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gge grtie cfrit"<br />
eyriffic<br />
5YC gru e grit eyriffic, 8y Ptadimir<br />
3)efimov, is an edgy, nervous-tooIing<br />
display type that uses entirety<br />
cursive fetterforms. Eihe its Latinafpha6et<br />
cousin, it's reminiscent of<br />
some of the Central european roman<br />
faces designed in the first haff of this<br />
century, as welt as earlier Russian<br />
manuscript hancfs. ghe apparently<br />
artless &it carefutty modulated irregularity<br />
to its outlines male it toot<br />
rough and handmade.<br />
Friz Quadrata'<br />
Cyrillic<br />
Friz Quadrata Cyrillic, by Aleksandr<br />
Tarbeyev, brings an old ITC favorite into<br />
the Cyrillic world. Like its roman counter-<br />
part, this face achieves its visual char-<br />
acter by modulating its strong strokes<br />
with subtle wedge-shaped serifs and the<br />
suggestion of a joint where strokes don't<br />
in fact quite join. A cursive version trans-<br />
lates the decorous curves of the later<br />
Friz Quadrata Italic into an open Cyrillic<br />
cursive lowercase with caps that are<br />
inclined versions of the regular caps.<br />
Both versions also come in a bold weight.<br />
Cyrillic<br />
ITC Korinna Cyrillic, by Lyubov Kuznetsova,<br />
adds the Extra Bold and Heavy weights to<br />
the existing Regular and Bold weights of<br />
ITC Korinna Cyrillic, including cursive. The<br />
original Art Nouveau typeface Korinna was<br />
available in pre-revolutionary Russia in a<br />
popular Cyrillic form, and in the Soviet<br />
years it was one of the few such typefaces<br />
that didn't get purged from the composing<br />
rooms as decadent and bourgeois. It held<br />
a special place in the hearts of Russian<br />
designers, and now, in the post-Soviet fascination<br />
with all things from before 1917,<br />
ITC Korinna fills a much-needed niche for<br />
digital type in Russia. Because of the existing<br />
metal type, Kuznetsova didn't have to<br />
look far to find appropriate Cyrillic letterforms<br />
to complete the alphabet.<br />
Frc Be ngu iat Gothic<br />
Cyrillic<br />
ITC Benguiat Gothic Cyrillic, by Aleksandr<br />
Tarbeyev, benefits from some of the same<br />
associations as ITC Korinna, since the<br />
underlying forms of ITC Benguiat Gothic<br />
(and its serif cousin, ITC Benguiat) are<br />
based on Art Nouveau lettering styles, as<br />
interpreted by Ed Benguiat in the '705<br />
This release adds the Medium and heavy<br />
weights, with their cursive forms, to the<br />
already-released Book and Bold weights.<br />
REGULAR<br />
Oplig KBaApaTa®<br />
COBepWeHCTBO B TvmorpacpviKe —He 6on<br />
ee, gem peaynbTaT onpegeneHHoro no,n,x<br />
oAa. Ee npenecTb BO BHSITHOCTI4 3aMbICIla;<br />
ycepgme—gonr ocpopmmenn. B cope<br />
ITALIC<br />
Cosepwancm6o 6 munoepa0uKe—He 6on<br />
ee, gem pe3ynbrnam onpedeneHnoeo nodx<br />
oda. Ee npenecmb 80 81-151MHOCMU 3ambic<br />
na; ycepoue—done o0opmumenn. B coep<br />
BOLD<br />
ITC Cyrillic FOURTH SERIES<br />
The latest releases in ITC's program of Cyrillic typeface development fills<br />
out a couple of existing families and adds two new ones, all designed and<br />
digitized by staff designers at the Moscow offices of ParaType, a division<br />
f P r ph r inl<br />
ATC spy gown'<br />
zaittjax tom agitit-drat imunpo... 0, no<br />
0a.ftbatta&tii 9x3eatnitapi ITC KopHHHa®<br />
COBelpilleHCT80 B Tnnorpaclinme —fie 6o<br />
nee, gem pe3ynbTaT onpeAenennoro no<br />
Axona. Ee npenecTb BO BIHITHOCTH 3ambi<br />
cna; ycepnne —Awn ocpop sI. B COB<br />
BOLD ITALIC<br />
Cooeptuencmoo a muno r N r h, e—ne<br />
6onee, gem pe3ynbmum on<br />
o noaxoaci. Ee npenecmb so<br />
mu 3aMblefla; yeepaUe—a0<br />
MEDIUM<br />
CoBepwericmo B Trinorpacprme—He 6one<br />
e, gem peaynbTaT onpegenehmoro nogxog<br />
a. Ee npenecTb BO BHSITHOCTII 3aMblcna; y<br />
cepgme—gonr ocpopmriTenn. B coapemeH<br />
MEDIUM ITALIC<br />
Cosepwemc -rso s Tnnorpaybnrce—He 6on<br />
ee, Ltem pesynbrar onpeieneHtioro flop <<br />
o,ga. Ee npenecrb BO BtIRTHOCTI1 sambicna;<br />
yceoAne—ponr ocbopmnrenR. 8 cospeme<br />
HEAVY<br />
CoBepwencmo B Tnnorpa(Pruce—ne 6<br />
onee, gem pe3ynbTaT onpegienenmoro<br />
nowcoAa. Ee npenecrb Bo Eninmoc -rn<br />
3aMblcna; yceppne—Aonr ocpopmn -ren<br />
HEAVY ITALIC<br />
CoBepwencrBo B rnnorpagnme—ne 6<br />
onee, gem pe3ynbrar onpeAenennoro<br />
nopmo4a. Ee npenecrb BO BHATHOCTI1<br />
3ambicna; ycepqne— 'par ocpopmnren<br />
EXTRA BOLD<br />
COBepaleHCT80 B THnorpatp4xe— He<br />
6onee, mem pe3y.nbTaT onpenenennor<br />
o noAxona. Ee npenecTb BO BHSITHOCT<br />
H 3aMblcna; ycepAne—A0J11" oci3opmn<br />
KURSIV EXTRA BOLD<br />
Cosepucencmoo s munozpa(puice—n<br />
e 6onee, gem pe3y/tbmam onpeaenen<br />
HOZO flOaX0aa. Ee npenecmb so emu<br />
MHOCMU 3aMblcna; ycepaue—aone o<br />
HEAVY<br />
Conepmencirso B rwinorpa4)HHe —<br />
He 6onee, ',tem pe3ynibTaT onpeRe<br />
neHmoro nopoLo,r4a. Ee npenecirb B<br />
0 BHSITHOCTH 3aMblcna; ycepgHe<br />
KURSIV HEAVY<br />
Cooepucencmoo s munozpactrumene<br />
6onee, mem pe3ynbmam onpeae<br />
nennoz axoaa. Ee npenecmb so<br />
COMM 3ambecna; ycepaue-<br />
HARACTER COMPLEMENT<br />
AS r/APF3EECHOSH<br />
liJ J1JbMH1-1)0FIP<br />
rh Y X 11 4-11,11111111)<br />
1)113/051a6BrfrA1jeeemi<br />
S3litiiIKAJUbMH11301113CT<br />
hySTAMIVI 1,11.111WbbIb31051<br />
1234567890$LN2 (#*1-<br />
§11%)["9,""«»11:;,-!?---1
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