January 2005 download - Art Directors of Tulsa
January 2005 download - Art Directors of Tulsa
January 2005 download - Art Directors of Tulsa
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A Publication <strong>of</strong> The <strong>Tulsa</strong> <strong>Art</strong> <strong>Directors</strong> Club : JANUARY <strong>2005</strong><br />
The <strong>Art</strong> <strong>Directors</strong> Club <strong>of</strong> <strong>Tulsa</strong><br />
P.O. Box 14228<br />
<strong>Tulsa</strong>, OK 74159-4228<br />
www.artdirectors<strong>of</strong>tulsa.org<br />
Cigar Label History<br />
Cigars were originally sold in bundles covered with pigs' bladders (with a pod<br />
<strong>of</strong> vanilla to improve the smell); then came the use <strong>of</strong> large chests, holding up<br />
to10,000 cigars. But in 1830, the banking firm <strong>of</strong> H.Upmann started shipping<br />
back cigars, for the use <strong>of</strong> its directors in London, in sealed cedar boxes<br />
stamped with the bank's emblem. When the bank decided to go, full-scale,<br />
into the cigar business, the cedar box took <strong>of</strong>f as a form <strong>of</strong> packaging for<br />
all the major Havana brands, and all hand made cigars (though small<br />
quantities today are sometimes packages in cardboard cartons, and single<br />
cigars <strong>of</strong> many brands come in aluminum tubes lined with cedar). Cedar helps<br />
to prevent cigars from drying out and furthers the maturing process.<br />
The idea <strong>of</strong> using colorful lithographic labels, now used for<br />
all handmade brands, wherever they come from, started<br />
when Ramon Allones, a Galician immigrant to Cuba,<br />
initiated it for the brand he started in 1837. As the industry<br />
grew in the mid-19th century, so did the need for clear<br />
brand identification. Labels or other illustrations also appear<br />
on the inside <strong>of</strong> the lids <strong>of</strong> many Havana and other brands.<br />
Boxes also usually have colorful decorative borders. The<br />
cedar box is sometimes referred to as a boite nature. Paper,<br />
usually colored, is normally glued to the interior <strong>of</strong> the box<br />
and is used to cover the cigars it contains. Finally, after<br />
being filled and checked, the box is nailed shut and tightly<br />
sealed with a green and white label (a custom dating from<br />
1912) to guarantee that the cigars are genuine Havanas.<br />
The practice <strong>of</strong> using labels, usually printed in similar colors<br />
and with similar wording, to seal the box continues today for<br />
most handmade brands, Cuban or not.<br />
The article presented here thanks to Anwer Ali Khan<br />
http://www.cigars<strong>of</strong>tware.com
Thankyou to Our <strong>January</strong> Sponsor:<br />
SR Hughes Showroom<br />
SR Hughes Showroom is Oklahoma and<br />
Northwest Arkansas’s resource for the best in<br />
classic modern home furnishings as the region’s<br />
exclusive source for state-<strong>of</strong>-the-art furniture<br />
designs from Cassina, Giorgetti, Alias, and<br />
Knoll Studio; lighting from Flos, <strong>Art</strong>emide, and<br />
Ingo Maurer; rugs from Odegard and Kasthall;<br />
art glass from Venini and home accessories from<br />
Martha Sturdy. Located in <strong>Tulsa</strong>’s historic<br />
Brookside, the showroom is a clean space <strong>of</strong><br />
4300 square feet with high ceilings and an<br />
abundance <strong>of</strong> natural light that is organized into<br />
a series <strong>of</strong> carefully articulated room vignettes.<br />
Each vignette demonstrates how one can<br />
integrate art, accessories, furniture, and lighting<br />
into a cohesive design.<br />
More than a store or design center, SR Hughes<br />
wishes to promote events in Oklahoma and<br />
NW Arkansas that relate to art and design.<br />
“We want to excite people about the<br />
extraordinary things happening right here,”<br />
says Hughes. For more information on<br />
SR Hughes and its schedule <strong>of</strong> art and design<br />
events, as well as other “art” happenings<br />
around the region go to www.srhughes.com.<br />
Whether embodied in an antique primitive, a<br />
modern s<strong>of</strong>a, one <strong>of</strong> the many books or design<br />
publications, or even at a showroom-sponsored<br />
event, SR Hughes is an idea gallery for the<br />
public and design pr<strong>of</strong>essional, demonstrating<br />
how to incorporate good design into one’s life.<br />
ADCT News<br />
Pictures are up on the website from past ADCT<br />
events. If you haven’t checked it out go to<br />
http://artdirectors<strong>of</strong>tulsa.org/ on the lower left<br />
there is a photo gallery organized by month.<br />
The Christmas party was a great success.<br />
Thanks to all the board for their hard work.<br />
Special thanks to Paula Huggett <strong>of</strong> Braincrumbs.<br />
Check out ADCT’s mention on Adweek.com!<br />
http://www.adweek.com/aw/regional/<br />
southwest/people.jsp<br />
Volunteers needed to assist with the GRAPHEX<br />
Show coming up in May. Please contact<br />
Marolyn Locke at marolyn@hibblendesign.com.<br />
Deadlines<br />
Communication <strong>Art</strong>s<br />
CA is looking for collateral pieces, packaging,<br />
Web sites and other design-related promotional<br />
efforts that reflect environmental responsibility in<br />
their design and content. The best examples <strong>of</strong><br />
green design and publish the results in our<br />
May/June <strong>2005</strong> issue. Submissions must be<br />
received no later than Tuesday, Feb. 1, <strong>2005</strong>.<br />
http://www.commarts.com/CA/magazine/<br />
green.html<br />
2004-<strong>2005</strong> Board <strong>of</strong> <strong>Directors</strong><br />
President<br />
Audio Visual<br />
Justin Johnson, Walsh Associates<br />
John Amatucci, Amatucci Photography<br />
justinj@walshasssoc.com<br />
john@amatucciphotography.com<br />
Vice President/Secretary<br />
Web-site Administrator<br />
Becky Gelder, David Clark Design<br />
Dallas Johnson, Braincrumbs<br />
bg@davidclarkdesign.com<br />
dallas@braincrumbs.com<br />
Membership<br />
Graphex Chairperson<br />
Scott Raffe, Raffe Photography<br />
Marolyn Locke, Hibblen Design<br />
scott@raffephoto.com<br />
marolyn@hibblendesign.com<br />
HOW Self-Promotion Competition<br />
Enter your best promotions—for you, your<br />
business or a client—in HOW's 18th annual<br />
Self-Promotion Competition.<br />
http://howdesign.com/competitions/<br />
Print Regional Design Annual<br />
The <strong>2005</strong> Print Regional Design Annual<br />
currently accepting entries.<br />
http://howdesign.com/competitions/<br />
Treasurer<br />
Neil Scanlan, Scanlan Creative Services<br />
ohscanlan@cox.net<br />
Sponsorship<br />
Carla Hammer, UniSource<br />
hammec01@unisourcelink.com<br />
Speaker Coordinator<br />
Teresa Valero, University <strong>of</strong> <strong>Tulsa</strong><br />
teresa-valero@utulsa.edu<br />
Graphex Co-Chairperson<br />
Tina Fincher, Sweet Adelines<br />
tina@sweetadelineintl.org<br />
ADCT Thanks:<br />
Odyssey Digital Printing for printing.<br />
Creative Print & Mailing for our speaker<br />
posters and postcards throughout the year.<br />
UniSource for donating paper all year.<br />
Cigar Label Related Links<br />
www.cerebro.com<br />
www.cigarlabelgazette.com<br />
www.cigaraficionado.com<br />
www.cigars<strong>of</strong>tware.com<br />
www.cigarlife.com<br />
FEBRUARY<br />
Bowling and Beer<br />
Date: February 17th, 7:00 p.m.<br />
Where: Timber Lanes<br />
4701 S. Elm Pl.Broken Arrow<br />
Cost: Free for all members<br />
$10 non-members<br />
$5 for non-member students<br />
Entry fees include cover charge,<br />
3 games, and shoe rental.<br />
Food and drinks will be only .75<br />
per item for those with ADCT.<br />
Prizes will be awarded throughout the night!<br />
Bowling and Beer Credits:<br />
Design: Tina Fincher, Photography: John Amatucci<br />
Sponsor: Western Printing