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art jam - Nanyang Technological University

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<strong>art</strong> <strong>jam</strong> 20<br />

preview<br />

Mosaic Music Festival<br />

ArtJam: Why is your music described as Indonesian<br />

dancehall-reggae?<br />

Ras Muhamad: Reggae music has many styles and<br />

sub-genres; you have the “Roots” that was popularized<br />

by legendary <strong>art</strong>ists<br />

such as Bob Marley,<br />

Peter Tosh, the<br />

Abyssinians and<br />

Burning Spear.<br />

You have “Lover’s<br />

Rock” that is<br />

mostly romantic<br />

tunes, then there<br />

is “Dub Reggae”<br />

that focuses<br />

more on ambient<br />

instrumental sounds<br />

such as reverbs,<br />

delays and echoes<br />

with little or no<br />

vocals at all. The<br />

most recent style of<br />

Reggae is Dancehall,<br />

born in the late<br />

1980’s. Some call<br />

this style “Ragga” or<br />

“RaggaMuffin” due<br />

to the vocals being<br />

closer to “rapping”<br />

with a series of<br />

melodies and a<br />

distinct “riddim”<br />

(rhythm), two kick<br />

drums on the 1st and 2nd measure and a snare hit on the 4th measure.<br />

I ‘m a “Roots” <strong>art</strong>ist but I wanted to experiment with<br />

“Dancehall Music” and explore the sound because<br />

I found that no one in Southeast Asia was properly<br />

creating Dancehall music the right way. At worst<br />

Interview<br />

Text: Audrey Lim<br />

Photos: The Esplanade Co Ltd<br />

For the upcoming Mosaic Music Festival, Club M.I.A will feature rising talents from Asia<br />

who will be bringing a variety of music genres such as reggae, hip hop and rock to<br />

the our shores. The three <strong>art</strong>ists are Indonesian dancehall-reggae <strong>art</strong>ist Ras Muhamad,<br />

Taiwanese hip-hop band Kou Chou Ching, and Thai funk-rock band Ap<strong>art</strong>mentkhunpa.<br />

ArtJam speaks to them to find out more.<br />

Dancehall music was relatively unknown and unfamiliar in<br />

Southeast Asia and sometimes mistakenly categorized<br />

as “HipHop and R&B”, many misunderstood that<br />

<strong>art</strong>ists like Sean Paul and Shaggy are Reggae <strong>art</strong>ists<br />

themselves. So, I<br />

wanted to step up and<br />

introduce Dancehall to<br />

Southeast Asia without<br />

forgetting to respect<br />

the Jamaican people<br />

but I know that I cannot<br />

“copy and paste” the<br />

whole style because the<br />

Asian flavor has to be<br />

there, I need to make it<br />

more Indonesian.<br />

ArtJam: Is there<br />

something distinctly<br />

Indonesian in terms of<br />

your musical style?<br />

Ras Muhamad:<br />

Most of my Dancehall<br />

compositions are in<br />

minor and vocalized by<br />

chanting and eastern<br />

melodies, which are<br />

influenced by traditional<br />

Indonesian music.<br />

I personally feel that<br />

Indonesian Dancehall<br />

lyrics have to be mostly<br />

in “Bahasa Indonesia”,<br />

our official National language. In my song, “J-Town<br />

Rock”; I wanted to paint an audible picture of the hard<br />

and street life of Jak<strong>art</strong>a. The melodies of this tune<br />

are clearly eastern and the vocals are in a “Betawi”like<br />

traditional chant that goes “HEY JAKARTA<br />

METROPOLITAN! /HEY JAKARTA KOTA IDAMAN!”.

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