VAN DEN BROEK - SEM-ART Gallery
VAN DEN BROEK - SEM-ART Gallery
VAN DEN BROEK - SEM-ART Gallery
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KOEN<br />
<strong>VAN</strong> <strong>DEN</strong> <strong>BROEK</strong><br />
(1898 - 1967)<br />
Koen Van Den Broek makes paintings that deal with<br />
the edges of urban spaces, as well as both the built<br />
and un-built landscape. His series of border paintings<br />
(2000-2002) are large-scale semiabstract canvases that<br />
employ flat, unmodulated areas of colour, to investigate<br />
architectonic boundaries such as the wall of a house,<br />
the straight perspective of a road, or the edge of an<br />
urban sidewalk. They intimate a journey to an unknown<br />
destination, out of view of the canvas, directing the<br />
viewer’s gaze away from the its surface to a distant<br />
point beyond the depicted field, creating what the artist<br />
describes as a visual confusion regarding depth and<br />
perspective. Much of Van Den Broek’s work evokes the<br />
huge, broad landscapes of North America, in particular,<br />
the interstate system of LA and its boundaries, where<br />
the artist has spent several months living and working.<br />
Following on from the Border paintings, Van Den Broek<br />
made a series of pictures which depicted engineered<br />
structures such as bridges and viaducts, from which this<br />
painting, Viaduct (2002) is an example. Always devoid<br />
of human presence they are silent monuments, denied<br />
of their use, seeming almost dumb and inert. While<br />
Architecture is often a starting point for the pictures, the<br />
final image is an abstracted, codified composition, often<br />
a depiction of only a fragment or detail of the structure in<br />
question. For Van Den Broek the subject of architecture,<br />
using lines to configure and build in space, is analogous to<br />
the act of constructing his canvases where a few strokes<br />
and blocks of colour can depict a large, landscaped<br />
perspective. Absence is a vital component in this work:<br />
what the pictures don’t say is as important as what they<br />
clearly evoke. Using a snapshot as starting point, the<br />
images undergo a journey from reality to photograph,<br />
from photograph to painting, where the original subject<br />
is many times removed. In this way, an un-peopled but<br />
irreducible world is created.<br />
Alexandra Bradley<br />
<strong>SEM</strong>-<strong>ART</strong><br />
20, avenue de la Costa<br />
98000 - MONACO<br />
Tel. : +377 97 70 50 70<br />
Fax : +377 97 70 50 77<br />
info@sem-art.mc<br />
www.sem-art.mc<br />
1
2<br />
Koen <strong>VAN</strong> DER <strong>BROEK</strong><br />
LE BATEAU INCONNU, 2010<br />
90 x 60 cm<br />
Oil on canvas
3<br />
Koen <strong>VAN</strong> <strong>DEN</strong> <strong>BROEK</strong><br />
UNDEFINED, 2011<br />
135 x 90 cm<br />
Oil on Belgian linen<br />
Signed
4<br />
Koen <strong>VAN</strong> <strong>DEN</strong> <strong>BROEK</strong><br />
THE GREEN HOUSE, 2011<br />
150 x 100 cm<br />
Oil on Belgian linen<br />
Signed
5<br />
Koen <strong>VAN</strong> <strong>DEN</strong> <strong>BROEK</strong><br />
STAR ISLAND RD #2, 2011<br />
165 x 110 cm<br />
Oil on Belgian linen<br />
Signed
6<br />
Koen <strong>VAN</strong> DER <strong>BROEK</strong><br />
W. LANCASTER AVE, 2010<br />
180 x 120 cm<br />
OIl on canvas
7<br />
Koen <strong>VAN</strong> <strong>DEN</strong> <strong>BROEK</strong><br />
GRAND PRIX, 2010<br />
180 x 120 cm<br />
Oil on canvas
8<br />
Koen <strong>VAN</strong> DER <strong>BROEK</strong><br />
SIGN OVER RED AND YELLOW BORDER, 2010<br />
90 x 60 cm<br />
Oil on canvas
9<br />
Koen <strong>VAN</strong> <strong>DEN</strong> <strong>BROEK</strong><br />
THE FOREST #1, 2005<br />
50 x 75 cm<br />
Oil on canvas
10<br />
Koen <strong>VAN</strong> <strong>DEN</strong> <strong>BROEK</strong><br />
MESQUITE FLAT, 2009<br />
266 x 400 cm<br />
Oil on canvas
11<br />
BELGIAN <strong>ART</strong> Exhibition at <strong>SEM</strong>-<strong>ART</strong> GALLERY
12<br />
BRAFA 2012: <strong>SEM</strong>-<strong>ART</strong> GALLERY BOOT