SCOT- LAND - Scottish Screen
SCOT- LAND - Scottish Screen
SCOT- LAND - Scottish Screen
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made in scotlanD TV<br />
Tim Maguire<br />
Cometh the hour, cometh the man. Tim Maguire can lay claim<br />
to being a true Renaissance man, a writer, director, producer<br />
and voice-over artist who operates from an Edinburgh base.<br />
A good example of how an individual can steer his own path<br />
through the modern media, Maguire is only now starting up his<br />
own production company Roll Titles, to make what he calls uncorporate<br />
films.<br />
“I stumbled into the industry in 1985 when Ken McGill asked me to<br />
write a documentary on American Football in Scotland. We formed<br />
a production company called Nobacker, because we had no money,<br />
brought in Skyline’s Trevor Davies as Executive Producer, and over a<br />
lunch with the Head of Sport at Channel 4, persuaded him to give us<br />
seventy grand towards the budget,” says Maguire.<br />
“I liked TV, but it took so long to get that project off the ground that<br />
I drifted into directing corporate films to pay the rent. Then, in the<br />
early 90’s I was making pitch films for the advertising agency Faulds<br />
in Edinburgh, and every time I made a film, they won the pitch,<br />
so they rashly offered me a job as their producer. I knew nothing<br />
about producing, but in the two and a half years I worked there, the<br />
agency won all the top awards for TV commercials in the UK and<br />
Europe, so I think my ignorance was probably an asset.”<br />
“I still believe that you’re<br />
only as good as your last<br />
piece of work, and that if<br />
you do good work, good<br />
work will find you.”<br />
- Tim Maguire<br />
Sound Recordist Robert Anderson<br />
At Faulds, Maguire produced “Rediscover The Power of the<br />
Spoken Word,” the multi award-winning campaign for BBC Radio<br />
Scotland that made an innovative use of typography to convey their<br />
message. Since then, Maguire has created ads for an impressive<br />
list of clients including Visit Scotland, Prada, <strong>Scottish</strong> <strong>Screen</strong> and<br />
Coca-Cola.<br />
“I’m particularly happy with the work I did for Visit Scotland<br />
through Hamish Barbour of IWC. That was a dream job, as I love<br />
this country, and enjoyed capturing the different sides of it on film,”<br />
says Maguire. “I was delighted when the client told me that our<br />
campaign was the most successful they’ve ever made – so much<br />
so that they keep re-cutting it to incorporate material we shot three<br />
years ago!”<br />
Maguire is modest about his own success and says his awkward<br />
early forays into TV presenting for the BBC helped him as a director.<br />
He now takes great pains when working with his mostly nonprofessional<br />
casts to make them comfortable and relaxed in front<br />
of the camera. And whether it’s shooting at the Rock Ness festival<br />
or filming commercials in the Seychelles, Maguire is proving that<br />
even in difficult times, there are opportunities for the agile and<br />
imaginative.<br />
Tim Maguire<br />
Tim Maguirewith Scott Rodger<br />
“I hate the word ‘corporate’; it sounds bland and soulless, and even<br />
when I began making ‘corporate films’, I knew that wasn’t how they<br />
should be. So Roll Titles will make ‘un-corporate films’ that will<br />
inform, educate and entertain – now where have I heard that phrase<br />
before?”<br />
“Nobody does this for the money, although it’s nice when it comes<br />
along. I’m in the business to do great work for whoever hires me,<br />
whether as a writer, a director a producer or a narrator,” he says. “I<br />
still believe that you’re only as good as your last piece of work, and<br />
that if you do good work, good work will find you. It may have been<br />
an accidental career, but I’m delighted to have it!”’<br />
photographs - credit Paul Herley<br />
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