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Study Guide - Stratford Festival

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y William Shakespeare<br />

From left:<br />

Dion Johnstone as Valentine,<br />

Claire Lautier as Silvia,<br />

Bruce Dow as Speed,<br />

Robert Persichini as Launce,<br />

Gareth Potter as Proteus<br />

and Sophia Walker as Julia<br />

<strong>Study</strong><br />

<strong>Guide</strong><br />

Tools for Teachers<br />

sponsored by


Table of Contents<br />

1. The Story ............................................................................................page 1<br />

2. Cast of Characters...................................................................................... 1<br />

3. The Playwright ........................................................................................... 2<br />

4. History of The Two Gentlemen of Verona at <strong>Stratford</strong> ...................... 5<br />

5. Imaginative Ways to Approach the Text ............................................... 6<br />

6. Discussion Topics.....................................................................................12<br />

7. Resources...................................................................................................13<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong><br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010


The Story<br />

Having decided to leave Verona to seek his fortune in Milan, Valentine takes<br />

leave of his friend Proteus, who prefers to stay at home and woo his lover, Julia.<br />

Soon afterwards, however, Proteus is ordered by his father to follow Valentine –<br />

which he does, after swearing an oath of allegiance to Julia. In Milan, Valentine<br />

falls in love with Silvia, daughter of the Duke, and plans to elope with her.<br />

Proteus, however, no sooner sets eyes on Silvia than he too becomes besotted<br />

with her. Forgetting both his friendship for Valentine and his oath to Julia, he<br />

betrays the lovers’ intentions to the Duke, who promptly banishes Valentine. To<br />

assist him in his fruitless attempts to woo Silvia for himself, Proteus then<br />

engages the services of a page boy, Sebastian – unaware that this “boy” is in<br />

fact the distraught Julia, who has disguised herself in order to follow her<br />

faithless lover. Fleeing the court to escape the equally unwelcome attentions of<br />

both Proteus and the suitor chosen for her by her father, Silvia is taken prisoner<br />

by a band of outlaws. She is “rescued” by Proteus, who then threatens her with<br />

rape. Fortunately, Valentine intervenes, confrontation leads to forgiveness, and<br />

all the parties are happily reconciled at last.<br />

Cast of Characters<br />

DUKE of Milan<br />

SILVIA, his daughter<br />

PROTEUS, a gentleman of Verona<br />

LANCE, his clownish servant<br />

VALENTINE, a gentleman of Verona<br />

SPEED, his clownish servant<br />

THURIO, a foolish rival to Valentine<br />

ANTONIO, father of Proteus<br />

PANTHINO, his servant<br />

JULIA, beloved of Proteus<br />

LUCETTA, her waiting-woman<br />

HOST, where Julia lodges<br />

SIR EGLAMOUR, agent for Silvia in her escape<br />

OUTLAWS<br />

Servants, musicians<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong> 1<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010


The Playwright:<br />

William Shakespeare<br />

Born in <strong>Stratford</strong>-upon-Avon, a small<br />

Warwickshire town, in 1564, William<br />

Shakespeare was the eldest son of John<br />

Shakespeare, a glover, and Mary Arden, the<br />

daughter of a wealthy farmer. The exact date<br />

of his birth is unknown, but baptismal records<br />

point to it being the same as that of his death,<br />

April 23. He probably attended what is now the<br />

Edward VI Grammar School, where he would<br />

have studied Latin literature, and at 18, he<br />

married a farmer’s daughter, Anne Hathaway,<br />

with whom he had three children: Susanna,<br />

born in 1583, and, two years later, the twins<br />

Hamnet (who died in childhood) and Judith.<br />

Nothing further is known of his life until 1592,<br />

when his earliest known play, the first part of<br />

Henry VI, became a hit in London, where<br />

Shakespeare was now working as an actor.<br />

Soon afterwards, an outbreak of the plague<br />

forced the temporary closure of the theatres,<br />

and Shakespeare turned for a while to writing poetry. By 1594, however, he was<br />

back in the theatre, acting with the Lord Chamberlain’s Men. He quickly<br />

established himself as one of London’s most successful dramatists, with an<br />

income that enabled him, in 1957, to buy a mansion back in <strong>Stratford</strong>. In 1599 he<br />

became a shareholder in London’s newly built Globe Theatre.<br />

In 1603, Shakespeare’s company was awarded a royal patent, becoming known<br />

as the King’s Men. Possibly as early as 1610, the playwright retired to his home in<br />

<strong>Stratford</strong>-upon-Avon, living there – and continuing to invest in real estate – until<br />

his death on April 23, 1616. He is buried in the town’s Holy Trinity Church.<br />

In the first collected edition of his works in 1623, fellow dramatist Ben Jonson<br />

called him a man “not of an age, but for all time”. Not only did Shakespeare<br />

write some of the most popular plays of all time, but he was a very prolific writer,<br />

writing 38 (canonically accepted) works in 23 years. His work covered many<br />

subjects and styles, including comedies, tragedies, histories, and romances, all<br />

bearing his hallmark expansive plots, extraordinary language, and humanist<br />

themes. Shakespeare enjoyed great popularity in his lifetime, and 400 years<br />

later, he is still the most produced playwright in the world.<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong> 2<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010


A Shakespearean Timeline<br />

1558 Elizabeth I crowned.<br />

1564 William Shakespeare born.<br />

1572 Actors not under the protection of a patron declared rogues and<br />

vagabonds.<br />

1576 “The Theatre,” the first public playhouse in London, opens.<br />

1577 “The Curtain,” London’s second playhouse, opens.<br />

1578 James VI (later James I of England) takes over government of<br />

Scotland.<br />

1579 Publication of North’s English translation of Plutarch’s Lives of the<br />

Noble Grecians and Romans.<br />

1580 Francis Drake returns in triumph form his voyage around the world;<br />

travelling players perform at <strong>Stratford</strong>.<br />

1582 Shakespeare marries Anne Hathaway; Susanna is born six months<br />

later and the twins Hamnet and Judith in 1585.<br />

1587 “The Rose” theatre opens in London. Mary Queen of Scots is<br />

executed.<br />

1588 Spanish Armada defeated.<br />

1589 Shakespeare finds work as an actor in London; he lives apart from<br />

his wife for 21 years.<br />

1590-1591 The Two Gentlemen of Verona, The Taming of the Shrew.<br />

1591 2 Henry VI, 3 Henry VI.<br />

1592 Thousands die of plague in London; theatres closed. 1 Henry VI,<br />

Titus Andronicus, Richard III.<br />

1593 The Comedy of Errors.<br />

1594 Shakespeare becomes a shareholder of his theatre company, the<br />

Lord Chamberlain’s Men.<br />

1594 Love’s Labour’s Lost.<br />

1595 Richard II, Romeo and Juliet, A Midsummer Night’s Dream.<br />

1596 Shakespeare’s son, Hamnet, dies.<br />

1596-1597 King John, The Merchant of Venice, 1 Henry IV.<br />

1597-1598 The Merry Wives of Windsor, 2 Henry IV, Much Ado About Nothing.<br />

1598 “The Globe” theatre built.<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong> 3<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010


1598-1599 Henry V, Julius Caesar.<br />

1599-1600 As You Like It.<br />

1600-1601 Hamlet, Twelfth Night.<br />

1601 Shakespeare’s patron arrested for treason following the Essex<br />

rebellion; he is later pardoned.<br />

1602 Troilus and Cressida.<br />

1603 Queen Elizabeth dies and is succeeded by James I; Shakespeare’s<br />

theatre company becomes the King’s Men.<br />

1603 Measure for Measure, Othello.<br />

1604 Work begins on the King James Bible.<br />

1604-1605 All’s Well That Ends Well, Timon of Athens, King Lear (Q)<br />

1606 Macbeth, Antony and Cleopatra.<br />

1607 Pericles.<br />

1608 Coriolanus.<br />

1609 The Winter’s Tale.<br />

1610 King Lear (F), Cymbeline.<br />

1610 Shakespeare retires to <strong>Stratford</strong>-upon-Avon.<br />

1611 The Tempest.<br />

1611 King James Bible published.<br />

1613 Henry VIII (All Is True), The Two Noble Kinsmen.<br />

1613 “The Globe” theatre burns down.<br />

1616 Shakespeare dies in <strong>Stratford</strong>-upon-Avon.<br />

1623 The first folio of Shakespeare’s collected plays is published.<br />

* Some dates are approximate.<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong> 4<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010


<strong>Festival</strong> Production<br />

History<br />

There have been six other productions of The Two Gentlemen of Verona at the<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong>.<br />

1958 (tour): Directed by Michael Langham, with Ann Morrish as Julia, Lloyd<br />

Bochner as Proteus, Diana Maddox as Silvia and Eric House as Valentine.<br />

Designed by Tanya Moiseiwitsch.<br />

1975 (Avon Theatre): Directed by Robin Phillips, with Mia Anderson as Julia,<br />

Nicholas Pennell as Proteus, Jackie Burroughs as Silvia and Stephen Russell as<br />

Valentine. Designed by Molly Harris Campbell.<br />

1984 (Third Stage, now the Tom Patterson Theatre): Directed by Leon Rubin,<br />

with Maggie Huculak as Julia, David Clark as Proteus, Michelle Fisk as Silvia and<br />

Robert McClure as Valentine. Designed by Pat Flood.<br />

1988 (Avon Theatre): Directed by Robert Beard, with Peggy Coffey as Julia,<br />

Henry Czerny as Proteus, Kim Horsman as Silvia and John Wojda as Valentine.<br />

Designed by Brian Jackson.<br />

1992 (Tom Patterson Theatre): Directed by Marti Maraden, with Helen Taylor as<br />

Julia, Scott Fisher and Neil Ingram as Proteus, Daria Martel as Sylvia and Mervon<br />

Mehta as Valentine. Designed by Debra Hanson.<br />

1998 (<strong>Festival</strong> Theatre): Directed by Richard Rose, with Melody A. Johnson as<br />

Julia, David Jansen as Proteus, Tamara Bernier as Silvia and Graham Abbey as<br />

Valentine. Designed by Teresa Przybylski.<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong> 5<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010


Imaginative Ways to Approach the Text<br />

Conversations for Two<br />

Grade Level 4 - 12<br />

Ontario<br />

Curriculum<br />

Expectations<br />

Drama: Creating and Presenting (4 - 8)<br />

Drama: Theory, Creation, Analysis (9 - 12)<br />

Time Needed one class period<br />

Space open space, no desks<br />

Materials none<br />

Setting up the exercise:<br />

Students are going to improvise short scenes. The number one rule of<br />

improvising is you can’t say no: you must work with everything your<br />

partner does – even if you have to change what you had planned – and<br />

incorporate it into the scene.<br />

Agree on the signal to start the improv and the signal to end.<br />

The exercise:<br />

Pair up students; provide enough room for each pair to work without<br />

disturbance from others.<br />

Provide one or more of the scene starters listed below.<br />

Give the signal to start the improv.<br />

After no more than three minutes, give the signal to end.<br />

Have students find another partner and repeat with another topic.<br />

Scene starters:<br />

Two friends discuss a romantic interest they have in a third party. Neither<br />

knows initially that they are both interested in the same person.<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

One friend tries to convince a less adventurous friend to go skydiving.<br />

A mother tried to convince her reticent child to go on an exchange to<br />

another country.<br />

Two friends discuss a forbidden relationship between two people they<br />

both know.<br />

One young person reveals to another a plan to steal something valuable.<br />

One person reveals to another that he/she witnessed the other’s love<br />

interest in a compromising position with someone else.<br />

A student is caught cheating on a test by a teacher.<br />

A father informs his child that he/she is no longer welcome in the family<br />

home.<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong> 6<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010


Imaginative Ways to Approach the Text<br />

Soundscapes<br />

Grade Level 4 - 12<br />

Ontario<br />

Curriculum<br />

Expectations<br />

Drama: Creating and Presenting (4 - 8)<br />

Drama: Theory, Creation, Analysis (9 - 12)<br />

Time Needed one class period<br />

Space open space, desks cleared away<br />

Materials three scene locations to hand out to groups<br />

Setting up the exercise:<br />

Define “soundscape”: a series of sounds that creates an atmosphere.<br />

No words are allowed, but students may use nonverbal muttering to<br />

create the sense of people talking.<br />

The exercise:<br />

Divide the class into three groups.<br />

Give each group a different scene location from The Two Gentlemen of<br />

Verona (provided below).<br />

Each group will create a soundscape to evoke their scene location.<br />

As the groups plan and rehearse, travel around and coach them as<br />

needed.<br />

After 10 to 15 minutes, groups should be finished.<br />

Turn off the lights.<br />

Have each group present their soundscape.<br />

As each group finishes, have the listeners guess the scene location.<br />

Scene locations:<br />

A street in Verona<br />

<br />

<br />

A forest near Milan<br />

The Duke’s court in Milan<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong> 7<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010


Imaginative Ways to Approach the Text<br />

Word Web<br />

Grade Level 9 - 12<br />

Ontario<br />

Curriculum<br />

Expectations<br />

Drama: Reflecting, Responding, and Analysing (4 - 8)<br />

Drama: Theory, Creation, Analysis (9 - 12)<br />

Time Needed one class period<br />

Space classroom<br />

Materials blackboard, whiteboard or chart paper with chalk or markers<br />

Setting up the exercise:<br />

Divide the class into groups of about five students.<br />

On the blackboard, whiteboard or chart paper, print and circle the word<br />

betrayal.<br />

The exercise:<br />

Give students 10 minutes to brainstorm in groups and come up with<br />

words and phrases they associate with betrayal.<br />

After 10 minutes, invite students to come up, one at a time, and write one<br />

of their ideas outside the betrayal circle, drawing a line to connect it to<br />

the circle.<br />

The student should also explain the association to the group.<br />

Example:<br />

betrayal --------------------- love<br />

“Betrayal is most painful when it is someone you love who betrays you.”<br />

As students add their words, a web or spoked wheel will form (see below<br />

for an example).<br />

There are no right or wrong answers in this exercise, as long as a<br />

connection can be drawn to betrayal.<br />

<br />

<br />

<br />

After the web is complete, ask students to choose a character from the<br />

play and three words from the web which they might associate with that<br />

character.<br />

Have students explain how the words and the character are connected.<br />

Example:<br />

Julia: love, sadness, forgiveness<br />

“Julia loves Proteus and feels great sadness when he betrays her for<br />

Silvia. Her love for him enables her to forgive him in the end.”<br />

Possible extensions:<br />

Have students repeat the exercise in their own notebooks, replacing<br />

betrayal with a word of their own choosing that relates to one of the<br />

central themes of The Two Gentlemen of Verona.<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong> 8<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010


Provide the following list of suggestions if the are stuck:<br />

o love<br />

o coming of age<br />

o forgiveness<br />

o loyalty<br />

o virtue<br />

o honesty<br />

o friendship<br />

Sample word web:<br />

broken trust<br />

pain<br />

hopeless<br />

guilt<br />

forgiveness<br />

revenge<br />

treachery<br />

rage<br />

faithless<br />

betrayal<br />

villain<br />

deceit<br />

anger<br />

love<br />

dishonesty<br />

sadness<br />

alienation<br />

remorse<br />

cheat<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong> 9<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010


Imaginative Ways to Approach the Text<br />

Writing in Role<br />

Grade Level 6 - 12<br />

Ontario draft and revise their writing…<br />

Curriculum Writing: Developing and Organizing Content (9 - 12)<br />

Expectations Writing: Using Knowledge of Form and Style (9 - 12)<br />

Writing: Applying Knowledge of Conventions (9 - 12)<br />

Time Needed one to two class periods<br />

Space classroom<br />

Materials writing journal or paper<br />

Setting up the exercise:<br />

Students should be familiar with The Two Gentlemen of Verona and its<br />

characters.<br />

The exercise:<br />

Students will assume the role of a character from The Two Gentlemen of<br />

Verona and write a journal entry describing the character’s feelings in the<br />

situation provided.<br />

Characters and situations:<br />

JULIA: You have just heard Proteus declare his love for Silvia.<br />

<br />

<br />

<br />

<br />

<br />

SILVIA: You have just learned your father has banished Valentine.<br />

PROTEUS: Valentine has just left Verona and your own father is urging<br />

you to follow.<br />

VALENTINE: You have just seen Silvia for the first time.<br />

DUKE OF MILAN: You have just discovered Valentine’s plan to elope with<br />

Silvia.<br />

LUCETTA: You have just helped Julia leave home in disguise to follow<br />

Proteus.<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong> 10<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010


Imaginative Ways to Approach the Text<br />

Tableau the Story<br />

Grade Level 4 - 12<br />

Ontario Drama: Creating and Presenting (4 - 8)<br />

Curriculum Drama: Reflecting, Responding, and Analysing (4 - 8)<br />

Expectations Drama: Theory, Creation, Analysis (9 - 12)<br />

Time Needed one class period<br />

Space open space, no desks<br />

Materials none<br />

Setting up the exercise:<br />

Students should be familiar with the events of The Two Gentlemen of<br />

Verona.<br />

Define “tableau”: a frozen picture that tells a story.<br />

Remind students to:<br />

o have varied levels in their tableaux (high, medium, low)<br />

o decide where the “front” of their tableau is and make sure the<br />

picture is directed toward the front<br />

o make sure every group member is involved in every tableau – even<br />

as furniture!<br />

The exercise:<br />

Divide students into groups of five or six.<br />

Each group will decide on the five most important events of the play.<br />

For each event, the group will create:<br />

o a tableau depicting the event<br />

o a newspaper headline describing the event<br />

After 10 or 15 minutes, groups should be finished rehearsing their<br />

tableaux.<br />

Have each group choose one favourite tableau to present to the rest of<br />

the class along with its headline.<br />

After the tableau has been presented (the audience can discuss what<br />

they see while the performers hold the tableau), the audience guesses<br />

what event is being depicted.<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong> 11<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010


Discussion Topics for Your<br />

Class<br />

For classes reading the play before seeing it:<br />

1. What do you expect to see on stage at the <strong>Stratford</strong> Shakespeare <strong>Festival</strong>?<br />

Have each student make a list of predictions about what they expect. Save these<br />

predictions. After your <strong>Stratford</strong> trip, revisit them to see how they compared to<br />

the actual production.<br />

2. Create a character web showing how all the characters are connected to each<br />

other. Discuss the complexity of these relationships and how they affect the<br />

progression of the play.<br />

After your <strong>Stratford</strong> trip:<br />

1. The Two Gentlemen of Verona has appealed to artists and audiences around<br />

the world for 400 years. What do you think the play’s message is?<br />

2. What parts did you respond to most?<br />

3. Were there parts you wished were different? How?<br />

For more classroom activities, complete with instructions, materials and Ontario<br />

curriculum expectation links, visit<br />

stratfordshakespearefestival.com/teachingmaterials.<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong> 12<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010


Resources<br />

SHAKESPEARE: HISTORY, CRITICISM and BIOGRAPHY:<br />

Beckerman, Bernard. Shakespeare and the Globe, 1599-1609. 1962.<br />

Bentley, G.E. Shakespeare: A Biographical Handbook. 1951.<br />

Boyce, Charles. Shakespeare A to Z. 1990.<br />

Brown, Ivor. Shakespeare and the Actors. 1970.<br />

Brown, John Russell. Shakespeare and his Theatre.<br />

Burgess, Anthony. Shakespeare. 1970.<br />

Campbell, Oscar James, ed. The Reader’s Encyclopedia of Shakespeare. 1966.<br />

Dobson, Michael, ed. The Oxford Companion to Shakespeare. 2001.<br />

Epstein, Norrie. The Friendly Shakespeare. 1992.<br />

Frye, R. M. Shakespeare’s Life and Times: a Pictorial Record. 1067.<br />

Gurr, Andrew. The Shakespearean Stage, 1574-1642. 1980.<br />

Hodges, C. Walter. Shakespeare and the Players. 1948.<br />

Muir, Kenneth and Samuel Schoenbaum, eds. A New Companion to<br />

Shakespeare Studies, 1985.<br />

Nagler, A. M. Shakespeare’s Stage. 1985.<br />

Schoenbaum, Samuel. William Shakespeare: A Documentary Life. 1975.<br />

Taylor, Gary. Reinventing Shakespeare. 1989.<br />

Thomson, Peter. Shakespeare’s Theatre. 1983.<br />

Tillyard, E. M. W. The Elizabethan World Picture. 1943.<br />

Wells, Stanley, ed. The Cambridge Companion to Shakespeare Studies. 1986.<br />

THE TWO GENTLEMEN OF VERONA:<br />

Shakespeare, William. The Two Gentlemen of Verona. Cambridge School. 1994.<br />

Shakespeare, William. The Two Gentlemen of Verona. Arden. 2004.<br />

ONLINE RESOURCES:<br />

Mr. William Shakespeare and the Internet, shakespeare.palomar.edu<br />

Sh:in:E Shakespeare in Europe, www.unibas.ch/shine<br />

Encyclopaedia Britannica presents: Shakespeare and the Globe: Then and<br />

Now, search.eb.com/shakespeare<br />

Shakespeare’s Life and Times,<br />

web.uvic.ca/shakespeare/Library/SLT/intro/introsubj.html<br />

Shakespeare Online, www.shakespeare-online.com<br />

Movie Review Query Engline, www.mrqe.com<br />

Internet Movie Database, www.imdb.com<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong> 13<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010


THE TWO GENTLEMEN OF VERONA ONLINE:<br />

MIT Shakespeare Homepage: The Complete Works of William Shakespeare,<br />

the-tech.mit.edu/Shakespeare/<br />

THE TWO GENTLEMEN OF VERONA ON FILM, VIDEO and DVD:<br />

1983 (UK): Directed by Don Taylor, starring Tessa Peake-Jones, Joanne Pearce,<br />

Tyler Butterworth and John Hudson.<br />

The Two Gentlemen of Verona <strong>Study</strong> <strong>Guide</strong> 14<br />

<strong>Stratford</strong> Shakespeare <strong>Festival</strong> 2010

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