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Fall 2010 - University of Illinois Press

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Music / American Cultural History<br />

Folklore / Literary Studies<br />

NEW IN PAPER<br />

Traveling Home<br />

Sacred Harp Singing and<br />

American Pluralism<br />

Kiri Miller<br />

The participatory tradition <strong>of</strong> Sacred Harp<br />

singing fosters a diverse musical community<br />

“Traveling Home is an extraordinary<br />

intellectual and social<br />

achievement. Miller has broken<br />

new ground in the study <strong>of</strong><br />

American religious music.”<br />

—Journal <strong>of</strong> the Society for<br />

American Music<br />

“Miller explains every aspect<br />

<strong>of</strong> the musical practice as both<br />

an observer and participant.<br />

The book is essential reading<br />

for anyone who has ever been<br />

stirred by singing the shapes.”<br />

—Sing Out!<br />

“Evocative, nuanced, never reductionistic, Miller’s explorations<br />

<strong>of</strong> this vibrant tradition <strong>of</strong> American hymnody merit<br />

attention in Sacred Harp circles and beyond.”<br />

—Christian Century<br />

Traveling Home is a compelling account <strong>of</strong> how the vibrant<br />

musical tradition <strong>of</strong> Sacred Harp singing brings together<br />

Americans <strong>of</strong> widely divergent religious and political<br />

beliefs. Named after the most popular <strong>of</strong> the nineteenthcentury<br />

shape-note tunebooks—which employed an innovative<br />

notation system to teach singers to read music—Sacred<br />

Harp singing has been part <strong>of</strong> rural southern life for more<br />

than 150 years and has recently attracted new singers from<br />

all over America. Blending historical scholarship with<br />

wide-ranging fieldwork, Kiri Miller presents an engagingly<br />

written study <strong>of</strong> this important music movement.<br />

Kiri Miller is an assistant pr<strong>of</strong>essor <strong>of</strong> music at Brown<br />

<strong>University</strong> and the editor <strong>of</strong> The Chattahoochee Musical Convention,<br />

1852–2002: A Sacred Harp Historical Sourcebook.<br />

A volume in the series Music in American Life<br />

AUGUST<br />

272 PAGES. 6 x 9 INCHES.<br />

24 BLACK & WHITE PHOTOGRAPHS, 14 MUSICAL EXAMPLES,<br />

2 TABLES<br />

PAPER, 978-0-252-07757-9. $25.00s £16.99<br />

NEW IN PAPER<br />

Other People’s Stories<br />

Entitlement Claims and the Critique<br />

<strong>of</strong> Empathy<br />

Amy Shuman<br />

A critical assessment <strong>of</strong> collective memories,<br />

small world stories, and other allegories <strong>of</strong><br />

everyday life<br />

“A major and positively delightful<br />

work from one <strong>of</strong> the most<br />

consistently thoughtful, rigorous,<br />

engaging, and provocative<br />

scholars in the field.”<br />

—Don Brenneis, past president<br />

<strong>of</strong> the American Anthropological<br />

Association<br />

“In Other People’s Stories,<br />

Shuman undertakes a critique<br />

<strong>of</strong> empathy, rooted in the<br />

examination <strong>of</strong> what she calls<br />

stories that travel: subversive<br />

stories, emancipatory stories, redemptive stories, and that<br />

astonishing and quirky new genre: small world stories. The<br />

book is bold, philosophically pr<strong>of</strong>ound, and ethnographically<br />

adventurous.”<br />

—Katharine Young, author <strong>of</strong> Taleworlds and Storyrealms:<br />

The Phenomenology <strong>of</strong> Narrative<br />

“A fascinating and timely study that <strong>of</strong>fers convincing assessments<br />

<strong>of</strong> the stories and coincidences <strong>of</strong> everyday life.”<br />

—Robert Barsky, author <strong>of</strong> Noam Chomsky: A Life <strong>of</strong> Dissent<br />

Amy Shuman examines the social relations embedded in<br />

stories and the complex ethical and social tensions that<br />

surround their telling. Drawing on innovative research and<br />

contemporary theory, she describes what happens when one<br />

person’s story becomes another person’s source <strong>of</strong> inspiration,<br />

or when entitlement and empathy collide. The resulting<br />

analyses are wonderfully diverse, integrating narrative<br />

studies, sociolinguistics, communications, folklore, and ethnographic<br />

studies to examine the everyday, conversational<br />

stories told by cultural groups including Latinas, Jews, African<br />

Americans, Italians, and Puerto Ricans. Shuman <strong>of</strong>fers<br />

a nuanced and clear theoretical perspective while making<br />

narrative inquiry accessible to a broad population.<br />

Amy Shuman is a pr<strong>of</strong>essor <strong>of</strong> English and an adjunct pr<strong>of</strong>essor<br />

<strong>of</strong> anthropology at the Ohio State <strong>University</strong>.<br />

AUGUST<br />

200 PAGES. 6 x 9 INCHES.<br />

PAPER, 978-0-252-07774-6. $25.00s £16.99<br />

(800) 621-2736 • www.press.uillinois.edu • <strong>University</strong> <strong>of</strong> <strong>Illinois</strong> <strong>Press</strong><br />

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