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Picasso Art Article

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T<br />

_<br />

HE CUBIST<br />

REVOLUTION<br />

"I paint objects as I think them, not as I see them." —Pablo <strong>Picasso</strong><br />

When <strong>Picasso</strong><br />

moved to Paris<br />

in 1904, he was<br />

already well known and<br />

respected for his painting,<br />

drawing, graphic art, and<br />

sculpture. But he felt stifled<br />

by traditional realism. He<br />

wanted more freedom, and<br />

a more imaginative way to<br />

express himself.<br />

In the self-portrait on the<br />

cover, <strong>Picasso</strong> experiments<br />

with heavy black lines, using<br />

them to outline the forms<br />

of his face. But it was not<br />

until 1907, when he visited<br />

a museum of non-Western<br />

art in Paris, that he found<br />

the inspiration that led him<br />

to invent Cubism.<br />

It was there that he first<br />

saw African masks like the<br />

one on page 10. He was<br />

fascinated with the way<br />

these masks simplified forms<br />

and divided them into flat<br />

planes. The masks also<br />

showed <strong>Picasso</strong> a fresh way<br />

to think about art. Instead of<br />

trying to create realistic copies<br />

of faces, the artists who<br />

made these masks interpreted<br />

what they saw. They distorted facial features to express<br />

emotions and qualities like humor or fierceness. <strong>Picasso</strong><br />

called African art an "art of reason" because he thought<br />

African artists depicted not what they saw, but what they<br />

thought and felt.<br />

African masks had an immediate influence on <strong>Picasso</strong>'s<br />

work. He too wanted to make art that showed what<br />

A SCHOLASTIC ART* 2009<br />

he saw not with his eyes but<br />

with his mind. In the study of<br />

a woman's head seen above,<br />

<strong>Picasso</strong> has simplified the<br />

complex structure of a woman's<br />

face into basic geometric<br />

forms. Her face has become<br />

A In what ways does this<br />

woman's face resemble the<br />

African mask on page 10?<br />

Bust of a Woman: Study lor Demoiselles D'Avignon,<br />

France, 1907. Oil on canvas, .660 m x .590 m. Musee<br />

National d'<strong>Art</strong> Moderne, Centre Georges Pompidou,<br />

Paris, France. Photo Credit: CNAC / MNAM / Dist.<br />

Reunion des Musees Nationaux / <strong>Art</strong> Resource, NY. ©<br />

2009 Estate of Pablo <strong>Picasso</strong> / <strong>Art</strong>ists Rights Society<br />

(ARS), New York.

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