Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
thu<br />
10/18 electronic @ the delancey<br />
Railbird<br />
Ducky<br />
<strong>The</strong> <strong>Deli</strong>’s <strong>CMJ</strong> Shows ’12<br />
7:00pm<br />
Thomas Simon<br />
T<br />
homas Simon creates positively<br />
dark spaces with echoing electro,<br />
ghostly guitar, and muttered<br />
lyrics gliding underneath the surface.<br />
He’s very theatrical: gothic at times.<br />
Accordingly, he knows how to set the<br />
mood well. He’ll get your skin crawling<br />
and add just the right amount<br />
of this and that (electric djembe, for<br />
example) to send you spiraling into the<br />
depths. Unsurprisingly, Simon recently<br />
composed a feature film score (La<br />
Redempcio Dels Peixos) set for release<br />
in the fall <strong>2012</strong>. (Corinne Bagish)<br />
7:40pm<br />
Sewing<br />
Machines<br />
ewing Machines is songwriter<br />
Max Horwich and acolytes (vary-<br />
in number), on the road to Sing<br />
what may seem to be a “new American<br />
weirder.” If Bodies of Water was<br />
already an impressive record, with its<br />
hypnotic interactions of folk ensemble<br />
and electronics, then the last couple<br />
of releases have seen Horwich take a<br />
turn into improbable confines of his<br />
“cosmic” realm, with the EP February<br />
far more electro-based and Parks and<br />
Parking Lots since which frankly, all<br />
bets are off. Auto-tuned vocals over discordant<br />
country? A bit of a long shot,<br />
isn’t it? And yet somehow, it works.<br />
(Tracy Mamoun)<br />
8:20pm<br />
Cultfever<br />
T<br />
o experience the next<br />
wave of Brooklyn<br />
music full blast and<br />
to grasp its weird complexities,<br />
one can’t do much better<br />
than Cultfever’s first<br />
single, “Knewyouwell.”<br />
<strong>The</strong> swelling of electronic<br />
chaos, motorik rhythm<br />
and shoegaze-y backing vocals wrap<br />
Tamara Jafar’s lusty soul leads in a kind<br />
of gothic disco whole that is greater<br />
than the sum of its many influences.<br />
<strong>The</strong>ir self-titled debut album (released<br />
November 2011) sticks pretty close to<br />
this formula throughout; only towards<br />
the end do Cultfever break out of the<br />
club-like feel with the closers “Boys,<br />
Girls” and “Collector,” each boasting a<br />
more aspirational tone, replete with big<br />
choruses and fist-pumping declarations<br />
like “Hey darlin’, sticks and stones<br />
would make our homes if we were anyone,<br />
anyone else!” (Brian Chidester)<br />
9:00pm<br />
Railbird<br />
Cultfever<br />
ailbird is the kind of band that<br />
doesn’t mind sharing their<br />
Rsecrets with you, even if some of<br />
these details might make you a little<br />
uncomfortable. Singer Sarah Pedinotti<br />
seems to whisper these tell-all remarks<br />
with a mysterious honesty requiring<br />
a certain amount of courage on both<br />
sides of the microphone. This isn’t an<br />
easy-going ride, but is certainly worth<br />
the time. <strong>The</strong>ir latest video “Jump<br />
Ship” plays with these conflicted feelings,<br />
bouncing between intimacy and<br />
moodiness amid kaleidoscopic bubbles<br />
and cameo appearances from Sean<br />
Rowe and Phantogram’s Sarah Barthel.<br />
(Mike Levine)<br />
9:45pm<br />
Maus Haus<br />
(San Francisco)<br />
S<br />
uper-fun synth-rock rollercoaster<br />
of odd noise, whimsical beats,<br />
’60s psychedelia and more held<br />
on by the four dexterous SF musicians<br />
of Maus Haus.<br />
10:30pm<br />
Lushlife (Phily)<br />
equencer virtuoso and emcee<br />
Lushlife, signed to Western Vinyl,<br />
Swho went semi-viral with Choice/<br />
Cuts, a live performance and interview<br />
in-studio video series, presented by <strong>The</strong><br />
<strong>Deli</strong> Philly back in July. Do not miss!<br />
22 the deli Fall <strong>2012</strong>