Spring 2008 - University of Georgia Press
Spring 2008 - University of Georgia Press
Spring 2008 - University of Georgia Press
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Blood Ties & Brown Liquor<br />
Poems by Sean Hill<br />
March<br />
5 1 ⁄2 x 8 1 ⁄2 | 96 pp.<br />
Paper, $16.95t | 978-0-8203-3093-8<br />
A poet’s vision <strong>of</strong> a southern African American community<br />
from the antebellum era to the present<br />
Sean Hill’s debut collection, imaginative in the characters it invents<br />
and in the formal literary traditions it juxtaposes, is nevertheless<br />
firmly rooted in Hill’s hometown <strong>of</strong> Milledgeville, <strong>Georgia</strong>, which he<br />
transforms into a poetic landscape that can accommodate the scope<br />
<strong>of</strong> his vision <strong>of</strong> collective and personal history. The poems create<br />
a call and response across six generations <strong>of</strong> family <strong>of</strong> the fictional<br />
Silas Wright, a black man born in 1907. As Hill takes on the voices<br />
and experiences <strong>of</strong> diverse characters in or connected to the Wright<br />
family, these individual glimpses add up to an intimate portrait <strong>of</strong><br />
Milledgeville’s black community across two centuries as it responds to<br />
stirring events both public and private.<br />
From a slave woman’s scratchy hay-stuffed mattress to a black<br />
insurance agent’s sinister patter, from sweet honey to the searing<br />
heat <strong>of</strong> brickyard kilns, the poems make vivid the sensuous details <strong>of</strong><br />
quotidian lives punctuated by love and violence. From pantoum to<br />
haiku, from high-toned lyricism to low-down blues, Hill uses language<br />
in all its many incarnations to speak deeply about both southern<br />
identity and African American community.<br />
“Steadily confident, smart, and surprising.”<br />
—Carl Phillips, author <strong>of</strong> Riding Westward<br />
“Sean Hill has given us a deeply moving fictive exploration—an excavation!—<strong>of</strong><br />
the world that shaped him. Silas Wright is his personal<br />
entryway to the historical past and these fully realized lyrics are the<br />
forms <strong>of</strong> his poetic truth.”—Edward Hirsch, author <strong>of</strong> Poet’s Choice<br />
“Milledgeville, <strong>Georgia</strong>, exists for most readers through the lens <strong>of</strong> one<br />
writer, a brilliant and famous white woman who lies in the cemetery’s<br />
high ground, safely above the floodwaters. But lower down lie the<br />
buried citizens <strong>of</strong> another, less seen community. Sean Hill’s songs<br />
are native to his town. Formally various, richly textured, they voice<br />
unwritten history with an acute sense <strong>of</strong> the deep sound <strong>of</strong> a place,<br />
the stream <strong>of</strong> blood and talk that courses through this writer’s living<br />
hands.”—Mark Doty, author <strong>of</strong> Fire to Fire<br />
Also <strong>of</strong> interest<br />
Leaving Saturn<br />
Poems by Major Jackson<br />
Paper, $16.95t | 978-0-8203-2342-8<br />
The Cave Canem Poetry Prize<br />
A Gathering <strong>of</strong> Matter / A Matter<br />
<strong>of</strong> Gathering<br />
Poems by Dawn Lundy Martin<br />
Paper, $16.95t | 978-0-8203-2991-8<br />
The Cave Canem Poetry Prize<br />
Sean Hill is currently a Stegner Fellow at Stanford <strong>University</strong>. He received his MFA<br />
from the <strong>University</strong> <strong>of</strong> Houston in 2003 and was awarded a Jay C. and Ruth Halls<br />
Poetry Fellowship at the Wisconsin Institute for Creative Writing in 2006. Hill’s<br />
poems have been published widely in journals, including Callaloo, Indiana Review,<br />
and Ploughshares.<br />
Laleh Khadivi<br />
Poetry<br />
www.ugapress.org 800.266.5842