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CMJ 2012 Issue! - The Deli

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wed<br />

10/17 post- chestral @ the livin<br />

<strong>The</strong> <strong>Deli</strong>’s <strong>CMJ</strong> Shows ’12<br />

7:00pm<br />

DTRotbot<br />

D<br />

TRotbot’s latest single<br />

“Lily” opens like a<br />

Zappa or Captain<br />

Beefheart classic that never<br />

was. Going through more<br />

changes in its first two<br />

minutes than many artists’<br />

entire records, it’s exciting<br />

to hear an artist exploring<br />

this oft-ignored nether region<br />

of pop music’s experiments<br />

- spoken word and sound collage<br />

come together in one<br />

backyard. For those fans<br />

looking to find a cheap way to ascend<br />

to Mars without the aid of too many<br />

dangerous drugs, DTRotbot should be<br />

all you need. (Mike Levine)<br />

7:45pm<br />

In One Wind<br />

B<br />

ands like In One Wind, seem to<br />

hail from some unknown country<br />

with a newly discovered set of<br />

music traditions that help us digest our<br />

modern landscape in instruments both<br />

foreign and familiar. On their debut EP<br />

Lean, the group nearly invents their<br />

own folk tradition here, especially<br />

when reinterpreting stories by the<br />

Brothers Grimm (“Golden Sphere”)<br />

and re-working modern legends like<br />

Roy Lichtenstein for the transient “Oh,<br />

Brad.” <strong>The</strong>irs is an ambitious journey<br />

that welds a surprisingly coherent<br />

narrative thread to a complex set of<br />

Baroque pop numbers. (Mike Levine)<br />

8:30pm<br />

Friend Roulette<br />

here’s a perfectly hummable<br />

sentiment somewhere in Friend<br />

TRoulette’s “Sailing Song” that<br />

keeps working its way back to the surface,<br />

but only after first progressing<br />

through all manner of uneven meter<br />

changes, brass fanfare and incidental<br />

thematic adventure. At times stepping<br />

boldly into a space usually exclusive to<br />

the imagination of score composers like<br />

Danny Elfman, the group essentially<br />

writes baroque pop pieces for an imagined<br />

Brechtian musical, casting its talented<br />

singers/songwriters Julia Tepper<br />

and Matthew Meade as the show’s<br />

unlikely protagonists. After moving<br />

Doe Paoro<br />

Photo: Betsi Ewing<br />

through so much sonic landscape, you<br />

might think it reasonable that you’d<br />

eventually get a good idea about how<br />

this band operates. But like an old noir<br />

film, Friend Roulette never gives away<br />

the plot. (Mike Levine)<br />

9:15pm<br />

Doe Paoro<br />

W<br />

hen Brooklyn-based outfit Doe<br />

Paoro, led by Sonia Kreitzer<br />

who used to sing in the collective<br />

Sonia’s Party, takes the stage,<br />

there’s bound to be demons in the<br />

room. Having garnered comparisons to<br />

artists like Lykke Li and James Blake,<br />

Kreitzer describes the kind of music<br />

that she performs as “ghost soul” (i.e.<br />

“a sound that echoes the resurrection<br />

of a choir of ghosts who haven’t<br />

completely detached from the human<br />

experience”). We’ll also add that those<br />

ghosts have a beautiful soulful voice,<br />

and the benefit of classical influences<br />

that she was exposed to in her formative<br />

years. (Amanda Dissinger)<br />

11:40pm<br />

Industries<br />

of the Blind<br />

or those of you sick of being<br />

lazy at the beach and ready<br />

Fto get back to some epic jams<br />

to get into the swing of things, look<br />

no further than post-rock ensemble<br />

Industries of the Blind. Lifting off<br />

to planets only visible to bands like<br />

Mogwai or Sigur Ros, the instrumental<br />

nine-piece includes three guitarists,<br />

an industrious drummer, and two very<br />

hard-working violinists. This is a band<br />

that starts at 10 and keeps hashing out<br />

an idea until it clears your skull of all<br />

misgivings. (Mike Levine)<br />

12:30am<br />

Starlight Girls<br />

D<br />

espite the name, Starlight Girls<br />

is actually two ladies & two<br />

gentlemen. Sharing a taste for<br />

eerie synth-laden atmospheres with<br />

Magazine’s Formula, making playful<br />

use of the flute and keys, they can shift<br />

their dark concoctions straight from<br />

the realm of pop artists like Belle &<br />

Sebastian into a theatrical symphonie<br />

des oddities. Following the self-titled<br />

EP they released in April, watch out<br />

for their new single, to be released in<br />

November, which features a collaboration<br />

with Xiu Xiu’s Jamie Stewart.<br />

(Tracy Mamoun)<br />

1:15am<br />

Dangerous Ponies<br />

(Philly)<br />

T<br />

Starlight Girls<br />

his pop-infused, gang vocals adorin’<br />

circus masquerade rock is<br />

the type that morphs you into a<br />

high-octane gale on the dance floor, do<br />

not miss live.<br />

18 the deli Fall <strong>2012</strong>

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