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Major Essay 1: Don't Hide This Artwork Away - Nasher Museum of Art

Major Essay 1: Don't Hide This Artwork Away - Nasher Museum of Art

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<strong>Major</strong> <strong>Essay</strong> 1:<br />

Don’t <strong>Hide</strong> <strong>This</strong> <strong><strong>Art</strong>work</strong> <strong>Away</strong><br />

Overview and Logistics:<br />

1400-1600 words (approximately 5 pages)<br />

Wednesday, September 28, by class time: First Draft due<br />

o Draft should be at least 1100 words<br />

o Submit to Digital Dropbox in Blackboard, saved as<br />

yourlastname_09282011.doc<br />

o Bring a hard copy to class<br />

Friday, September 30, by class time: Comments for Peers due<br />

o Bring two hard copies to class (original and a photocopy)<br />

o You will receive my comments via email by Friday night<br />

Wednesday, October 12, by class time: Final Draft due<br />

o Submit to Digital Dropbox in Blackboard, saved as<br />

yourlastname_10122011.doc<br />

Project:<br />

We have analyzed many <strong>of</strong> the artworks in the “Eating Animals” exhibit so far,<br />

writing detailed descriptions, considering the medium, and looking to the philosophies <strong>of</strong><br />

Aristotle and Porphyry and the responses by faculty members to help contextualize the<br />

meanings <strong>of</strong> the artworks. In addition, we have touched upon how the artworks and<br />

objects relate to topics that Jonathan Safran Foer discussed in his book Eating Animals.<br />

As you know, there is much more to be said about each <strong>of</strong> the artworks and objects in the<br />

exhibit. <strong>This</strong> project will allow you the opportunity to analyze a work <strong>of</strong> your choice in<br />

greater detail and to make a substantial argument about its meaning. Through your<br />

argument, you will enter into dialogue with the artist, different authors, and the larger<br />

university community. Moreover, this assignment will help to develop skills in<br />

establishing plans for revision.<br />

For this project, you are writing as a curator for a university museum (like the<br />

<strong>Nasher</strong>). The Eating Animals exhibit is about to be taken down and the artworks and<br />

objects will be returned to storage in the basement <strong>of</strong> the museum. It is your task to<br />

persuade the museum staff that the artwork you have selected should remain out on<br />

display for students and faculty to see. So, within your essay, you should clearly and<br />

thoroughly describe and visually analyze the artwork you are advocating for; articulate<br />

your interpretation <strong>of</strong> its meaning and significance, as well as its appeal to university<br />

students and faculty; and forward your argument with evidence from the texts we have<br />

read in class, those posted on Blackboard and WordPress, and/or Foer’s book, as well as<br />

from the artwork itself. You may draw upon your earlier short essays and in-class<br />

writings, but this essay should be unified, well organized, and polished.<br />

You must use at least three <strong>of</strong> these sources (each faculty response counts as a<br />

single source). No outside sources should be included. We will start to practice formal<br />

citation methods with this project. Thus, please cite your sources in footnotes using the<br />

Chicago Manual <strong>of</strong> Style for the Humanities. Guidelines can be found in Sylvan Barnet’s<br />

A Short Guide to Writing About <strong>Art</strong> on pages 324-331. Footnotes do not count as part <strong>of</strong><br />

your word count.<br />

Page 1 <strong>of</strong> 2


Format:<br />

The first draft <strong>of</strong> this project should be at least 1100 words; the final draft should<br />

be 1400-1600 words. Do not go over the word limit. Your name, title, citations, etc. do<br />

not count towards your word count. Please type your essay in Times New Roman 12-<br />

point font, double-spaced, with 1” margins. Remember to include the following:<br />

Your name and date in the upper left corner <strong>of</strong> the first page<br />

A title (be creative!) centered above your essay<br />

Introduction, including a clearly articulated thesis<br />

Visual analysis<br />

Conclusion<br />

Footnote citations, using the Chicago Manual <strong>of</strong> Style for the Humanities<br />

Page numbers in the bottom right corner <strong>of</strong> each page<br />

Grading Criteria:<br />

I am looking for projects that:<br />

Follow the instructions detailed above.<br />

Effectively demonstrate an understanding <strong>of</strong> your authorship role and the<br />

audience you are addressing. Thus, your essay should be accessible to an<br />

intellectual community that includes non-art-specialists, employ a pr<strong>of</strong>essional<br />

tone, provide a coherent argument, utilize a structured and pr<strong>of</strong>essional format,<br />

and be clear and concise.<br />

Are clearly organized.<br />

Have minimal errors.<br />

Resources:<br />

Remember that, in addition to writing tutors, The Writing Studio has a number <strong>of</strong><br />

useful resources on their website that can help you through the writing process. For this<br />

project, you may especially want to read through the three “Developing an Argument”<br />

handouts (Developing a Central Claim, Argument <strong>Essay</strong>, and Roadmaps). See<br />

http://twp.duke.edu/writing-studio/resources/academic-writing/drafting.<br />

Barnet’s A Short Guide to Writing About <strong>Art</strong> provides helpful guidelines for<br />

analyzing and making an argument about a work <strong>of</strong> art. Also, Joseph Harris’s Rewriting<br />

outlines some <strong>of</strong> the writing moves I am asking you to make in this project.<br />

Page 2 <strong>of</strong> 2

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