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Time on the Tilt

Time on the Tilt

Time on the Tilt

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Recalling Béla Hamvas<br />

Thoughts <strong>on</strong> his exhibiti<strong>on</strong> in Szentendre’s Károly Ferenczy Museum, August 1997<br />

When I was a young man, which was in <strong>the</strong> 60s, <strong>on</strong>e of my<br />

decisive experiences was ORDER, and ano<strong>the</strong>r, DOUBTING.<br />

We were living in a tough, petrified, unchangeable, ruthless<br />

ORDER camouflaged as totally objective. Yet, this camouflage<br />

proved to be more real than what lay beneath it. And<br />

DOUBTING. The young in <strong>the</strong> 60s represented a generati<strong>on</strong><br />

that had lived through and, for <strong>the</strong> most part, executed <strong>the</strong><br />

revoluti<strong>on</strong> of 1956. DOUBTING was reinforced in me ra<strong>the</strong>r<br />

“On <strong>the</strong> Walls II.”, 1994<br />

“Blue Sign-Grid XXIV.”, 1969 (Gábor Kovács Art Foundati<strong>on</strong>)<br />

84 85

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