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Fall 2010 - University of Illinois Press

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Gender Studies / World History<br />

Gendering the Fair<br />

Histories <strong>of</strong> Women and Gender at World’s Fairs<br />

Edited by TJ Boisseau and Abigail M. Markwyn<br />

Foreword by Robert W. Rydell<br />

Interrogating the gendered nature <strong>of</strong> world’s fairs<br />

throughout history<br />

“Gendering the Fair makes a signal contribution to our understanding <strong>of</strong><br />

world’s fairs, gender, and modernization. The essays force a rethinking not<br />

only <strong>of</strong> world’s fairs but also <strong>of</strong> the <strong>of</strong>ten-contested and always interesting<br />

relationships among gender, nationality, and the formation <strong>of</strong> feminine<br />

and masculine identity.”<br />

—Candy Gunther Brown, author <strong>of</strong> The Word in the World: Evangelical<br />

Writing, Publishing, and Reading in America<br />

This field-defining work opens the study <strong>of</strong> world’s fairs to women’s and<br />

gender history, exploring the intersections <strong>of</strong> masculinity, femininity,<br />

exoticism, display, and performance at these influential events. Gendering<br />

the Fair focuses on the manipulation <strong>of</strong> gender ideology as a crucial factor<br />

in the world’s fairs’ incredible power to shape public opinions <strong>of</strong> nations,<br />

government, and culture.<br />

Established and rising scholars working in a variety <strong>of</strong> disciplines and<br />

locales discuss how gender played a role in various countries’ exhibits<br />

and how these nations capitalized on opportunities to revise national and<br />

international understandings <strong>of</strong> womanhood. Spanning several centuries<br />

and extending across the globe from Portugal to London and from Chicago<br />

to Paris, the essays cover topics including women’s work at the fairs;<br />

the suffrage movement; the intersection <strong>of</strong> faith, gender, and patriotism;<br />

and the ability <strong>of</strong> fair organizers to manipulate fairgoers’ experience <strong>of</strong><br />

the fairgrounds as gendered space. The volume includes a foreword by<br />

preeminent world’s fair historian Robert W. Rydell.<br />

Contributors are TJ Boisseau, Anne Clendinning, Lisa K. Langlois,<br />

Abigail M. Markwyn, Sarah J. Moore, Isabel Morais, Mary Pepchinski,<br />

Elisabeth Israels Perry, Andrea G. Radke-Moss, Alison Rowley, and Anne<br />

Wohlcke.<br />

TJ Boisseau is an associate pr<strong>of</strong>essor <strong>of</strong> gender and cultural history at the<br />

<strong>University</strong> <strong>of</strong> Akron and the author <strong>of</strong> White Queen: May French-Sheldon<br />

and the Imperial Origins <strong>of</strong> American Feminist Identity. Abigail M. Markwyn<br />

is an assistant pr<strong>of</strong>essor <strong>of</strong> history at Carroll <strong>University</strong> in Waukesha,<br />

Wisconsin.<br />

OCTOBER<br />

288 PAGES. 6.125 x 9.25 INCHES<br />

32 BLACK & WHITE PHOTOGRAPHS<br />

CLOTH (UNJACKETED), 978-0-252-03558-6. $70.00x £49.00<br />

PAPER, 978-0-252-07749-4. $28.00s £18.99<br />

Also <strong>of</strong> Interest<br />

The 1933 Chicago World’s Fair<br />

A Century <strong>of</strong> Progress<br />

CHERYL R. GANZ<br />

Cloth, 978-0-252-03357-5, $39.95 £27.99<br />

The World’s Columbian Exposition<br />

The Chicago World’s Fair <strong>of</strong> 1893<br />

NORMAN BOLOTIN AND CHRISTINE LAING<br />

Paper, 978-0-252-07081-5, $21.95 £14.99<br />

(800) 621-2736 • www.press.uillinois.edu • <strong>University</strong> <strong>of</strong> <strong>Illinois</strong> <strong>Press</strong> 13

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