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R A P I D R I V E R A R T S<br />
FINE ART<br />
Capturing of moments en plein air —<br />
Jim Southerland Shows Works at<br />
the Frame Shoppe and Gallery<br />
A<br />
rt is passion and<br />
passion is art. This<br />
statement holds true<br />
with Black Mountain<br />
resident Jim Southerland<br />
who has been a<br />
popular local artist for<br />
over 10 years.<br />
Last May in a book on art<br />
he wrote, “Given time, a visual<br />
artist can work in any medium.<br />
So, by way of the art-making<br />
process, I have a tendency to<br />
be clever for the joy of it, and<br />
so clever I have been, and<br />
so full of joy the process of<br />
making art remains.”<br />
Like his writing, his<br />
work is poetry, perhaps<br />
not in motion, but moving<br />
none-the-less. He manages<br />
to capture a second<br />
and gently holds it as if<br />
the slightest breeze would<br />
shatter its existence. That’s<br />
what painting en plein air<br />
is. It is using the mind’s<br />
photograph of a moment; a<br />
little fuzzy, a little muted,<br />
yet there in its entirety<br />
none-the-less.<br />
Southerland prefers<br />
working En plein air (a<br />
French term that translates<br />
to “in the open air”,<br />
and is used to describe the act of painting<br />
outdoors not the painting itself) to studio<br />
work.<br />
“No art experience equals the challenge<br />
and joy of painting en plein air,”<br />
says Southerland.<br />
One could say his style is reminiscent<br />
of the 19 century impressionist<br />
French movement by such artists as<br />
Claude Monet, Camille Pissarro, and<br />
Pierre-Auguste Renoir. Except that statement<br />
isn’t true taken just on face value.<br />
Jim Southerland<br />
“Morning” by Jim<br />
Southerland<br />
by Terence Stomp<br />
Southerland’s work is more<br />
modern, he doesn’t use brilliant<br />
vivid colors the way<br />
those French Masters used<br />
them, and his body of work<br />
focuses mostly on places not<br />
people. A Renoir painting<br />
is a romantic glimpse into a<br />
time that will never happen<br />
again (and perhaps never did).<br />
Southerland’s work is more<br />
bold and unpretentious,<br />
accurately bringing the<br />
viewer to a normal, safe<br />
place and says “Here you<br />
are. Now what are you<br />
going to do?”<br />
“Artistic style is<br />
dependent on the ability<br />
to observe,” says Southerland,<br />
“interpret, and<br />
respond through an honest,<br />
perhaps undeniable,<br />
individual connection to<br />
the formal elements and<br />
principles of visual art.”<br />
Southerland’s work is<br />
passionate and powerful<br />
and will be a part of the<br />
Asheville area and American<br />
art for decades, perhaps<br />
centuries to come.<br />
If you’d like to see Jim Southerland’s<br />
work visit Asheville Frame Shoppe and<br />
Gallery this May.<br />
“Island on Tomahawk“<br />
by Jim Southerland<br />
Painting by Jim Southerland<br />
Frame Shoppe & Gallery<br />
1378 Hendersonville Rd. (Inside the<br />
Harris Teeter Shopping Center)<br />
Asheville • (828) 274-3635<br />
www.frameshoppeandgallery.com<br />
blue<br />
Vol. 11, No. 9 — <strong>Rapid</strong> <strong>River</strong> ArtS & CULTURE <strong>Magazine</strong> — May <strong>2008</strong>