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Carpe Diem - St. Pius X Catholic High School

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<strong>Carpe</strong> <strong>Diem</strong><br />

2005<br />

<strong>St</strong>. <strong>Pius</strong> X <strong>Catholic</strong> <strong>High</strong> <strong>School</strong><br />

Volume XV


Art<br />

3 Ceramic Box by Margy LaFreniere<br />

6 Graceful Woman<br />

by Danielle Brutto<br />

7 To Walk Along the Sidewalk<br />

By Carolyn Hernandez<br />

8 <strong>St</strong>ill Life of Toys By Megan Kisling<br />

9 The Giving Tree by Andrea Bessey<br />

10 Face by Colleen Smith<br />

11 Wetland Wonder<br />

by James Watters<br />

12 A <strong>St</strong>ill Life of Life<br />

by Mary Ellen Hogan<br />

12 Pretty Peppers<br />

by Shannon Barnes<br />

14 John by Anna Kramer<br />

16 To Play Bagpipes by Pierre Watson<br />

19 A Musical Life by Laura Papania<br />

21 A Loving Mother’s Touch<br />

by Lauren Elliott<br />

26 Frog by Taylor Davidson<br />

27 Life Quilt by Lindsey DiRito<br />

Poetry<br />

4 At the Intersection<br />

by Thom Schulte<br />

6 Reality by Mackenzie Ricker<br />

8 I Hear My Paintbrushes<br />

Wispering<br />

by Colleen Smith<br />

9 Society by Nolan <strong>St</strong>orey<br />

13 The Waffle House<br />

by Sean Robinson<br />

17 Dreams by Parker Gott<br />

23 Two Old Men by Pam Kennedy<br />

24 Bailamos by Ijeoma Okoro<br />

25 I Just Don’t Get You<br />

by Lindsey Rodney<br />

28 The Trail by Sidney Provenzano<br />

Photography<br />

1 The <strong>St</strong>reets of Savannah<br />

by Nina Bleacher<br />

3 Self-Portrait by Allison Basham<br />

5 Benched by Clare Sweeney<br />

5 Fountain at 999 Peachtree<br />

by Ryan Mckenzie<br />

13 Roses by Lauren Dick<br />

15 The Office Park by Sarah Asip<br />

15 Very Watery Nature<br />

by Mallory Phillips<br />

16 Intentions by Laura Papania<br />

17 <strong>St</strong>airs and Art<br />

by Bradley Handziuk<br />

18 Sunflower by Brooke <strong>St</strong>oker<br />

20 A Child’s Innocence<br />

by Chris Philpott<br />

22 Jackson by Erin Conboy<br />

22 Play Time by Brenna Berling<br />

23 Day After Rain<br />

by <strong>St</strong>ephanie Sizemore<br />

24 Silver Bells by Mary Ellen Hogan<br />

25 All You Need is Love<br />

by Emily Sutlive<br />

28 Footprint in the Sand<br />

by Taylor Jackson<br />

BC The House by Molly de Gorgue<br />

BC Harmony by Kendall Broussard<br />

Fiction/Non-Fiction<br />

10 The Complete Baffoon’s Guide<br />

To Being An Indie Rocker<br />

by Ijeoma Okoro<br />

14 Alone by Lauren Lightfoot<br />

18 Will You Sign My Yearbook?<br />

by Shauna <strong>St</strong>uart<br />

20 Rita’s Lessons by Laura deGive<br />

26 El Tucán y Su Naríz<br />

by Andrea Bessey


<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

Volume XV<br />

<strong>St</strong>reets of Savannah<br />

Nina Bleacher<br />

<strong>St</strong>. <strong>Pius</strong> X <strong>Catholic</strong> <strong>High</strong> <strong>School</strong><br />

2674 Johnson Road NE<br />

Atlanta, Georgia 30345-1799<br />

404.636.3023<br />

<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

1


Editors<br />

Joanna LaPaglia<br />

Robin Nevetral<br />

Artwork<br />

Joanna LaPaglia<br />

Cherise Basham<br />

Addy Edwards<br />

2 <strong>Carpe</strong> <strong>Diem</strong> 2005<br />

<strong>Carpe</strong> <strong>Diem</strong> <strong>St</strong>aff<br />

Prose/ Short <strong>St</strong>ories<br />

Erin Conboy<br />

Brooke <strong>St</strong>oker<br />

Samantha <strong>St</strong>ewart<br />

Publisher<br />

<strong>St</strong>eve Spellman, Principal<br />

Publisher<br />

Print Direction, Inc.<br />

Business Manager<br />

Joanna LaPaglia<br />

Poetry<br />

Mackenzie Ricker<br />

Robin Nevetral<br />

Kathleen Hendrix<br />

Allison Basham<br />

Brandon Echols<br />

Tasha Posid<br />

Photography<br />

Kelli Weingartner<br />

Jaclyn Darcy<br />

Madeline Timm<br />

Laura Pendergast<br />

<strong>St</strong>ephanie Byron<br />

Brenna Berling<br />

Natasha Mattesi<br />

Adviser<br />

Rachel Braham


Self-Portrait<br />

Allison Basham<br />

Ceramic Box<br />

Margie LaFreniere<br />

<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

3


4 <strong>Carpe</strong> <strong>Diem</strong> 2005


Benched<br />

Clare Sweeney<br />

Fountain at 999 Peachtree<br />

Ryan McKenzie<br />

<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

5


Reality<br />

By: Mackenzie Ricker<br />

Picture a perfect woman<br />

Delicately trace her shapely curves<br />

Notice this: no lines or angles<br />

Her form is not mathematics<br />

but pure artistry<br />

She epitomizes Poise<br />

Beauty,<br />

the statuette, the Aphrodite,<br />

--The Model<br />

Ruben sculpted her,<br />

Donatello molded,<br />

Rafael and Michelangelo<br />

brushed her form upon<br />

the mountains, the Heavens.<br />

For so many ages<br />

tireless centuries,<br />

star-studded eons<br />

of idolatry,<br />

She was the Renaissance’s<br />

the Enlightenment’s<br />

the Industrial Revolution’s<br />

“IT” Girl<br />

Those who beheld her...well,<br />

Men’s hearts melted in awe, while<br />

Her protégés, wanna-be’s<br />

admired her simplistic,<br />

yet elegantly graceful<br />

style.<br />

She had lapped it up,<br />

loving to languor<br />

in the adoration<br />

of her ardent<br />

adorers.<br />

Her fashion statement:<br />

Pale, fresh-faced skin, yet<br />

tinged with an<br />

underlying rosy<br />

radiance.<br />

She glowed<br />

Her voluptuous form,<br />

ever-so-slightly-sheathed<br />

in a robe that draped her waist<br />

and hung off her shoulder,<br />

6 <strong>Carpe</strong> <strong>Diem</strong> 2005<br />

playing<br />

peek-a-boo<br />

Blonde ringlets<br />

coifed at the nape of her slender<br />

neck...<br />

a stray curl kissing her cheek.<br />

She was a Natural<br />

She was a Model<br />

Oh.<br />

but not so much<br />

And not for long.<br />

One day she fell<br />

Tumbled from her pedestal,<br />

Tangled, wrapped mummy-like<br />

in her ivory shroud<br />

Her flawless image shattered.<br />

You see,<br />

fame<br />

and renown<br />

and such trivial things as<br />

Beauty<br />

can go to one’s head<br />

implanting the seedlings<br />

of ideas<br />

of ponderings<br />

that ferment.<br />

The Model cannot just be set<br />

cross-legged on a shelf<br />

to be gazed at<br />

to be smiled at,<br />

and wondered at... Oh no.<br />

The Model wants more.<br />

She wants to prove<br />

how much more she can do<br />

how much more she can become.<br />

This was the new rule<br />

and She was no Exception<br />

She could not settle on being<br />

a body in the spotlight<br />

Isolated, elevated...Definitely not.<br />

She desired to be an Entity,<br />

a life in the spotlight<br />

Intermingling with her worshipers<br />

Graceful Woman<br />

Danielle Brutto


To Walk Along a Sidewalk<br />

Carolyn Hernadez<br />

And so The Model fell<br />

onto the Silverscreen<br />

into the Party Scene<br />

smack into the middle<br />

of the 21st Century<br />

She fell in love with<br />

The Camera---<br />

their affair nearly<br />

destroyed her<br />

She flirted with The Media<br />

she yanked it onto the dance floor,<br />

dodging publicity stunts, handbag lines,<br />

cosmetic chains, book signings,<br />

movie premieres, night clubs,,,,,,,<br />

She whirled and twirled<br />

Spinning out of control<br />

Under the Pressure<br />

Until she ran dead on into REALITY<br />

And it crushed her.<br />

You see,<br />

we are but human,<br />

--even The Model<br />

humans must acknowledge<br />

that REALITY exists<br />

--even The Model<br />

REALITY looms overhead<br />

Daunting, mocking<br />

REALITY is a jealous force<br />

--of even The Model<br />

REALITY feels threatened<br />

when challenged<br />

by Overachievers<br />

by Goal-Setters<br />

by Dabblers<br />

by Artistes<br />

--by even The Model<br />

all who question<br />

the authenticity of REALITY,<br />

who defy it, deny it, push it to its Limit<br />

forcing it to finally<br />

push back.<br />

had acted the part,<br />

but lost pie ce s of h er sel f<br />

in the characters<br />

She had ridden the tortuous wave<br />

of the Parties, the Concerts,<br />

the Bars<br />

and it drowned her<br />

---She was washed up---<br />

onto the shore,<br />

onto the pages of<br />

The Magazine,<br />

with her hair ripped<br />

her robes tattered<br />

her body in shreds.<br />

Focused in the Camera Lens<br />

ready for her photo shoot:<br />

The Model peers furtively<br />

from behind her Mask<br />

of animal waste and<br />

byproduct make-up<br />

her greasy, hairspray crusted,<br />

chopped up locks<br />

screen her from the harsh glare of<br />

the Lights<br />

Her bony chin tilts, her heavy eyes<br />

d<br />

r<br />

o<br />

o<br />

p<br />

her spine curves, her knobby knees bend<br />

right angles, she angles<br />

towards the camera<br />

She is a skeletal form,<br />

worn out,<br />

painted up,<br />

decked out,<br />

propped up.<br />

Once upon a time<br />

There was an Idol<br />

perched upon a pedestal.<br />

And oh, does it.<br />

The Model had danced herself,<br />

(gaunt and haggard)<br />

over the e<br />

dge<br />

Turn the page of Vogue<br />

and She’s a Doll<br />

propped up on a stool.<br />

Thank-you REALITY.<br />

<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

7


8 <strong>Carpe</strong> <strong>Diem</strong> 2005<br />

<strong>St</strong>ill Life of Toys<br />

Megan Kisling


The Giving Tree<br />

Andrea Bessey<br />

<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

9


The Complete Buffoon’s Guide to Being an Indie Rocker<br />

by Ijeoma Okoro<br />

You’re tired of MTV’s mainstream music offal. You’re nauseated by the<br />

overproduction of bogus boy bands and bubble gum pop princesses. You want to be<br />

edgier… hipper… independent! But you don’t know how to start? Don’t worry! Just<br />

follow these simple instructions so that you too can join the secret society of<br />

the Indie rock hipsters who cast their disdainful glowers upon the pedestrian music<br />

industry.<br />

If you want to play the part of an Indie rocker, you need to look like one. Don’t<br />

let people fool you into believing looks don’t matter- they are wrong. Smack them<br />

upside the head and shut your ears whenever they start on their inner beauty<br />

harangue. To create this rocker persona you need to develop a complete disregard<br />

for hygiene. Who needs combed hair and clear skin? If you have any makeup or stylish<br />

jewelry, throw it out. If you own any designer labels, give them away. If you possess<br />

anything that could possibly be linked to a current trend, get rid of them .Everyone<br />

knows Indie rockers never wear anything more than vintage, undersized t-shirts<br />

in vibrant colors. Hot pink, neon green, and purple work, but avoid white and black.<br />

A white t-shirt looks forced and awkward while black is more suited for the Goth<br />

scene. Also the correct pair of pants can distinguish a phony from the real deal.<br />

A tattered pair of jeans is usually the easiest solution, but even those are much<br />

too obvious. To be a true Indie rocker, you must procure and wear Dickies. The more<br />

ragged they are, the better. Make sure you have your second- hand Converse All-<br />

<strong>St</strong>ars. And no outfit is complete without a few strategically positioned buttons<br />

expressing your contempt for the capitalist system, the name of your favorite<br />

obscure band, or a cartoon from your childhood. Be careful! Too many buttons<br />

arranged in a distinct geometric shape shows too much consideration went into<br />

your outfit layout and that would completely undermine your Indie guise.<br />

So you’ve got the hair and outfit down? Well, you’re nowhere near the finish<br />

line. It takes more than bed head hair and a tight t-shirt to pass of as an Indie<br />

rocker. Looks aren’t the only thing! To successfully pull of the façade you need to<br />

work the attitude. Everyone knows Indie rockers never show emotions beyond the<br />

scope of boredom, indifference, and condescension. Always keep your shoulders<br />

hunched, your voice dripping with disdain, and your eyelids droopy hidden behind<br />

thick black reading glasses. Your posture tells a lot about yourself. It’s best to<br />

keep a nonchalant stance at all times no matter what the situation. Even when<br />

you’re engaged in an intense discussion evaluation the best albums of the Velvet<br />

Underground and the <strong>St</strong>ooges, maintain an appearance of utter insouciance. When<br />

you look like you care, you’re obviously not a true Indie rocker.<br />

But the key element to the Indie rocker brain is revulsion for all things un-Indie.<br />

If you find yourself singing along to the local pop station’s latest remix of “Toxic”<br />

10 <strong>Carpe</strong> <strong>Diem</strong> 2005<br />

Face<br />

Colleen Smith


y Britney<br />

Spears, donate<br />

your radio to<br />

charity. If you<br />

have a favorite<br />

character<br />

from MTV’s<br />

Real World<br />

series, kick in<br />

your television<br />

set. If you<br />

get a monthly<br />

subscription of<br />

any periodical<br />

that has age<br />

references<br />

in the title<br />

including and<br />

not limited to Seventeen, Teen People, and Teen Vogue, don’t burn<br />

them because that would be harming the environment (which is so<br />

un-Indie), but recycle them immediately. Everyone knows Indie rockers never allow<br />

mainstream influences pollute their superior nonconformist minds. You are required<br />

to absorb only obscure alternative music that no one has ever heard of, but you<br />

Wetland Wonder<br />

James Watters<br />

must dropped them as soon as they become famous. You cannot mention bands like<br />

Violent Femmes or Pixies because everyone is familiar with their music. Randomly<br />

throw in an esoteric band name like Galaxie 500 during an Indie rocker gathering<br />

and you get instantaneous acclaim. Also, true Indie rockers participate only in antimainstream<br />

activities. The best way to expose your maverick side is by protesting.<br />

It doesn’t matter what you’re protesting exactly, just as long as it appears to be a<br />

profound problem or social matter that is not in accordance with the Indie mode of<br />

thinking. Create a catchy slogan or jargon for your issue and you get bonus points.<br />

But if your issue or slang becomes too popular than you lose all your Indie cred<br />

(Indie-speak for credibility).<br />

Have you rejected old hygiene habits? Are you dressed in an eccentric<br />

outfit found in the bottom barrels of your local thrift store? Have you perfected<br />

your jaded facial expression? Do you only listen to unknown alternative bands on<br />

dedicated music labels? Have you picketed at a bizarre demonstration? If you<br />

answered “yes” to all these questions then dust off your Chuck Taylor’s and pat<br />

yourself on the back- you are officially and Indie rocker! But remember don’t be too<br />

excited. That would mean you are trying to look cooler than you actually are. And<br />

everyone knows there is no greater sin the Indie world.<br />

<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

11


A <strong>St</strong>ill Life of Life<br />

Mary Ellen Hogan<br />

12 <strong>Carpe</strong> <strong>Diem</strong> 2005<br />

Pretty Peppers<br />

Shannon Barnes


<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

Roses<br />

Lauren Dick<br />

13


Alone<br />

Lauren Lightfoot<br />

The pungent odor of decaying flesh<br />

encroaches my nose. I do not see the source. I<br />

scream and yelp and nearly choke yet no one comes to<br />

save me from this nightmare. My family. Dead. Everyone I<br />

love in the world. Gone. They left me alone.<br />

I wander from house to house, neighborhood to neighborhood,<br />

city to city and find cars, homes, and streets filles with dead bodies.<br />

I do not know the causes of their deaths. I am the last person on earth<br />

and it’s not as exciting as I thought it would be.<br />

This world betrays my precious illusions. It was not this way in my dreams.<br />

I am supposed to be able to do what I want for as long as I want without<br />

consequence and they are supposed to pop in and out whenever I need them.<br />

They do not pop in. They are not retuning to me. Visions of fairies and stardust do<br />

not cloud my mind. My friends do not fill this world, emptiness does. This world is<br />

abandoned. Deserted. And I am all of those things as well. No laughter fills my heart.<br />

Not a tear of joy leaves my eye. There are tears, however. They fall silently as I<br />

realize that my screams and sighs will not be heard by anyone.<br />

Why did this have to happen to me? Maybe I wished for it once or twice, but<br />

never seriously. What did I do wrong? I wish I could take back every cruel thing I ever<br />

said<br />

I do not deserve this.<br />

I try to retrace my thoughts in my head. Maybe there is a solution. An answer.<br />

Sadly, I cannot think of one. Everyday in school I can spit out answers left and<br />

right. Who killed Desdemona? What is a common ion? I know those answers. This<br />

should be no different, but it is. I can’t remember. I can’t piece together my<br />

memories well enough to know what I did to bring this upon myself. I can’t even<br />

pull myself together well enough to stand up and stop crying in the middle of<br />

the street. Where should I go?<br />

Maybe this a dream. Maybe I’m only imagining this.<br />

I race back to my home and climb into my bed. The thick comforter<br />

and pillows swallow my fragile body whole.<br />

Sleep is my only deliverance and with this deliverance<br />

comes peace, complacency, and stillness. All things that<br />

this world lacks, with or without people. All things<br />

that I have searched for only to cause more<br />

chaos and disorders. My search is over<br />

now. I am free to dream.<br />

John<br />

Anna Kramer<br />

14 <strong>Carpe</strong> <strong>Diem</strong> 2005


The Office Park<br />

Sarah Asip<br />

<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

Very Watery Nature<br />

Mallory Phillips<br />

15


16 <strong>Carpe</strong> <strong>Diem</strong> 2005<br />

Intentions<br />

Laura Papania


<strong>St</strong>airs and Art<br />

Bradley Handziuk<br />

To Play Bagpipes<br />

Pierre Watson<br />

<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

17


By:Shauna <strong>St</strong>uart<br />

Will you sign my yearbook?<br />

As my second year at <strong>St</strong>. <strong>Pius</strong> X <strong>Catholic</strong><br />

<strong>High</strong> <strong>School</strong> draws to a close, I begin to reflect on<br />

sophomore year, and I wonder What exactly have<br />

I done this year? I have reflected on this school<br />

year’s past experiences, but it wouldn’t be so easy<br />

without the help of my trusty yearbook. Every<br />

year, the week before school ends, the students at<br />

<strong>St</strong>. <strong>Pius</strong> are given a yearbook, whether we want it<br />

or not (we all pay a 100 dollar yearbook fee at the<br />

beginning of the year, so it would be stupid not to<br />

take one). We all crowd around the huge table while<br />

the journalism students hurriedly try to find a name<br />

and cross it out. When we<br />

finally get our yearbooks,<br />

we all rush off to our<br />

corners with our friends<br />

to sign them and giggle<br />

over the pictures. This<br />

is a tradition and we all<br />

love it, but I still wonder:<br />

What exactly makes a<br />

yearbook so special in<br />

the first place?<br />

When we first<br />

get the yearbook, we<br />

all complain a little bit<br />

too loudly about how<br />

‘bad’ we look because our faces were too shiny or<br />

our hair wasn’t lying exactly right that day we had<br />

our pictures taken. We either smiled too much so<br />

we look fake, or smiled too little so we look angry.<br />

Whatever the reasons we have for not liking our<br />

pictures, we always protest adamantly about our<br />

friends looking at our school photos. At the same<br />

time, we practically turn to the same page it is on<br />

in the yearbook and say, “Don’t look at it! I look so<br />

bad!” even though we really don’t think we look that<br />

awful. We are human beings. We search endlessly<br />

for compliments to feed our need egos and to feel<br />

accepted. So when our friends say, “No you look<br />

really cute in this picture” we smile and say, “Thanks”<br />

because we secretly thought so all along.<br />

Next, there is the yearbook signing. Yearbook<br />

signing may not seem like a huge deal, but there is<br />

more to signing a yearbook than simply writing a<br />

18 <strong>Carpe</strong> <strong>Diem</strong> 2005<br />

message and a name. There is an art to signing a<br />

yearbook. Signing a yearbook does not simply involve<br />

writing. It also involves body language. For example,<br />

if a person singles you out in a crowd of people and<br />

asks you to sign his or her yearbook, then that<br />

person obviously really cares about your friendship.<br />

On the other hand, if you just happen to be standing<br />

there when he asks someone else, he may just ask<br />

you to sign it because he doesn’t want to be rude.<br />

Once you and another person actually exchange<br />

yearbooks, thinking about what to sign can be very<br />

difficult. If the person is a good acquaintance, but<br />

not one of your closest<br />

friends, you may not<br />

want to write too short a<br />

message because it might<br />

give the impression of being<br />

indifferent and impersonal.<br />

Then again, if you write<br />

a message that is too<br />

long and sentimental, the<br />

person may think that you<br />

Sunflower<br />

Brooke <strong>St</strong>oker<br />

are too clingy. To solve<br />

this problem, you may<br />

peek over the cover of the<br />

other person’s yearbook<br />

that you are signing and<br />

watch him or her sign yours so you can get an idea<br />

about how long your message should be. Signing a<br />

good friend’s yearbook can prove to be even more<br />

difficult. You and a friend may have a wonderful and<br />

fun-filled year full of classes, parties, sleepovers,<br />

and conversations in the hallway. But I guarantee<br />

you, once it comes time for you to sign that friend’s<br />

yearbook; you will not have a clue what to write. So<br />

you will give it back to your friend and say, “I’ll sign it<br />

later, so I can think of something really good. Just<br />

reserve that page for me.” What you are really<br />

thinking in your head is, “What can I possibly say<br />

that can take up a full page?” When you finally do<br />

sign that friend’s yearbook, you use a paragraph<br />

to write about how great the year was, another<br />

paragraph for private jokes that only the two of you<br />

share, and yet another paragraph about how great<br />

the year was.


Of course, one can’t forget the special sign<br />

off to make one’s message truly special. There is<br />

always the original, “Luv ya” or “C ya later”. “Sincerely”<br />

always sounds so formal, but “from” sounds so<br />

plain. Of course, there is the dreaded and overused<br />

“H.A.G.S.” which stands for “Have A Great Summer”.<br />

Whoever made<br />

up that acronym<br />

should be shot.<br />

Nevertheless,<br />

the sign off<br />

is always<br />

important. It’s<br />

like the cherry<br />

perched atop the<br />

whipped cream<br />

of the ice-cream<br />

sundae. Without<br />

the perfect sign<br />

off, a message<br />

just isn’t right.<br />

Everyone<br />

wants to sign<br />

a yearbook or<br />

have a yearbook<br />

signed. An<br />

underlying goal<br />

of us all is to<br />

accumulate as<br />

many signatures<br />

as possible. If<br />

we ask someone<br />

to sign our<br />

yearbook and we<br />

don’t have a lot of<br />

signatures yet,<br />

we may casually<br />

say, “Oh. I just<br />

got it, so not<br />

a lot of people<br />

have signed it<br />

yet.” People never ask, but a person signing your<br />

yearbook may do that preliminary “flip” through the<br />

front and back covers, appearing to be searching for<br />

room to sign. While this person is “searching” for<br />

room, he or she is actually subconsciously looking<br />

to see how many signatures you have and checking<br />

to see if he or she has more than you do.<br />

Like with every popular situation or fad, there<br />

are always the rebels. When you ask them to sign your<br />

yearbook, these so-called yearbook rebels always<br />

say, “I’m not into the whole yearbook ‘thing’, but I<br />

guess I can make an exception.” Then they casually<br />

take your yearbook, sign it lackadaisically, and hang<br />

it back to you, as if it were no big deal. These people<br />

would gladly sign your yearbook, but not offer you<br />

A Musical Life<br />

Laura Papania<br />

<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

theirs.<br />

These<br />

same<br />

people<br />

feel<br />

flattered<br />

when they are<br />

asked to sign a<br />

yearbook, just<br />

like<br />

everyone<br />

else. It is<br />

human nature<br />

to feel needed<br />

and accepted.<br />

Signing a<br />

y e a r b o o k<br />

m a k e s<br />

someone feel<br />

special. Even if<br />

they aren’t into<br />

the yearbook<br />

“thing” they<br />

still feel happy<br />

to sign it.<br />

S o m e t i m e s ,<br />

living can<br />

make a person<br />

feel invisible,<br />

especially being<br />

in high school.<br />

People are so<br />

busy trying<br />

to find where<br />

they fit in that<br />

they don’t have<br />

a chance to<br />

recognize you,<br />

much less themselves. It is like the world is a stage,<br />

but no one is watching the production because we<br />

are all too busy acting to notice the show has<br />

started. Sooner or later, someone will notice you.<br />

That person will pick you out of the crowd and watch<br />

with an “inner” eye. That person will see you, and<br />

you will see them. And they will ask you, “Will you<br />

sign my yearbook?”<br />

19


It is the first day of Kindergarten at <strong>St</strong>.<br />

John Neumann <strong>School</strong>, and I am standing with<br />

my mother just inside the doorway of my new<br />

classroom with my new teacher, who is advancing<br />

towards me to shake my hand. I step backwards<br />

as she steps forwards, retreating into the hallway.<br />

My backward motion is halted by a bump and a<br />

soft exclamation of surprise.<br />

Whirling around to<br />

face this new peril, I<br />

fearfully look up into the<br />

face of my<br />

attacker. I am met by<br />

the<br />

kindest pair of eyes<br />

I have ever seen<br />

and a wonderfully<br />

comforting smile.<br />

This is no fiend;<br />

this is a nice<br />

old lady with a<br />

pair of large<br />

glasses<br />

perched on<br />

her nose<br />

and a<br />

crown<br />

of neatly<br />

trimmed gray<br />

hair. I could stay<br />

standing there just looking at her,<br />

examining the way her large silver cross<br />

shines in the fluorescent lighting or the intricacy<br />

of the fine wrinkles that frame her eyes, but my<br />

mother immediately appears behind me, urging me<br />

to apologize for my minor collision. After a moment<br />

or two of listening to me stammer an attempt at<br />

an apology, she rescues me with a light laugh and<br />

“That’s quite all right, dear. Welcome to <strong>St</strong>. John<br />

Neumann. My name is Sister Rita.”<br />

“A sister,” I think. “I’ve always wanted one of<br />

those.” This is the first lesson she taught me: you<br />

can never underestimate the power of a smile.<br />

Seven years later, I am standing on the<br />

altar steps, rehearsing for the annual school<br />

pageant on the life of <strong>St</strong>. Marguerite D’Youville,<br />

foundress of the Grey Nuns. Slowly and carefully, I<br />

20 <strong>Carpe</strong> <strong>Diem</strong> 2005<br />

Rita’s Lessons<br />

Laura deGive<br />

pronounce the syllables of Marguerite’s Magnificat.<br />

Sr. Rita is working with some of the younger<br />

pageant participants behind me, herding them<br />

around like a mother duck. “Good, Marguerite!” she<br />

calls over her shoulders as I finish the studiously<br />

memorized speech.<br />

Coming around the altar, she moves<br />

towards me, ready to offer her advice on how to<br />

improve my presentation. Then, as if in slow motion,<br />

she slips and falls backwards, an expression of<br />

surprise on her delicate features. A cry of alarm<br />

escapes my lips, but as I start to move to her side,<br />

the teachers in attendance rush forward and<br />

hover over her, demanding to know<br />

if she is all right. I change<br />

course and usher<br />

the children<br />

behind me<br />

off of the<br />

altar, and<br />

then I sprint<br />

as quickly as<br />

I can to the<br />

school’s front<br />

office to get<br />

help. Realizing that<br />

there is nothing<br />

A Child’s Innocence<br />

Chris Philpott<br />

more I can physically<br />

do for her, I wonder<br />

what she would want<br />

to be doing. In an instant<br />

me<br />

I have it.<br />

Rita’s<br />

second lesson: when you<br />

find yourself in a crisis, pray, pray, and pray some<br />

more.<br />

After a time spent in recovery, Rita visits<br />

the school. I glimpse her from the other end of<br />

the hallway; she is surrounded by teachers and<br />

staff wanting to know if she will be better soon<br />

and whether she needs anything. Amazed, I stand<br />

apart from the group and watch her patiently<br />

answer each person with humility and kindness/<br />

the bright smile on her face extend to her eyes,<br />

which are crinkled at the corners in cheerfulness. I


know that if I had been in the middle of that much<br />

condescension, I would have been more than a little<br />

prickly. I realize that she knew how worried we had<br />

all been about her and that at that moment people<br />

surrounding her needed to be comforted. This<br />

was her third lesson to me: in a trying situation,<br />

be humble, patient, and above all compassionate,<br />

because you never know what the other party is<br />

going through at the time.<br />

When the day of the pageant rolls around, I<br />

find myself standing in her tiny office, dressed as<br />

<strong>St</strong>. Marguerite D’Youville. Even though I have been<br />

to countless rehearsals and spent many evenings<br />

fixing the words of the speech in my mind, my<br />

hands are shaking from nervousness. Rita looks at<br />

me, carefully adjusting my veil, and I wonder<br />

why on Earth she picked me to be her<br />

Marguerite. I am so afraid<br />

that I will disappoint<br />

her. Her warm<br />

hands enclose<br />

mine, steadying<br />

the, she gives<br />

me her ever ready<br />

smile. Then, silently,<br />

she unclasps her<br />

silver cross from<br />

around her neck and<br />

fastens it around mine.<br />

Reverently, I touch the<br />

cross, and then I throw my<br />

arms around her neck. She<br />

laughs a little and hugs me<br />

back, and I realize that I am<br />

no longer afraid.<br />

Lesson number four: fear<br />

can only truly<br />

be conquered by love.<br />

I am standing in my high school’s chapel,<br />

between Sr. Rita and my old grade school principal,<br />

Sr. Dawn. We are posing for pictures after a Mass<br />

of Thanksgiving offered for the Grey Nuns in<br />

Atlanta. I haven’t spoken to Rita in person for at<br />

least two years, and I am anxious as to what she<br />

will think of me. Dawn half-jokes: “The retired sister,<br />

the active sister, and the sister to be. Aren’t we a<br />

sight?”<br />

I glance at Rita, wondering what her reaction<br />

will be to this statement. “Now, Dawny,” Rita says<br />

with a smile, “Don’t pressure her. That’s the Holy<br />

Spirit’s job.” I smile with relief.<br />

Hidden in those lines is Rita’s fifth bit of<br />

wisdom: never attempt to take on any of God’s<br />

responsibilities.<br />

A breeze wafts through the trees on a calm<br />

evening in the summer of 2004. Taking a deep<br />

breath, I walk through the doors of the church.<br />

There are many familiar faces in the tiny crowded<br />

vestibule. My eyes fall on Dawn, standing to the<br />

side with a line of<br />

people winding<br />

around her.<br />

Her eyes are red<br />

from crying. I blink<br />

hard. The news<br />

of Rita’s death<br />

had come very<br />

suddenly and<br />

harshly to<br />

me because<br />

I had been<br />

unaware<br />

of the<br />

A Loving Mother’s Touch<br />

Lauren Elliott<br />

severity of<br />

her illness and I heard<br />

of her passing weeks after the<br />

funeral through a newspaper article. The<br />

church chosen for her memorial Mass in Atlanta<br />

is of a moderately large size, but I know that her<br />

friends will fill every pew.<br />

I wait in Dawn’s line, wondering what I will say<br />

to her when it is my turn. The tidal wave of grief<br />

threatening to overwhelm me must be nothing like<br />

what is filling Dawn’s heart. Then I am standing in<br />

front of Dawn, who is vigorously wiping her eyes.<br />

When Dawn sees me, she exclaims, “Here’s one that<br />

Rita loved!” and embraces me. For a moment, we<br />

stand there crying together, and then she breaks<br />

away to talk with the next person in line.<br />

Rita’s final lesson: love is eternal.<br />

<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

21


Jackson<br />

Erin Conboy<br />

22 <strong>Carpe</strong> <strong>Diem</strong> 2005<br />

Playtime<br />

Brenna Berling


Day After Rain<br />

<strong>St</strong>ephanie Sizemore<br />

<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

23


24 <strong>Carpe</strong> <strong>Diem</strong> 2005<br />

Silver Bells<br />

Mary Ellen Hogan


All You Need Is Love<br />

Emily Sutlive<br />

<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

25


El Tucán y Su Naríz<br />

Andrea Bessey<br />

Frog<br />

Taylor Davidson<br />

Los tucanes son aves con narices muy grandes y coloridas. No es la<br />

verdad que las narices siempre hayan sido asi. Habia una vez cuando las<br />

narices parecian normales con una tallas pequenas. Sin embargo, cuando<br />

ellos empezaban comer el cereal de los Fruit Loops, sus vidas cambiaron<br />

por siempre.<br />

Un tucan con una nariz pequena y sin colores brillantes comia<br />

frecuentamente los Fruit Loops, porque, como todoa los tucanes, le<br />

gustaba comer frutas. (Los tucanes no se preocupan por su salud y<br />

comen comida con mucho azucar.) Un dia por la manana, este tucan<br />

queria comer Fruit Loops otra vez, pero solo. El era muy avaro, decidio<br />

que el se levantaria mas temprano que los otros. Luego, el podria comer<br />

todos los Fruit Loops sin compartir. “Es necesario que yo los comsuma<br />

rapidamente,” el tucan penso. Si los otros tucanes nunca vinieran, el<br />

terminaria comer su desayuno antes ellos se despertaron. Por lo tanto, el<br />

se apresuro y entonces, sufrio las consecuencias.<br />

Durante este proceso, mientras el se apresuraba con avaricia, po<br />

26 <strong>Carpe</strong> <strong>Diem</strong> 2005


accidente, su nariz se puso en el<br />

centro de unos Fruit Loops. Era<br />

muy doloroso para el tucan. El<br />

estaba solo y no podia remover<br />

se nariz de los Fruit Loops. “Nariz,”<br />

el dijo, “Trabajemos juntos para<br />

removernos. Uno, dos, tres…<br />

!Vamos!” El tiro los Fruit Loops,<br />

pero ellos no movian. “!Ojala<br />

que los Fruit Loops no<br />

esten sobre me nariz<br />

para siempre!” el se<br />

dijo. El intento<br />

por muchos<br />

diea hasta<br />

que<br />

estaba tenida de varios colores de<br />

los Fruit Loops, como anaranjado,<br />

amarillo, rojo, verde, y azul. Este<br />

tucan era muy codicioso, y habia<br />

querido comer todos los Fruit<br />

Loops para su desayuno, todos los<br />

tucanes hoy tienen unas narices<br />

grandes y de colores brillantes.<br />

Para prevenir otra<br />

situacion similar, los<br />

tucanes ahora son<br />

muy sociables y<br />

siempre viajan en<br />

grupos de 6 o<br />

mas. Si un<br />

amigo<br />

Life Quilt<br />

Lindsey DiRito<br />

tucan<br />

finalmente,<br />

los Fruit Loops<br />

salieron. El estaba<br />

muy emocionado<br />

quee los Fruit Loops<br />

hayan sido removido por<br />

fun. El no estaria como alegre<br />

con los resultados.<br />

Era desmasiado tarde. Los<br />

Fruit Loops habian estado en su nariz<br />

por mucho tiempo y, por lo tanto, su<br />

nariz estaba muy hinchada. Tambien,<br />

los colores de los Fruit Loops habian<br />

sangrado sobre su nariz y ella<br />

necesitara<br />

ayuda con<br />

este accidente,<br />

los otros estarian<br />

alli para asistirle.<br />

No es seguro que los<br />

tucanes esten solos.<br />

Con la ayuda de otros en un<br />

grupo, ellos no se descoloraran<br />

o agrandaran otras partes de sus<br />

cuerpos. Es la razon que el tucan<br />

mas famoso del mundo, Tucan Sam,<br />

siempre esta con sus sobrinos<br />

jovenes.<br />

<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

27


28 <strong>Carpe</strong> <strong>Diem</strong> 2005<br />

Footprint in the Sand<br />

Taylor Jackson


Contributions and Support<br />

SPONSOR (up to $24)<br />

FRIENDS ($25 - $49)<br />

Mary Jean Good<br />

Randy and Mary Hanzlick<br />

Tom and Weesi Kisger<br />

Deborah Coroman and <strong>St</strong>eve Pettie<br />

Jane Grutchfield-Groenier<br />

Christie and Nate Jones<br />

Mary Ann and Thomas Creagan<br />

Jennifer and Phillip Carver<br />

Joe and Kay Greenwood<br />

Mr. <strong>St</strong>an Bird<br />

Mr. Mike Scirocco<br />

Grummer-<strong>St</strong>rawn Family<br />

Debra Thiele<br />

Matt Lammers<br />

Gail Goodman<br />

Georges Jeanty<br />

Lunch Room <strong>St</strong>aff of Mrs. Green,<br />

Mrs. Birmingham, and Mrs. Variano<br />

Nancy and <strong>St</strong>eve Bittner<br />

Virginia and Bill Lane<br />

<strong>St</strong>eve and Debby Lackley<br />

Frank and Jackie Walsh<br />

David and Beth Summers<br />

Jenn and Chuck Martel<br />

Charlene Klister<br />

Posid Family<br />

Chris and Tina Press<br />

Ernie and Shirley Byron<br />

Williams Family<br />

Rebekah Jennings Murphy<br />

AJ McCray<br />

Donny Magana<br />

Tyler Aardema<br />

Shauna <strong>St</strong>uart<br />

Caroline de Golian<br />

Casey and Remington Reynolds<br />

Anthony LaPaglia<br />

Colleen and Michael LaPaglia<br />

Carol Magana<br />

Peter and Mary Ann Green<br />

CLUB ($50 - $99)<br />

David and Cecilia Edwards<br />

Peyton Family<br />

Bob and Rosalie Carlston<br />

<strong>St</strong>eve and Julie Byron<br />

Gretchen and Joe Conboy<br />

Ron and JoAnne Maloney<br />

Rob and Diane McLaughlin<br />

<strong>St</strong>eve and Dee <strong>St</strong>oker<br />

George and Judy Walton<br />

Cyndi Nevetral<br />

Jim Walsh<br />

<strong>St</strong>eve and Patrice Pendergast<br />

Honors ($100+)<br />

John and Susan Euart<br />

Jon Aardema<br />

TGIF Potato Snacks<br />

Joel Quartarone<br />

John Bekkers<br />

Paul and Lynn Darcy<br />

Pat and Bob Timm<br />

Halpern Enterprises<br />

Berling Associates<br />

<strong>Carpe</strong> <strong>Diem</strong> 2005<br />

29


The House<br />

Molly de Gorgue<br />

Harmony<br />

Kendall Broussard

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