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CMJ 2012 Issue! - The Deli

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thu<br />

10/18 electronic @ the delancey<br />

Railbird<br />

Ducky<br />

<strong>The</strong> <strong>Deli</strong>’s <strong>CMJ</strong> Shows ’12<br />

7:00pm<br />

Thomas Simon<br />

T<br />

homas Simon creates positively<br />

dark spaces with echoing electro,<br />

ghostly guitar, and muttered<br />

lyrics gliding underneath the surface.<br />

He’s very theatrical: gothic at times.<br />

Accordingly, he knows how to set the<br />

mood well. He’ll get your skin crawling<br />

and add just the right amount<br />

of this and that (electric djembe, for<br />

example) to send you spiraling into the<br />

depths. Unsurprisingly, Simon recently<br />

composed a feature film score (La<br />

Redempcio Dels Peixos) set for release<br />

in the fall <strong>2012</strong>. (Corinne Bagish)<br />

7:40pm<br />

Sewing<br />

Machines<br />

ewing Machines is songwriter<br />

Max Horwich and acolytes (vary-<br />

in number), on the road to Sing<br />

what may seem to be a “new American<br />

weirder.” If Bodies of Water was<br />

already an impressive record, with its<br />

hypnotic interactions of folk ensemble<br />

and electronics, then the last couple<br />

of releases have seen Horwich take a<br />

turn into improbable confines of his<br />

“cosmic” realm, with the EP February<br />

far more electro-based and Parks and<br />

Parking Lots since which frankly, all<br />

bets are off. Auto-tuned vocals over discordant<br />

country? A bit of a long shot,<br />

isn’t it? And yet somehow, it works.<br />

(Tracy Mamoun)<br />

8:20pm<br />

Cultfever<br />

T<br />

o experience the next<br />

wave of Brooklyn<br />

music full blast and<br />

to grasp its weird complexities,<br />

one can’t do much better<br />

than Cultfever’s first<br />

single, “Knewyouwell.”<br />

<strong>The</strong> swelling of electronic<br />

chaos, motorik rhythm<br />

and shoegaze-y backing vocals wrap<br />

Tamara Jafar’s lusty soul leads in a kind<br />

of gothic disco whole that is greater<br />

than the sum of its many influences.<br />

<strong>The</strong>ir self-titled debut album (released<br />

November 2011) sticks pretty close to<br />

this formula throughout; only towards<br />

the end do Cultfever break out of the<br />

club-like feel with the closers “Boys,<br />

Girls” and “Collector,” each boasting a<br />

more aspirational tone, replete with big<br />

choruses and fist-pumping declarations<br />

like “Hey darlin’, sticks and stones<br />

would make our homes if we were anyone,<br />

anyone else!” (Brian Chidester)<br />

9:00pm<br />

Railbird<br />

Cultfever<br />

ailbird is the kind of band that<br />

doesn’t mind sharing their<br />

Rsecrets with you, even if some of<br />

these details might make you a little<br />

uncomfortable. Singer Sarah Pedinotti<br />

seems to whisper these tell-all remarks<br />

with a mysterious honesty requiring<br />

a certain amount of courage on both<br />

sides of the microphone. This isn’t an<br />

easy-going ride, but is certainly worth<br />

the time. <strong>The</strong>ir latest video “Jump<br />

Ship” plays with these conflicted feelings,<br />

bouncing between intimacy and<br />

moodiness amid kaleidoscopic bubbles<br />

and cameo appearances from Sean<br />

Rowe and Phantogram’s Sarah Barthel.<br />

(Mike Levine)<br />

9:45pm<br />

Maus Haus<br />

(San Francisco)<br />

S<br />

uper-fun synth-rock rollercoaster<br />

of odd noise, whimsical beats,<br />

’60s psychedelia and more held<br />

on by the four dexterous SF musicians<br />

of Maus Haus.<br />

10:30pm<br />

Lushlife (Phily)<br />

equencer virtuoso and emcee<br />

Lushlife, signed to Western Vinyl,<br />

Swho went semi-viral with Choice/<br />

Cuts, a live performance and interview<br />

in-studio video series, presented by <strong>The</strong><br />

<strong>Deli</strong> Philly back in July. Do not miss!<br />

22 the deli Fall <strong>2012</strong>

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