Fall 2010 - University of Illinois Press
Fall 2010 - University of Illinois Press
Fall 2010 - University of Illinois Press
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Music / American Cultural History<br />
Folklore / Literary Studies<br />
NEW IN PAPER<br />
Traveling Home<br />
Sacred Harp Singing and<br />
American Pluralism<br />
Kiri Miller<br />
The participatory tradition <strong>of</strong> Sacred Harp<br />
singing fosters a diverse musical community<br />
“Traveling Home is an extraordinary<br />
intellectual and social<br />
achievement. Miller has broken<br />
new ground in the study <strong>of</strong><br />
American religious music.”<br />
—Journal <strong>of</strong> the Society for<br />
American Music<br />
“Miller explains every aspect<br />
<strong>of</strong> the musical practice as both<br />
an observer and participant.<br />
The book is essential reading<br />
for anyone who has ever been<br />
stirred by singing the shapes.”<br />
—Sing Out!<br />
“Evocative, nuanced, never reductionistic, Miller’s explorations<br />
<strong>of</strong> this vibrant tradition <strong>of</strong> American hymnody merit<br />
attention in Sacred Harp circles and beyond.”<br />
—Christian Century<br />
Traveling Home is a compelling account <strong>of</strong> how the vibrant<br />
musical tradition <strong>of</strong> Sacred Harp singing brings together<br />
Americans <strong>of</strong> widely divergent religious and political<br />
beliefs. Named after the most popular <strong>of</strong> the nineteenthcentury<br />
shape-note tunebooks—which employed an innovative<br />
notation system to teach singers to read music—Sacred<br />
Harp singing has been part <strong>of</strong> rural southern life for more<br />
than 150 years and has recently attracted new singers from<br />
all over America. Blending historical scholarship with<br />
wide-ranging fieldwork, Kiri Miller presents an engagingly<br />
written study <strong>of</strong> this important music movement.<br />
Kiri Miller is an assistant pr<strong>of</strong>essor <strong>of</strong> music at Brown<br />
<strong>University</strong> and the editor <strong>of</strong> The Chattahoochee Musical Convention,<br />
1852–2002: A Sacred Harp Historical Sourcebook.<br />
A volume in the series Music in American Life<br />
AUGUST<br />
272 PAGES. 6 x 9 INCHES.<br />
24 BLACK & WHITE PHOTOGRAPHS, 14 MUSICAL EXAMPLES,<br />
2 TABLES<br />
PAPER, 978-0-252-07757-9. $25.00s £16.99<br />
NEW IN PAPER<br />
Other People’s Stories<br />
Entitlement Claims and the Critique<br />
<strong>of</strong> Empathy<br />
Amy Shuman<br />
A critical assessment <strong>of</strong> collective memories,<br />
small world stories, and other allegories <strong>of</strong><br />
everyday life<br />
“A major and positively delightful<br />
work from one <strong>of</strong> the most<br />
consistently thoughtful, rigorous,<br />
engaging, and provocative<br />
scholars in the field.”<br />
—Don Brenneis, past president<br />
<strong>of</strong> the American Anthropological<br />
Association<br />
“In Other People’s Stories,<br />
Shuman undertakes a critique<br />
<strong>of</strong> empathy, rooted in the<br />
examination <strong>of</strong> what she calls<br />
stories that travel: subversive<br />
stories, emancipatory stories, redemptive stories, and that<br />
astonishing and quirky new genre: small world stories. The<br />
book is bold, philosophically pr<strong>of</strong>ound, and ethnographically<br />
adventurous.”<br />
—Katharine Young, author <strong>of</strong> Taleworlds and Storyrealms:<br />
The Phenomenology <strong>of</strong> Narrative<br />
“A fascinating and timely study that <strong>of</strong>fers convincing assessments<br />
<strong>of</strong> the stories and coincidences <strong>of</strong> everyday life.”<br />
—Robert Barsky, author <strong>of</strong> Noam Chomsky: A Life <strong>of</strong> Dissent<br />
Amy Shuman examines the social relations embedded in<br />
stories and the complex ethical and social tensions that<br />
surround their telling. Drawing on innovative research and<br />
contemporary theory, she describes what happens when one<br />
person’s story becomes another person’s source <strong>of</strong> inspiration,<br />
or when entitlement and empathy collide. The resulting<br />
analyses are wonderfully diverse, integrating narrative<br />
studies, sociolinguistics, communications, folklore, and ethnographic<br />
studies to examine the everyday, conversational<br />
stories told by cultural groups including Latinas, Jews, African<br />
Americans, Italians, and Puerto Ricans. Shuman <strong>of</strong>fers<br />
a nuanced and clear theoretical perspective while making<br />
narrative inquiry accessible to a broad population.<br />
Amy Shuman is a pr<strong>of</strong>essor <strong>of</strong> English and an adjunct pr<strong>of</strong>essor<br />
<strong>of</strong> anthropology at the Ohio State <strong>University</strong>.<br />
AUGUST<br />
200 PAGES. 6 x 9 INCHES.<br />
PAPER, 978-0-252-07774-6. $25.00s £16.99<br />
(800) 621-2736 • www.press.uillinois.edu • <strong>University</strong> <strong>of</strong> <strong>Illinois</strong> <strong>Press</strong><br />
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