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Time on the Tilt

Time on the Tilt

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originating from this, with <strong>the</strong> aid of research engineer Tibor<br />

Groholy. One of <strong>the</strong> defining qualities of laser: it is a pinhole<br />

light source, and it can be directed very well. This pinhole light<br />

source may be directed to double mirrors, <strong>the</strong> mirrors moving<br />

al<strong>on</strong>g <strong>the</strong> X and Y axis, and line drawings can be created utilizing<br />

a computer. These are lines of light without any difference<br />

in t<strong>on</strong>e, and may be projected <strong>on</strong> a cityscape large scale.<br />

I used this technology to re-create <strong>the</strong> ancient pictographs,<br />

with <strong>the</strong> YAG lasers made by GT Laser.<br />

Visual innovati<strong>on</strong> cannot be stopped. Those attempting it<br />

will turned to st<strong>on</strong>e just like Lot’s wife. In art innovati<strong>on</strong> must<br />

not be hindered – as it is inevitable – it is <strong>the</strong> fetishizati<strong>on</strong><br />

what must be eradicated. And beneath <strong>the</strong> remains <strong>on</strong>e must<br />

find <strong>the</strong> most simple-complicated road leading from soul to<br />

soul. So this is not modern enough? Allow me to retort: why<br />

can’t we be independent, why should we follow <strong>the</strong> thought<br />

of <strong>the</strong> men whose soul has been peeled of?<br />

We should not judge modernity according to <strong>the</strong> standards<br />

of <strong>the</strong> last century.<br />

Today drawing with light lines is almost magical. It is pulsating,<br />

alive, you see it being born from a point of light, <strong>the</strong><br />

scale of <strong>the</strong> line drawing is expanded. You may draw <strong>on</strong> walls,<br />

<strong>on</strong> fabric, in space, <strong>on</strong> curtains of water, <strong>on</strong> drizzle of oil or<br />

even clouds...<br />

These possibilities for me are inevitably c<strong>on</strong>trasted with<br />

<strong>the</strong> start, <strong>the</strong> very beginning, <strong>the</strong> pictographs… Elks and reindeers,<br />

horses, bears, bird headed or bug headed men, shamans<br />

with crowns, water birds, her<strong>on</strong>s, masks and ships. All<br />

c<strong>on</strong>structed out of lines. The line, <strong>the</strong> simplest tool of visual<br />

expressi<strong>on</strong> could have been drawn into sand, but <strong>the</strong>y have<br />

chosen to engrave it into rock. They have fought for durability.<br />

Light lines make us reinterpret <strong>the</strong>se drawing. They created<br />

a virtual reality, which turns <strong>the</strong> space of a church into a canvass<br />

of light. The magical power of <strong>the</strong> lines is emphasized. In<br />

<strong>the</strong> Kiscelli Museum we might almost experience <strong>the</strong> birth.<br />

The forms appeared <strong>on</strong> pillars at <strong>the</strong> height of ten meters, <strong>on</strong><br />

<strong>the</strong> rustic plane between <strong>the</strong> pillars, <strong>on</strong> fabrics <strong>on</strong> water-vapor,<br />

<strong>the</strong>se c<strong>on</strong>stantly changing drawing of light do not damage<br />

anything, and disappear as so<strong>on</strong> as <strong>the</strong> electromagnetic radiati<strong>on</strong><br />

is turned off.<br />

The pictographs were created millennia ago. We do not really<br />

know why. According <strong>the</strong> most probable explanati<strong>on</strong> as<br />

parts of a hunting ritual. Simple and particular. Created by<br />

people who were very familiar with <strong>the</strong>ir own envir<strong>on</strong>ment.<br />

They still had faith, trust, empathy and vigor. Through <strong>the</strong>m,<br />

we can reach new perspectives. These drawings are perfect<br />

examples of visual creati<strong>on</strong>. They remain effective. They c<strong>on</strong>stitute<br />

<strong>the</strong> beginning of art, or at least visual art. They mark<br />

<strong>the</strong> first significant achievements of human c<strong>on</strong>sciousness.<br />

They were born out of entrails, but <strong>the</strong>ir c<strong>on</strong>tent is not dominated<br />

by <strong>the</strong> base instincts, <strong>the</strong>y were pulsating with <strong>the</strong><br />

yearning for a c<strong>on</strong>tact of a more complete word transcending<br />

humanity. The hidden power of nature.<br />

These drawing are reborn in <strong>the</strong> magical flow of light<br />

forms. And <strong>the</strong> magical flow of light forms is followed by<br />

sounds: a Hungarian folk s<strong>on</strong>g “I like <strong>the</strong> sun, I like <strong>the</strong> mo<strong>on</strong>,<br />

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