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CMJ 2012 Issue! - The Deli

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kitchen recording equipment news<br />

Brought to you by<br />

Brainworx<br />

bx_saturator<br />

Review by Gabriel Lamorie<br />

<strong>The</strong> bx_saturator, by Brainworx, is a mid/side<br />

multiband saturation plugin that excels in<br />

several respects. Being as it is a multiband<br />

M/S processor, users have control over separate<br />

mid-high and mid-low sections as well as side-high<br />

and side-low sections – four “XL units” in total with<br />

individual “Solo,” “Gain,” “Drive,” and “XL” controls.<br />

<strong>The</strong> master controls located at the top of the plugin greatly<br />

helped me understand the audible qualities of this effect:<br />

experimenting to find a balance between cranking and<br />

dialing down the Master Drive along with the Master XL,<br />

after applying some basic settings to all of the XL units,<br />

was a good place to start. Bypassing the XL Active switch<br />

made the process even easier to evaluate the two different<br />

audible qualities.<br />

After getting a basic understanding of how the plugin<br />

worked, the thought of saturation on drums crossed my<br />

mind. Distorting the acoustic drums in a rock mix delivered<br />

typical results one might expect, but the bx_saturator’s<br />

distortion sounded a bit more defined compared to other<br />

plugins I cross-referenced. Even when exaggerated<br />

distortion was applied on percussion, vocals or guitar, it<br />

always produced very “defined” results.<br />

One test that further reinforced my trust in the plugin<br />

was placing it at the top of the signal chain on an acoustic/<br />

ambient master track. <strong>The</strong> vocal distortion at the end of the<br />

track wasn’t as present as it should have been but after a few<br />

simple tweaks, they popped and sounded very natural against<br />

the accompanying instruments without cluttering the mix.<br />

<strong>The</strong> bx_saturator is great at being very transparent when<br />

you need it to be, but cranking it up to heavy distortion also<br />

sounded good on everything I put it on. It provides straightup<br />

saturation that sounds crisp and clear.<br />

Etymotic MUSICPRO 9-15<br />

High Fidelity Electronic Musicians Earplugs<br />

Review by Jacqueline Smiley<br />

Etymotic continues to stay “true to the ear” with<br />

its new Music•PRO 9-15 earplugs for the price of<br />

$399 a pair. <strong>The</strong> MP•9-15 was designed for all<br />

who want to hear naturally but also need protection<br />

from sudden-impact noise and/or loud sound that is<br />

sustained for an extended amount of time.<br />

As sound levels increase, the earplugs provide the option<br />

of 9 or 15 dB sound reduction with the flick of a switch.<br />

Adaptive attenuation lets the user hear naturally as if<br />

nothing was in the ears, until sound exceeds safe levels.<br />

In this way, the MP•9-15 earplugs offer an unprecedented<br />

capability in that it acts both as an electronic earplug and a<br />

personal hearing device.<br />

I tested the MP•9-15 at three different music venue locations<br />

in and around NYC – an indie rock show at the Bowery<br />

Ballroom, an outdoor DJ show at Neptunes Beach Club in the<br />

Hamptons and KD Lang at a Performing Arts Center.<br />

<strong>The</strong> result: <strong>The</strong>se earplugs made a big difference in the way<br />

I heard the music.<br />

For more reviews, visit www.SonicScoop.com!<br />

46 the deli Fall <strong>2012</strong>

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