman McClandish<br />
recounts how he very nearly managed to<br />
upset the most stylish man in Scotland<br />
at the Heartland Film Society Festival<br />
in Aberfeldy, and producer Don Coutts<br />
previews December’s Cromarty Film Festival,<br />
which has a great programme and line-up of<br />
speakers introducing their favourite films.<br />
We also hear from a number of independent<br />
filmmakers and their recent experiences.<br />
Two films share dark subject matters,<br />
Blooded shot on the Isle of Mull and<br />
Mandragora Productions’ Dark Nature shot<br />
in Dumfries & Galloway. Midnight Madness<br />
is an ultra low budget documentary from<br />
Charles Henri-Bellville, documenting a<br />
basketball tournament, which recently<br />
screened at the Raindance Film Festival.<br />
Jana Prchalova, one of last year’s NEATs<br />
trainees, is now working on a short film with<br />
animation studio, Once Were Farmers; she<br />
tells us where the inspiration for Mondo’s<br />
Search for the Sun comes from.<br />
Much to look forward to in 2009, including<br />
the continuing progress towards Creative<br />
Scotland. <strong>Scottish</strong> <strong>Screen</strong> welcomed the<br />
recent appointment of chair for the new<br />
organisation, Ewan Brown, and we look<br />
forward to working with him in establishing<br />
the new organisation.<br />
<strong>Scottish</strong> <strong>Screen</strong> would like to wish everyone<br />
a happy festive season and all the very best<br />
wishes for 2009.<br />
Linsey Denholm<br />
Editor<br />
PANAMINT NEWS<br />
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RRP £13.99 incl P&P. Presented by Jimmy Reid with the musical help<br />
of folk maestros The Whistlebinkies, this Channel 4 film looks into the<br />
New Year rituals and festivities as they are practised in various parts of<br />
Scotland. Filmed by Eddie McConnell.<br />
For more details and to order click on the following link:<br />
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The Whistlebinkies<br />
Published by:<br />
SCOTTISH SCREEN | 249 West George Street | Glasgow | G2 4QE | UK<br />
e: info@scottishscreen.com | w: www.scottishscreen.com | t: + 44 (0)141 302 1700<br />
<strong>Scottish</strong> <strong>Screen</strong> is a charity registered in Scotland, No: SC026210<br />
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