01.10.2014 Views

THE ART - Canberra 100

THE ART - Canberra 100

THE ART - Canberra 100

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

INTRODUCTION<br />

The following pages will present material<br />

for Arts teachers to use concentrating on<br />

three existing public art works, and three<br />

works that have been commissioned as<br />

part of the celebrations of the Centenary<br />

of <strong>Canberra</strong>.<br />

<strong>THE</strong> THREE EXISTING WORKS ARE:<br />

••<br />

A E MacDonald’s oil painting Early<br />

<strong>Canberra</strong>, at the <strong>Canberra</strong> Museum<br />

and Gallery, Civic<br />

••<br />

Arthur Boyd’s Great Hall Tapestry in<br />

Parliament House<br />

••<br />

Jan Brown’s Icarus, a bronze sculpture<br />

in Petrie Plaza, Civic<br />

<strong>THE</strong> THREE COMMISSIONED<br />

WORKS ARE:<br />

••<br />

Eleanor Stuart-Gates’ StellrScope, an<br />

installation based on scientific images<br />

and data<br />

••<br />

Shortis and Simpson’s Prime Time,<br />

a satirical musical production about<br />

Australia’s prime ministers<br />

••<br />

Big h<strong>ART</strong>’s Hipbone Sticking Out a<br />

multi-media performance through<br />

music, dance and theatre, about<br />

connections between the past and<br />

the present in the Pilbara region of<br />

Western Australia.<br />

When students have the opportunity<br />

to view, explore, research and reflect<br />

on these six works of art, they will be<br />

enriched in their understanding of<br />

the contribution public art makes to<br />

the cultural life of <strong>Canberra</strong>, and the<br />

importance of having processes for<br />

acquiring public art.<br />

Author: Chris Melican<br />

Welcome to this resource for Arts teachers. Your role in the<br />

education of children and young people is extraordinarily<br />

important as you enable them to find their creative talents and to<br />

participate in the wide world of artistic expression and innovation.<br />

You teach and enable students to ‘see’ into this world.<br />

“One only admires what one has first learnt to see”<br />

- Ernst H Gombrich<br />

<strong>Canberra</strong> abounds in art works, not just in well-known cultural institutions<br />

such as the National Gallery of Australia, National Portrait Gallery,<br />

National Museum of Australia and Australian War Memorial,<br />

but also in smaller galleries and museums, offices, banks and restaurants,<br />

and, of course, in outdoor public spaces. The bronze kangaroos poised<br />

to drink at Nerang Pool in Commonwealth Park, the woolly knitted steel<br />

sheep at the Kambah Shops, the statue of a swimmer at the entrance to<br />

the National Sports Swimming Centre and Ethos standing outside the ACT<br />

Legislative Assembly are just four examples of art works that people in<br />

<strong>Canberra</strong> walk past every day.<br />

What is public art? The ACT Government’s paper Action Statement for Public<br />

Art (2006) says: ‘The term “public art” is used here to refer to artworks that<br />

enrich our experience of public places.’<br />

How does public art get to be where it is? Who makes it? Who pays for it?<br />

Who is responsible for it? These are good questions for students of the Arts<br />

to pursue. Some art works are produced for competitions—for example, the<br />

famous Archibald portrait competition. Others are commissioned—but by<br />

whom and for whom? What does the term ‘patronage’ mean? How do artists<br />

get government grants or residencies? What is the range of processes for<br />

acquiring public art?<br />

This resource, The art of bringing the Arts to <strong>Canberra</strong>, is very timely.<br />

It brings together a significant aspect of the Arts, specifically public art, with<br />

the development of the Australian Curriculum: The Arts and the Centenary<br />

of <strong>Canberra</strong> in 2013. For teachers of high school students, particularly years<br />

9 – 12, there is a rich opportunity to immerse their students in the world,<br />

not just of the production and appreciation of art works, but also how they<br />

are acquired by a government, by galleries or by an individual, and made<br />

accessible to the community. There is most definitely an art to bringing<br />

the Arts to <strong>Canberra</strong>. This is a very specific aspect of the Arts’ world, and<br />

while it is one that is not often explored, it contributes to a fundamental<br />

understanding about what it means to be a citizen and how citizenship<br />

and government connect.<br />

Workspace4 by Eleanor Gates-Stuart<br />

2 <strong>THE</strong> <strong>ART</strong> OF BRINGING <strong>THE</strong> <strong>ART</strong>S TO CANBERRA

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!