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wed<br />
10/17 post- chestral @ the livin<br />
<strong>The</strong> <strong>Deli</strong>’s <strong>CMJ</strong> Shows ’12<br />
7:00pm<br />
DTRotbot<br />
D<br />
TRotbot’s latest single<br />
“Lily” opens like a<br />
Zappa or Captain<br />
Beefheart classic that never<br />
was. Going through more<br />
changes in its first two<br />
minutes than many artists’<br />
entire records, it’s exciting<br />
to hear an artist exploring<br />
this oft-ignored nether region<br />
of pop music’s experiments<br />
- spoken word and sound collage<br />
come together in one<br />
backyard. For those fans<br />
looking to find a cheap way to ascend<br />
to Mars without the aid of too many<br />
dangerous drugs, DTRotbot should be<br />
all you need. (Mike Levine)<br />
7:45pm<br />
In One Wind<br />
B<br />
ands like In One Wind, seem to<br />
hail from some unknown country<br />
with a newly discovered set of<br />
music traditions that help us digest our<br />
modern landscape in instruments both<br />
foreign and familiar. On their debut EP<br />
Lean, the group nearly invents their<br />
own folk tradition here, especially<br />
when reinterpreting stories by the<br />
Brothers Grimm (“Golden Sphere”)<br />
and re-working modern legends like<br />
Roy Lichtenstein for the transient “Oh,<br />
Brad.” <strong>The</strong>irs is an ambitious journey<br />
that welds a surprisingly coherent<br />
narrative thread to a complex set of<br />
Baroque pop numbers. (Mike Levine)<br />
8:30pm<br />
Friend Roulette<br />
here’s a perfectly hummable<br />
sentiment somewhere in Friend<br />
TRoulette’s “Sailing Song” that<br />
keeps working its way back to the surface,<br />
but only after first progressing<br />
through all manner of uneven meter<br />
changes, brass fanfare and incidental<br />
thematic adventure. At times stepping<br />
boldly into a space usually exclusive to<br />
the imagination of score composers like<br />
Danny Elfman, the group essentially<br />
writes baroque pop pieces for an imagined<br />
Brechtian musical, casting its talented<br />
singers/songwriters Julia Tepper<br />
and Matthew Meade as the show’s<br />
unlikely protagonists. After moving<br />
Doe Paoro<br />
Photo: Betsi Ewing<br />
through so much sonic landscape, you<br />
might think it reasonable that you’d<br />
eventually get a good idea about how<br />
this band operates. But like an old noir<br />
film, Friend Roulette never gives away<br />
the plot. (Mike Levine)<br />
9:15pm<br />
Doe Paoro<br />
W<br />
hen Brooklyn-based outfit Doe<br />
Paoro, led by Sonia Kreitzer<br />
who used to sing in the collective<br />
Sonia’s Party, takes the stage,<br />
there’s bound to be demons in the<br />
room. Having garnered comparisons to<br />
artists like Lykke Li and James Blake,<br />
Kreitzer describes the kind of music<br />
that she performs as “ghost soul” (i.e.<br />
“a sound that echoes the resurrection<br />
of a choir of ghosts who haven’t<br />
completely detached from the human<br />
experience”). We’ll also add that those<br />
ghosts have a beautiful soulful voice,<br />
and the benefit of classical influences<br />
that she was exposed to in her formative<br />
years. (Amanda Dissinger)<br />
11:40pm<br />
Industries<br />
of the Blind<br />
or those of you sick of being<br />
lazy at the beach and ready<br />
Fto get back to some epic jams<br />
to get into the swing of things, look<br />
no further than post-rock ensemble<br />
Industries of the Blind. Lifting off<br />
to planets only visible to bands like<br />
Mogwai or Sigur Ros, the instrumental<br />
nine-piece includes three guitarists,<br />
an industrious drummer, and two very<br />
hard-working violinists. This is a band<br />
that starts at 10 and keeps hashing out<br />
an idea until it clears your skull of all<br />
misgivings. (Mike Levine)<br />
12:30am<br />
Starlight Girls<br />
D<br />
espite the name, Starlight Girls<br />
is actually two ladies & two<br />
gentlemen. Sharing a taste for<br />
eerie synth-laden atmospheres with<br />
Magazine’s Formula, making playful<br />
use of the flute and keys, they can shift<br />
their dark concoctions straight from<br />
the realm of pop artists like Belle &<br />
Sebastian into a theatrical symphonie<br />
des oddities. Following the self-titled<br />
EP they released in April, watch out<br />
for their new single, to be released in<br />
November, which features a collaboration<br />
with Xiu Xiu’s Jamie Stewart.<br />
(Tracy Mamoun)<br />
1:15am<br />
Dangerous Ponies<br />
(Philly)<br />
T<br />
Starlight Girls<br />
his pop-infused, gang vocals adorin’<br />
circus masquerade rock is<br />
the type that morphs you into a<br />
high-octane gale on the dance floor, do<br />
not miss live.<br />
18 the deli Fall <strong>2012</strong>