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kitchen recording equipment news<br />
Brought to you by<br />
Brainworx<br />
bx_saturator<br />
Review by Gabriel Lamorie<br />
<strong>The</strong> bx_saturator, by Brainworx, is a mid/side<br />
multiband saturation plugin that excels in<br />
several respects. Being as it is a multiband<br />
M/S processor, users have control over separate<br />
mid-high and mid-low sections as well as side-high<br />
and side-low sections – four “XL units” in total with<br />
individual “Solo,” “Gain,” “Drive,” and “XL” controls.<br />
<strong>The</strong> master controls located at the top of the plugin greatly<br />
helped me understand the audible qualities of this effect:<br />
experimenting to find a balance between cranking and<br />
dialing down the Master Drive along with the Master XL,<br />
after applying some basic settings to all of the XL units,<br />
was a good place to start. Bypassing the XL Active switch<br />
made the process even easier to evaluate the two different<br />
audible qualities.<br />
After getting a basic understanding of how the plugin<br />
worked, the thought of saturation on drums crossed my<br />
mind. Distorting the acoustic drums in a rock mix delivered<br />
typical results one might expect, but the bx_saturator’s<br />
distortion sounded a bit more defined compared to other<br />
plugins I cross-referenced. Even when exaggerated<br />
distortion was applied on percussion, vocals or guitar, it<br />
always produced very “defined” results.<br />
One test that further reinforced my trust in the plugin<br />
was placing it at the top of the signal chain on an acoustic/<br />
ambient master track. <strong>The</strong> vocal distortion at the end of the<br />
track wasn’t as present as it should have been but after a few<br />
simple tweaks, they popped and sounded very natural against<br />
the accompanying instruments without cluttering the mix.<br />
<strong>The</strong> bx_saturator is great at being very transparent when<br />
you need it to be, but cranking it up to heavy distortion also<br />
sounded good on everything I put it on. It provides straightup<br />
saturation that sounds crisp and clear.<br />
Etymotic MUSICPRO 9-15<br />
High Fidelity Electronic Musicians Earplugs<br />
Review by Jacqueline Smiley<br />
Etymotic continues to stay “true to the ear” with<br />
its new Music•PRO 9-15 earplugs for the price of<br />
$399 a pair. <strong>The</strong> MP•9-15 was designed for all<br />
who want to hear naturally but also need protection<br />
from sudden-impact noise and/or loud sound that is<br />
sustained for an extended amount of time.<br />
As sound levels increase, the earplugs provide the option<br />
of 9 or 15 dB sound reduction with the flick of a switch.<br />
Adaptive attenuation lets the user hear naturally as if<br />
nothing was in the ears, until sound exceeds safe levels.<br />
In this way, the MP•9-15 earplugs offer an unprecedented<br />
capability in that it acts both as an electronic earplug and a<br />
personal hearing device.<br />
I tested the MP•9-15 at three different music venue locations<br />
in and around NYC – an indie rock show at the Bowery<br />
Ballroom, an outdoor DJ show at Neptunes Beach Club in the<br />
Hamptons and KD Lang at a Performing Arts Center.<br />
<strong>The</strong> result: <strong>The</strong>se earplugs made a big difference in the way<br />
I heard the music.<br />
For more reviews, visit www.SonicScoop.com!<br />
46 the deli Fall <strong>2012</strong>