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Download - Scottish Screen

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made in scotland<br />

made in scotland<br />

“From the outset, we had no doubts that Stone of<br />

Destiny needed to be shot in Scotland for accuracy,<br />

and we found plenty of recognisable talent in<br />

Scotland as well.”- Rob Merilees<br />

Robert Carlyle<br />

Stone of Destiny<br />

l-r Billy Boyd, Charlie Cox, Ciaron Kelly<br />

Helmed by experienced director Charles<br />

Martin Smith, an actor familiar for<br />

many roles but fondly remembered<br />

by Scots for his performance opposite<br />

Sean Connery in the The Untouchables,<br />

The Stone of Destiny stars Stardust’s<br />

Charlie Cox, along with Billy Boyd and<br />

Robert Carlyle. The film deals with a<br />

famous and still controversial moment<br />

in <strong>Scottish</strong> history: the theft by a group<br />

of <strong>Scottish</strong> students of the Stone of<br />

Scone, an artefact of significant cultural<br />

importance.<br />

“It was Charles Martin Smith who<br />

initially wrote a spec script and brought<br />

it to me and asked if I would produce<br />

it; I loved the story and thought ‘Why<br />

hasn’t someone done this movie<br />

already?’” says Merilees. “From the<br />

outset, we had no doubts that Stone of<br />

Destiny needed to be shot in Scotland<br />

for accuracy, and we found plenty of<br />

recognisable talent in Scotland as well.”<br />

The theft of the Stone took place<br />

in 1950, presenting a considerable<br />

challenge in terms of creating period<br />

detail. “We felt the story, although<br />

based in the fifties, is timeless – so<br />

we tried not to push the era down<br />

audiences throats. We shot mainly in<br />

and around Glasgow - there were so<br />

many great locations in the city that<br />

it was very easy to create the period<br />

- and we used lots of costumes and<br />

period cars to capture the feeling of<br />

the time. Some areas of Glasgow<br />

were useful in doubling up for London,<br />

and parts of Paisley Abbey stood in<br />

for parts of Westminster Abbey,” says<br />

Merilees. “We were also able to shoot<br />

in Westminster Abbey in London, where<br />

we were told that this was the first<br />

feature to be allowed to shoot there in<br />

half a century.”<br />

With an international audience in<br />

mind, Merilees had to consider one<br />

of the vexed questions of <strong>Scottish</strong><br />

identity: would the world be able to<br />

understand the accents? As it turns<br />

out, accent wasn’t an issue. “We loved<br />

Trainspotting - that’s one brilliant<br />

film. However, this film is made for a<br />

family audience and we need viewers<br />

to understand every word, all around<br />

the world, so we steered away from the<br />

harder accent and went for the naturally<br />

soft and lyrical sound that many Scots<br />

have. I hope the Scots will forgive us<br />

for any creative licence we’ve taken<br />

here.”<br />

“This is a story about four college kids<br />

who set out to wake people up in their<br />

country, when it was under threat of<br />

losing its distinct culture. They hatch<br />

and successfully carry out a plan to<br />

bring the Stone of Destiny back to<br />

Scotland as rallying a symbol for<br />

nationalism,” says Merilees, although<br />

he’s keen to emphasise that the film is<br />

no polemic. “I think the film should be<br />

seen as entertainment with a message:<br />

the message that you can affect change<br />

in the world by non violent means.<br />

Infinity has been focusing on joint<br />

ventures with studios and international<br />

co-productions to widen the scope of<br />

talent and tell universally appealing<br />

stories. This one just happens to be set<br />

in Scotland.”<br />

www.infinityfeatures.net<br />

www.mobfilm.com<br />

Kate Mara & Charlie Cox<br />

[ <strong>Scottish</strong> <strong>Screen</strong> National Lottery Funded: Content Production ]

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