Vancouver World City of Literature - The Association of Book ...
Vancouver World City of Literature - The Association of Book ...
Vancouver World City of Literature - The Association of Book ...
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BC <strong>Book</strong> & Magazine Week is an annual week-long<br />
literary festival centred in <strong>Vancouver</strong>.<br />
Chapter Three<br />
<strong>Vancouver</strong>: <strong>The</strong> Literary <strong>City</strong><br />
<strong>Vancouver</strong> is home to the largest community <strong>of</strong> English-language publishers in Canada<br />
outside <strong>of</strong> Toronto. Many publishers operating in <strong>Vancouver</strong> and British Columbia today<br />
can trace their origins to the surge <strong>of</strong> nationalism and local expression that swept through<br />
Canada in the 1960s and 1970s.<br />
Several pioneering publishing houses established themselves during this time: Gray’s<br />
Publishing, Douglas & McIntyre (now D&M Publishers, the largest Canadian-owned<br />
English-language publisher), and Canada’s first aboriginal-owned and operated publisher,<br />
<strong>The</strong>ytus <strong>Book</strong>s. <strong>The</strong>se publishers demonstrated that culturally significant BC titles could<br />
find a wide audience throughout the province and beyond.<br />
Since then, <strong>Vancouver</strong>’s literary community has been characterized by an openness to<br />
experimentation, a plurality <strong>of</strong> voices, and a mingling <strong>of</strong> cultures and traditions—all <strong>of</strong><br />
which has contributed to the city’s emergence as a major cultural centre.<br />
the aboriginal impetus<br />
<strong>The</strong> first BC literature was aboriginal literature, which began as a highly developed oral<br />
form comprising poetry, song, drama, and prose. This literature ranged from complex<br />
origin myths to simple tales for children, and it <strong>of</strong>ten featured the character <strong>of</strong> the trickster.<br />
Whether a raven, minx, or coyote, the trickster in BC’s aboriginal literature plays pranks<br />
and disobeys the rules, introducing surprise and revelation into narratives.<br />
With the arrival <strong>of</strong> the Europeans, aboriginal storytelling began to make its way into print<br />
form and to be translated into English. By the 1970s, aboriginal writers had begun to adopt<br />
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