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The Bill Brothers Film and Moving Image Collection at UF

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For Friends of the George A. Sm<strong>at</strong>hers Libraries, University of Florida Fall 2006<br />

<strong>The</strong> <strong>Bill</strong> <strong>Brothers</strong> <strong>Film</strong> <strong>and</strong><br />

<strong>Moving</strong> <strong>Image</strong> <strong>Collection</strong> <strong>at</strong> <strong>UF</strong><br />

by Barbara Hood<br />

Public Inform<strong>at</strong>ion Officer<br />

“Bluebeard,” “Danny Boy,” “Dick<br />

Tracy,” “Docunews,” “Flash Gordon,”<br />

“Cyrano de Bergerac,” “My Favorite<br />

Brunette,” “Svengali,” “<strong>The</strong> Fabulous<br />

Dorseys” – <strong>and</strong> thous<strong>and</strong>s of other vintage<br />

films now have a permanent home <strong>at</strong> the<br />

George A. Sm<strong>at</strong>hers Libraries <strong>and</strong> will<br />

be available for research <strong>and</strong> enjoyment<br />

courtesy of vintage film collector <strong>Bill</strong><br />

<strong>Brothers</strong> of Stuart, Florida.<br />

<strong>Brothers</strong> has always loved movies<br />

<strong>and</strong> remembers the wonderful days of<br />

the S<strong>at</strong>urday afternoon m<strong>at</strong>inee <strong>at</strong> the<br />

local downtown the<strong>at</strong>er. Unfortun<strong>at</strong>ely,<br />

many of the movies <strong>and</strong> shorts he fondly<br />

remembers were destroyed en masse<br />

because of storage concerns when<br />

broadcasting technology advanced <strong>and</strong><br />

tape form<strong>at</strong>s changed.<br />

<strong>Brothers</strong>, who gradu<strong>at</strong>ed from the<br />

University of Florida in 1978 with a<br />

BS/BAdm in finance, became involved in<br />

collecting films six years ago as a result<br />

of his career: he is a broadcaster who has<br />

owned television st<strong>at</strong>ions <strong>and</strong> currently<br />

owns numerous FM radio st<strong>at</strong>ions<br />

throughout the country.<br />

His moving image library, appraised<br />

<strong>at</strong> $6.4 million, consists of more than<br />

1,200 titles released between the years<br />

1908 <strong>and</strong> 1963. <strong>The</strong> library includes a<br />

wide variety of motion picture <strong>and</strong> film<br />

c<strong>at</strong>egories such as drama, comedy, war,<br />

shorts, thrillers, science fiction, mystery,<br />

family, fantasy, westerns, adventures,<br />

romance, horror, crime <strong>and</strong> musicals on<br />

one-inch tape, three-quarter-inch tape<br />

<strong>and</strong> film.<br />

Though most of the collection d<strong>at</strong>es<br />

to the 1930s through 1950s <strong>and</strong> is black<br />

<strong>and</strong> white film, some of the early films<br />

are from the silent era. <strong>The</strong>re is also a<br />

collection of early news reels th<strong>at</strong> fe<strong>at</strong>ure<br />

news of the day from the 1930s <strong>and</strong> 1940s.<br />

Included are a large number of musical<br />

shorts – long pre-d<strong>at</strong>ing MTV – th<strong>at</strong><br />

the<strong>at</strong>ers played before the fe<strong>at</strong>ure film <strong>and</strong><br />

th<strong>at</strong> helped to sell the l<strong>at</strong>est hit records<br />

from b<strong>and</strong> leaders such as Glenn Miller<br />

or Tommy Dorsey. A large number of the<br />

earliest anim<strong>at</strong>ions are also included.<br />

Newsreels, musical shorts <strong>and</strong><br />

cartoons were all shown to entertain<br />

movie audiences before the fe<strong>at</strong>ure<br />

<strong>Bill</strong> <strong>Brothers</strong><br />

film <strong>and</strong> to lengthen the entertainment<br />

experience.<br />

Researching, documenting <strong>and</strong><br />

analyzing the collection to determine its<br />

scope took <strong>Brothers</strong> several years <strong>and</strong> was<br />

an enormous undertaking.<br />

“It was like digging in a mine,” said<br />

<strong>Brothers</strong>. “<strong>The</strong> more you work, the more<br />

you find.”<br />

Wh<strong>at</strong>’s Inside<br />

Page 3<br />

<strong>UF</strong> Librarians volunteer <strong>at</strong><br />

libraries in New Orleans<br />

Page 4<br />

Message from the<br />

director of development<br />

Page 5<br />

Desider<strong>at</strong>a<br />

Pages 6<br />

Message from the director


<strong>Brothers</strong> (Continued from page 1)<br />

Judy Garl<strong>and</strong> <strong>and</strong> Ray McDonald dance a scene from the<br />

MGM film “Till the Clouds Roll By,” 1946.<br />

Scenes from films in the <strong>Bill</strong> <strong>Brothers</strong><br />

<strong>Film</strong> <strong>and</strong> <strong>Moving</strong> <strong>Image</strong>s <strong>Collection</strong>:<br />

(Top) William Prince as Christian <strong>and</strong><br />

José Ferrer as Cyrano in “Cyrano de<br />

Bergerac,” 1950.<br />

(Middle) George Raft, Mack Grey <strong>and</strong><br />

<strong>Bill</strong> Stern in “Stage Door Canteen,” 1943.<br />

(Bottom): Gary Cooper in “Meet John<br />

Doe,” a Frank Capra production, 1941.<br />

Photos from of the Belknap <strong>Collection</strong> for the Performing Arts<br />

2 Chapter One<br />

<strong>Brothers</strong> wants his library to be protected<br />

<strong>and</strong> preserved for future use <strong>and</strong><br />

enjoyment <strong>and</strong>, as an alumnus, <strong>UF</strong> was a<br />

n<strong>at</strong>ural choice for him to choose to house<br />

the collection. He is hopeful th<strong>at</strong> it will be<br />

comprehensively c<strong>at</strong>aloged <strong>and</strong> in time<br />

as funds are raised, converted to digital<br />

form<strong>at</strong> to make it easily accessible for<br />

anyone to view <strong>and</strong> use for research.<br />

<strong>Brothers</strong> said th<strong>at</strong> faculty can benefit<br />

from the collection by examining the<br />

moving images of events <strong>and</strong> using them<br />

to illustr<strong>at</strong>e various points in history to<br />

their classes. Students in the future will be<br />

able to look back <strong>at</strong> history <strong>and</strong> actually<br />

see the skyline of New York in 1928; see<br />

the dress, the language, the mannerism of<br />

our society as it progressed through the<br />

early part of the century.<br />

“Even more,” said <strong>Brothers</strong>, “it is<br />

the projected perception of the times. In<br />

something as simple as Flash Gordon, it is<br />

the past guessing <strong>at</strong> our future.”<br />

“In these films you can see racism in<br />

action, before the impact of civil rights.<br />

<strong>The</strong>re is so much to visibly see in these<br />

films, if one just takes the time to look.<br />

<strong>The</strong> researcher<br />

can see the<br />

popularity of<br />

smoking, furs,<br />

environmental<br />

degrad<strong>at</strong>ion, styles,<br />

fashion, propag<strong>and</strong>a<br />

<strong>and</strong> news of the day. It is life the way we as<br />

a people visualized it. It is a large<br />

collection th<strong>at</strong> reflects the early history of<br />

American film making,” he added.<br />

John Ingram, deputy director <strong>at</strong><br />

Sm<strong>at</strong>hers Libraries, was an active player in<br />

having the collection come to <strong>UF</strong>.<br />

“I echo <strong>Bill</strong>’s comments on the value<br />

of these motion pictures th<strong>at</strong> span two<br />

world wars <strong>and</strong> beyond. <strong>The</strong>y provide<br />

enormous amounts of inform<strong>at</strong>ion on<br />

societal mores, political <strong>at</strong>titudes, racial<br />

rel<strong>at</strong>ions, as well as opening windows<br />

on m<strong>at</strong>erial cultures, both real <strong>and</strong><br />

historically imagined,” said Ingram.<br />

“Our gre<strong>at</strong>est challenge now is to raise<br />

funds through grants <strong>and</strong> outright gifts<br />

to reform<strong>at</strong> these m<strong>at</strong>erials into digital<br />

form<strong>at</strong>s th<strong>at</strong> will be much more easily<br />

accessible to all our users.”


<strong>UF</strong> librarians volunteer in New Orleans<br />

by Iona Malanchuk<br />

Head, Educ<strong>at</strong>ion Library <strong>and</strong><br />

Priscilla Williams,<br />

Head, Authorities <strong>and</strong> Metad<strong>at</strong>a Quality Unit<br />

<strong>UF</strong> librarians Iona <strong>and</strong> Peter<br />

Malanchuk, Betsy Simpson <strong>and</strong><br />

Priscilla Williams were among 800<br />

unflinching <strong>and</strong> energetic volunteers who<br />

spread out across the K<strong>at</strong>rina-devast<strong>at</strong>ed<br />

school, academic <strong>and</strong> public libraries of<br />

New Orleans last June. <strong>The</strong>y particip<strong>at</strong>ed<br />

for a full day in American Library<br />

Associ<strong>at</strong>ion’s (ALA) “Librarians Build<br />

Communities” campaign <strong>at</strong> their annual<br />

conference on June 22-28, 2006. ALA<br />

calcul<strong>at</strong>ed th<strong>at</strong> three-<strong>and</strong>-a-half years<br />

of work was accomplished in just a little<br />

over two days by the determin<strong>at</strong>ion <strong>and</strong><br />

resourcefulness of the library volunteers.<br />

In October, 2005 ALA announced<br />

its plan to honor their commitment to<br />

hold the 2006 annual conference in New<br />

Orleans despite the afterm<strong>at</strong>h of hurricane<br />

K<strong>at</strong>rina. <strong>The</strong>y sent a group into the city<br />

to examine conditions <strong>and</strong> calcul<strong>at</strong>e the<br />

city’s ability to accommod<strong>at</strong>e the large<br />

professional organiz<strong>at</strong>ion. <strong>The</strong> group’s<br />

report resulted in ALA’s decision to not<br />

only keep the conference in New Orleans<br />

but also to seize the opportunity to use<br />

their knowledge to assist in the clean-up<br />

Iona <strong>and</strong> Peter Malanchuk<br />

Betsy Simpson <strong>and</strong> Priscilla Williams.<br />

<strong>and</strong> reorganiz<strong>at</strong>ion of the city’s devast<strong>at</strong>ed<br />

libraries.<br />

<strong>The</strong> librarians knew they could<br />

h<strong>and</strong>le the logistics of quickly cur<strong>at</strong>ing<br />

books, journals, CD’s <strong>and</strong> software. It<br />

was obvious th<strong>at</strong> thous<strong>and</strong>s of boxes of<br />

don<strong>at</strong>ed m<strong>at</strong>erials needed to be examined<br />

<strong>and</strong> rapidly sorted due to the less than<br />

prime conditions of the storage areas.<br />

Upon arriving <strong>at</strong> the assembly<br />

point in the Morial Convention Center,<br />

volunteers were given assignments, along<br />

with “Libraries Build Communities”<br />

t-shirts, w<strong>at</strong>er <strong>and</strong> box lunches don<strong>at</strong>ed<br />

by the Heavenly Ham Co. Buses were lined<br />

up to take the groups of volunteers to<br />

their assigned loc<strong>at</strong>ions <strong>at</strong> over 20 sites<br />

throughout the city. This scene in the<br />

Morial Convention Center was repe<strong>at</strong>ed<br />

twice in the early morning of Friday,<br />

June 23 <strong>and</strong> again on Tuesday, June 27.<br />

<strong>The</strong> bus ride was an eye-opener for the<br />

volunteers. <strong>The</strong> librarians rode into areas<br />

of total devast<strong>at</strong>ion <strong>and</strong> ab<strong>and</strong>onment. It<br />

was odd on the bright <strong>and</strong> sunny summer<br />

mornings to see no movement on those<br />

particular streets of New Orleans – no cars<br />

or people, no sign of life. Roof after roof<br />

was still blown wide-open, twisted metal<br />

signs were not repaired or cleared away,<br />

smashed cars, bicycles, toys, furniture,<br />

clothing <strong>and</strong> all sorts of items had been<br />

carried far <strong>and</strong> wide by the rushing w<strong>at</strong>er<br />

<strong>and</strong> either stacked in a hodge-podge<br />

manner or left alone. A quiet hush took<br />

over the buses as they looked <strong>at</strong> the<br />

horror of massive destruction <strong>and</strong> felt the<br />

overwhelming pain of loss.<br />

Betsy Simpson <strong>and</strong> Priscilla Williams<br />

were among a group assigned to St.<br />

Mary’s Academy. <strong>The</strong> campus had been<br />

completely destroyed in the hurricane.<br />

Working side by side with librarians from<br />

around the country they were asked to<br />

help prepare space design<strong>at</strong>ed for the<br />

library in a newly acquired building, an<br />

old convent th<strong>at</strong> had been vac<strong>at</strong>ed two<br />

years earlier. Inside the old, neglected<br />

convent there were signs of w<strong>at</strong>er<br />

leakage from the floor above. <strong>The</strong> team<br />

proceeded to prepare the building to<br />

house a combined middle <strong>and</strong> high school<br />

library. <strong>The</strong>y mopped up the w<strong>at</strong>er, carried<br />

furniture, boxes of books <strong>and</strong> supplies to<br />

the second floor <strong>and</strong> into the adjourning<br />

rooms. In addition, they sorted hundreds<br />

of m<strong>at</strong>erials into appropri<strong>at</strong>e grade levels<br />

<strong>and</strong> removed inappropri<strong>at</strong>e titles.<br />

Across town in the Algiers branch<br />

of the New Orleans Public Library Iona<br />

<strong>and</strong> Peter Malanchuk were assigned to<br />

a library th<strong>at</strong> had sustained structural<br />

damage to the roof, walls <strong>and</strong> floors.<br />

Mountains of dilapid<strong>at</strong>ed boxes of<br />

don<strong>at</strong>ed books were piled nearly to the<br />

ceiling throughout the main floor reading<br />

room <strong>and</strong> circul<strong>at</strong>ion areas. Working in<br />

98 degree he<strong>at</strong> with poor air quality, they<br />

sorted, labeled, filled <strong>and</strong> lifted over 275<br />

cartons of books which were loaded,<br />

without the use of a dolly or ramp, onto a<br />

semi-trailer truck.<br />

Sitting outside on cardboard boxes<br />

e<strong>at</strong>ing the box lunches, the volunteers were<br />

approached by hesitant but curious people<br />

from the neighborhood. Mothers with<br />

children <strong>and</strong> elderly p<strong>at</strong>rons approached<br />

hesit<strong>at</strong>ingly to inquire about the reopening<br />

of their community branch library th<strong>at</strong><br />

they missed so much.<br />

<strong>The</strong> librarians assigned to Algiers<br />

were given an opportunity to be of help<br />

to one more person <strong>at</strong> the end of the<br />

day: their bus driver. <strong>The</strong> word quietly<br />

passed among them th<strong>at</strong> the gentleman<br />

driving the bus had lost his home <strong>and</strong> all<br />

of his possessions <strong>and</strong> he <strong>and</strong> his family<br />

were struggling to start over again. One<br />

librarian took off her h<strong>at</strong> <strong>and</strong> passed<br />

it around so th<strong>at</strong> upon arrival <strong>at</strong> the<br />

convention center, two hundred dollars<br />

was h<strong>and</strong>ed to the shocked <strong>and</strong> teary-eyed<br />

driver who was truly overwhelmed by the<br />

generosity of the group of strangers.<br />

Chapter One 3


Message from the director of development<br />

Lane Jimison<br />

Good morning friends. I am an honored to serve as the director of development<br />

for the University of Florida’s Libraries. I look forward to many years of productive<br />

resource development for this prestigious <strong>and</strong> wonderful library system.<br />

Resource development<br />

activities must be guided by<br />

a clearly st<strong>at</strong>ed institutional<br />

mission <strong>and</strong> vision. As we<br />

continue to visibly show<br />

the value of our programs<br />

<strong>and</strong> services with resulting<br />

good works <strong>and</strong> positive<br />

outcomes, we will <strong>at</strong>tract<br />

more outst<strong>and</strong>ing gifts to<br />

the library.<br />

– Lane Jimison<br />

Director of Development<br />

My professional career includes over 18 years of development <strong>and</strong> administr<strong>at</strong>ive<br />

experience. I recently served as the executive director of the Florida 4-H<br />

Found<strong>at</strong>ion, Inc., housed within the Institute of Food <strong>and</strong> Agricultural Sciences,<br />

University of Florida. 4-H, serving over 245,000 Florida youth, ages 5-18, is one of<br />

the leading youth development programs in the n<strong>at</strong>ion. I am proud of the work th<strong>at</strong><br />

was accomplished during my tenure with 4-H.<br />

Certainly I have much to learn about our fascin<strong>at</strong>ing libraries here <strong>at</strong> <strong>UF</strong>. <strong>The</strong><br />

scope of the library system is incredible. I will depend upon the faculty, staff <strong>and</strong><br />

volunteers to help me underst<strong>and</strong> the many collections, programs <strong>and</strong> services we<br />

offer. Together, we will take the powerful message about this unique educ<strong>at</strong>ional<br />

tool to our funders, donors <strong>and</strong> friends.<br />

Resource development activities must be guided by a clearly st<strong>at</strong>ed institutional<br />

mission <strong>and</strong> vision. As we continue to visibly show the value of our programs <strong>and</strong><br />

services with resulting good works <strong>and</strong> positive outcomes, we will <strong>at</strong>tract more<br />

outst<strong>and</strong>ing gifts to the library.<br />

Good business models advise new directors to initi<strong>at</strong>e a 60-day project which sets<br />

the pace for str<strong>at</strong>egic management. My project is to meet personally with each of<br />

the Library Leadership Board members in their homes or offices, thank them for<br />

their commitment to the library, <strong>and</strong> begin the initial steps to implement our plan<br />

of work. I am very excited to begin this project.<br />

Resource development is a wonderful <strong>and</strong> deeply human profession. We all know<br />

th<strong>at</strong> the essence of major gift fund raising lies in building strong rel<strong>at</strong>ionships<br />

with those who are able <strong>and</strong> willing to support our important work. We respect<br />

<strong>and</strong> honor those who have given generously to the library, <strong>and</strong> invite everyone to<br />

join us as we prepare <strong>and</strong> implement a str<strong>at</strong>egic plan for funding the University of<br />

Florida Libraries.<br />

Lane Jimison<br />

Director of Development<br />

4 Chapter One


Friends<br />

of the Libraries<br />

Thank you for<br />

your support!<br />

Name<br />

Address*<br />

City St<strong>at</strong>e Zip<br />

Home Phone<br />

Business Phone<br />

Yes. I/we wish to support the George A. Sm<strong>at</strong>hers Libraries with a gift of $<br />

Make checks payable to the University of Florida Found<strong>at</strong>ion, Inc. <strong>and</strong> mail to Lane Jimison, director of<br />

development, George A. Sm<strong>at</strong>hers Libraries, University of Florida, PO Box 117001, Gainesville, FL 32611-7001.<br />

To pay by credit card please fill out the following: ❑ MasterCard ❑ Visa ❑ Discover<br />

*NOTE: If using a credit card, the address you use above must m<strong>at</strong>ch the credit card billing address.<br />

Credit Card No.<br />

Exp. D<strong>at</strong>e<br />

Cardholder’s Name<br />

Cardholder’s Sign<strong>at</strong>ure<br />

Employees of the University of Florida may wish to take advantage of the payroll deduction process to provide<br />

their level of support. Check here for payroll deduction. ❑<br />

For more inform<strong>at</strong>ion contact Lane Jimison, director of development, <strong>at</strong> (352) 273-2505 or ljimison@ufl.edu<br />

Please use my gift for the following:<br />

Sm<strong>at</strong>hers Libraries Purchase Fund<br />

Special & Area Studies <strong>Collection</strong>s<br />

L<strong>at</strong>in American <strong>Collection</strong><br />

Price Library of Judaica<br />

African Studies <strong>Collection</strong><br />

Asian Studies <strong>Collection</strong><br />

P.K. Yonge Library of Florida History<br />

Baldwin Library of Historical<br />

Children’s Liter<strong>at</strong>ure<br />

Belknap Performing Arts <strong>Collection</strong><br />

Rare Books<br />

Manuscripts<br />

University Archives<br />

Architecture & Fine Arts Library<br />

Educ<strong>at</strong>ion Library<br />

Journalism & Communic<strong>at</strong>ions Library<br />

Map & <strong>Image</strong>ry Library<br />

Music Library<br />

Marston Science Library<br />

Digital Library Center<br />

Other<br />

Please send inform<strong>at</strong>ion about<br />

making a planned gift/bequest<br />

Your gift may be eligible for a charitable contribution<br />

deduction.<br />

Desider<strong>at</strong>a<br />

Giving to <strong>UF</strong> is now<br />

just a click away<br />

<strong>UF</strong>giving.uff.ufl.edu<br />

Visit our online giving<br />

Web site <strong>and</strong> find out how<br />

simple it is to support<br />

the Sm<strong>at</strong>hers Libraries<br />

Students, faculty, <strong>and</strong> librarians are always looking for the perfect resource to<br />

complement their research. While we do our best to be responsive to special needs, there<br />

are always a few titles or equipment needs th<strong>at</strong> lie beyond our grasp. If you are interested<br />

in helping the Sm<strong>at</strong>hers Libraries acquire any of the following, please contact Lane<br />

Jimison, director of development, <strong>at</strong> (352) 273-2505.<br />

INSPEC Archive – Electronic Access to Science Abstracts Journals 1898-1968 via<br />

Engineering Village 2. Fully searchable electronic access to over 70 years of intern<strong>at</strong>ional<br />

scientific <strong>and</strong> technical liter<strong>at</strong>ure in physics, electrical engineering, electronics,<br />

computing <strong>and</strong> control engineering. $25,000<br />

L<strong>and</strong>marks of Science II Monograph segments 42 - 49 @ $4,635 each<br />

Microfilm collection of the most important scientific books published since the 1600s.<br />

<strong>The</strong>se are significant texts in all disciplines of science often held by very few libraries<br />

<strong>and</strong> therefore very difficult to access for scientific or historical research.<br />

Annual Book of ASTM St<strong>and</strong>ards 2006. ASTM Intern<strong>at</strong>ional st<strong>and</strong>ards have an important<br />

role in the inform<strong>at</strong>ion infrastructure th<strong>at</strong> guides design, manufacturing <strong>and</strong> trade in<br />

the global economy. <strong>The</strong>se industry st<strong>and</strong>ards are examined for upd<strong>at</strong>ing every 5 years,<br />

<strong>and</strong> the MSL’s l<strong>at</strong>est set is from 2001. <strong>The</strong>se st<strong>and</strong>ards are used heavily in engineering<br />

course assignments.<br />

(from astm.org) 2006 Print 0-8031-4058-4 $8155<br />

Corpus mensurabilis musicae. Core set of polyphonic music from the 14th to 16th<br />

centuries published by <strong>The</strong> American Institute of Musicology. Collected works of<br />

trecento composers, French <strong>and</strong> Italian masters, <strong>and</strong> Flemish composers form the<br />

nucleus of the series, <strong>and</strong> these works are complemented by volumes of compositions by<br />

Spanish masters, partly monophonic repertories from the 13th <strong>and</strong> 14th centuries, <strong>and</strong><br />

complete editions from selected important codices. $9,500<br />

Chapter One 5


GEORGE A. SMATHERS LIBRARIES<br />

AT THE UNIVERSITY OF FLORIDA<br />

Library West • Sm<strong>at</strong>hers Library • Music Library<br />

Marston Science Library • Educ<strong>at</strong>ion Library<br />

Architecture & Fine Arts Library • Allen H.<br />

Neuharth Journalism <strong>and</strong> Communic<strong>at</strong>ions Library<br />

Dale B. Canelas<br />

Director of University Libraries<br />

John Ingram<br />

Deputy Director of Libraries<br />

Director for <strong>Collection</strong>s<br />

Michele Crump<br />

Interim Director for Technology Services<br />

<strong>Bill</strong> Covey<br />

Interim Director for Support Services<br />

Carol Turner<br />

Director for Public Services<br />

Lane Jimison<br />

Director of Development<br />

Chapter One is published three times annually<br />

<strong>and</strong> distributed to friends of the libraries <strong>and</strong><br />

selected institutions. A web version is available<br />

<strong>at</strong> http://www.uflib.ufl.edu/admin/giving/<br />

chapterone.htm. Questions <strong>and</strong> comments<br />

should be addressed to the editor, Barbara<br />

Hood, (352) 273-2505, or bhood@uflib.ufl.edu.<br />

http://www.uflib.ufl.edu<br />

Chapter One<br />

George A. Sm<strong>at</strong>hers Libraries<br />

PO Box 117001<br />

Gainesville FL 32611-7001<br />

NON-PROFIT ORG<br />

US POSTAGE PAID<br />

GAINESVILLE FL<br />

PERMIT NO 94<br />

A message from the director<br />

Wh<strong>at</strong> have we accomplished?<br />

In this, my last communic<strong>at</strong>ion with<br />

you, I want to express my thanks to all<br />

of the donors who have enriched the<br />

libraries over the past 20 years. <strong>The</strong>y are<br />

numerous <strong>and</strong> their contributions have<br />

made a huge difference for the collections<br />

th<strong>at</strong> we provide for students <strong>and</strong> faculty.<br />

Most astonishing as I reviewed previous<br />

issues of Chapter One, was the enormous<br />

span of the interests of our donors <strong>and</strong><br />

the many different subject areas th<strong>at</strong><br />

they strengthened.<br />

From a stunning collection of<br />

Faulkner books to multiple gifts of<br />

Rawlings letters; from a gorgeous group<br />

of Holy L<strong>and</strong> maps to manuscript records<br />

documenting Florida’s agricultural<br />

history; from richly illustr<strong>at</strong>ed volumes<br />

of Alice in Wonderl<strong>and</strong> to major archives<br />

documenting African-American life in<br />

the 20th century; from a remarkable<br />

collection of history of science to a<br />

collection th<strong>at</strong> documents st<strong>at</strong>istics<br />

<strong>and</strong> probability in the last half of the<br />

20 th century; from multiple unique<br />

collections of African Studies m<strong>at</strong>erials<br />

to an unpublished manuscript on Florida<br />

history; from Cuban 19th-century travel<br />

6 Chapter One<br />

diaries to an early 20th-century comics<br />

collection; from the papers of prominent<br />

Florida officials to the smashing <strong>Brothers</strong><br />

<strong>Collection</strong> of early to mid-20th-century<br />

films; our donors reflect intelligent<br />

engagement with every aspect of life. All<br />

of these gifts have immeasurably enriched<br />

the University of Florida.<br />

In addition to gifts of manuscripts,<br />

papers <strong>and</strong> collections, many of our<br />

friends gave us funding to provide better<br />

support to academic programs. Among the<br />

many gifts we have received for enhanced<br />

collections are endowments in the<br />

following subject areas: African Studies,<br />

Animal Studies, Architectural Studies,<br />

Art, two for the Baldwin <strong>Collection</strong> of<br />

Historical Children’s Liter<strong>at</strong>ure, Biological<br />

Science/Medicine & the Humanities,<br />

Electronic <strong>Collection</strong>s, Florida Agricultural<br />

History, Florida History, Irish Liter<strong>at</strong>ure,<br />

general science, humanities <strong>and</strong> social<br />

science collections, Music, Rare Books,<br />

<strong>and</strong> three for Special <strong>Collection</strong>s. For<br />

our programs, the Marston Library,<br />

the Educ<strong>at</strong>ion Library, <strong>and</strong> the Digital<br />

Library Center all <strong>at</strong>tracted endowment<br />

support for their efforts to assist faculty<br />

<strong>and</strong> student academic work. <strong>The</strong> Gaylord,<br />

Van Dyke, Athletic Associ<strong>at</strong>ion, Sm<strong>at</strong>hers,<br />

Moye, <strong>and</strong> Leadership Board endowments<br />

all support the library’s gre<strong>at</strong>est needs.<br />

Over the past 20 years the value of our<br />

endowments has grown from about $1<br />

million to $9.3 million. <strong>The</strong> growth is<br />

substantial; this certainly could not have<br />

been achieved without help from all of you.<br />

It has been a pleasure to get to know<br />

the many interesting people who become<br />

library friends. Working with all of you<br />

has been a rewarding <strong>and</strong> s<strong>at</strong>isfying<br />

activity for me <strong>and</strong> my thanks go to all<br />

of you who have helped the libraries do<br />

a better job of supporting the work of<br />

students <strong>and</strong> faculty.<br />

Dale Canelas<br />

Director of University Libraries

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