The Definition of Terrorism CM 7052 - Official Documents
The Definition of Terrorism CM 7052 - Official Documents
The Definition of Terrorism CM 7052 - Official Documents
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TERRORIST LABEL (IMITATORS)<br />
33. <strong>The</strong>re are other organisations and persons, unconnected with violent jihad and<br />
other comparable causes, with broadly terrorist purposes and means.<strong>The</strong>se include<br />
a very small minority <strong>of</strong> extreme animal rights activists, whose capacity for causing<br />
nuisance and sometimes serious damage and injury is undoubted and determined.<br />
<strong>The</strong>re are individuals too, such as <strong>The</strong>odore Kaczynski the American so-called<br />
Unabomber, and the British lone bomber David Copeland, who use terrorist tactics<br />
and materials and from time to time can cause as much terror as large groups.<br />
Generally the UK authorities deal with these groups and individuals under the<br />
criminal law without the use <strong>of</strong> terrorism legislation, as asserted by Home Office<br />
Minister Tony McNulty (see paragraph 27 above).<strong>The</strong> designation <strong>of</strong> terrorist may<br />
even be seen by some to be a badge <strong>of</strong> <strong>of</strong>fice, a cachet. In dealing with any<br />
definition, discretion and policy will always have a proper part. Put simply, what I<br />
mean by this is that the authorities should always treat suspects within the normal<br />
rather than special criminal laws unless their threat and structure requires<br />
operationally that they should be regarded formally as terrorists.<br />
34. Many examples can and have been cited <strong>of</strong> individuals who might fall<br />
inappropriately within the current definition, if considered solely in strict legal<br />
terms.<strong>The</strong>y might include a political protester such as the suffragette Emily Wilding<br />
Davison, who threw herself under a horse at Epsom racecourse on the 13th June<br />
1913; or the eco-protester ‘Swampy’. Each <strong>of</strong> them arguably caused the risk <strong>of</strong><br />
danger to other people who might have attempted to rescue them. Another<br />
example might be an imitator <strong>of</strong> the leading British contemporary artist Cornelia<br />
Parker, whose work Cold Dark Matter: an Exploded View [1991] consists <strong>of</strong> the<br />
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