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Pooh's Hellalump Movie<br />

exhibition<br />

Access Take 2<br />

By Jennifer Hunter-Mackenzie,<br />

Education Assistant<br />

In a first for <strong>Scottish</strong> cinemas, Glasgow Film Theatre<br />

(GFT) has recently introduced autism-friendly<br />

screenings entitled Access Take 2, as part of the<br />

GFT’s Take 2 programme of Saturday morning family<br />

films. Supported by funding from Glasgow City<br />

Council, the Take 2 series of free films for Glasgow<br />

children and their carers has been running for four<br />

years, helping consolidate the GFT’s role as the<br />

<strong>Scottish</strong> <strong>Screen</strong>-designated 'hub' cinema for West-<br />

Central Scotland.<br />

The aim of Take 2 is to encourage family viewing, to<br />

diversify the films watched by young people and to<br />

promote the 'big screen' experience. This has been<br />

extremely successful, with young people attending<br />

both mainstream and non-mainstream films. The<br />

Access Take 2 autism-friendly screenings are helping<br />

GFT to widen access to the Take 2 experience.<br />

Similar initiatives to Access Take 2 exist in English<br />

cinemas, such as the Clapham and Greenwich<br />

Picturehouses, The Metro (Derby), Wells Film Centre,<br />

The Plaza, The Phoenix (Leicester), and Broadway<br />

(Nottingham); however it is the first service of its<br />

kind to take place in Scotland. The screenings take<br />

place in a relaxed and accessible environment<br />

designed specifically for the needs of autistic<br />

children. One mother commented, “I am thrilled<br />

that the GFT is able to do this as my little boy<br />

loves movies but has difficulty with the volume most<br />

films are shown with.” Parents and teachers have<br />

been very supportive and are keen to share their<br />

experiences. For one parent, Access Take 2 was their<br />

child’s first cinema outing: “This is the first time I’ve<br />

felt able to take my 6-year-old to a cinema, and he<br />

was able to stay to the end and enjoy himself.”<br />

An intense, sensory sensitivity to sound and light<br />

can make cinema-going difficult for autistic people;<br />

fast-changing sound and light levels from a film,<br />

whispering neighbours, and even rustling from<br />

sweet papers can possibly make those with autism<br />

perceive the cinema environment as disturbing<br />

or distracting. Being invited among a crowd of<br />

people and having to be in close proximity to other<br />

cinema goers might also prove challenging to<br />

some children. However, through these dedicated<br />

screenings the GFT is seeking to overcome any<br />

potential difficulties. GFT staff have been provided<br />

with autism awareness training, delivered by an<br />

educational psychologist.<br />

Access Take 2 films are played at a reduced volume<br />

with the house lights on low, and the number of<br />

cinema-goers is purposely reduced so that the<br />

children can have more of their own definable<br />

space if they wish. There is a balancing act between<br />

allowing some children to move around during the<br />

film, perhaps occasionally being noisy, while others<br />

might want to move to a calm ‘break-out’ space in<br />

a neighbouring room, for a quiet interlude. To build<br />

a comfortable routine for the children, the GFT uses<br />

the same cinema and ‘break-out’ spaces for each<br />

screening, and screenings occur at the same time on<br />

the first Saturday of each month.<br />

The screenings generate excitement for the<br />

children, and at the first autism-friendly screening<br />

of Surf’s Up, I observed the young audience were<br />

as much interested in each other as the on-screen<br />

animation. Several children exchanged sweets<br />

and played with their peers while exploring the<br />

cinema environment, such as the screen itself, or the<br />

projection box seen through the window at the back<br />

of the auditorium. One parent related: “What tickled<br />

my child was being able to see the projectionist at<br />

work and being able to say hello to him, and then<br />

getting a hello back.” Some children stayed in their<br />

seats, mesmerised, as soon as the film began, but<br />

most alternated between playing and watching<br />

the screen. Another parent commented, “My son<br />

(5) is not usually a cinema-goer because he finds<br />

it challenging to stay seated and to focus. It was<br />

great that he had the freedom to walk about and<br />

then watch when he wanted. Because there was no<br />

pressure on the parents to keep their children in one<br />

place, the children were also more relaxed.” Perhaps<br />

what most benefits an autistic child’s ability to focus<br />

on the film is the new opportunity our screenings<br />

provide for a child’s parents to speak to them aloud,<br />

and explain what is happening around them.<br />

Tickets for Access Take 2 and Take 2 are available from the<br />

GFT box office. Glasgow Young Scot and Kidz Card holders<br />

get free entry to Take 2 and Access Take 2. One child’s ticket<br />

admits one adult free of charge, all other tickets are £3.<br />

Access Take 2 screenings take place on the first Saturday of<br />

each month at 12.30pm.<br />

For further information, contact GFT Learning<br />

on 0141 352 8604 or e-mail info@gft.org.uk.<br />

GFT is supported by <strong>Scottish</strong> <strong>Screen</strong>.<br />

Kirikou and the Sorceress<br />

Kirikou and the Sorceress<br />

Surf's Up<br />

Surf's Up<br />

49

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