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January 2005 download - Art Directors of Tulsa

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A Publication <strong>of</strong> The <strong>Tulsa</strong> <strong>Art</strong> <strong>Directors</strong> Club : JANUARY <strong>2005</strong><br />

The <strong>Art</strong> <strong>Directors</strong> Club <strong>of</strong> <strong>Tulsa</strong><br />

P.O. Box 14228<br />

<strong>Tulsa</strong>, OK 74159-4228<br />

www.artdirectors<strong>of</strong>tulsa.org<br />

Cigar Label History<br />

Cigars were originally sold in bundles covered with pigs' bladders (with a pod<br />

<strong>of</strong> vanilla to improve the smell); then came the use <strong>of</strong> large chests, holding up<br />

to10,000 cigars. But in 1830, the banking firm <strong>of</strong> H.Upmann started shipping<br />

back cigars, for the use <strong>of</strong> its directors in London, in sealed cedar boxes<br />

stamped with the bank's emblem. When the bank decided to go, full-scale,<br />

into the cigar business, the cedar box took <strong>of</strong>f as a form <strong>of</strong> packaging for<br />

all the major Havana brands, and all hand made cigars (though small<br />

quantities today are sometimes packages in cardboard cartons, and single<br />

cigars <strong>of</strong> many brands come in aluminum tubes lined with cedar). Cedar helps<br />

to prevent cigars from drying out and furthers the maturing process.<br />

The idea <strong>of</strong> using colorful lithographic labels, now used for<br />

all handmade brands, wherever they come from, started<br />

when Ramon Allones, a Galician immigrant to Cuba,<br />

initiated it for the brand he started in 1837. As the industry<br />

grew in the mid-19th century, so did the need for clear<br />

brand identification. Labels or other illustrations also appear<br />

on the inside <strong>of</strong> the lids <strong>of</strong> many Havana and other brands.<br />

Boxes also usually have colorful decorative borders. The<br />

cedar box is sometimes referred to as a boite nature. Paper,<br />

usually colored, is normally glued to the interior <strong>of</strong> the box<br />

and is used to cover the cigars it contains. Finally, after<br />

being filled and checked, the box is nailed shut and tightly<br />

sealed with a green and white label (a custom dating from<br />

1912) to guarantee that the cigars are genuine Havanas.<br />

The practice <strong>of</strong> using labels, usually printed in similar colors<br />

and with similar wording, to seal the box continues today for<br />

most handmade brands, Cuban or not.<br />

The article presented here thanks to Anwer Ali Khan<br />

http://www.cigars<strong>of</strong>tware.com


Thankyou to Our <strong>January</strong> Sponsor:<br />

SR Hughes Showroom<br />

SR Hughes Showroom is Oklahoma and<br />

Northwest Arkansas’s resource for the best in<br />

classic modern home furnishings as the region’s<br />

exclusive source for state-<strong>of</strong>-the-art furniture<br />

designs from Cassina, Giorgetti, Alias, and<br />

Knoll Studio; lighting from Flos, <strong>Art</strong>emide, and<br />

Ingo Maurer; rugs from Odegard and Kasthall;<br />

art glass from Venini and home accessories from<br />

Martha Sturdy. Located in <strong>Tulsa</strong>’s historic<br />

Brookside, the showroom is a clean space <strong>of</strong><br />

4300 square feet with high ceilings and an<br />

abundance <strong>of</strong> natural light that is organized into<br />

a series <strong>of</strong> carefully articulated room vignettes.<br />

Each vignette demonstrates how one can<br />

integrate art, accessories, furniture, and lighting<br />

into a cohesive design.<br />

More than a store or design center, SR Hughes<br />

wishes to promote events in Oklahoma and<br />

NW Arkansas that relate to art and design.<br />

“We want to excite people about the<br />

extraordinary things happening right here,”<br />

says Hughes. For more information on<br />

SR Hughes and its schedule <strong>of</strong> art and design<br />

events, as well as other “art” happenings<br />

around the region go to www.srhughes.com.<br />

Whether embodied in an antique primitive, a<br />

modern s<strong>of</strong>a, one <strong>of</strong> the many books or design<br />

publications, or even at a showroom-sponsored<br />

event, SR Hughes is an idea gallery for the<br />

public and design pr<strong>of</strong>essional, demonstrating<br />

how to incorporate good design into one’s life.<br />

ADCT News<br />

Pictures are up on the website from past ADCT<br />

events. If you haven’t checked it out go to<br />

http://artdirectors<strong>of</strong>tulsa.org/ on the lower left<br />

there is a photo gallery organized by month.<br />

The Christmas party was a great success.<br />

Thanks to all the board for their hard work.<br />

Special thanks to Paula Huggett <strong>of</strong> Braincrumbs.<br />

Check out ADCT’s mention on Adweek.com!<br />

http://www.adweek.com/aw/regional/<br />

southwest/people.jsp<br />

Volunteers needed to assist with the GRAPHEX<br />

Show coming up in May. Please contact<br />

Marolyn Locke at marolyn@hibblendesign.com.<br />

Deadlines<br />

Communication <strong>Art</strong>s<br />

CA is looking for collateral pieces, packaging,<br />

Web sites and other design-related promotional<br />

efforts that reflect environmental responsibility in<br />

their design and content. The best examples <strong>of</strong><br />

green design and publish the results in our<br />

May/June <strong>2005</strong> issue. Submissions must be<br />

received no later than Tuesday, Feb. 1, <strong>2005</strong>.<br />

http://www.commarts.com/CA/magazine/<br />

green.html<br />

2004-<strong>2005</strong> Board <strong>of</strong> <strong>Directors</strong><br />

President<br />

Audio Visual<br />

Justin Johnson, Walsh Associates<br />

John Amatucci, Amatucci Photography<br />

justinj@walshasssoc.com<br />

john@amatucciphotography.com<br />

Vice President/Secretary<br />

Web-site Administrator<br />

Becky Gelder, David Clark Design<br />

Dallas Johnson, Braincrumbs<br />

bg@davidclarkdesign.com<br />

dallas@braincrumbs.com<br />

Membership<br />

Graphex Chairperson<br />

Scott Raffe, Raffe Photography<br />

Marolyn Locke, Hibblen Design<br />

scott@raffephoto.com<br />

marolyn@hibblendesign.com<br />

HOW Self-Promotion Competition<br />

Enter your best promotions—for you, your<br />

business or a client—in HOW's 18th annual<br />

Self-Promotion Competition.<br />

http://howdesign.com/competitions/<br />

Print Regional Design Annual<br />

The <strong>2005</strong> Print Regional Design Annual<br />

currently accepting entries.<br />

http://howdesign.com/competitions/<br />

Treasurer<br />

Neil Scanlan, Scanlan Creative Services<br />

ohscanlan@cox.net<br />

Sponsorship<br />

Carla Hammer, UniSource<br />

hammec01@unisourcelink.com<br />

Speaker Coordinator<br />

Teresa Valero, University <strong>of</strong> <strong>Tulsa</strong><br />

teresa-valero@utulsa.edu<br />

Graphex Co-Chairperson<br />

Tina Fincher, Sweet Adelines<br />

tina@sweetadelineintl.org<br />

ADCT Thanks:<br />

Odyssey Digital Printing for printing.<br />

Creative Print & Mailing for our speaker<br />

posters and postcards throughout the year.<br />

UniSource for donating paper all year.<br />

Cigar Label Related Links<br />

www.cerebro.com<br />

www.cigarlabelgazette.com<br />

www.cigaraficionado.com<br />

www.cigars<strong>of</strong>tware.com<br />

www.cigarlife.com<br />

FEBRUARY<br />

Bowling and Beer<br />

Date: February 17th, 7:00 p.m.<br />

Where: Timber Lanes<br />

4701 S. Elm Pl.Broken Arrow<br />

Cost: Free for all members<br />

$10 non-members<br />

$5 for non-member students<br />

Entry fees include cover charge,<br />

3 games, and shoe rental.<br />

Food and drinks will be only .75<br />

per item for those with ADCT.<br />

Prizes will be awarded throughout the night!<br />

Bowling and Beer Credits:<br />

Design: Tina Fincher, Photography: John Amatucci<br />

Sponsor: Western Printing

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