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Spring 2008 - University of Georgia Press

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Blood Ties & Brown Liquor<br />

Poems by Sean Hill<br />

March<br />

5 1 ⁄2 x 8 1 ⁄2 | 96 pp.<br />

Paper, $16.95t | 978-0-8203-3093-8<br />

A poet’s vision <strong>of</strong> a southern African American community<br />

from the antebellum era to the present<br />

Sean Hill’s debut collection, imaginative in the characters it invents<br />

and in the formal literary traditions it juxtaposes, is nevertheless<br />

firmly rooted in Hill’s hometown <strong>of</strong> Milledgeville, <strong>Georgia</strong>, which he<br />

transforms into a poetic landscape that can accommodate the scope<br />

<strong>of</strong> his vision <strong>of</strong> collective and personal history. The poems create<br />

a call and response across six generations <strong>of</strong> family <strong>of</strong> the fictional<br />

Silas Wright, a black man born in 1907. As Hill takes on the voices<br />

and experiences <strong>of</strong> diverse characters in or connected to the Wright<br />

family, these individual glimpses add up to an intimate portrait <strong>of</strong><br />

Milledgeville’s black community across two centuries as it responds to<br />

stirring events both public and private.<br />

From a slave woman’s scratchy hay-stuffed mattress to a black<br />

insurance agent’s sinister patter, from sweet honey to the searing<br />

heat <strong>of</strong> brickyard kilns, the poems make vivid the sensuous details <strong>of</strong><br />

quotidian lives punctuated by love and violence. From pantoum to<br />

haiku, from high-toned lyricism to low-down blues, Hill uses language<br />

in all its many incarnations to speak deeply about both southern<br />

identity and African American community.<br />

“Steadily confident, smart, and surprising.”<br />

—Carl Phillips, author <strong>of</strong> Riding Westward<br />

“Sean Hill has given us a deeply moving fictive exploration—an excavation!—<strong>of</strong><br />

the world that shaped him. Silas Wright is his personal<br />

entryway to the historical past and these fully realized lyrics are the<br />

forms <strong>of</strong> his poetic truth.”—Edward Hirsch, author <strong>of</strong> Poet’s Choice<br />

“Milledgeville, <strong>Georgia</strong>, exists for most readers through the lens <strong>of</strong> one<br />

writer, a brilliant and famous white woman who lies in the cemetery’s<br />

high ground, safely above the floodwaters. But lower down lie the<br />

buried citizens <strong>of</strong> another, less seen community. Sean Hill’s songs<br />

are native to his town. Formally various, richly textured, they voice<br />

unwritten history with an acute sense <strong>of</strong> the deep sound <strong>of</strong> a place,<br />

the stream <strong>of</strong> blood and talk that courses through this writer’s living<br />

hands.”—Mark Doty, author <strong>of</strong> Fire to Fire<br />

Also <strong>of</strong> interest<br />

Leaving Saturn<br />

Poems by Major Jackson<br />

Paper, $16.95t | 978-0-8203-2342-8<br />

The Cave Canem Poetry Prize<br />

A Gathering <strong>of</strong> Matter / A Matter<br />

<strong>of</strong> Gathering<br />

Poems by Dawn Lundy Martin<br />

Paper, $16.95t | 978-0-8203-2991-8<br />

The Cave Canem Poetry Prize<br />

Sean Hill is currently a Stegner Fellow at Stanford <strong>University</strong>. He received his MFA<br />

from the <strong>University</strong> <strong>of</strong> Houston in 2003 and was awarded a Jay C. and Ruth Halls<br />

Poetry Fellowship at the Wisconsin Institute for Creative Writing in 2006. Hill’s<br />

poems have been published widely in journals, including Callaloo, Indiana Review,<br />

and Ploughshares.<br />

Laleh Khadivi<br />

Poetry<br />

www.ugapress.org 800.266.5842

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