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Australian and New Zealand Cinema Focus on ... - Metro Magazine

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<str<strong>on</strong>g>Australian</str<strong>on</strong>g> <str<strong>on</strong>g>and</str<strong>on</strong>g> <str<strong>on</strong>g>New</str<strong>on</strong>g> Zeal<str<strong>on</strong>g>and</str<strong>on</strong>g> <str<strong>on</strong>g>Cinema</str<strong>on</strong>g><br />

8 'Real humanity is not easy to look at':<br />

Adapting Patrick White's The Eye of the Storm<br />

carly millar<br />

14 Homecoming <str<strong>on</strong>g>and</str<strong>on</strong>g> Dislocati<strong>on</strong>:<br />

An Interview with Fred Schepisi anth<strong>on</strong>y carew<br />

18 Shaggy Dog Stories <str<strong>on</strong>g>and</str<strong>on</strong>g> Red Dirt<br />

Resilience: Red Dog myke bartlett<br />

24 A Sleep Like Death: Julia Leigh's<br />

Sleeping Beauty sarinah masukor<br />

30 The Melancholy Wild: The Hunter's<br />

L<str<strong>on</strong>g>and</str<strong>on</strong>g>scape of Loss rjurik davids<strong>on</strong><br />

34 Hard-boiled Highway: Swerve dave hoskin<br />

38 A Remote Possibility? The Uncomfortable<br />

Realities of Toomelah jacinda woodhead<br />

41 Big Things, Small Packages:<br />

MIFF Shorts 2011 carly millar<br />

<str<strong>on</strong>g>Focus</str<strong>on</strong>g> <strong>on</strong> Asia <str<strong>on</strong>g>and</str<strong>on</strong>g> the Middle East<br />

44 The Chinese A-list: The 14th Shanghai<br />

Internati<strong>on</strong>al Film Festival cheung ki-fung<br />

50 Miscarriage of Justice: A Separati<strong>on</strong><br />

<str<strong>on</strong>g>and</str<strong>on</strong>g> Good Bye Andrew macrae<br />

54 The Terror of Uninterrupted Silence:<br />

Sulanga Enu Pinisa (Forsaken L<str<strong>on</strong>g>and</str<strong>on</strong>g>) boris trbic<br />

Documentary<br />

58 Murder by Associati<strong>on</strong>: Horror <str<strong>on</strong>g>and</str<strong>on</strong>g> Hope in<br />

A Comm<strong>on</strong> Purpose Jill pope<br />

64 Document: Recent <str<strong>on</strong>g>Australian</str<strong>on</strong>g> Documentary<br />

Rollerboy fi<strong>on</strong>a trigg<br />

Life in Movement sue swinburne<br />

Shut Up Little Man! Rowena roberts<strong>on</strong><br />

Scarlet Road sim<strong>on</strong> wilmot<br />

Special Feature: Giorgio Mangiamele<br />

74 Giorgio Mangiamele: Visi<strong>on</strong>ary of the<br />

<str<strong>on</strong>g>Australian</str<strong>on</strong>g> Screen Gino moliterno<br />

80 From Catania to Carlt<strong>on</strong>: Italian <str<strong>on</strong>g>Australian</str<strong>on</strong>g><br />

Migrati<strong>on</strong> <str<strong>on</strong>g>and</str<strong>on</strong>g> the <str<strong>on</strong>g>Cinema</str<strong>on</strong>g><br />

of Giorgio Mangiamele gaetano r<str<strong>on</strong>g>and</str<strong>on</strong>g>o<br />

83 A Passi<strong>on</strong> Restored: An Interview with<br />

Rosemary Mangiamele josephine giles<br />

170<br />

Critical Views<br />

86 Fair Games <str<strong>on</strong>g>and</str<strong>on</strong>g> Wasted Youth:<br />

Twenty-five Years of <str<strong>on</strong>g>Australian</str<strong>on</strong>g> Rape-Revenge<br />

Film (1986–2011) Alex<str<strong>on</strong>g>and</str<strong>on</strong>g>ra heller-nicholas<br />

90 The Discreet Charm of David Thoms<strong>on</strong> peter galvin<br />

94 Scribes <strong>on</strong> Screen: Jill Forbes Richard armstr<strong>on</strong>g<br />

Industry Perspectives<br />

98 Going Through the Neighbourhood with<br />

Your Eyes Open: An Interview with John Sayles<br />

nicholas godfrey<br />

104 What Lies Beneath: An Interview with<br />

Andrew Traucki thomas caldwell<br />

108 Missing in Acti<strong>on</strong>: Where Are the Asian Films<br />

<strong>on</strong> <str<strong>on</strong>g>Australian</str<strong>on</strong>g> Screens? bri<strong>on</strong>y kidd<br />

114 The Outlook for Digital: DigiSPAA <str<strong>on</strong>g>and</str<strong>on</strong>g> the<br />

Promoti<strong>on</strong> of Independent Filmmaking michael clarkin<br />

116 The Perfect Mix: Harnessing the Power of<br />

Creative Sound david raines<br />

Film <str<strong>on</strong>g>and</str<strong>on</strong>g> Media Studies in Australia<br />

118 Through the Lens: Interviews from the<br />

<str<strong>on</strong>g>Australian</str<strong>on</strong>g> Film Theory <str<strong>on</strong>g>and</str<strong>on</strong>g> Criticism Project –<br />

Edward Buscombe noel king<br />

TV <str<strong>on</strong>g>and</str<strong>on</strong>g> Media<br />

122 No Shame, No Pity: The Bolt Report dave hoskin<br />

125 Still Angry? The Elusive Characters of Chris Lilley<br />

ed yates<br />

Regular Features<br />

128 TV Eye<br />

132 Technical Secti<strong>on</strong><br />

134 Shortcuts


Alex<str<strong>on</strong>g>and</str<strong>on</strong>g>ra<br />

Heller-Nicholas<br />

sim<strong>on</strong><br />

wilmot<br />

COVER IMAGE: eye of the storm<br />

Editor<br />

Peter Tapp<br />

editor@atom.org.au<br />

assistant Editor<br />

nick tapper<br />

assistanteditor@atom.org.au<br />

SUBEDITOR<br />

Greta Parry<br />

Commissi<strong>on</strong>ing<br />

Editors<br />

Tina Kaufman<br />

Geoff Leal<str<strong>on</strong>g>and</str<strong>on</strong>g><br />

Art Director<br />

Pascale van Breugel<br />

SUBSCRIPTIONS<br />

MANAGER<br />

Zak Hamer<br />

subs@atom.org.au<br />

subscripti<strong>on</strong>s<br />

assistant<br />

elena vithoulkas<br />

PRINTING<br />

Impact Printing<br />

ADVERTISING<br />

ph 61 3 9525 3907<br />

membership <str<strong>on</strong>g>and</str<strong>on</strong>g><br />

distributi<strong>on</strong><br />

atom, PO Box 2040,<br />

St Kilda West, Vic, 3182<br />

Australia<br />

website<br />

170<br />

www.metromagazine.com.au<br />

<strong>Metro</strong> C<strong>on</strong>tributors<br />

jo<br />

giles<br />

Myke<br />

Bartlett<br />

ISSN 0312-2654 Published September 2011<br />

<strong>Metro</strong> is produced by the <str<strong>on</strong>g>Australian</str<strong>on</strong>g> Teachers of Media Inc. (ATOM)<br />

with assistance from Screen Australia <str<strong>on</strong>g>and</str<strong>on</strong>g> Film Victoria. <strong>Metro</strong> is a partly<br />

refereed journal, for those authors who request that their pieces be<br />

refereed. Manuscripts, of a maximum of 3000 words, should be submitted<br />

for blind review with identificati<strong>on</strong> of author(s) <strong>on</strong> a separate page, including<br />

author details. Manuscripts should be typed, double-spaced, <strong>on</strong> A4 paper<br />

(<strong>on</strong>e side <strong>on</strong>ly), <str<strong>on</strong>g>and</str<strong>on</strong>g> three copies supplied. If the manuscript is accepted<br />

for publicati<strong>on</strong>, you will be asked to email the article as an attachment<br />

in Word. Accompanying photographs or graphics are preferred.<br />

Electr<strong>on</strong>ic images: 300dpi EPS, TIFF, JPEG or Photoshop not too<br />

small, <str<strong>on</strong>g>and</str<strong>on</strong>g> please do not embed in Word document.<br />

A <strong>Metro</strong> style guide is available from http://www.metromagazine.com.au.<br />

Associate editors for refereed articles<br />

keith beattie Senior Lecturer, Faculty<br />

of Arts <str<strong>on</strong>g>and</str<strong>on</strong>g> Educati<strong>on</strong>, Deakin University<br />

• Chris Berry Associate Professor,<br />

Film Studies Programme, University of<br />

California, Berkeley • Ina Bertr<str<strong>on</strong>g>and</str<strong>on</strong>g><br />

Principal Fellow, School of Fine Arts,<br />

Classical Studies <str<strong>on</strong>g>and</str<strong>on</strong>g> Archaeology,<br />

University of Melbourne • Kate Bowles<br />

Lecturer, Department of Communicati<strong>on</strong><br />

<str<strong>on</strong>g>and</str<strong>on</strong>g> Cultural Studies, University of<br />

Woll<strong>on</strong>g<strong>on</strong>g • Felicity Collins<br />

Lecturer, Department of <str<strong>on</strong>g>Cinema</str<strong>on</strong>g> Studies,<br />

La Trobe University • Jackie Cook<br />

Senior Lecturer, School of Communicati<strong>on</strong><br />

<str<strong>on</strong>g>and</str<strong>on</strong>g> Informati<strong>on</strong> Studies, University of<br />

South Australia • rebecca coyle<br />

Researcher, Media Program, Southern<br />

Cross University • Anna Dzenis<br />

Lecturer, Department of <str<strong>on</strong>g>Cinema</str<strong>on</strong>g> Studies,<br />

La Trobe University • Freda Freiberg<br />

Independent Film Scholar • lisa french<br />

Associate Professor, School of Media <str<strong>on</strong>g>and</str<strong>on</strong>g><br />

Communicati<strong>on</strong>, RMIT University • roger<br />

hillman Reader, Film Studies Program,<br />

<str<strong>on</strong>g>Australian</str<strong>on</strong>g> Nati<strong>on</strong>al University • John<br />

Langer Associate Professor, Department<br />

of Communicati<strong>on</strong>, Language <str<strong>on</strong>g>and</str<strong>on</strong>g> Cultural<br />

Studies, Victoria University of Technology •<br />

Brian McFarlane H<strong>on</strong>orary Associate<br />

Professor, English Department, M<strong>on</strong>ash<br />

University; Visiting Professor, Film Studies,<br />

University of Hull • dr Geoff Mayer<br />

Reader <str<strong>on</strong>g>and</str<strong>on</strong>g> Associate Professor, Head,<br />

School of Communicati<strong>on</strong>, Arts & Critical<br />

Enquiry, La Trobe University • dr Jane<br />

Mills Associate Professor, School of<br />

Communicati<strong>on</strong>s, Charles Sturt University<br />

• Meaghan morris Professor,<br />

Department of Cultural Studies, Lingnan<br />

University, H<strong>on</strong>g K<strong>on</strong>g • Lorraine<br />

Mortimer Senior Lecturer, Department<br />

of Sociology <str<strong>on</strong>g>and</str<strong>on</strong>g> Anthropology, La Trobe<br />

University • gabrielle Murray<br />

Lecturer in <str<strong>on</strong>g>Cinema</str<strong>on</strong>g> Studies, La Trobe<br />

University • Harry Oldmeadow<br />

Senior Lecturer, Department of Arts, La<br />

Trobe University (Bendigo) • Lel<str<strong>on</strong>g>and</str<strong>on</strong>g><br />

Poague Professor, Department of<br />

English, Iowa State University • Dana<br />

Polan Professor, Critical Studies, School<br />

of <str<strong>on</strong>g>Cinema</str<strong>on</strong>g>-TV, University of Southern<br />

California • David Rowe Director,<br />

Centre for Cultural Research, University<br />

of Western Sydney • Sue Turnbull<br />

Associate Professsor, Department of<br />

Media Studies, La Trobe University<br />

• C<strong>on</strong> Verevis Senior Lecturer,<br />

Film <str<strong>on</strong>g>and</str<strong>on</strong>g> Televisi<strong>on</strong> Studies, M<strong>on</strong>ash<br />

University • Michael Walsh Lecturer,<br />

Department of Screen Studies, Flinders<br />

University • Deane Williams Head,<br />

Film <str<strong>on</strong>g>and</str<strong>on</strong>g> Televisi<strong>on</strong> Studies, M<strong>on</strong>ash<br />

University • Brian Yecies Lecturer in<br />

Communicati<strong>on</strong> <str<strong>on</strong>g>and</str<strong>on</strong>g> Cultural Studies,<br />

Faculty of Arts, University of Woll<strong>on</strong>g<strong>on</strong>g<br />

• Audrey Yue Lecturer, Department of<br />

English <str<strong>on</strong>g>and</str<strong>on</strong>g> Cultural Studies, University of<br />

Melbourne.<br />

ATOM acknowledges the financial assistance of Screen Australia<br />

The views expressed in signed articles <str<strong>on</strong>g>and</str<strong>on</strong>g> reviews do not necessarily represent the views of the editors or ATOM. © Copyright 2011 <str<strong>on</strong>g>Australian</str<strong>on</strong>g> Teachers of Media (ATOM).<br />

<strong>Metro</strong> magazine is indexed by the following organizati<strong>on</strong>s: FIAF in the Internati<strong>on</strong>al Index to Film/TV Periodicals • BFI in their CD-ROM Film Index Internati<strong>on</strong>al •<br />

Internati<strong>on</strong>al Educati<strong>on</strong> (ERIC) • Film & TV Documentati<strong>on</strong> Centre's Film Literature Index • <str<strong>on</strong>g>Australian</str<strong>on</strong>g> Council of Educati<strong>on</strong>al Research (ACER) in <str<strong>on</strong>g>Australian</str<strong>on</strong>g> Educati<strong>on</strong> Index<br />

available <strong>on</strong> the 'Austrom CD-ROM' • Informit <strong>on</strong>line • APAIS fully indexes <strong>Metro</strong> • Bibliographic Services in Guidelines

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