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Daily Life as Poetry: The Meaning of the Pastoral Songs of the ...

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HAZAMA: <strong>Daily</strong> <strong>Life</strong> <strong>as</strong> <strong>Poetry</strong> 33<br />

Table 2. Age <strong>of</strong> composers* and number <strong>of</strong> his own songs<br />

Informant Number Age Number <strong>of</strong> his own songs<br />

1 8 5<br />

2 10 5<br />

3 10 11<br />

4 11 2<br />

5 11 17<br />

6 16 26<br />

7 18 61<br />

8 20 26<br />

9 21 10<br />

10 21 11<br />

11 21 55<br />

12 23 12<br />

13 23 26<br />

14 23 18<br />

15 24 4<br />

16 25 18<br />

17 25 46<br />

18 25 32<br />

19 26 2<br />

20 32 13<br />

21 32 8<br />

22 32 30<br />

23 39 21<br />

24 40 22<br />

25 40 26<br />

26 40 31<br />

27 54 158<br />

28 56 11<br />

29 56 1<br />

30 56 9<br />

31 56 1<br />

32 57 5<br />

33 69 22<br />

745<br />

*All <strong>of</strong> composers are male.<br />

usually, unpredictably, 'visit' <strong>the</strong> composer at <strong>the</strong> same time, ra<strong>the</strong>r than emerge in pieces, <strong>as</strong> in <strong>the</strong><br />

c<strong>as</strong>e described above. Once <strong>the</strong> emong is remembered, it is memorized by repeated singing so that it<br />

can be sung when appropriate.

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