Press Release - Sem Art
Press Release - Sem Art
Press Release - Sem Art
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SEM-ART GALLERY & DA XIANG ART SPACE<br />
FINGERPRINTS<br />
ZHANG YU’S WORK<br />
JUNE 8 - JULY 20, 2012<br />
<strong>Press</strong> release<br />
20, avenue de la Costa<br />
98000 MONACO<br />
Tel. : +377 97 70 50 70<br />
Fax : +377 97 70 50 77<br />
info@sem-art.mc<br />
www.sem-art.mc
SEM-ART GALLERY & DA XIANG ART SPACE<br />
A catalogue has been edited for the exhibition<br />
"Zhang Yu - Fingerprints" - Introduction text by Iain Robertson.<br />
For futher information, please contact SEM-ART gallery.<br />
20, avenue de la Costa<br />
98000 MONACO<br />
Tel. : +377 97 70 50 70<br />
Fax : +377 97 70 50 77<br />
info@sem-art.mc<br />
www.sem-art.mc<br />
2
FINGERPRINTS<br />
ZHANG YU’S WORK<br />
The road that Zhang Yu has taken in search of his true self has many demands. It is<br />
a pilgrim’s progress that encounters life’s distractions and temptations; pleasures<br />
and disappointments, but maintains its true course.<br />
Iain Robertson<br />
Zhang Yu has been inclined to intentionally<br />
avoid applying traditional ink and wash<br />
skills in his experimental Chinese ink and<br />
wash works. Despite his solid academic trainings<br />
in his early years, the artist would rather abandon<br />
the tradition of texture strokes than be viewed<br />
as a stereotype or a plagiarist. Instead of blindly<br />
following advocates of “Ink Renaissance,” Zhang has<br />
his unique way of thinking by unmasking the sublime<br />
but untrue “Ink Myth” and by challenging himself<br />
with unconventional ways of creating. Viewing<br />
Zhang’s evolution of creation through different<br />
stages - from Fan Painting series (1986-1989)<br />
to Portrait series (1989-1992), we find two main<br />
changes. First, the context where the characters are<br />
located is changing, from complicated background<br />
to nearly vacant space. Second, the images of the<br />
characters are gradually deconstructed, turning<br />
less and less concrete, and become more abstract<br />
symbols. Broken and incomplete faces in Zhang’s<br />
paintings have given us viewers plenty of space for<br />
imagination and they seem to invite us to go near<br />
to investigate them in depth. The above-mentioned<br />
changes not only indicate transference of the subject<br />
matters from the external to the internal, but also<br />
reflect the artist’s inner transformation.<br />
In Zhang’s Divine Light series (1994-2003), he<br />
adopted subversive ways to reinterpret traditional<br />
wash and ink. No strokes but ink can be seen in this<br />
series. His “incomplete circles,” “broken squares,”<br />
and “shattered pieces” symbolize the chaos of the<br />
beginning of the earth. Unspeakably mysterious<br />
scenes immediately draw the viewers’ attention.<br />
Floating shattered pieces that layer one another<br />
represents the artist’s million thoughts in his mind.<br />
Zhang’s uniqueness is once again pervading in his<br />
paintings.<br />
Daily News series (2001-2003) is Zhang’s next<br />
stage of creation, which is yet transient. The artist<br />
juxtaposes ready-made stuff such as newspaper with<br />
wash and ink by collaging them. While the shattered<br />
pieces in the Divine Light series appear here to<br />
contrast with the social reality of the newspaper,<br />
some tension is created between hollowness and<br />
fullness.<br />
While creating the Fingerprint series (1991, 2001-<br />
2008), Zhang seems to be an ascetic monk by<br />
repeatedly pressing millions of fingerprints, which<br />
symbolize engagements in big commitments,<br />
to represent the psychological impact by those<br />
Zhang’s art is the physical embodiment of his journey<br />
towards nothingness.<br />
Iain Robertson<br />
20, avenue de la Costa<br />
98000 MONACO<br />
Tel. : +377 97 70 50 70<br />
Fax : +377 97 70 50 77<br />
info@sem-art.mc<br />
www.sem-art.mc<br />
3
FINGERPRINTS<br />
ZHANG YU’S WORK<br />
The artist’s great scroll, itself the traditional vehicle for landscape brush painting,<br />
is an essential, reductive homage to this great tradition<br />
Iain Robertson<br />
commitments. Zhang aims to let millions of<br />
overlapping red fingerprints on the rice paper create<br />
some unique visual effect. Also, the artist takes<br />
advantage of the plasticity of the rice paper and the<br />
exertion of fingerprints that form dents and change<br />
the appearance and structure of the rice paper. Thus<br />
the accentuated dents on the paper resemble some<br />
bas-relief work. While changeable light and shadow<br />
creates a series of relief-like images, viewers are<br />
totally captivated by the works themselves when<br />
the original meaning of the fingerprints fades away,<br />
if not vanishes. But what is subtle is that the degree<br />
of captivation will be stronger if the viewers have<br />
learned the original meaning and the motive of<br />
creation from the verbal interpretation by the artist.<br />
relevant to commitments, and limits the three colors<br />
he adopts—red, white and black—in tiny differential<br />
shades on one hand. But, on the other hand, the size<br />
of paper has a wider variety. Zhang even has a long<br />
vertical painting hanging from high above, which not<br />
only best captures the viewers’ attention but gives<br />
them the impression of timelessness that long scroll<br />
paintings usually imply. In sum, Zhang’s Fingerprint<br />
series is a work of profundity and a masterpiece that<br />
offers a perspective outside the box.<br />
ChingHsin Chung<br />
Moreover, with practice of Zen and ceaseless<br />
efforts on refining his artistry, Zhang has brought<br />
the experimental Chinese ink and wash to a new<br />
stage. His Fingerprint series can be seen not only<br />
as a rebellion to the traditional ink and wash, but<br />
as a revolt against the fundamental concept of<br />
painting. Behind his defiant acts, Zhang has a<br />
tremendously big dream - exploring the origin of<br />
art. To fulfill it, he diminishes the tension on the form<br />
by simplifying colors. He bonds all color features<br />
20, avenue de la Costa<br />
98000 MONACO<br />
Tel. : +377 97 70 50 70<br />
Fax : +377 97 70 50 77<br />
info@sem-art.mc<br />
www.sem-art.mc<br />
Zhang’s work does, in common with all serious Chinese<br />
artists today, acknowledge and engage with landscape.<br />
Landscape art in the grand Chinese literati tradition after<br />
all demands that the artist ingest and take upon himself the<br />
essence of the mountain, which becomes a metaphor for<br />
all of nature. Zhang is particularly well-equipped so to do<br />
because the way he has chosen is intensely, pragmatically<br />
a (Buddhist) path to enlightenment.<br />
Iain Robertson<br />
4
FINGERPRINTS<br />
ZHANG YU’S WORK<br />
ZHANG YU<br />
FINGERPRINTS-2011-9.3, 2011<br />
68 x 68 cm<br />
Xuan paper, water<br />
5
FINGERPRINTS<br />
ZHANG YU’S WORK<br />
JUNE 8 - JULY 20, 2012<br />
List of exhibited works<br />
20, avenue de la Costa<br />
98000 MONACO<br />
Tel. : +377 97 70 50 70<br />
Fax : +377 97 70 50 77<br />
info@sem-art.mc<br />
www.sem-art.mc<br />
6
FINGERPRINTS<br />
ZHANG YU’S WORK<br />
JUNE 8 - JULY 20, 2012<br />
List of exhibited works<br />
ZHANG YU<br />
FINGERPRINTS-2011.11-2, 2011<br />
46 x 46 cm<br />
Xuan paper, Plant pigment<br />
ZHANG YU<br />
FINGERPRINTS-2008.12-1, 2008<br />
47 x 73 cm<br />
Xuan paper, Plant pigment<br />
ZHANG YU<br />
FINGERPRINTS-2005.11-2009 - 7-12, 2009<br />
125 x 125 cm<br />
Xuan paper, Plant pigment<br />
ZHANG YU<br />
FINGERPRINTS-2010.3-1, 2010<br />
75 x 75 cm<br />
Xuan paper, Plant pigment<br />
ZHANG YU<br />
FINGERPRINTS-2010.6-1, 2010<br />
124 x 86 cm<br />
Xuan paper, Plant pigment<br />
7
FINGERPRINTS<br />
ZHANG YU’S WORK<br />
JUNE 8 - JULY 20, 2012<br />
List of exhibited works<br />
ZHANG YU<br />
FINGERPRINTS-2011-7.1, 2011<br />
136 x 68 cm<br />
Xuan paper, Plant pigment<br />
ZHANG YU<br />
FINGERPRINTS-2011-9.3, 2011<br />
68 x 68 cm<br />
Xuan paper, Longjing Spring Water<br />
ZHANG YU<br />
FINGERPRINTS-2005.5-1, 2005<br />
200 x 100 cm<br />
Xuan paper, Plant pigment<br />
ZHANG YU<br />
fINGERPRINTS-2010.11-1, 2010<br />
99 x 90 cm<br />
Xuan paper, Longjing Spring Water<br />
ZHANG YU<br />
FINGERPRINTS-2011.12-2, 2011<br />
63 x 46 cm<br />
Xuan paper, Longjing Spring Water<br />
8
FINGERPRINTS<br />
ZHANG YU’S WORK<br />
JUNE 8 - JULY 20, 2012<br />
List of exhibited works<br />
ZHANG YU<br />
FINGER PRINT 2011.9-1, 2011<br />
47 x 73 cm<br />
Xuan paper, Longjing Spring Water<br />
ZHANG YU<br />
FINGERPRINTS-2012.1-2, 2012<br />
46 x 46 cm<br />
Xuan paper, Plant pigment<br />
9
Monday to Friday, 9am to 7pm<br />
Saturday, 10am to 6pm<br />
20, avenue de la Costa<br />
98000 MONACO<br />
Tel. : +377 97 70 50 70<br />
Fax : +377 97 70 50 77<br />
info@sem-art.mc<br />
www.sem-art.mc
FINGERPRINTS<br />
ZHANG YU’S WORK<br />
JUNE 8 - JULY 20, 2012<br />
Biography<br />
SEM-ART<br />
N°. 15, Boguan Rd.<br />
North District<br />
Taichung City 404, Taiwan<br />
www.daxiang.com.tw<br />
Tel: +886 4 2208 4288<br />
Fax: +886 4 2208 3188<br />
E-mail: daxiang.art@msa.hinet.net
Zhang Yu (courtesy name Yu Ren , literary name Shi Yu )<br />
1959<br />
Born in Tianjin, China<br />
1979<br />
Admitted to Tianjin Yangliuqing<br />
Painting Society Editorial<br />
Director, Senior Editor of World<br />
of Chinese Painting, Tianjin Yangliuqing<br />
Fine <strong>Art</strong>s <strong>Press</strong><br />
1988<br />
Graduated from Tianjin Fine<br />
<strong>Art</strong>s Academy of <strong>Art</strong>s and<br />
Crafts<br />
2002<br />
Associate Professor at Tianjin<br />
Transportation Vocational College<br />
2004<br />
Guest Professor in the New<br />
Media Department, Beijing Film<br />
Academy<br />
2005<br />
Established his studio in Beijing<br />
2006<br />
Moved to Beijing<br />
Presently lives and<br />
works as a professional<br />
artist in Beijing<br />
Lecturing:<br />
1993<br />
Gave lectures at the Royal<br />
Academy of Fine <strong>Art</strong>s Antwerp,<br />
Antwerp, Belgium<br />
2003<br />
Gave lectures at the Department<br />
of Oriental <strong>Art</strong>s and the<br />
Department of Design of the<br />
School of Liberal <strong>Art</strong>s, Nankai<br />
University, Tianjin<br />
2004<br />
Gave lectures at the New Media<br />
Department, Beijing Film Academy,<br />
Beijing<br />
2006<br />
Gave lectures at the Comprehensive<br />
Painting Department,<br />
Tianjin Academy of Fine <strong>Art</strong>s,<br />
Tianjin<br />
Solo Exhibitions:<br />
2012<br />
Fingerprints: Cultivation/Practice<br />
– Works by Zhang Yu, <strong>Art</strong><br />
Stage Singapore<br />
Fingerprints: Performance/<br />
Red/ Water, <strong>Sem</strong>-<strong>Art</strong> Gallery,<br />
Monte Carlo, Monaco<br />
2011<br />
Cultivation Practice: Zhang Yu’s<br />
Fingerprint works 1991-2011,<br />
Today <strong>Art</strong> Museum, Beijing<br />
Fingerprints – Zhang Yu, Sundaram<br />
Tagore Gallery, New York,<br />
NY, USA<br />
2010<br />
Diffused Fingerprints –<br />
Zhang Yu’s <strong>Art</strong> works, National<br />
Sun Yat-sen Memorial<br />
Hall, Taipei, China<br />
Zhang Yu’s Fingerprint Works,<br />
<strong>Art</strong> Asia Miami, Miami, FL, USA<br />
2009<br />
Zhang Yu’s Fingerprint Works,<br />
Basel <strong>Art</strong> Asia, Basel, Switzerland<br />
Fingerprints: Traces of Zhang<br />
Yu’s Cultivation Practice,<br />
Kuandu Museum of Fine <strong>Art</strong>s,<br />
Taipei, China<br />
Zhang Yu’s “One-Finger Chan”:<br />
Cultural and Spiritual Exploration,<br />
Da Xiang <strong>Art</strong> Space,<br />
Taichung, China<br />
2008<br />
Fingerprints: Exhibition of<br />
Works by Zhang Yu, Creek <strong>Art</strong>,<br />
798, Beijing, China<br />
2007<br />
Fingerprints: Zhang Yu, Goedhuis<br />
Contemporary, New York,<br />
NY, USA.<br />
2006<br />
Fingerprints: Zhang Yu, Goedhuis<br />
Contemporary, London, UK<br />
2004<br />
Divine Light: Ink Paintings by<br />
Zhang Yu, Goedhuis Contemporary,<br />
New York, NY, USA<br />
2001<br />
Zhang Yu: Experimental Ink and<br />
Wash, Red Mansion Foundation,<br />
London, UK<br />
1993<br />
Zhang Yu: Fan Painting Exhibition,<br />
Zhuxianxuan <strong>Art</strong> Gallery,<br />
Hong Kong, China<br />
1992<br />
Chinese <strong>Art</strong>ist Zhang Yu: Modern<br />
Ink and Wash Exhibition,<br />
Belyaevo Modern <strong>Art</strong> Museum,<br />
Moscow, Russia<br />
1989<br />
Zhang Yu: Fan Painting Exhibition,<br />
Qingdao Workers’ Cultural<br />
Palace, Qingdao, China<br />
1988<br />
Zhang Yu: Exhibition of Ink and<br />
Wash Paintings, Tianjin <strong>Art</strong> Gallery,<br />
Tianjin, China<br />
Joint Exhibitions:<br />
2012<br />
Towards Notion – Maximalism<br />
in Contrasts, Hillwood Gallery<br />
of Long Island University, Long<br />
Island, NY, USA<br />
<strong>Art</strong> Space, Taichung, China<br />
Revival of Ink Painting, Hong<br />
Kong Contemporary <strong>Art</strong> Museum,<br />
798, Beijing, China<br />
Site – Exhibition of Contemporary<br />
<strong>Art</strong>, Da Xiang <strong>Art</strong> Space,<br />
Taichung, and National Hsinchu<br />
University of Education <strong>Art</strong> and<br />
Culture Centre, Hsinchu, China<br />
Gate Gallery, Beijing, China<br />
Narration in Ink and Wash,<br />
Yokohama Zaim Gallery, Yokohama,<br />
Japan<br />
Confluence, Sohan Qadri –<br />
Zhang Yu, Sundaram Tagore<br />
Gallery, Hong Kong, China<br />
Non-Media: Works by Zhang Yu<br />
and Liang Quan, Enjoy Museum<br />
of <strong>Art</strong>, Beijing, China<br />
2011<br />
Towards Notion – Maximalism<br />
in Contrasts, Frick <strong>Art</strong> Museum,<br />
University of Pittsburgh, Pittsburgh,<br />
PA, USA<br />
Metaphysical Entity, Da xiang<br />
OH! Nirica, la materia incontra<br />
i sogni, Otto Luogo dell’arte,<br />
Firenze, Italy<br />
2010<br />
Towards Notion – Maximalism<br />
in Contrasts, Contrasts Gallery,<br />
Shanghai,China<br />
The End of Ink and Wash Painting!<br />
From Ink and Wash Painting<br />
to Ink and Wash – Exhibition<br />
of Contemporary <strong>Art</strong>, Da Xiang<br />
<strong>Art</strong> Space, Taichung, China<br />
2009<br />
The End of Ink and Wash<br />
Painting! Creating One’s Own<br />
Contemporary <strong>Art</strong>, Red Gate<br />
Gallery, Beijing, China<br />
2008<br />
Ink and Wash Ink and Wash<br />
Painting: Zhang Yu, Li Huasheng,<br />
Liang Quan, HJY (Hejingyuan)<br />
<strong>Art</strong> Center, Beijing,<br />
China<br />
2007<br />
Traces and Temperament: Contemporary<br />
<strong>Art</strong> Exhibition, Red<br />
Intangible: Group Exhibition<br />
of Zhang Yu, Liang Quan and<br />
Liu Xuguang, Creek <strong>Art</strong>, 798,<br />
Beijing, China<br />
2005<br />
Nature: Experimental Ink Painting<br />
Report, Red Gate Gallery,<br />
Beijing, China<br />
Upcoming Ink Painting: Modern<br />
Ink Painting Exhibition, Palais<br />
Rihour, Lille, France<br />
2000
Exhibition of Abstract Colour<br />
and Ink <strong>Art</strong>, Fang Gallery, Silicon<br />
Valley, CA, USA<br />
1999<br />
Color, Brush and Ink: Zhang<br />
Yu and Heidi Meyer, German<br />
Embassy, Beijing, China<br />
Abstract Colour and Ink,<br />
Chinese Cultural Center of San<br />
Francisco, CA, USA<br />
1997<br />
Exhibition of New Ink and<br />
Wash <strong>Art</strong>, Berlin <strong>Art</strong> Museum;<br />
Halle Museum; Galerie TTT,<br />
Heimbach; Leipzig University<br />
Museum, Germany<br />
1996<br />
Homecoming: Chinese<br />
Contemporary Ink and Wash<br />
Group Exhibition, Gallery on<br />
the Rim, World Journal Gallery,<br />
San Francisco, CA, USA<br />
1995<br />
Ink and Light: Chinese Contemporary<br />
Experimental Ink<br />
and Wash Group Exhibition,<br />
Flanders Expo, Ghent, Belgium<br />
1993<br />
Exhibition of Chinese Contemporary<br />
Abstract Ink and Wash,<br />
National <strong>Art</strong> Museum, Beijing,<br />
China<br />
Six Chinese Modern Ink and<br />
Wash <strong>Art</strong>ists, Rong Bao Zhai,<br />
Beijing, China<br />
1990<br />
Five Contemporary Painters<br />
Exhibition, Contemporary <strong>Art</strong><br />
Museum, Beijing, China<br />
Group Exhibition<br />
2012<br />
World of Ink/Contemporary<br />
<strong>Art</strong> Exhibition, M50 <strong>Art</strong> District,<br />
Shanghai, China<br />
Appreciating the East: Exhibition<br />
of Classical Chinese <strong>Art</strong>,<br />
Shanghai <strong>Art</strong> Museum, Shanghai,<br />
China<br />
2012<br />
Ink Painting – International Ink<br />
Painting Exhibition, National<br />
Sun Yat- sen Memorial Hall,<br />
Taipei, China<br />
Shape Without Shape Exhibition<br />
of Chinese Contemporary<br />
<strong>Art</strong>, Kunstwerk Karlshütte<br />
Rendsburg/Büdelsdorf, Germany<br />
2011<br />
Ink and Wash China, Chinese<br />
and Italian Contemporary <strong>Art</strong><br />
Exchange Exhibition, Museo<br />
Rivelli di <strong>Art</strong>e Moderna e Contemporanea,<br />
Napoli, Galleria<br />
Marino, Rome, Italy<br />
Visible Soul (Likeness Arises<br />
from the Heart/Mind) - 4th<br />
Chinese Abstract <strong>Art</strong> Exhibition,<br />
PIFO New <strong>Art</strong> Gallery, Beijing,<br />
China<br />
Writing and Passing – Exhibition<br />
of Abstract <strong>Art</strong>, ESSE Contemporary<br />
<strong>Art</strong> Document Research<br />
Institute, 798, Beijing, China<br />
New Realm: Chinese Contemporary<br />
<strong>Art</strong> Exhibition, National<br />
Gallery of Australia, Canberra,<br />
Australia<br />
The Great Celestial Abstraction:<br />
Chinese <strong>Art</strong> in the 21th century,<br />
The Katherine E Nash Gallery<br />
and the Department of <strong>Art</strong>, The<br />
University of Minnesota, Minneapolis,<br />
U.S.A<br />
The Great Celestial Abstraction:<br />
Chinese <strong>Art</strong> in the 21th century,<br />
Macro Testaccio Contemporary<br />
<strong>Art</strong> Museum of Rome, Rome,<br />
Italy<br />
Context China/Beyond Spiritual<br />
Expression/Easel-work 10+10,<br />
Beijing Contemporary <strong>Art</strong> Museum,<br />
Beijing, China<br />
2010<br />
Ink and Not Ink: Chinese Contemporary<br />
Ink and Wash Exhibition,<br />
Gliptoteka HAZU - Sculpture<br />
Museum of the Croatian<br />
Academy of Science and <strong>Art</strong>s<br />
Homeward Bound I Go: The<br />
1st Contemporary Painting<br />
Exhibition Pudong International<br />
Airport, Shanghai, China<br />
The Format and Space of Ink<br />
and Wash, Songzhuang East<br />
Zone <strong>Art</strong> Center, Beijing, China<br />
Beyond the Horizon – Chinese<br />
Contemporary <strong>Art</strong> Exhibition,<br />
Chilean National Museum of<br />
Fine <strong>Art</strong>s, Santiago, Chile<br />
Painting/Non-Painting – 2010<br />
Hangzhou International Modern<br />
Calligraphy <strong>Art</strong> Exhibition,<br />
Hangzhou, China<br />
Memory of the Past: Contemporary<br />
Chinese Ink Painting,<br />
Transylvania University Morlan<br />
Gallery, Lexington, KY, USA<br />
Tracks and Qualitative Change<br />
- 2nd Beijing Film Academy<br />
International New Media <strong>Art</strong><br />
Triennial, Beijing Film Academy<br />
No 4 Space <strong>Art</strong> Museum, Beijing,<br />
China<br />
Refactoring——Chinese Abstract<br />
<strong>Art</strong> TOP Exhibition, Zhejiang<br />
<strong>Art</strong> Museum, Hangzhou,<br />
Today <strong>Art</strong> Museum, Beijing,<br />
China<br />
2009<br />
Water and Color: Contemporary<br />
Ink and Wash Exhibition, Today<br />
<strong>Art</strong> Museum, Beijing, China<br />
Present-Day Ink and Wash:<br />
2009<br />
Shanghai New Ink and Wash<br />
Exhibition, Zhu Qizhan <strong>Art</strong><br />
Museum, Duolun Museum of<br />
Modern <strong>Art</strong>, Shanghai, China<br />
Yi Pai: Century Thinking, Today<br />
<strong>Art</strong> Museum, Beijing, China<br />
Ink and Not Ink: Chinese<br />
Contemporary Ink and Wash<br />
Invitational Exhibition, Warsaw<br />
Palace Museum, Poland;<br />
Museum of Hungarian Agriculture<br />
- Magyar Mezogazdasági<br />
Múzeum, Budapest, Hungary;<br />
National Museum of Contemporary<br />
<strong>Art</strong>, Bucharest Romania<br />
Shanghai International Contemporary<br />
<strong>Art</strong> Exhibition, Shanghai<br />
Exhibition Center, Shanghai,<br />
China<br />
60th anniversary of the Republic<br />
of China, Contemporary<br />
<strong>Art</strong> Achievements Exhibition,<br />
Golden Hall, Beijing Hotel, Beijing,<br />
China<br />
Open Flexibility: Innovative<br />
Contemporary Ink <strong>Art</strong>, Taipei<br />
Fine <strong>Art</strong>s Museum, Taipei, China<br />
Longitude and Latitude of Time<br />
and Space – Chinese Contemporary<br />
<strong>Art</strong> Invitational Exhibition,<br />
Shanghai 2010<br />
<strong>Art</strong> Center, Shanghai, China<br />
2008<br />
Yi Pai: 30 Years of “Abstract”<br />
<strong>Art</strong> in China, La Caixa Forum<br />
Palma, La Caixa Forum Barcelona,<br />
La Caixa Forum Madrid,<br />
Spain<br />
Individual Case: <strong>Art</strong>ists in <strong>Art</strong><br />
History and <strong>Art</strong> Criticism, SZ <strong>Art</strong><br />
Center, 798, Beijing, China<br />
Towards Post-Abstract: Academic<br />
Invitational Exhibition,<br />
PIFO New <strong>Art</strong> Gallery, Beijing,<br />
China<br />
<strong>Art</strong> Forum: The Status and the<br />
Prospects of Contemporary<br />
Ink and Wash On Either Side of<br />
the Straits, Da Xiang <strong>Art</strong> Space,<br />
Taiwan, <strong>Art</strong>s and Humanities<br />
Centre of Jing-Yi University,<br />
Taichung, China<br />
Shanghai MoCA Envisage II -<br />
Butterfly Dream, MoCA Shanghai,<br />
Shanghai, China<br />
Ink and Not Ink: Chinese Contemporary<br />
Ink and Wash Exhibition,<br />
Shenzhen <strong>Art</strong> Museum,<br />
Shenzhen, Today <strong>Art</strong> Museum,<br />
Beijing, China<br />
6th Shenzhen International<br />
Biennale of Ink and Wash, Shenzhen<br />
Museum, Shenzhen, China<br />
2007<br />
Contemporary Context /<br />
Chinese Edition / Contemporary<br />
<strong>Art</strong> Exhibition, Today <strong>Art</strong><br />
Museum, Beijing, China<br />
The Cicada Sheds its Shell: Language<br />
Salvation from Tradition<br />
and Revolution, Square Gallery of<br />
Contemporary <strong>Art</strong>, Nanjing, China<br />
China Onward: The Estella<br />
Collection of Chinese Contemporary<br />
<strong>Art</strong>, Louisiana Museum<br />
of Modern <strong>Art</strong>, Humlebæk,<br />
Denmark<br />
Abstract Narrative <strong>Art</strong> Exhibition<br />
and Symposium on Modernity<br />
and Abstract <strong>Art</strong>, YQK <strong>Art</strong><br />
Space Central Academy of Fine<br />
<strong>Art</strong>s, Beijing, China<br />
Lines: Contemporary Chinese<br />
Abstract <strong>Art</strong> Exhibition, Creek<br />
<strong>Art</strong>, Shanghai, China<br />
3rd Chengdu Biennale,<br />
Chengdu Modern <strong>Art</strong> Museum,<br />
Chengdu, China<br />
Made in Beijing, Hongik University<br />
<strong>Art</strong> Gallery, Seoul, Korea<br />
Continuation, Variation and Infiltration:<br />
Ink, a Monochromatic<br />
World, <strong>Art</strong> Museum of Tokyo<br />
National University of Fine <strong>Art</strong>s<br />
and Music, Tokyo, Japan<br />
The Supplemental History:<br />
Works from the Collection of<br />
GDMOA, Guangdong Museum<br />
of <strong>Art</strong>, Guangzhou, China<br />
Yi Pai: 30 Years of “Abstract”<br />
<strong>Art</strong> in China, Wall <strong>Art</strong> Museum,<br />
Beijing, China<br />
2006
Revival of Ink and Wash: 2006<br />
Shanghai New Ink and Wash<br />
Exhibition, Zhu Qizhan <strong>Art</strong><br />
Museum, Duolun Museum of<br />
Modern <strong>Art</strong>, Shanghai, China<br />
International Modern Ink<br />
Painting Exhibition, Manhattan<br />
Asian Cultural Center, New<br />
York, NY, USA<br />
Crossing: Modes of Contemporary<br />
Ink and Wash, <strong>Art</strong> Gallery<br />
of Tianjin Academy of Fine <strong>Art</strong>s,<br />
Tianjin, China<br />
Chinese Ink and Wash Documentary<br />
Exhibition 1976-2006,<br />
Nanjing Museum, Nanjing,<br />
China<br />
Chinese Contemporary <strong>Art</strong><br />
Documentary, New Millennium<br />
Monument <strong>Art</strong> Museum, Beijing,<br />
China<br />
2005<br />
Experiences and Consciousness:<br />
Beijing Film University<br />
New Media <strong>Art</strong> Festival, Beijing<br />
Film University, Beijing, China<br />
Experimental Ink and Wash<br />
Retrospective Exhibition 1985-<br />
2000, Shenzhen <strong>Art</strong> Academy<br />
Exhibition Hall, Shenzhen, China<br />
Encre de Chine Expérimentale,<br />
Conference at the Cité Internationale<br />
des <strong>Art</strong>s, Paris, France<br />
Salute to ‘85: 1985-2005,<br />
Shanghai Duolun Museum of<br />
Modern <strong>Art</strong>, Shanghai, China<br />
Book/Non-Book: Opened<br />
Space and Time of Calligraphy,<br />
<strong>Art</strong> Museum of the Chinese<br />
Academy of Fine <strong>Art</strong>s, Hangzhou,<br />
China<br />
Metaphysics 2005: Black and<br />
White, Shanghai <strong>Art</strong> Museum,<br />
Shanghai, China<br />
2004<br />
Irrelevant to Reality! Contemporary<br />
Chinese <strong>Art</strong> Exhibition, Liu<br />
Haisu <strong>Art</strong> Museum, Shanghai,<br />
China<br />
Dream of the Dragon’s Nation-<br />
Contemporary <strong>Art</strong> from China,<br />
Irish Museum of Modern <strong>Art</strong>,<br />
Dublin, Ireland<br />
International <strong>Art</strong> and Design<br />
Festival, the Seventh Regiment<br />
Armory, New York, NY, USA<br />
Fu Baoshi Prize: Ink and Wash<br />
Painting Nanjing Triennial,<br />
Jiangsu <strong>Art</strong> Museum, Nanjing,<br />
China<br />
Yokohama International Film<br />
Festival: Visual Group, Neo-Academicism<br />
of China, Bank <strong>Art</strong><br />
1929, Yokohama, Japan<br />
4th Shenzhen International<br />
Biennale of Ink and Wash, Guan<br />
Shanyue <strong>Art</strong> Museum, Shenzhen<br />
<strong>Art</strong> Academy Exhibition<br />
Hall, Shenzhen, China<br />
2003<br />
Chinese <strong>Art</strong> Today, China Millennium<br />
Monument <strong>Art</strong> Museum,<br />
Beijing, China<br />
Exhibition of Chinese Experimental<br />
Ink and Wash, Red Gate<br />
Gallery, Beijing, China<br />
2002<br />
17th Asian International <strong>Art</strong><br />
Exhibition, Daejeon (Taejon) <strong>Art</strong><br />
Museum, Daejeon, Korea<br />
Hong Kong <strong>Art</strong> Gallery Collection<br />
Exhibition, Hong Kong <strong>Art</strong><br />
Gallery, Hong Kong, China<br />
Ground Zero: Material <strong>Art</strong> Invitational<br />
Exhibition, <strong>Art</strong> Museum<br />
of Central Academy of Fine<br />
<strong>Art</strong>s, Beijing, China<br />
«Ost + West» Ausstellung für<br />
die Zeitgenössische Kunst aus<br />
China, Künstlerhaus in Wien,<br />
Vienna, Austria<br />
New Era of Ink and Wash:<br />
Cross-Straits Exchange Exhibition<br />
of Contemporary Ink and<br />
Wash, Jeff Hsu’s <strong>Art</strong> Gallery,<br />
Taipei, China<br />
2001<br />
‘Dream_01’, Contemporary Chinese<br />
<strong>Art</strong>, The Atlantis Gallery,<br />
London, UK<br />
32nd Düsseldorf Modern<br />
<strong>Art</strong> Exhibition, Düsseldorf<br />
Exhibition Centre,<br />
Düsseldorf, Germany<br />
Exhibition of Metaphysical<br />
and Physical, Shanghai <strong>Art</strong><br />
Gallery, Shanghai, China<br />
20 Years of Experiment in Chinese<br />
Ink and Wash, Guangdong<br />
<strong>Art</strong> Museum, Guangzhou, China<br />
16th Asian International <strong>Art</strong><br />
Exhibition, Guangdong <strong>Art</strong> Museum,<br />
Guangzhou, China<br />
Abstract Ink and Wash Invitational<br />
Exhibition, Xi’an International<br />
Exhibition Centre, Xi’an,<br />
China<br />
2000<br />
New Chinese Painting, Liu Haisu<br />
<strong>Art</strong> Gallery, Shanghai; Jiangsu<br />
<strong>Art</strong> Museum, Nanjing, China<br />
International Contemporary <strong>Art</strong><br />
Exchange Exhibition, Jiangsu<br />
<strong>Art</strong> Museum, Nanjing, China<br />
Shanghai <strong>Art</strong> Gallery Collection<br />
Exhibition, Shanghai, China<br />
1999<br />
Exhibition of “Existence” and<br />
“Expression”, Gallery of Tianjin<br />
Academy of Fine <strong>Art</strong>s, Tianjin,<br />
China<br />
14th Asian International <strong>Art</strong> Exhibition,<br />
Fukuoka Modern <strong>Art</strong><br />
Gallery, Fukuoka, Japan<br />
Dialogue 1999, <strong>Art</strong> Gallery of<br />
Beijing International <strong>Art</strong> Palace,<br />
Beijing, TEDA (Tianjin Economic-Technological<br />
Development<br />
Area) Contemporary <strong>Art</strong><br />
Museum, Tianjin, China<br />
At the Edge of Ink and Wash:<br />
Exhibition of Works on Paper,<br />
Hongkong <strong>Art</strong>s Development<br />
Council/ Visual <strong>Art</strong>s Space Gallery,<br />
Hong Kong, China<br />
1998<br />
Inside Out: New Chinese <strong>Art</strong><br />
Exhibition, P.S.1 Gallery, New<br />
York Modern <strong>Art</strong> Gallery,<br />
Henry <strong>Art</strong> Gallery New York,<br />
NY, San Francisco, CA, Seattle,<br />
WA, USA; Monterey Museum<br />
of Contemporary <strong>Art</strong>, Mexico,<br />
National Gallery of Australia,<br />
Canberra, Australia, Hong<br />
Kong <strong>Art</strong>s Development Council/<br />
<strong>Art</strong> Space Museum of <strong>Art</strong>,<br />
Hong Kong, China.<br />
Shanghai Biennale, Shanghai<br />
<strong>Art</strong> Museum, Shanghai, China<br />
13th Asian International <strong>Art</strong><br />
Exhibition, National <strong>Art</strong> Gallery,<br />
Kuala Lumpur, Malaysia<br />
Looking Back to Chang’an:<br />
Invitational Exhibition of<br />
Modern Ink and Wash for<br />
Collection, Xi’an <strong>Art</strong> Museum,<br />
Xi’an, China<br />
1997<br />
Grand Exhibition of Chinese<br />
<strong>Art</strong>, Shanghai <strong>Art</strong> Museum,<br />
Shanghai, China<br />
Stars of the Century: Chinese<br />
<strong>Art</strong> Biennale, Ontario <strong>Art</strong> Museum,<br />
Toronto, Canada<br />
1996<br />
Symposium on Chinese Ink and<br />
Wash: Toward the 21st Century<br />
and Exhibition for Viewing<br />
and Emulating, <strong>Art</strong> Gallery of<br />
South China Normal University,<br />
Guangzhou, China<br />
1994<br />
Zero: <strong>Art</strong> Exhibition, Flanders<br />
Exhibition Center, Ghent, Belgium<br />
1992<br />
Invitational Exhibition of<br />
Traditional Chinese Painting,<br />
Research Institute of Traditional<br />
Chinese Painting, Beijing, China<br />
1991<br />
2nd Exhibition of Chinese<br />
Realistic Painting with Fine<br />
Brushwork, Museum of Chinese<br />
History, Beijing, China<br />
1st International Fan Painting<br />
Exhibition, Beijing Concert Hall<br />
Gallery, Beijing, China<br />
Exhibition of Prize-Winning<br />
Works of Ge Shan Painting<br />
Competition, Ge Shan <strong>Art</strong> Gallery,<br />
Taiwan, China; Empress<br />
Place Museum, Singapore<br />
1990<br />
27th Asian Modern <strong>Art</strong> Exhibition,<br />
Tokyo-to <strong>Art</strong> Museum,<br />
Ueno Royal Museum, Tokyo,<br />
Japan<br />
Spring Exhibition of 1990,<br />
Research Institute of Traditional<br />
Chinese Painting, Beijing, China<br />
1989<br />
Chinese New Literati Painting,<br />
Research Institute of Traditional<br />
Chinese Painting, Beijing, China<br />
1988<br />
1st Exhibition of Chinese Realistic<br />
Painting with Fine Brushwork,<br />
National <strong>Art</strong> Museum of<br />
China, Beijing, China<br />
1986<br />
New Construction of Chinese<br />
Painting Exhibition, Hao Zhen<br />
Gallery, Singapore
Exhibition Curator:<br />
2010<br />
The End of Ink and Wash Painting<br />
– Exhibition of Contemporary<br />
<strong>Art</strong>: From Ink and Wash<br />
Painting to Ink and Wash, Da<br />
Xiang <strong>Art</strong> Space, Taichung,<br />
China<br />
2009<br />
Site: Contemporary <strong>Art</strong> Exhibition,<br />
Da Xiang <strong>Art</strong> Space,<br />
Taichung, China<br />
The End of Ink and Wash<br />
Painting! Creating One’s Own<br />
Contemporary <strong>Art</strong>, Red Gate<br />
Gallery, Beijing, China<br />
2008<br />
Ink and Wash Ink and Wash<br />
Painting, HJY (Hejingyuan) <strong>Art</strong><br />
Gallery, Beijing, China<br />
2007<br />
Traces and Temperament: Contemporary<br />
<strong>Art</strong> Exhibition, Red<br />
Gate Gallery, Beijing, China<br />
2006<br />
Crossing: Modes of Contemporary<br />
Ink and Wash, <strong>Art</strong> Gallery<br />
of Tianjin Academy of Fine <strong>Art</strong>s,<br />
Tianjin, China<br />
2005<br />
Nature: Experimental Ink Painting,<br />
Red Gate Gallery, Beijing,<br />
China<br />
Upcoming Ink Painting: Modern<br />
Ink Painting Exhibition, Palais<br />
Rihour, Lille, France<br />
Salute to ‘85: 1985-2005,<br />
Shanghai Duolun Museum of<br />
Modern <strong>Art</strong>, Shanghai, China<br />
2003<br />
Exhibition of Chinese Experimental<br />
Ink and Wash, Red Gate<br />
Gallery, Beijing, China<br />
1999<br />
Dialogue 1999, <strong>Art</strong> Gallery of<br />
Beijing International <strong>Art</strong> Palace,<br />
Beijing, TEDA (Tianjin Economic-Technological<br />
Development<br />
Area)<br />
1996<br />
Symposium on Chinese Ink and<br />
Wash Toward the 21st Century<br />
and Exhibition for Viewing<br />
and Emulating, <strong>Art</strong> Gallery of<br />
South China Normal University,<br />
Guangzhou, China<br />
1995<br />
Ink and Light: Contemporary<br />
Chinese Abstract Ink and Wash<br />
Exhibition, Flanders Exhibition<br />
Center, Ghent, Belgium<br />
1993<br />
Chinese Contemporary Color<br />
Ink <strong>Art</strong> Exhibition, National <strong>Art</strong><br />
Museum of China, Beijing, China<br />
Six Chinese Modern Ink and<br />
Wash <strong>Art</strong>ists Exhibition, Rong<br />
Bao Zhai, Beijing, China<br />
1991<br />
1st International Fan Painting<br />
Exhibition, Beijing Concert Hall<br />
Gallery, Beijing, China<br />
1990<br />
Group Exhibition of Five Contemporary<br />
<strong>Art</strong>ists, Contemporary<br />
<strong>Art</strong> Museum, Beijing, China<br />
Personal Publications:<br />
01. Gallery of Chinese Modern<br />
Ink and Wash Personalities<br />
Wang Mengqi and Zhang Yu,<br />
Henan <strong>Art</strong> Publishing House<br />
1992<br />
02. Chinese Contemporary<br />
Ink and Wash <strong>Art</strong>ist - Zhang<br />
Yu, Hunan Fine <strong>Art</strong>s Publishing<br />
House 1994<br />
03. ZHANG YU, Tao Water<br />
<strong>Art</strong> Gallery, W Barnstable/<br />
Provincetown, MA, USA 1999<br />
04. History of Black and<br />
white: Chinese Contemporary<br />
Experimental Ink Painting—<br />
Zhang Yu, Hubei Fine <strong>Art</strong>s<br />
Publishing House 1999<br />
05. Zhang Yu’s Inspiration<br />
Works, Goedhuis Contemporary<br />
<strong>Art</strong> Gallery, USA, 2004<br />
06. Zhang Yu’s Fingerprint<br />
Works, Goedhuis Contemporary<br />
<strong>Art</strong> Gallery, USA, 2007<br />
07. Fingerprints - Zhang Yu<br />
1991— 2008, Hunan Fine <strong>Art</strong>s<br />
Publishing House 2008<br />
08. Zhang Yu: A Case Study<br />
of a Contemporary <strong>Art</strong>ist<br />
1984—2008, chief editor Yin<br />
Shuangxi, Hunan Fine <strong>Art</strong>s<br />
Publishing House 2008<br />
09. Fingerprints: Traces<br />
of Zhang Yu’s Cultivation<br />
Practice 2008-2009, Kuandu<br />
Museum of Fine <strong>Art</strong>s, Taipei,<br />
China, 2009<br />
10. Zhang Yu’s “One-Finger<br />
Chan”: Cultural and Spiritual<br />
Exploration, Da Xiang <strong>Art</strong><br />
Space 2009<br />
11. Zhang Yu: From Abstraction<br />
to Essence Image, (chief<br />
editor Liu Xuguang) Henan<br />
University Publishing House,<br />
Henan, China, 2009<br />
12. Zhang Yu--Diffused<br />
Fingerprints, Da Xiang <strong>Art</strong><br />
Space, <strong>Art</strong>ist magazine, Taipei,<br />
China, 2010<br />
13. Self-Cultivation – Zhang<br />
Yu Fingerprints 1991-2011,<br />
(chief editor Feng Boyi), Today<br />
<strong>Art</strong> Museum, China, 2011<br />
14. Fingerprints – Zhang Yu,<br />
Sundaram Tagore Gallery,<br />
New York, NY, Beverly Hills,<br />
CA, USA, Hong Kong, China,<br />
2011<br />
15. Fingerprints, <strong>Sem</strong>-<strong>Art</strong> Gallery<br />
Monaco Gallery, Monaco,<br />
2012<br />
Other Publications:<br />
01. Chinese Modern Ink and<br />
Wash Painting, chief editor<br />
Zhang Yu Tianjin Yangliuqing<br />
Fine <strong>Art</strong> <strong>Press</strong> 1991<br />
02. Trends in Modern Chinese<br />
Ink and Wash, vol. I chief editor<br />
Zhang Yu, Tianjin Yangliuqing<br />
Fine <strong>Art</strong> <strong>Press</strong> 1993<br />
03. Trends in Modern Chinese<br />
Ink and Wash, vol. II chief editor<br />
Zhang Yu, Tianjin Yangliuqing<br />
Fine <strong>Art</strong> <strong>Press</strong> 1994<br />
04. Trends in Modern Chinese<br />
Ink and Wash, vol. III chief<br />
editor Zhang Yu, Heilongjiang<br />
Fine <strong>Art</strong>s Publishing House<br />
1996<br />
05. History of Black and White:<br />
Chinese Contemporary Experimental<br />
Ink Painting 1992-1999,<br />
planned and coordinated by<br />
Zhang Yu, Hubei Fine <strong>Art</strong>s<br />
Publishing House 1999<br />
06. Trends in Modern Chinese<br />
Ink and Wash, vol. IV chief<br />
editor Zhang Yu, Heilongjiang<br />
Fine <strong>Art</strong>s Publishing House<br />
2000<br />
07. Chinese Open and Experimental<br />
Ink and Wash, chief<br />
editor Zhang Yu, The Milky<br />
Way Publishing Co Hong Kong<br />
2002<br />
08. Chinese Experimental Ink<br />
and Wash 1993-2003, planned<br />
and coordinated by Zhang Yu,<br />
Heilongjiang Fine <strong>Art</strong>s Publishing<br />
House 2004 09. Properties:<br />
Report of Experimental<br />
Ink and Wash, chief editor<br />
Zhang Yu, Hubei Fine <strong>Art</strong>s<br />
Publishing House 2005<br />
10. Upcoming Ink Painting:<br />
Contemporary Experimental<br />
Ink and Wash, chief editor<br />
Zhang Yu, Pacific <strong>Press</strong> Paris,<br />
France 2005<br />
11. Traces and Temperament,<br />
chief editor Zhang Yu, Hong<br />
Kong Asian Culture Communication<br />
Association 2007<br />
12. Site (끝), chief editor Zhang<br />
Yu, Da Xiang <strong>Art</strong> Space 2009<br />
13. Back to the Essence – From<br />
Ink Painting to Ink, chief editor<br />
Zhang Yu, Da Xiang <strong>Art</strong> Space,<br />
Taichung, China 2010
In <strong>Art</strong> History:<br />
01. Chinese Contemporary<br />
<strong>Art</strong> Documents 1989-1990,<br />
by Lü Peng, Hunan Fine <strong>Art</strong>s<br />
Publishing House, 1991<br />
02. ’90s Contemporary <strong>Art</strong><br />
China, by Lü Peng, Hunan<br />
Fine <strong>Art</strong>s Publishing House,<br />
1999<br />
03. A History of Fine <strong>Art</strong>s in<br />
New China 1949-1999, by<br />
Zou Yuejin, Hunan Fine <strong>Art</strong>s<br />
Publishing House, 2002<br />
04. Portraits of the 100<br />
Most Influential <strong>Art</strong>ists in<br />
Contemporary Chinese <strong>Art</strong>,<br />
chief editor Gao Minglu, Hubei<br />
Fine <strong>Art</strong>s Publishing House,<br />
2005<br />
05. Retrospective of<br />
Experimental Ink and Wash<br />
1985-2000, by Lü Peng,<br />
Hunan Fine <strong>Art</strong>s Publishing<br />
House, 2005<br />
06. An <strong>Art</strong> History of<br />
Twentieth-Century China, by<br />
Lü Peng, Peking University<br />
<strong>Press</strong>, 2006<br />
07. <strong>Art</strong>ists in <strong>Art</strong> History, by<br />
Lü Peng, Hunan Fine <strong>Art</strong>s<br />
Publishing House, 2008<br />
08. 60 Years of Chinese Fine<br />
<strong>Art</strong>s1949- 2009, People’s<br />
Publishing House, 2009<br />
09. 30 Years’ Exploration<br />
of Chinese Contemporary<br />
<strong>Art</strong> 1979-2009, by Lü Peng,<br />
Hunan Fine <strong>Art</strong>s Publishing<br />
House 2009<br />
10. Total Modernity and the<br />
Avant- garde in Twentiethcentury<br />
Chinese art, by Gao<br />
Minglu, MIT <strong>Press</strong>, 2011<br />
11. <strong>Art</strong> of Modern China, by<br />
Julia F. Andrews and Kuiyi<br />
Shen, University of California<br />
<strong>Press</strong>, 2011<br />
Main Collectors:<br />
Metropolitian Museum, New<br />
York, U.S.A<br />
Red Mansion Foundation,<br />
London, UK<br />
Guangdong <strong>Art</strong> Gallery,<br />
Guangzhou, China<br />
Da Xiang <strong>Art</strong> Space,<br />
Taichung, China<br />
Hong Kong <strong>Art</strong> Museum,<br />
Hong Kong, China<br />
Benetton Museum, Italy<br />
Belyaevo Modern Modern<br />
<strong>Art</strong> Museum, Moscow,<br />
Russia<br />
Louisiana <strong>Art</strong> Museum,<br />
Humlebæk, Denmark<br />
University of Louvain<br />
Museum, Louvain, Belgium<br />
The Estella Collection<br />
Foundation, New York, U.S.A<br />
Shuhua <strong>Art</strong> Educational<br />
Foundation, San Francisco,<br />
U.S.A<br />
Chinese Culture Center, San<br />
Francisco, U.S.A<br />
Geodhuis Modern <strong>Art</strong><br />
Gallery, New York, U.S.A<br />
Jingquan Gallery, Boston,<br />
U.S.A<br />
Fang Gallery, California, U.S.A<br />
<strong>Sem</strong> <strong>Art</strong> Gallery, Monte<br />
Carlo, Monaco<br />
Ucity <strong>Art</strong> Museum of GAFA,<br />
Guangzhou, China<br />
Chengdu Modern <strong>Art</strong><br />
Museum, Chengdu, China<br />
TEDA <strong>Art</strong> Gallery, Tianjin,<br />
China<br />
Howmuseum, Shanghai,<br />
China<br />
Meilun <strong>Art</strong> Gallery, Changsha,<br />
China<br />
Fine <strong>Art</strong>s Documents <strong>Art</strong><br />
Gallery, Wuhan, Hubei<br />
Yuan Zhaotang <strong>Art</strong><br />
Collection Gallery, Shenzhen,<br />
China<br />
Huitai <strong>Art</strong> Center, Tianjin,<br />
China<br />
Chengwei Ventures LLC<br />
Fundation, Shanghai, China<br />
Sanchuan Gallery, Beijing,<br />
China<br />
Wanlong Enterprise Group,<br />
Xi’an, China<br />
Olenska Foundation<br />
<strong>Art</strong> Museum, Geneva,<br />
Switzerland<br />
Royal Academy of Fine <strong>Art</strong>s,<br />
Antwerp, Belgium<br />
National <strong>Art</strong> Museum of<br />
China, Beijing, China<br />
Shanghai <strong>Art</strong> Gallery,<br />
Shanghai, China<br />
Rong Bao Zhai, Beijing,<br />
China<br />
Hanmo <strong>Art</strong> Gallery, Beijing,<br />
China