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SCOT- LAND - Scottish Screen

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made in scotlanD TV<br />

Tim Maguire<br />

Cometh the hour, cometh the man. Tim Maguire can lay claim<br />

to being a true Renaissance man, a writer, director, producer<br />

and voice-over artist who operates from an Edinburgh base.<br />

A good example of how an individual can steer his own path<br />

through the modern media, Maguire is only now starting up his<br />

own production company Roll Titles, to make what he calls uncorporate<br />

films.<br />

“I stumbled into the industry in 1985 when Ken McGill asked me to<br />

write a documentary on American Football in Scotland. We formed<br />

a production company called Nobacker, because we had no money,<br />

brought in Skyline’s Trevor Davies as Executive Producer, and over a<br />

lunch with the Head of Sport at Channel 4, persuaded him to give us<br />

seventy grand towards the budget,” says Maguire.<br />

“I liked TV, but it took so long to get that project off the ground that<br />

I drifted into directing corporate films to pay the rent. Then, in the<br />

early 90’s I was making pitch films for the advertising agency Faulds<br />

in Edinburgh, and every time I made a film, they won the pitch,<br />

so they rashly offered me a job as their producer. I knew nothing<br />

about producing, but in the two and a half years I worked there, the<br />

agency won all the top awards for TV commercials in the UK and<br />

Europe, so I think my ignorance was probably an asset.”<br />

“I still believe that you’re<br />

only as good as your last<br />

piece of work, and that if<br />

you do good work, good<br />

work will find you.”<br />

- Tim Maguire<br />

Sound Recordist Robert Anderson<br />

At Faulds, Maguire produced “Rediscover The Power of the<br />

Spoken Word,” the multi award-winning campaign for BBC Radio<br />

Scotland that made an innovative use of typography to convey their<br />

message. Since then, Maguire has created ads for an impressive<br />

list of clients including Visit Scotland, Prada, <strong>Scottish</strong> <strong>Screen</strong> and<br />

Coca-Cola.<br />

“I’m particularly happy with the work I did for Visit Scotland<br />

through Hamish Barbour of IWC. That was a dream job, as I love<br />

this country, and enjoyed capturing the different sides of it on film,”<br />

says Maguire. “I was delighted when the client told me that our<br />

campaign was the most successful they’ve ever made – so much<br />

so that they keep re-cutting it to incorporate material we shot three<br />

years ago!”<br />

Maguire is modest about his own success and says his awkward<br />

early forays into TV presenting for the BBC helped him as a director.<br />

He now takes great pains when working with his mostly nonprofessional<br />

casts to make them comfortable and relaxed in front<br />

of the camera. And whether it’s shooting at the Rock Ness festival<br />

or filming commercials in the Seychelles, Maguire is proving that<br />

even in difficult times, there are opportunities for the agile and<br />

imaginative.<br />

Tim Maguire<br />

Tim Maguirewith Scott Rodger<br />

“I hate the word ‘corporate’; it sounds bland and soulless, and even<br />

when I began making ‘corporate films’, I knew that wasn’t how they<br />

should be. So Roll Titles will make ‘un-corporate films’ that will<br />

inform, educate and entertain – now where have I heard that phrase<br />

before?”<br />

“Nobody does this for the money, although it’s nice when it comes<br />

along. I’m in the business to do great work for whoever hires me,<br />

whether as a writer, a director a producer or a narrator,” he says. “I<br />

still believe that you’re only as good as your last piece of work, and<br />

that if you do good work, good work will find you. It may have been<br />

an accidental career, but I’m delighted to have it!”’<br />

photographs - credit Paul Herley<br />

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