Major Essay 1: Don't Hide This Artwork Away - Nasher Museum of Art
Major Essay 1: Don't Hide This Artwork Away - Nasher Museum of Art
Major Essay 1: Don't Hide This Artwork Away - Nasher Museum of Art
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<strong>Major</strong> <strong>Essay</strong> 1:<br />
Don’t <strong>Hide</strong> <strong>This</strong> <strong><strong>Art</strong>work</strong> <strong>Away</strong><br />
Overview and Logistics:<br />
1400-1600 words (approximately 5 pages)<br />
Wednesday, September 28, by class time: First Draft due<br />
o Draft should be at least 1100 words<br />
o Submit to Digital Dropbox in Blackboard, saved as<br />
yourlastname_09282011.doc<br />
o Bring a hard copy to class<br />
Friday, September 30, by class time: Comments for Peers due<br />
o Bring two hard copies to class (original and a photocopy)<br />
o You will receive my comments via email by Friday night<br />
Wednesday, October 12, by class time: Final Draft due<br />
o Submit to Digital Dropbox in Blackboard, saved as<br />
yourlastname_10122011.doc<br />
Project:<br />
We have analyzed many <strong>of</strong> the artworks in the “Eating Animals” exhibit so far,<br />
writing detailed descriptions, considering the medium, and looking to the philosophies <strong>of</strong><br />
Aristotle and Porphyry and the responses by faculty members to help contextualize the<br />
meanings <strong>of</strong> the artworks. In addition, we have touched upon how the artworks and<br />
objects relate to topics that Jonathan Safran Foer discussed in his book Eating Animals.<br />
As you know, there is much more to be said about each <strong>of</strong> the artworks and objects in the<br />
exhibit. <strong>This</strong> project will allow you the opportunity to analyze a work <strong>of</strong> your choice in<br />
greater detail and to make a substantial argument about its meaning. Through your<br />
argument, you will enter into dialogue with the artist, different authors, and the larger<br />
university community. Moreover, this assignment will help to develop skills in<br />
establishing plans for revision.<br />
For this project, you are writing as a curator for a university museum (like the<br />
<strong>Nasher</strong>). The Eating Animals exhibit is about to be taken down and the artworks and<br />
objects will be returned to storage in the basement <strong>of</strong> the museum. It is your task to<br />
persuade the museum staff that the artwork you have selected should remain out on<br />
display for students and faculty to see. So, within your essay, you should clearly and<br />
thoroughly describe and visually analyze the artwork you are advocating for; articulate<br />
your interpretation <strong>of</strong> its meaning and significance, as well as its appeal to university<br />
students and faculty; and forward your argument with evidence from the texts we have<br />
read in class, those posted on Blackboard and WordPress, and/or Foer’s book, as well as<br />
from the artwork itself. You may draw upon your earlier short essays and in-class<br />
writings, but this essay should be unified, well organized, and polished.<br />
You must use at least three <strong>of</strong> these sources (each faculty response counts as a<br />
single source). No outside sources should be included. We will start to practice formal<br />
citation methods with this project. Thus, please cite your sources in footnotes using the<br />
Chicago Manual <strong>of</strong> Style for the Humanities. Guidelines can be found in Sylvan Barnet’s<br />
A Short Guide to Writing About <strong>Art</strong> on pages 324-331. Footnotes do not count as part <strong>of</strong><br />
your word count.<br />
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Format:<br />
The first draft <strong>of</strong> this project should be at least 1100 words; the final draft should<br />
be 1400-1600 words. Do not go over the word limit. Your name, title, citations, etc. do<br />
not count towards your word count. Please type your essay in Times New Roman 12-<br />
point font, double-spaced, with 1” margins. Remember to include the following:<br />
Your name and date in the upper left corner <strong>of</strong> the first page<br />
A title (be creative!) centered above your essay<br />
Introduction, including a clearly articulated thesis<br />
Visual analysis<br />
Conclusion<br />
Footnote citations, using the Chicago Manual <strong>of</strong> Style for the Humanities<br />
Page numbers in the bottom right corner <strong>of</strong> each page<br />
Grading Criteria:<br />
I am looking for projects that:<br />
Follow the instructions detailed above.<br />
Effectively demonstrate an understanding <strong>of</strong> your authorship role and the<br />
audience you are addressing. Thus, your essay should be accessible to an<br />
intellectual community that includes non-art-specialists, employ a pr<strong>of</strong>essional<br />
tone, provide a coherent argument, utilize a structured and pr<strong>of</strong>essional format,<br />
and be clear and concise.<br />
Are clearly organized.<br />
Have minimal errors.<br />
Resources:<br />
Remember that, in addition to writing tutors, The Writing Studio has a number <strong>of</strong><br />
useful resources on their website that can help you through the writing process. For this<br />
project, you may especially want to read through the three “Developing an Argument”<br />
handouts (Developing a Central Claim, Argument <strong>Essay</strong>, and Roadmaps). See<br />
http://twp.duke.edu/writing-studio/resources/academic-writing/drafting.<br />
Barnet’s A Short Guide to Writing About <strong>Art</strong> provides helpful guidelines for<br />
analyzing and making an argument about a work <strong>of</strong> art. Also, Joseph Harris’s Rewriting<br />
outlines some <strong>of</strong> the writing moves I am asking you to make in this project.<br />
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