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MAY 2008 - Rapid River Magazine

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R A P I D R I V E R A R T S<br />

FINE ART<br />

Capturing of moments en plein air —<br />

Jim Southerland Shows Works at<br />

the Frame Shoppe and Gallery<br />

A<br />

rt is passion and<br />

passion is art. This<br />

statement holds true<br />

with Black Mountain<br />

resident Jim Southerland<br />

who has been a<br />

popular local artist for<br />

over 10 years.<br />

Last May in a book on art<br />

he wrote, “Given time, a visual<br />

artist can work in any medium.<br />

So, by way of the art-making<br />

process, I have a tendency to<br />

be clever for the joy of it, and<br />

so clever I have been, and<br />

so full of joy the process of<br />

making art remains.”<br />

Like his writing, his<br />

work is poetry, perhaps<br />

not in motion, but moving<br />

none-the-less. He manages<br />

to capture a second<br />

and gently holds it as if<br />

the slightest breeze would<br />

shatter its existence. That’s<br />

what painting en plein air<br />

is. It is using the mind’s<br />

photograph of a moment; a<br />

little fuzzy, a little muted,<br />

yet there in its entirety<br />

none-the-less.<br />

Southerland prefers<br />

working En plein air (a<br />

French term that translates<br />

to “in the open air”,<br />

and is used to describe the act of painting<br />

outdoors not the painting itself) to studio<br />

work.<br />

“No art experience equals the challenge<br />

and joy of painting en plein air,”<br />

says Southerland.<br />

One could say his style is reminiscent<br />

of the 19 century impressionist<br />

French movement by such artists as<br />

Claude Monet, Camille Pissarro, and<br />

Pierre-Auguste Renoir. Except that statement<br />

isn’t true taken just on face value.<br />

Jim Southerland<br />

“Morning” by Jim<br />

Southerland<br />

by Terence Stomp<br />

Southerland’s work is more<br />

modern, he doesn’t use brilliant<br />

vivid colors the way<br />

those French Masters used<br />

them, and his body of work<br />

focuses mostly on places not<br />

people. A Renoir painting<br />

is a romantic glimpse into a<br />

time that will never happen<br />

again (and perhaps never did).<br />

Southerland’s work is more<br />

bold and unpretentious,<br />

accurately bringing the<br />

viewer to a normal, safe<br />

place and says “Here you<br />

are. Now what are you<br />

going to do?”<br />

“Artistic style is<br />

dependent on the ability<br />

to observe,” says Southerland,<br />

“interpret, and<br />

respond through an honest,<br />

perhaps undeniable,<br />

individual connection to<br />

the formal elements and<br />

principles of visual art.”<br />

Southerland’s work is<br />

passionate and powerful<br />

and will be a part of the<br />

Asheville area and American<br />

art for decades, perhaps<br />

centuries to come.<br />

If you’d like to see Jim Southerland’s<br />

work visit Asheville Frame Shoppe and<br />

Gallery this May.<br />

“Island on Tomahawk“<br />

by Jim Southerland<br />

Painting by Jim Southerland<br />

Frame Shoppe & Gallery<br />

1378 Hendersonville Rd. (Inside the<br />

Harris Teeter Shopping Center)<br />

Asheville • (828) 274-3635<br />

www.frameshoppeandgallery.com<br />

blue<br />

Vol. 11, No. 9 — <strong>Rapid</strong> <strong>River</strong> ArtS & CULTURE <strong>Magazine</strong> — May <strong>2008</strong>

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